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Étude Op. 25, No. 12 (Chopin)
Étude Op. 25, No. 12 in C minor is the last of Frédéric Chopin's formal studies for the piano, opus 25, dedicated ''À Madame la Comtesse d'Agoult''. It was first published in 1837 in French, German, and English. In the first French edition, the time signature is 4/4, but most recent editions of this piece follow the manuscript and German editions, which indicate cut time. This work is a series of rising and falling arpeggios in various chord progressions from C minor. In addition, its opening bars recall the chord structure of the opening bars of the second prelude of the first book of ''The Well-Tempered Clavier'' by Johann Sebastian Bach. It is often referred to as the “Ocean” etude. Structure The entire work, except the coda, consists wholly of semiquaver (sixteenth note) arpeggios, spanning large lengths of the keyboard in the space of one bar. The initial theme is expounded upon and changes to many different keys. The climax resolves to C major. See also * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études By Frédéric Chopin
Études is French for "studies". It is used as a name for several music or dance works, including: * ''Études'' (Chopin), three sets of studies for the piano by Frédéric Chopin, composed between 1829 and 1839 * ''Études'' (Debussy), a set of 12 piano études composed in 1915 by Claude Debussy * ''Études'' (ballet), a 1948 ballet by Harald Lander * ''Études'' (Ligeti), 18 piano studies composed between 1985 and 2001 by György Ligeti * Alexander Scriabin: twenty-six études (Opp. 2, 8, 42, 49, 56 and 65) * Etudes (Charlie Haden album) * Etudes (Ron Carter album) A number of musical works include the word Études in their title: * '' Trois Nouvelles Études'' for piano written by Frédéric Chopin in 1839 * '' Trois Études de concert'', a set of three piano études by Franz Liszt, composed between 1845 and 1849 * '' Grandes Études de Paganini'', a series of six études for the piano by Franz Liszt, in 1851 * '' Études d'exécution transcendante'', a series of twelve compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grigory Sokolov
Grigory Lipmanovich Sokolov (russian: Григо́рий Ли́пманович Соколо́в; born April 18, 1950) is a Russian pianist naturalized Spain, Spanish. He is among the most esteemed of living pianists, his repertoire spanning composers from the Baroque music, Baroque period such as Johann Sebastian Bach, Bach, François Couperin, Couperin or Jean-Philippe Rameau, Rameau up to Arnold Schoenberg, Schoenberg and Boris Arapov, Arapov. He regularly tours Europe (excluding the UK) and resides in Italy. Biography Sokolov was born in Leningrad, now Saint Petersburg, to Jewish father Lipman Girshevich Sokolov and Russian mother Galina Nikolayevna Zelenetskaya. He began studying the piano at the age of five and entered the Saint Petersburg Conservatory, Leningrad Conservatory's special school for children at the age of seven to study with Leah Zelikhman. After graduating from the children's school, he continued studying at the Saint Petersburg Conservatory, Conservatory wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurizio Pollini
Maurizio Pollini (born 5 January 1942) is an Italian pianist. He is known for performances of compositions by Beethoven, Chopin and Debussy, among others. He has also championed and performed works by contemporary composers such as Pierre Boulez, Karlheinz Stockhausen, George Benjamin, Roberto Carnevale, Gianluca Cascioli and Bruno Maderna Bruno Maderna (21 April 1920 – 13 November 1973) was an Italian conductor and composer. Life Maderna was born Bruno Grossato in Venice but later decided to take the name of his mother, Caterina Carolina Maderna.Interview with Maderna‘s th .... Works composed for him include Luigi Nono's '' ..... sofferte onde serene ...'', Giacomo Manzoni's ''Masse: omaggio a Edgard Varèse'' and Salvatore Sciarrino's Fifth Sonata. Life and career Pollini was born in Milan to the Italian rationalist architect Gino Pollini, who has been said to be the first to bring Modernist architecture to Italy in the 1930s, and his wife Renata Melotti (sister o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Ashkenazy
Vladimir Davidovich Ashkenazy (russian: Влади́мир Дави́дович Ашкена́зи, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is an internationally recognized solo pianist, chamber music performer, and conductor. He is originally from Russia and has held Icelandic citizenship since 1972. He has lived in Switzerland since 1978. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, he has recorded a large repertoire of classical and romantic works. His recordings have earned him five Grammy awards and Iceland's Order of the Falcon. Early life Vladimir Ashkenazy was born in Gorky, Soviet Union (now Nizhny Novgorod, Russia), to pianist and composer David Ashkenazi and to actress Yevstolia Grigorievna (born Plotnova). His father was Jewish and his mother came from a Russian Orthodox family. Ashkenazy was christened in a Russian Orthodox church. