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Ballade No. 2 (Chopin)
The Ballade No. 2 in F major, Op. 38 is a ballade for solo piano by Frédéric Chopin, completed in 1839. A typical performance lasts six to eight minutes. History Chopin started composing the ballade in 1836. It was one of various unfinished works he took with him to Mallorca for a winter stay with George Sand. Chopin announced completion of the ballade in a letter dated 14 December 1838, and by January 1840, he had sold the work to Breitkopf & Härtel for publication, along with the Piano Sonata No. 2, Scherzo No. 3, Polonaises Op. 40, Mazurkas Op. 41, Nocturnes Op. 37, and Impromptu No. 2. Robert Schumann, who had dedicated his ''Kreisleriana'', Op. 16, to Chopin, received the dedication of this ballade in return. The piece has been criticized by some prominent pianists and musicologists, including its dedicatee Schumann, as a less ingenious work than the first. There is some degree of disagreement as to its inspiration, with the claim, often made that it was insp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballades (Chopin)
Frédéric Chopin's four ballades are single- movement pieces for solo piano, composed between 1831 and 1842. They are considered to be some of the most important and challenging pieces in the standard piano repertoire. Form The term ''ballade'' was used by Chopin in the sense of a balletic interlude or dance-piece, equivalent to the old Italian ''ballata'', but the term may also have connotations of the medieval heroic ballad, a narrative minstrel-song, often of a fantastical character. There are dramatic and dance-like elements in Chopin's use of the genre, and he may be said to be a pioneer of the ballade as an abstract musical form. The four ballades are said to have been inspired by a friend of Chopin’s, poet Adam Mickiewicz. The exact inspiration for each individual ballade, however, is unclear and disputed. Though the ballades do not conform exactly to sonata form, the "ballade form" created by Chopin for his four ballades is a variant of sonata form with specific di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions In F Major
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1839 Compositions
Events January–March * January 2 – The first photograph of the Moon is taken, by French photographer Louis Daguerre. * January 6 – Night of the Big Wind: Ireland is struck by the most damaging cyclone in 300 years. * January 9 – The French Academy of Sciences announces the daguerreotype photography process. * January 19 – British forces capture Aden. * January 20 – Battle of Yungay: Chile defeats the Peru–Bolivian Confederation, leading to the restoration of an independent Peru. * January – The first parallax measurement of the distance to Alpha Centauri is published by Thomas Henderson. * February 11 – The University of Missouri is established, becoming the first public university west of the Mississippi River. * February 24 – William Otis receives a patent for the steam shovel. * March 5 – Longwood University is founded in Farmville, Virginia. * March 7 – Baltimore City College, the third public high school in the United States, is established ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Frédéric Chopin
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Cortot
Alfred Denis Cortot (; 26 September 187715 June 1962) was a French pianist, conductor, and teacher who was one of the most renowned classical musicians of the 20th century. A pianist of massive repertory, he was especially valued for his poetic insight into Romantic piano works, particularly those of Chopin, Franck, Saint-Saëns and Schumann. For Éditions Durand, he edited editions of almost all piano music by Chopin, Liszt and Schumann. A central figure of the French musical culture in his time, he was well known for his piano trio with violinist Jacques Thibaud and cellist Pablo Casals. Biography Early life Cortot was born in Nyon, Vaud, in the French-speaking part of Switzerland, to a French father and a Swiss mother. His first cousin was the composer Edgard Varèse. He studied at the Paris Conservatoire with Émile Decombes (a student of Frédéric Chopin), and with Louis Diémer, taking a ''premier prix'' in 1896. He made his debut at the Concerts Colonne in 1897, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Niecks
Frederick Niecks (3 February 184524 June 1924) was a German musical scholar and author who resided in Scotland for most of his life. He is best remembered for his biographies of Frédéric Chopin and Robert Schumann. Biography Friedrich Maternus Niecks was born in Düsseldorf, son of a conductor and teacher; his grandfather was a professional musician. He studied music under his father; he later studied violin under Leopold Auer and others, and studied piano and composition under Julius Tausch. At age 13 he made his debut playing Charles Auguste de Bériot's Violin Concerto No. 2, then joined the Musikverein orchestra, with whom he remained until age 21. In 1868 he expressed a desire to move to Great Britain, and Alexander Mackenzie invited him to settle in Scotland, where he became viola player in Mackenzie's string quartet in Edinburgh and an organist and teacher in Dumfries. In 1879 he became a regular contributor to ''The Musical Times''. In 1884 he published a ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Minor
A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: : : Well-known compositions in A minor *Johann Sebastian Bach ** Violin Concerto in A minor, BWV 1041 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" * Johannes Brahms **Double Concerto, Op. 102 * Frédéric Chopin ** Étude Op. 10, No. 2 ** Étude Op. 25, No. 4 ** Étude Op. 25, No. 11, ''Winter Wind'' ** Mazurka Op. 17, No. 4 ** Mazurka Op. 59, No. 1 ** ''Boléro'', Op. 19 ** Prelude No. 2 in A minor, Op. 28/2 ** Waltz in A minor, Op. 34, B. 150 * Franz Liszt ** Transcendental Étude No. 2, ''Fusà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Minor
F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it impractical to use. The F natural minor scale is : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are : : Music in F minor Famous pieces in the key of F minor include Beethoven's ''Appassionata Sonata'', Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, ''La Passione'' and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliquen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallel Minor
In music theory, a major scale and a minor scale that have the same tonic note are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." The parallel minor or tonic minor of a particular major key is the minor key based on the same tonic; similarly the parallel major has the same tonic as the minor key. For example, G major and G minor have different modes but both have the same tonic, G; so G minor is said to be the parallel minor of G major. In contrast, a major scale and a minor scale that have the same key signature (and therefore different tonics) are called relative keys. A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sotto Voce (music)
In music, sotto voce (, ; ) is a dramatic lowering of the vocal or instrumental volume—not necessarily ''pianissimo'', but a definitely hushed tonal quality. Examples of sotto voce include: * In Mozart's Ave verum corpus, K. 618, where it is the only dynamic marked, at the beginning of all choral and instrumental parts. * In the sung parts in Mozart's Requiem, K. 626, particularly the Dies irae sequence: ** In the ''Tuba mirum'' movement, during the 'sighing' line 'Cum vix justus' ('When the just may hardly (be sure)'), when the four soloists sing together for the first time. Later, the line is reprised with syncopation in ''forte''. ** In the ''Confutatis'' movement, during the line 'Voca me cum benedictis' ('Call me with the blessed'), sung by the soprano and alto parts in the chorus, in stark contrast with the preceding lines sung by the tenors and basses 'Confutatis maledictis, flammis acribus addictis' ('Once the cursed have been silenced, sentenced to acrid flames...'). ** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
