Polonaise In F-sharp Minor, Op. 44 (Chopin)
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Polonaise In F-sharp Minor, Op. 44 (Chopin)
The Polonaise in F-sharp minor, Op. 44, is a piece for solo piano written by Frédéric Chopin in 1841. It is often referred to as the "tragic" polonaise, due to its dark nature. The polonaise is dedicated to Princess Ludmilla de Beauveau, a prominent member of the Polish émigré community in Paris. Despite its title, the polonaise is a composite work in ternary form. The piece opens with a short menacing passage, and soon develops into a dark and often furious polonaise theme. The central section of the piece is a mazurka in A major that provides a romantic contrast. The mazurka soon gives in to darker harmonies and the polonaise returns after two isolated torrents of notes. At length, the reprise seems to lose force and momentum, and Chopin concludes the work with a surprising fortissimo double octave on F#. One of the largest polonaises, a typical performance of the work lasts around eleven minutes. The piece is often considered the first of three "grand polonaises", (the ot ...
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Tragic
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fractio ...
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Polonaise (dance)
The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty when king Vasa introduced it from Poland to Sweden that's why its name simply mean Poland; "polska" is a Polish word for Poland. The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the dance danced as an opening dance in all major official balls, events, at the final year of the high scho ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a fr ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's ''St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might be stif ...
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Mazurka
The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast ''oberek''. The ''mazurka'' is always found to have either a triplet, trill, dot ...
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Polonaise In A-flat Major, Op
The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty when king Vasa introduced it from Poland to Sweden that's why its name simply mean Poland; "polska" is a Polish word for Poland. The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the dance danced as an opening dance in all major official balls, events, at the final year of the high scho ...
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Polonaise-Fantaisie (Chopin)
The Polonaise-fantaisie in A-flat major, Op. 61, is a composition for piano by Frédéric Chopin. It was dedicated to Mme A. Veyret, written and published in 1846. This work was slow to gain favour with musicians, due to its harmonic complexity and intricate form. Arthur Hedley was one of the first critics to speak positively of the work, writing in 1947 that it "works on the hearer's imagination with a power of suggestion equaled only by the F minor Fantasy or the fourth Ballade", although Arthur Rubinstein, Leff Pouishnoff, Claudio Arrau and Vladimir Horowitz had been including it in their programs some decades earlier. It is intimately indebted to the polonaise for its metre, much of its rhythm, and some of its melodic character, but the fantaisie is the operative formal paradigm, and Chopin is said to have referred initially to the piece only as a Fantasy. Parallels with the Fantaisie in F minor include the work's overall tonality, A-flat, the key of its slower middle s ...
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Anna Fedorova
Anna Borysivna Fedorova ( uk, А́нна Бори́сівна Фе́дорова; born February 27, 1990) is a Ukrainian concert pianist. Fedorova performs as soloist, chamber musician and with symphony orchestras in the major concert halls of the Netherlands, Germany, France, Italy, UK, Ukraine, Poland, the US, Mexico, Argentina, and parts of Asia. Fedorova is a David Young Piano Prize Holder supported by a Soiree d'Or Award and Keyboard Trust.
Retrieved 2017-12-03.


Early life

Fedorova was born in , . Both her mother, Tatiana Abayeva, and father, Boris Fedorov, were co ...
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Polonaises By Frédéric Chopin
The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty when king Vasa introduced it from Poland to Sweden that's why its name simply mean Poland; "polska" is a Polish word for Poland. The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the dance danced as an opening dance in all major official balls, events, at the final year of the high scho ...
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