::''This is a list of compositions by

Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leadin ...

genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...

. There is a separate list by opus number.'' Chopin, by Wodzinska

Most of Chopin's compositions were for solo

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...

, although he did compose two

piano concerto A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpiec ...

s as well as some other music for ensembles. His larger scale works such as

sonatas Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cant ...

, the four

scherzi A scherzo (, , ; plural scherzos or scherzi), in western world, western classical music, is a short composition – sometimes a Movement (music), movement from a larger work such as a symphony or a sonata. The precise definition has varied over ...

, the four

ballade Ballad is a form of narrative poetry, often put to music, or a type of sentimental love song in modern popular music. Ballad or Ballade may also refer to: Music Genres and forms * Ballade (classical music), a musical setting of a literary ballad ...

s, the Fantaisie in F minor, Op. 49, and the Barcarolle in F major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the

polonaise The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meani ...

mazurka The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character de ...

waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ...

es,

impromptu An impromptu (, , loosely meaning "offhand") is a free-form musical composition with the character of an ''ex tempore'' improvisation as if prompted by the spirit of the moment, usually for a solo instrument, such as piano. According to ''Allgeme ...

s and

nocturne A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '' nocturne'' 'of the night') was first applied to musical pieces in the 18th century, when it indicated an ensembl ...

s. Two important collections are the Études, Op. 10 and 25 (which are a staple of that genre for pianists), and the 24 Preludes, Op. 28 (a cycle of short pieces paired in a major key/relative minor key pattern following the

circle of fifths In music theory, the circle of fifths is a way of organizing the 12 chromatic pitches as a sequence of perfect fifths. (This is strictly true in the standard 12-tone equal temperament system — using a different system requires one interval ...

in clockwise steps). Also, Chopin wrote numerous song settings of Polish texts, and chamber pieces including a

piano trio A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musi ...

and a

cello sonata A cello sonata is usually a sonata written for solo cello with piano accompaniment. The most famous Romantic-era cello sonatas are those written by Johannes Brahms and Ludwig van Beethoven. Some of the earliest cello sonatas were written in the 1 ...

. This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown (B),

Krystyna Kobylańska Krystyna Kobylańska (6 August 1925 in Brześć, Poland – 30 January 2009 in Milanówek, Poland) was a Polish musicologist Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholar ...

(KK), Józef Michał Chomiński (A, C, D, E, P, S), and

Jan Ekier Jan Stanisław Ekier (29 August 1913 – 15 August 2014) was a Polish pianist and composer known for his authoritative edition of Chopin's music for the Chopin National Edition. Biography Ekier was born in Kraków, Poland. As a youth, he ...

( WN, Dbop.).

Piano solo

Ballades

* Op. 23: Ballade No. 1 in G minor (composed 1835–36) * Op. 38: Ballade No. 2 in F major (1836–39) * Op. 47: Ballade No. 3 in A major (1841) * Op. 52: Ballade No. 4 in F minor (1842–43)

Études

Nicknames have been given to most of Chopin's Études over time, but Chopin himself never used nicknames for these pieces, nor did he name them. * Op. 10, 12 Études: # Étude in C major (1830) # Étude in A minor (1830) # Étude in E major (1832) # Étude in C minor (1832) # Étude in G major (1830) # Étude in E minor (1830) # Étude in C major (1832) # Étude in F major (1829) # Étude in F minor (1829) # Étude in A major (1829) # Étude in E major (1829) # Étude in C minor (1831) * Op. 25, 12 Études: # Étude in A major (1836) # Étude in F minor (1836) # Étude in F major (1836) # Étude in A minor (1832–1834) # Étude in E minor (1832–1834) # Étude in G minor (1832–1834) # Étude in C minor (1836) # Étude in D major (1832–1834) # Étude in G major (1832–1834) # Étude in B minor (1832–1834) # Étude in A minor (1834) # Étude in C minor (1836) *

Trois nouvelles études Frédéric Chopin wrote his ''Trois nouvelles études'' ("three new studies") for piano in 1839, as a contribution to "Méthode des méthodes de piano", a piano instruction book by Ignaz Moscheles and François-Joseph Fétis. They are often erro ...