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean pianist known for his interpretations of a vast repertoire spanning the baroque to 20th-century composers, especially Bach, Beethoven, Schubert, Chopin, Schumann, Liszt and Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, the son of Carlos Arrau, an ophthalmologist who died when Claudio was only a year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau, a Spanish engineer, was sent to Chile by King Carlos III of Spain. Through his great-grandmother, María del Carmen Daroch del Solar, Arrau was a descendant of the Campbells of Glenorchy, a Scottish noble family. Arrau was raised as a Catholic, but gave it up in his late teens. Arrau was a child prodigy and he could read music before he could read words, but unlike many virtuosos, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Cortot
Alfred Denis Cortot (; 26 September 187715 June 1962) was a French pianist, conductor, and teacher who was one of the most renowned classical musicians of the 20th century. A pianist of massive repertory, he was especially valued for his poetic insight into Romantic piano works, particularly those of Chopin, Franck, Saint-Saëns and Schumann. For Éditions Durand, he edited editions of almost all piano music by Chopin, Liszt and Schumann. A central figure of the French musical culture in his time, he was well known for his piano trio with violinist Jacques Thibaud and cellist Pablo Casals. Biography Early life Cortot was born in Nyon, Vaud, in the French-speaking part of Switzerland, to a French father and a Swiss mother. His first cousin was the composer Edgard Varèse. He studied at the Paris Conservatoire with Émile Decombes (a student of Frédéric Chopin), and with Louis Diémer, taking a ''premier prix'' in 1896. He made his debut at the Concerts Colonne in 1897, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sébastien Érard
Sébastien Érard (born Sebastian Erhard, 5 April 1752 – 5 August 1831) was a French instrument maker of German origin who specialised in the production of pianos and harps, developing the capacities of both instruments and pioneering the modern piano. Biography Érard was born in Strasbourg. While a boy he showed great aptitude for practical geometry and architectural drawing, and in the workshop of his father, who was an upholsterer, he found opportunity for the early exercise of his mechanical ingenuity. When he was sixteen his father died, and he moved to Paris where he obtained employment with a harpsichord maker. Here his remarkable constructive skill, though it speedily excited the jealousy of his master and procured his dismissal, almost instantly attracted the notice of musicians and musical instrument makers of eminence. EB says he built his first pianoforte in 1780. Before he was twenty-five he set up in business for himself, his first workshop being a room in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Goldstein
Martha Goldstein (born Martha Svendsen; June 10, 1919 – February 14, 2014) was an American harpsichordist and pianist, who gave concerts in the United States, North Africa, the Middle East, and Europe. She performed works by George Frideric Handel, Frédéric Chopin, Georg Philipp Telemann, Franz Liszt, Ferruccio Busoni, Johann Sebastian Bach, and others. Biography Born in Baltimore, Maryland, Goldstein was trained at the Peabody Conservatory and the Juilliard School and studied with Audrey Plitt, Eliza Woods, James Friskin and Mieczysław Munz. She taught at the Peabody Conservatory for 20 years and at the Cornish College of the Arts. She also performed as a guest artist with the Soni Ventorum Wind Quintet, wind quintet-in-residence at the University of Washington School of Music since 1968. Many of Goldstein's recordings were first released on LP by Pandora Records, which was founded in 1973 and active for more than ten years. The company went out of business with the advent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude And Fugue In C Minor, BWV 847
Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of ''The Well-Tempered Clavier'', a series of 48 preludes and fugues by the composer. Analysis Prelude The Prelude (music), prelude is 38 bars long, and consists mostly of a repeating Motif (music), motif. The motif consists of running sixteenth notes in the form of broken chords in both hands. Below are the first four bars of the prelude: The prelude continues like so for 33 bars, with different harmony and changes of Key (music), key. The Coda (music), coda begins at the 34th bar, where a sudden change of Texture (music), texture and tempo occurs. In the first bar of the coda, an arpeggiated chord is followed by a rapid succession of thirty-second notes. This new motif is repeated twice, after which a succession of sixteenth notes ends the prelude on a picardy third. Fugue The fugue is 31 bars long, and is written for 3 Pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
