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Parallel Major
In music theory, a major scale and a minor scale that have the same tonic note are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." The parallel minor or tonic minor of a particular major key is the minor key based on the same tonic; similarly the parallel major has the same tonic as the minor key. For example, G major and G minor have different modes but both have the same tonic, G; so G minor is said to be the parallel minor of G major. In contrast, a major scale and a minor scale that have the same key signature (and therefore different tonics) are called relative keys. A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallel Tonic Chords On C
Parallel is a geometric term of location which may refer to: Computing * Parallel algorithm * Parallel computing * Parallel metaheuristic * Parallel (software), a UNIX utility for running programs in parallel * Parallel Sysplex, a cluster of IBM mainframes * Parallel communication * Parallel port * Parallel ATA * Parallel Computers, Inc., an American computer manufacturer of the 1980s Mathematics and science * Parallel circuits, as opposed to series * Parallel (geometry) *Parallel (operator), mathematical function used in electrical engineering * Parallel postulate * Parallel evolution * Parallel transport *Parallel manipulator Navigation * Parallel (latitude), an imaginary east–west line circling a globe * Parallel of declination, used in astronomy Music and entertainment * ''Parallel'' (manga) * ''Parallel'' (2018 film), a Canadian science fiction thriller film * Parallel (2023 film) an upcoming American science fiction thriller film * Parallel key, the minor (or major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Grass Roots
The Grass Roots are an American rock band that charted frequently between 1965 and 1975. The band was originally the creation of Lou Adler and songwriting duo P. F. Sloan and Steve Barri. In their career, they achieved two gold albums, two gold singles and charted singles on the ''Billboard'' Hot 100 a total of 21 times. Among their charting singles, they achieved Top 10 three times, Top 20 six times and Top 40 fourteen times. They have sold over 20 million records worldwide. Until his death in 2011, early member Rob Grill and a newer lineup of the Grass Roots continued to play many live performances each year. By 2012, the group featured no original band members, with a lineup personally chosen by Grill carrying on the legacy of the group with nationwide live performances. The founding years The name "Grass Roots" (originally spelled as one word "Grassroots") originated in mid-1965 as the name of a band project by the Los Angeles songwriter and producer duo of P.F. Sloan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Leading
Voice leading (or part writing) is the linear progression of individual melodic lines ( voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. Rigorous concern for voice leading is of greatest importance in common-practice music, although jazz and pop music also demonstrate attention to voice leading to varying degrees. In ''Jazz Theory'', Gabriel Sakuma writes that " the surface level, jazz voice-leading conventions seem more relaxed than they are in common-practice music."Terefenko, Dariusz (2014). ''Jazz Theory: From Basic to Advanced Study'', p. 33. Routledge. . Marc Schonbrun also states that while it is untrue that "popular music has no voice leading in it, ..the largest amount of popular music is simply conceived with chords as blocks of information, and melodies are layered on top of the chords."Schonbrun, Marc (2011). ''The Everything Music Theory Book'', pp. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picardy Third
A Picardy third, (; french: tierce picarde) also known as a Picardy cadence or Tierce de Picardie, is a major chord of the tonic at the end of a musical section that is either modal or in a minor key. This is achieved by raising the third of the expected minor triad by a semitone to create a major triad, as a form of resolution. For example, instead of a cadence ending on an A minor chord containing the notes A, C, and E, a Picardy third ending would consist of an A major chord containing the notes A, C, and E. The minor third between the A and C of the A minor chord has become a major third in the Picardy third chord. Philosopher Peter Kivy writes: According to Deryck Cooke, "Western composers, expressing the 'rightness' of happiness by means of a major third, expressed the 'wrongness' of grief by means of the minor third, and for centuries, pieces in a minor key had to have a 'happy ending' – a final major chord (the 'tierce de Picardie') or a bare fifth." As a harmonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Major/minor Compositions
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.) The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: * Compositions that would be major/minor but for a final Picardy third stipulated by the composer, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Parallelism
In music, parallel harmony, also known as harmonic parallelism, harmonic planing or parallel voice leading, is the parallel movement of two or more melodies (see voice leading). Illustrative example Lines with parallel harmony can be viewed as a series of chord (music), chords with the same interval (music), intervallic structure. Parallel means that each note within the chord rises or falls by the same interval. Examples from works Prominent examples include: * Claude Debussy's ''Beau soir'' (1880), ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1899), ''La mer (Debussy), La Mer'' (1905), ''La cathédrale engloutie'', "Voiles", "Feuilles mortes" * Maurice Ravel's ''Daphnis et Chloé, Daphnis and Chloë'' Suite No. 2 (1913), "Menuet" from ''Le Tombeau de Couperin'' * Erik Satie's ''Le Fils des étoiles (1892) * Igor Stravinsky's ''The Rite of Spring'' (1913) * Olivier Messiaen's music features abundant planing * Richard Strauss's ''Elek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Don't Have To Say You Love Me
"You Don't Have to Say You Love Me" (originally a 1965 Italian song, '"Io che non vivo (senza te)", by Pino Donaggio and Vito Pallavicini) is a 1966 hit recorded by English singer Dusty Springfield that proved to be her most successful single, reaching number one on the UK Singles Chart and number four on the ''Billboard'' Hot 100. Elvis Presley recorded a cover version in 1970 which was a hit in both the US and the UK. Other covers have charted in the UK, Ireland, Italy and Finland. Original Italian version "Io che non vivo (senza te)" ("I, who can't live (without you)") was introduced at the 15th edition of the Sanremo Festival by Pino Donaggio — who had co-written the song with Vito Pallavicini — and his team partner Jody Miller. The song reached the final at Sanremo and, as recorded by Donaggio, reached No. 1 in Italy in March 1965. "Io che non vivo (senza te)" was prominently featured on the soundtrack of the Luchino Visconti film '' Vaghe stelle dell'Orsa'' (aka ''Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dusty Springfield
Mary Isobel Catherine Bernadette O'Brien (16 April 1939 – 2 March 1999), known professionally as Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of blue-eyed soul, Pop music, pop and dramatic Ballad, ballads, with chanson, French chanson, Country music, country, and Jazz music, jazz also in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image – marked by a peroxide blonde bouffant/Beehive (hairstyle), beehive hairstyle, heavy makeup (thick black eyeliner and eye shadow) and evening gowns, as well as stylised, gestural performances – made her an icon of the Swinging Sixties. Born in West Hampstead in London into a family that enjoyed music, Springfield learned to sing at home. In 1958, she joined her first professional group, The Lana Sisters. Two years later, with her brother Tom Springfield and Reshad Feild, Tim Feild ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegian Wood (This Bird Has Flown)
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album ''Rubber Soul''. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with " Nowhere Man". Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film ''Help!'', in early 1965. "Norwegian Wood" was influential in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funkytown
"Funkytown" is a song by the American disco/funk band Lipps Inc., released in 1980 as the second single from their 1979 debut album, '' Mouth to Mouth''. It was successful globally, reaching top spots in places such as the United States, West Germany, Canada, Austria, Switzerland, Norway, the Netherlands, and Australia. Composition It was written by musician, composer, and record producer Steven Greenberg and sung by Cynthia Johnson. The lyrics pine for a metaphorical place that will "keep me movin', keep me groovin' with some energy", while the band members were dreaming of relocating from Minneapolis to New York City. It is in the key of C major. Music videos "Funkytown" has at least two music videos. In one, a black singer mimes the vocals and some women dance in a pub. In another video, Debbie Jenner, who fronted the band in the Netherlands and West Germany, dances while miming the vocals. Johnson claims on her website that she "was never asked to perform a video of 'Fun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