(1839; Dbop. 36A, B, C): # Étude in F minor # Étude in A major # Étude in D major

Impromptus

* Op. 29: Impromptu No. 1 in A major (1837) * Op. 36: Impromptu No. 2 in F major (1839) * Op. 51: Impromptu No. 3 in G major (1843) * * Op. 66 (posth.); WN 46: Fantaisie-Impromptu in C minor (1834/1835)

Mazurkas

* Op. 6, Four Mazurkas (1830–32) # Mazurka in F minor # Mazurka in C minor # Mazurka in E major # Mazurka in E minor * Op. 7, Five Mazurkas (1830–32) # Mazurka in B major # Mazurka in A minor (1829, revised 1830) # Mazurka in F minor # Mazurka in A major (1824, revised 1830) # Mazurka in C major * Op. 17, Four Mazurkas (1833) # Mazurka in B major # Mazurka in E minor # Mazurka in A major # Mazurka in A minor * Op. 24, Four Mazurkas (1835) # Mazurka in G minor # Mazurka in C major # Mazurka in A major # Mazurka in B minor * Op. 30, Four Mazurkas (1837) # Mazurka in C minor # Mazurka in B minor # Mazurka in D major # Mazurka in C minor * Op. 33, Four Mazurkas (1838) # Mazurka in G minor # Mazurka in D major # Mazurka in C major # Mazurka in B minor * Op. 41, Four Mazurkas (1839–40) # Mazurka in C minor # Mazurka in E minor # Mazurka in B major # Mazurka in A major * Mazurka in A minor (No. 50; "Notre Temps"; 1840; pub. 1841 in ''Six morceaux de salon'', without Op. number; B. 134; KK IIb/4; S 2/4; Dbop. 42A) * Mazurka in A minor (No. 51; "Émile Gaillard"; 1840; pub. 1841 in ''Album de pianistes polonais'', without Op. number; B. 140; KK IIb/5; S 2/5; Dbop. 42B) * Op. 50, Three Mazurkas (1842) # Mazurka in G major # Mazurka in A major # Mazurka in C minor * Op. 56, Three Mazurkas (1844) # Mazurka in B major # Mazurka in C major # Mazurka in C minor * Op. 59, Three Mazurkas (1845–46) # Mazurka in A minor # Mazurka in A major # Mazurka in F minor * Op. 63, Three Mazurkas (1846-7) # Mazurka in B major # Mazurka in F minor # Mazurka in C minor

Published in Poland during early years

* Two Mazurkas (unnumbered; 1826; pub. 1826, without an Op. number; B. 16, KK IIa/2-3, S 1, No. 2): ** a. Mazurka in G major (WN 8) ** b. Mazurka in B major (WN 7)

Posthumously published

= With opus numbers

= * Op. posth. 67, Four Mazurkas (Nos. 42–45; pub. 1855): # Mazurka in G major (1833; WN 26) # Mazurka in G minor (1849; WN 64) # Mazurka in C major (1835; WN 48) # Mazurka in A minor (1846; WN 60) * Op. posth. 68, Four Mazurkas (Nos. 46–49; pub. 1855): # Mazurka in C major (1829; WN 24) # Mazurka in A minor (1827; WN 14) # Mazurka in F major (1829; WN 25) # Mazurka in F minor (1849; WN 65; Last composition)

= Without opus numbers

= * Mazurka in C major (1833; pub. 1870; B. 82; KK IVB/3; P 2/3) * Mazurka in D major (1829; pub. 1875; B 31/71; KK IVa/7; P 1/7) * Mazurka in B major (1832; pub. 1909; B. 73; KK IVb/1; P 2/1; WN 41) * Mazurka in D major "Mazurek" (doubtful, 1820?; pub. 1910; B. 4; KK Anh Ia/1; A 1/1) * Mazurka in A major (1834; pub. 1930; B. 85; KK IVb/4; P 2/4; WN 45) * Mazurka in D major (1832; pub. ?; P 2/2)

