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Fantaisie-Impromptu
Frédéric Chopin's ''Fantaisie-Impromptu'' ( pl, Fantazja-Impromptu) in C minor, Op. posth. 66, WN 46 is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopin's instruction that none of his unpublished manuscripts be published. The ''Fantaisie-Impromptu'' is one of Chopin's most frequently performed and popular compositions.Ernst Oster, "The ''Fantaisie–Impromptu:'' A Tribute to Beethoven", in ''Aspects of Schenkerian Analysis'', David Beach, ed. Yale University Press, 1983 History The ''Fantaisie-Impromptu'' was written in 1834, as were the Four Mazurkas (Op. 17) and the Grande valse brillante in E major (Op. 18), but unlike these other works, Chopin never published the ''Fantaisie-Impromptu''. Instead, Julian Fontana published it posthumously, along with other waltzes Opp. 69 and 70. It is unknown why Chopin did not release the ''Fantaisie-Impromptu''. James Huneker called parts of it "mawkish" and "with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantaisie-Impromptu - Fragment
Frédéric Chopin's ''Fantaisie-Impromptu'' ( pl, Fantazja-Impromptu) in C minor, Op. posth. 66, WN 46 is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopin's instruction that none of his unpublished manuscripts be published. The ''Fantaisie-Impromptu'' is one of Chopin's most frequently performed and popular compositions.Ernst Oster, "The ''Fantaisie–Impromptu:'' A Tribute to Beethoven", in ''Aspects of Schenkerian Analysis'', David Beach, ed. Yale University Press, 1983 History The ''Fantaisie-Impromptu'' was written in 1834, as were the Four Mazurkas (Op. 17) and the Grande valse brillante in E major (Op. 18), but unlike these other works, Chopin never published the ''Fantaisie-Impromptu''. Instead, Julian Fontana published it posthumously, along with other waltzes Opp. 69 and 70. It is unknown why Chopin did not release the ''Fantaisie-Impromptu''. James Huneker called parts of it "mawkish" and "with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chopin National Edition
), commonly referred to as the Chopin National Edition or the Polish National Edition, is an urtext edition of the complete works by Frédéric Chopin, aiming to present his output in its authentic form. Started by Jan Ekier in 1959, the entirety of Chopin's known works were published in 37 volumes from 1967 to 2010, accompanied by source and performance commentaries. The Chopin National Edition is considered the authoritative edition of Chopin's works, and is recommended to contestants of the International Chopin Piano Competition. History In 1959, Jan Ekier started the project of a new critical edition of Chopin's works, as he came to the conclusion that the prevailing Paderewski edition presented a "false image of Chopin's music in many aspects". The first volume of Ballades was published in 1967 by PWM Edition, featuring a minimalist design with white covers. A total of nine volumes were published up to 1991, with a publication rhythm that correlated to each edition of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Oster
Ernst Oster (January 26, 1908 – June 30, 1977) was a German pianist, musicologist, and music theorist. A specialist in the use of Schenkerian Analysis, he was the English translator of Heinrich Schenker's final work, ''Free Composition''. Life Ernst Friedrich Oster"Ernst Friedrich Oster" in ''Index to Petitions for Naturalizations filed in New York City, 1792-1989'', available on Ancestry.com (access by subscription) was born in , ."About the Translator" [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1834 In Music
This article is about music-related events in 1834. Events * September – Viennese ballerina Fanny Elssler makes her debut with the Ballet du Théâtre de l'Académie Royale de Musique at the Paris Opera's Salle Le Peletier. * October 7 – Birmingham Town Hall in Birmingham, England, designed by Joseph Hansom and Edward Welch, is opened for the Birmingham Triennial Music Festival. * Statue of Jean-Jacques Rousseau is erected in his birthplace of Geneva. *Mikhail Glinka returns to Russia after several years away with the intention of composing Russian nationalist music. Publications *Pierre Baillot – ''L'art du violon'' *:fr:J.C. Maugin, J.C. Maugin – Manuel du Luthier Popular music * "Alphabet song" (copyrighted by C. Bradlee) Classical music *Charles-Valentin Alkan – Variations sur un thème de Bellini, Op.16 No.5 *William Sterndale Bennett – Piano Concerto in C Minor *Hector Berlioz – ''Harold in Italy'' *Ole Bull **Violin Concerto No.1, Op.4 **Quartet fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C-sharp Minor
C-sharp minor is a minor scale based on C, with the pitches C, D, E, F, G, A, and B. Its key signature consists of four sharps. The C-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic minor and melodic minor scales are: : : Its relative major is E major. Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor.) Classical music in this key There are only two known symphonies in the 18th century written in this key. One of them is by Joseph Martin Kraus, who appears t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enharmonic
In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently. The enharmonic spelling of a written note, interval, or chord is an alternative way to write that note, interval, or chord. The term is derived from Latin ''enharmonicus'', from Late Latin ''enarmonius'', from Ancient Greek ἐναρμόνιος (''enarmónios''), from ἐν (''en'') and ἁρμονία (''harmonía''). Definition For example, in any twelve-tone equal temperament (the predominant system of musical tuning in Western music), the notes C and D are ''enharmonic'' (or ''enharmonically equivalent'') notes. Namely, they are the same key on a keyboard, and thus they are identical in pitch, although they have different names and different roles in harmony and chord progressions. Arbitrary amounts of accidentals can produce further enharmonic equivalents, such as B (me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallel Major
In music theory, a major scale and a minor scale that have the same tonic note are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." The parallel minor or tonic minor of a particular major key is the minor key based on the same tonic; similarly the parallel major has the same tonic as the minor key. For example, G major and G minor have different modes but both have the same tonic, G; so G minor is said to be the parallel minor of G major. In contrast, a major scale and a minor scale that have the same key signature (and therefore different tonics) are called relative keys. A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Terminology
A variety of musical terms are likely to be encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augusta Emma Wilde, Baroness Truro
Augusta Emma Wilde, Baroness Truro (née d'Este; 11 August 1801 – 21 May 1866) was the daughter of Prince Augustus Frederick, Duke of Sussex, by his marriage with Lady Augusta Murray, second daughter of John Murray, 4th Earl of Dunmore, and Lady Charlotte Stewart. Peerage Her parents were married in Rome and afterwards at St George's, Hanover Square. Following their father's death, Augusta's brother Augustus d’Este claimed the dukedom; but the House of Lords decided against the claim, on the grounds of the invalidity of the prince's marriage, it having been contracted without the consent of the Crown, as required by the Royal Marriages Act 1772 In 1845, when she was 44 years old, she married as his second wife, Sir Thomas Wilde, later Baron Truro (7 July 1782 – 11 November 1855). Although Lord Truro had three surviving children by his first marriage, they had no children. Later life Lady Truro had strong connections with Ramsgate, Kent, resid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cut Time
''Alla breve'' also known as cut time or cut common timeis a musical meter notated by the time signature symbol (a C with a vertical line through it), which is the equivalent of . The term is Italian for "on the breve", originally meaning that the beat was counted on the breve. ''Alla breve'' is a "simple-duple meter with a half-note pulse".Duckworth, William (2009). ''A Creative Approach to Music Fundamentals'', p. 38. . The note denomination that represents one beat is the minim or half-note. There are two of these per bar, so that the time signature may be interpreted as "two minim beats per bar". Alternatively this is read as two beats per measure, where the half note gets the beat. The name "common time" refers to , which has four beats to the bar, each of a quarter note (or crotchet). Modern usage In contemporary use, ''alla breve'' suggests a fairly quick tempo. Thus, it is used frequently for military marches. From about 1600 to 1900, its meaning with regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuplet
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern term, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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