Prelude, Op. 28, No. 1 (Chopin)
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Prelude, Op. 28, No. 1 (Chopin)
The Prelude, Op. 28, No. 1, played on the piano, is the first of Chopin's preludes. It was published in 1839 and dedicated to Camille Pleyel. Pianist Vladimir de Pachmann noted this prelude as "The first one is in a style that reminds one very forcibly of Schumann." Analysis Marked ''Agitato'' ("agitated") and in the key of C major, this prelude is in time. This prelude lasts from about 40 seconds to one minute and is a mere 34 bars (or measures) long. This prelude consists of 8-bar phrases with a coda in the end of the piece and consists of arpeggios with four-part harmony. From bars 16–20, a stretto is listed in the English and French first editions of the piece, which means increase the tempo in the piece, though this is not written in the Italian first edition. Throughout the piece, the piece shifts out of C major but doesn't modulate to a different key. According to Marilyn Anne Meier, an Australian concert pianist, the prelude should be played "…by playing the s ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ...
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Compositions For Solo Piano
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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1839 Compositions
Events January–March * January 2 – The first photograph of the Moon is taken, by French photographer Louis Daguerre. * January 6 – Night of the Big Wind: Ireland is struck by the most damaging cyclone in 300 years. * January 9 – The French Academy of Sciences announces the daguerreotype photography process. * January 19 – British forces capture Aden. * January 20 – Battle of Yungay: Chile defeats the Peru–Bolivian Confederation, leading to the restoration of an independent Peru. * January – The first parallax measurement of the distance to Alpha Centauri is published by Thomas Henderson. * February 11 – The University of Missouri is established, becoming the first public university west of the Mississippi River. * February 24 – William Otis receives a patent for the steam shovel. * March 5 – Longwood University is founded in Farmville, Virginia. * March 7 – Baltimore City College, the third public high school in the United States, is established ...
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Compositions By Frédéric Chopin
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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Artur Rubenstein
Arthur Rubinstein ( pl, Artur Rubinstein; 28 January 188720 December 1982) was a Polish-American pianist."Artur Rubinstein"
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He is widely regarded as one of the greatest pianists of all time. He received international acclaim for his performances of the music written by a variety of composers and many regard him as one of the greatest Chopin interpreters of his time. He played in public for eight decades.


Early life


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Martha Argerich
Martha Argerich (; Eastern Catalan: ɾʒəˈɾik born 5 June 1941) is an Argentine classical concert pianist. She is widely considered to be one of the greatest pianists of all time. Early life and education Argerich was born in Buenos Aires. Her paternal ancestors were Spaniards from Catalonia who had been based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in Argentina's Entre Ríos Province, one of the colonies established by Baron de Hirsch and the Jewish Colonization Association. The provenance of the name '' Argerich'' is Catalonia. A precocious child, Argerich began kindergarten at the age of two years and eight months, where she was the youngest child. A five-year-old boy, who was a friend, teased her that she would not be able to play the piano, and Argerich responded by playing perfectly, by ear, a piece their teacher played them. The teacher immediately called ...
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YouTube
YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the List of most visited websites, second most visited website, after Google Search. YouTube has more than 2.5 billion monthly users who collectively watch more than one billion hours of videos each day. , videos were being uploaded at a rate of more than 500 hours of content per minute. In October 2006, YouTube was bought by Google for $1.65 billion. Google's ownership of YouTube expanded the site's business model, expanding from generating revenue from advertisements alone, to offering paid content such as movies and exclusive content produced by YouTube. It also offers YouTube Premium, a paid subscription option for watching content without ads. YouTube also approved creators to participate in Google's Google AdSens ...
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Hans Von Bülow
Freiherr Hans Guido von Bülow (8 January 1830 – 12 February 1894) was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, virtuoso pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States. Life and career Bülow was born in Dresden into an old and prominent House of Bülow. He was the son of novelist Karl Eduard von Bülow ( ...
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Alfred Cortot
Alfred Denis Cortot (; 26 September 187715 June 1962) was a French pianist, conductor, and teacher who was one of the most renowned classical musicians of the 20th century. A pianist of massive repertory, he was especially valued for his poetic insight into Romantic piano works, particularly those of Chopin, Franck, Saint-Saëns and Schumann. For Éditions Durand, he edited editions of almost all piano music by Chopin, Liszt and Schumann. A central figure of the French musical culture in his time, he was well known for his piano trio with violinist Jacques Thibaud and cellist Pablo Casals. Biography Early life Cortot was born in Nyon, Vaud, in the French-speaking part of Switzerland, to a French father and a Swiss mother. His first cousin was the composer Edgard Varèse. He studied at the Paris Conservatoire with Émile Decombes (a student of Frédéric Chopin), and with Louis Diémer, taking a ''premier prix'' in 1896. He made his debut at the Concerts Colonne in 1897, ...
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Legato
In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note with no intervening silence. Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid re- articulation. Standard notation indicates legato either with the word ''legato'', or by a slur (a curved line) under notes that form one legato group. Legato, like staccato, is a kind of articulation. There is an intermediate articulation called either ''mezzo staccato'' or ''non-legato'' (sometimes referred to as ''portato''). Classical string instruments In music for Classical string instruments, legato is an articulation that often refers to notes played with a full bow, and played with the shortest silence, often barely perceptible, between notes. The play ...
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Semiquavers
Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note (American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) or a ...
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