Nocturnes

* Op. 9, Three Nocturnes (1830–32): # Nocturne in B minor # Nocturne in E major # Nocturne in B major * Op. 15, Three Nocturnes (1830–33): # Nocturne in F major # Nocturne in F major # Nocturne in G minor * Op. 27, Two Nocturnes (1835-6): # Nocturne in C minor # Nocturne in D major * Op. 32, Two Nocturnes (1836–37): # Nocturne in B major # Nocturne in A major * Op. 37, Two Nocturnes (1838–40): # Nocturne in G minor # Nocturne in G major * Op. 48, Two Nocturnes (1840–41): # Nocturne in C minor # Nocturne in F minor * Op. 55, Two Nocturnes (1843–44): # Nocturne in F minor # Nocturne in E major * Op. 62, Two Nocturnes (1846): # Nocturne in B major # Nocturne in E major

Posthumously published

= With opus numbers

= * Op. posth. 72 (No.2 and No.3 are works other than Nocturnes); WN 23: # Nocturne in E minor (1827–29)

= Without opus numbers

= * P. 1/16; WN 37: Nocturne in C minor, ''Lento con gran espressione'' (1830) * P. 2/8; WN 62: Nocturne in C minor (1837) * A. 1/6: Nocturne in C minor (''Nocturne oubliée'') (spurious)

Polonaises

* Op. 26, Two Polonaises (1833–36) # Polonaise in C minor # Polonaise in E minor * Op. 40, Two Polonaises (1838–40) # Polonaise in A major # Polonaise in C minor * Op. 44: Polonaise in F minor (1840–41) * Op. 53: Polonaise in A major (1842–43) * Op. 61: Polonaise-Fantaisie in A major (1846)

Published in Poland during early years

* KK IIa No. 1; WN 2: Polonaise in G minor (1817; First composition)

Posthumously published

= With opus numbers

= * Op. posth. 71, Three Polonaises: # Polonaise in D minor (1825; WN 11) # Polonaise in B major (1828; WN 17) # Polonaise in F minor (1828; WN 12)

= Without opus numbers

= * KK IVa, Five Polonaises: # Polonaise in B major (1817; WN 1) # Polonaise in A major (1821; WN 3) # Polonaise in G minor (1822; WN 4) # Polonaise in B minor, ''Adieu à Guillaume Kolberg'' (1826; WN 10) # Polonaise in G major (1829; WN 35)

Preludes

* Op. 28, 24 Preludes: # Prelude in C major (composed 1839) # Prelude in A minor (1838) # Prelude in G major (1838–1839) # Prelude in E minor (1838) # Prelude in D major (1838–1839) # Prelude in B minor (1838–1839) # Prelude in A major (1836) # Prelude in F minor (1838–1839) # Prelude in E major (1838–1839) # Prelude in C minor (1838–1839) # Prelude in B major (1838–1839) # Prelude in G minor (1838–1839) # Prelude in F major (1838–1839) # Prelude in E minor (1838–1839) # Prelude in D major (1838–1839) # Prelude in B minor (1838–1839) # Prelude in A major (1836) # Prelude in F minor (1838–1839) # Prelude in E major (1838–1839) # Prelude in C minor (1838–1839) # Prelude in B major (1838–1839) # Prelude in G minor (1838–1839) # Prelude in F major (1838–1839) # Prelude in D minor (1838–1839) * Op. 45: Prelude in C minor (1841)

Posthumously published

* P. 2/7; WN 44: Prelude in A major (1834, published 1918; ded. Pierre Wolff) * A. 1/2: Prelude in F major * Prelude in E minor (recently found)

Rondos

* Op. 1: Rondo in C minor (1825; arr. piano 4-hands 1834) * Op. 5: '' Rondo à la mazur'' in F major (1826) * Op. 16: Rondo in E major (1832)

Posthumously published

* Op. posth. 73; WN 15: Rondo in C major for 2 pianos (1828; arr. piano solo 1840)

Scherzi

* Op. 20: Scherzo No. 1 in B minor (1831–35) * Op. 31: Scherzo No. 2 in B minor (1836–37) * Op. 39: Scherzo No. 3 in C minor (1839–40) * Op. 54: Scherzo No. 4 in E major (1842–43)

Sonatas

* Op. 4 (posth.): Piano Sonata No. 1 in C minor (1828; pub. 1851) * Op. 35: Piano Sonata No. 2 in B minor, ''Funeral March'' (1839–40, Funeral March composed 1837) * Op. 58: Piano Sonata No. 3 in B minor (1844–45)

Variations

* Op. 2: '' Variations on "Là ci darem la mano"'' from

Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...

