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Waltzes, Op. 34 (Chopin)
The three Waltzes, Op. 34, were composed by Frédéric Chopin from 1834 until 1838 and published in 1838. These three waltzes were published as ', but this title is usually reserved for the Grande valse brillante in E-flat major (Chopin), Waltz in E-flat major, Opus number, Op. 18. Waltz in A-flat major, Op. 34 No. 1 Being among the longest of Chopin's waltzes, this waltz is in A-flat major. The piece is introduced with a fanfare before Modulation (music), modulating to D-flat major for a dreamy middle section. The A-flat material is succeeded by a Coda (music), coda, which leads to the end of the piece. This waltz was dedicated to Josefina von Thun-Hohenstein. Waltz in A minor, Op. 34 No. 2 This waltz is a sorrowful, slow waltz in A minor. Although it was the first to be written out of the three, the waltz was the second to be published. The Fryderyk Chopin Institute believes this piece was composed in 1831. Waltz in F major, Op. 34 No. 3 This waltz in F major, a typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltzes By Frédéric Chopin
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Frédéric Chopin By Opus Number
::''This is a list of compositions by Frédéric Chopin by opus number. There is a separate list by genre.'' Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles. His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarole in F major, Op. 60 have cemented a solid place within the repertoire, as well as shorter works like his polonaises, mazurkas, waltzes, impromptus, rondos, and nocturnes taking a substantial portion of recorded and performed music. Two important collections are the Études, Op. 10 and 25 (which are a staple of that genre for pianists), and the 24 Preludes, Op. 28 (a cycle of short pieces paired in a major key/relative minor key pattern following the circle of fifths in clockwise steps). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Frédéric Chopin By Genre
::''This is a list of compositions by Frédéric Chopin by genre. There is a separate list by opus number.'' Most of Chopin's compositions were for solo piano, although he did compose two piano concertos as well as some other music for ensembles. His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes. Two important collections are the Études, Op. 10 and 25 (which are a staple of that genre for pianists), and the 24 Preludes, Op. 28 (a cycle of short pieces paired in a major key/relative minor key pattern following the circle of fifths in clockwise steps). Also, Chopin wrote numerous song settings of Polish texts, and chamber pieces including a piano trio and a cello sonata. This listing uses the traditional opus numbers where t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltzes (Chopin)
Frédéric Chopin’s waltzes are pieces of moderate length adhering to the traditional 3/4 waltz time, but are remarkably different from the earlier Viennese waltzes in that they were not designed for dancing but for concert performance. Some of them are accessible by pianists of moderate capabilities, but the more difficult of them require an advanced technique. Carl Maria von Weber's '' Invitation to the Dance'' was an early model for Chopin's waltzes. Chopin started writing waltzes in 1824, when he was fourteen, and continued until the year of his death, 1849. He wrote 36 in total, of which 20 are numbered. Probably the most famous are the '' Minute Waltz'' in D-flat major and the '' C-sharp minor waltz'' of 1847, two of the last set of waltzes Chopin published before his death (Op. 64). Background Chopin published only eight waltzes in his lifetime, and his desire was that any unpublished works would not be published and instead burned. However, Chopin's sister Ludwika an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Minor
A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: : : Well-known compositions in A minor *Johann Sebastian Bach ** Violin Concerto in A minor, BWV 1041 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" * Johannes Brahms **Double Concerto, Op. 102 * Frédéric Chopin ** Étude Op. 10, No. 2 ** Étude Op. 25, No. 4 ** Étude Op. 25, No. 11, ''Winter Wind'' ** Mazurka Op. 17, No. 4 ** Mazurka Op. 59, No. 1 ** ''Boléro'', Op. 19 ** Prelude No. 2 in A minor, Op. 28/2 ** Waltz in A minor, Op. 34, B. 150 * Franz Liszt ** Transcendental Étude No. 2, ''Fusà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fryderyk Chopin Institute
The Fryderyk Chopin Institute ( pl, Narodowy Instytut Fryderyka Chopina) is a Polish organization dedicated to researching and promoting the life and works of Polish composer Frédéric Chopin. It was created in 2001 as the result of legislation in the Polish Parliament and is under direct control of the Ministry of Culture and National Heritage. Its headquarters are located in Warsaw. Activities The activities of the institute include publications, organization of concerts, conserving the physical and artistic Chopin heritage, monitoring the commercial use of Chopin's name and operating a Chopin Information Centre (the institute's website). Amongst its publication projects is a complete facsimile edition of Chopin's works, compiled from all available holograph manuscripts, edited by Zofia Chechlińska. The institute operates the Fryderyk Chopin Museum and the five-yearly International Chopin Piano Competition. It also runs the "Young Talents" programme to encourage young Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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