's ''

Don Giovanni ''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanis ...

'' for piano and orchestra (1827) * Op. 12: ''Variations brillantes'' in B major on "Je vends des scapulaires" from Hérold's ''

Ludovic Ludovic is a given name and has also been a surname. People with the given name A * Ludovic Albós Cavaliere (born 1979), Andorran ski mountaineer * Ludovic Ambruș (born 1946), Romanian wrestler who competed in the 1972 Summer Olympics * Lud ...

'' (1833) * B. 113; Dbop. 29A: Variation in E for ''

Hexameron The term Hexameron (Greek: Ἡ Ἑξαήμερος Δημιουργία ''Hē Hexaēmeros Dēmiourgia'') refers either to the genre of theological treatise that describes God's work on the six days of creation or to the six days of creation them ...

'' (1837; pub. 1839)

Posthumously published

* KK. IVa/6: Introduction, Theme and Variations in D on a Venetian air, piano 4-hands (1826; pub 1965) * B. 12a; WN 5: Variations in D major or B minor on an Irish National Air (from Thomas Moore) for 2 pianos, P. 1/6 (1826) * B. 14; WN 6: Variations in E major on the air "Der Schweizerbub: Steh'auf, steh'auf o du Schweitzer Bub", a.k.a. ''Introduction et Variations sur un Lied allemand'' (1826; pub. 1851) * B. 37; WN 16: Variations in A, ''Souvenir de Paganini'' (1829; pub. 1881)

Lost

* KK. Ve/9: Variations, (January 1818) * KK. Vb/2: Variations in F, piano 4-hands or 2 pianos (1826) * KK. VIIa/3: Variations on a Ukrainian Dumka for violin and piano, by Antoni Radziwill, completed by Chopin (by June 1830)

Waltzes

* Op. 18: ''Grande valse brillante'' in E major (1833) * Op. 34, '' Trois grandes valses brillantes'': # Waltz in A major (1835) # Waltz in A minor (1831) # Waltz in F major (1838) * Op. 42: Waltz in A major (1840) * Op. 64, Three Waltzes: # Waltz in D major, ''Minute Waltz'' (1847) # Waltz in C minor (1847) # Waltz in A major (1840, some sources say 1847)

Posthumously published

= With opus numbers

= * 1852: Two Waltzes, Op. posth. 69: # Waltz in A major, ''L'Adieu'' (1835; WN 47) # Waltz in B minor (1829; WN 19) * 1855: Three Waltzes, Op. posth. 70: # Waltz in G major (1832; WN 42) # Waltz in F minor (1841; WN 55) # Waltz in D major (1829; WN 20)

= Without opus numbers

= * 1868: Waltz in E minor (1830), B. 56, KK IVa/15, P. 1/15, WN 29 * 1871–72: Waltz in E major (c. 1830), B. 44, KK IVa/12, P. 1/12, WN 18 * 1902: Waltz in A major, B. 21, KK IVa/13, P. 1/13, WN 28 * 1902: Waltz in E major, B. 46, KK IVa/14, P. 1/14 * 1955: Waltz in A minor (1843–1848), B. 150, KK IVb/11, P. 2/11, WN 63 * 1955: Waltz in E major (''Sostenuto''), B. 133, KK IVb/10, WN 53 (not always classified as a waltz) * 1932: ~~Waltz in F minor, ''Valse mélancolique'', KK Ib/7, A. 1/7~~. Reattributed to Charles Mayer as ''Le Régret'', Op. 332''The Valse Mélancolique'' 31 December 2012 by Mark Ainley
/ref>

Miscellaneous pieces for solo piano

* Op. 19: Boléro in A minor (1833) * Op. 22: Andante spianato in G major (1831–4) * Op. 43: Tarantelle in A major (1841) * Op. 46: '' Allegro de Concert'' in A major (1832–41) * Op. 49: Fantaisie in F minor (1841) * Op. 57: Berceuse in D major (1844) * Op. 60: Barcarolle in F major (1845–46)

Posthumously published

= With opus numbers

= * Op. posth. 72: # Nocturne in E minor (1827; WN 23) # ''Marche funèbre'' in C minor (1827; B.20; WN 9) # Three Écossaises (1826; B.12; WN 13) ## Écossaise in D major ## Écossaise in G major ## Écossaise in D major

= Without opus numbers

= * B. 17; WN 27: Contredanse in G major (doubtful) (1827) * B. 84; WN 43: Cantabile in B major (1834) * B. 109: Largo in E major (1837) * B. 117; WN 52a: Andantino in G minor (arr. of the piano part of the song ''Wiosna''; 5 different MS exist) (1837) * B. 129a: Canon in F minor (unfinished (1839)) * B. 133; WN 53: Klavierstück in E "Sostenuto" (1840; sometimes classified as a waltz) * B. 144: Fugue in A minor (1841) * B. 151; WN 56: Album Leaf (Moderato) in E major (1843) * B. 160b: 2 Bourrées (1846) * P. 2/13; WN 59: Galopp in A (''Galop Marquis'') (1846) * KK. Vb/1: Andante dolente in B minor (lost) * KK. Ve/3: Écossaise (? date; lost) * KK. Vb/9: Écossaise in B major (1827; lost) * KK. VIIa/2: 3 Fugues (A minor, F major, D minor; arr. from Cherubini's ''Cours de contrepoint et de fugue'')

Piano and orchestra

Concerto

* Op. 11: Piano Concerto No. 1 in E minor (1830) * Op. 21: Piano Concerto No. 2 in F minor (1829–1830)

Miscellaneous

* Op. 2: Variations on "Là ci darem la mano" from

's ''

'', in B major (1827) * Op. 13: '' Fantasy on Polish Airs'', in A major (1828) * Op. 14: ''Rondo à la Krakowiak'', in F major (1828) * Op. 22: ''

Andante spianato et grande polonaise brillante Andante spianato et grande polonaise brillante in E-flat major, Opus number, Op. 22, was composed by Frédéric Chopin between 1830 and 1834. The ''Grande polonaise brillante'' in E-flat, set for piano and orchestra, was written first, in 1830-31. ...

'', in E major (1830–1831)The ''Andante spianato et grande polonaise brillante'' in E-flat, Op. 22, commences with a lengthy piano solo (Andante spianato), which segues into the ''Grande polonaise'', which is scored for piano and orchestra. The work is generally classified as a work for piano and orchestra; however, Chopin also wrote a piano solo version.

Flute and piano

* B.9: Variations in E major on "Non più mesta" from Rossini's ''

La Cenerentola ' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' ...

'', KK. Anh. Ia/5 (? 1824; pub. 1955; spurious)

Cello and piano

* Op. 3: ''Introduction and Polonaise brillante'' in C major (1829–1830) * B. 70; Dbop. 16: ''Grand Duo concertant'' in E major on themes of

Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le d ...

's ''

Robert le diable ''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand o ...

'' (1832; written jointly with

Auguste Franchomme Auguste-Joseph Franchomme (10 April 180821 January 1884) was a French cellist and composer. For his contributions to music, he was decorated with the Légion d'honneur in 1884. Life and career Born in Lille, Franchomme studied at the local conse ...

) * Op. 65: Cello Sonata in G minor (1845–46)

Violin, cello and piano

* Op. 8: Trio for Violin, Cello and Piano in G minor (1830)

Voice and piano

Posthumously published

With opus numbers

*Op. posth. 74, 17 Songs (1829–1847; Polish) # "The Wish" ("Życzenie") (1829; WN 21) # "Spring" ("Wiosna") (1838; WN 52) # "The Sad River" ("Smutna Rzeka") (1831; WN 39) # "Merrymaking" ("Hulanka") (1830; WN 32) # "What She Likes" ("Gdzie lubi") (1829; WN 22) # "Out of My Sight" ("Precz z moich oczu") (1830; WN 33) # "The Messenger" ("Poseł") (1830; WN 30) # "Handsome Lad" ("Śliczny chłopiec") (1841; WN 54) # "From the Mountains, Where They Carried Heavy Crosses elody ("Z gór, gdzie dźwigali strasznych krzyżów brzemię elodia) (1847; WN 61) # "The Warrior" ("Wojak") (1830; WN 34) # "The Double-End" ("Dwojaki koniec") (1845; WN 58) # "My Darling" ("Moja pieszczotka") (1837; WN 51) # "I Want What I Have Not" ("Nie ma czego trzeba") (1845; WN 57) # "The Ring" ("Pierścień") (1836; WN 50) # "The Bridegroom" ("Narzeczony") (1831; WN 40) # "Lithuanian Song" ("Piosnka litewska") (1831; WN 38) # "Leaves are Falling, Hymn from the Tomb" ("Śpiew z mogiłki") (1836; WN 49)

Without opus numbers

* "Enchantment" ("Czary") (1830; WN 31) * "Reverie" ("Dumka") (1840)

Known lost works

* Polonaise for piano, composed 1818. Presented by Chopin to the Empress Maria Feodorowna, mother of the Tsar, on the occasion of her visit to Warsaw on 26 September 1818. * Variations for piano, composed 1818. Mentioned in the "Pamietnik Warzawski" of 1818 * Polonaise 'Barber of Seville' for piano, composed 1825/11. In 1825/11 Chopin wrote to Bialoblocki: "I have done a new Polonaise on the "Barber" which is fairly well liked. I think of sending it to be lithographed tomorrow." * Variations for 2 pianos in F major, composed 1826. Listed by Louise Chopin * Variations on an Irish National Air (from Thomas Moore) for 2 pianos, composed 1826. Stated to be "in D Major or B minor." * Waltz for piano in C major, composed 1826. * ''Andante dolente'' for piano in B minor, composed 1827. Mentioned in the list of Louise Chopin * Ecossaise for piano in B major, composed 1827. Mentioned in the list of Louise Chopin. * Waltz for piano in D minor, composed 1828. Given in Louise's list, with the date, and entitled (? by Louise) 'La partenza' ('The departure') * Waltz for piano (supposedly) in A major, composed 1830/12 (?). Known from a letter Chopin wrote on 21 December 1830 from Vienna to his family.

Notes

References

* * * *

External links

Chopin: the poet of the piano
Complete list of Chopin music with illustration, years of composition and publication, dedications, analyses, and quotes
''Piano Library: Frédéric Chopin''
Complete list of Chopin piano works with musical extracts, difficulty ratings and recommended editions.
''The Chopin Project''
has more information, links, resources, and audio on demand of Chopin's solo keyboard works.
PDF Sheet Music from the Mutopia Project
{{DEFAULTSORT:Chopin, Frederic, List of compositions by Lists of compositions by composer Piano compositions by Polish composers Lists of piano compositions by composer Piano compositions in the Romantic era

Piano solo

Ballades

Études

Impromptus

Mazurkas

Published in Poland during early years

Posthumously published

= With opus numbers

= Without opus numbers

Nocturnes

Posthumously published

= With opus numbers

= Without opus numbers

Polonaises

Published in Poland during early years

Posthumously published

= With opus numbers

= Without opus numbers

Preludes

Posthumously published

Rondos

Posthumously published

Scherzi

Sonatas

Variations

Posthumously published

Lost

Waltzes

Posthumously published

= With opus numbers

= Without opus numbers

Miscellaneous pieces for solo piano

Posthumously published

= With opus numbers

= Without opus numbers

Piano and orchestra

Concerto

Miscellaneous

Flute and piano

Cello and piano

Violin, cello and piano

Voice and piano

Posthumously published

With opus numbers

Without opus numbers

Known lost works

Notes

See also

References

External links