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Piano Trio
A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musicians who regularly play this repertoire together; for a number of well-known piano trios, see below. The term "piano trio" is also used for jazz trios, where it most commonly designates a pianist accompanied by bass and drums, though guitar or saxophone may figure as well. Form Works titled "Piano Trio" tend to be in the same overall shape as a sonata. Initially this was in the three movement form, though some of Haydn's have two movements. Mozart, in five late works, is generally credited with transforming the accompanied keyboard sonata, in which the essentially optional cello doubles the bass of the keyboard left hand, into the balanced trio which has since been a central form of chamber music. With the early 19th century, parti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trio No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kegelstatt Trio
The ''Kegelstatt Trio'', K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart. History Mozart wrote the piano trio on 10 sheets (19 pages) in Vienna and dated the manuscript on 5 August 1786. According to Mozart's 17-year-old student Karoline Pichler, the work was dedicated to another student of Mozart's, Franziska von Jacquin; Mozart and the von Jacquin family – father Nikolaus Joseph von Jacquin and his youngest son Gottfried – were quite close friends. They performed house concerts together, where Nikolaus played the flute and Franziska the piano. In a letter to Gottfried from 15 January 1787, Mozart praises Franziska's studiousness and diligence. Mozart dedicated a number of works to the von Jacquin family. One year later, Mozart wrote two Lieder, "" (K. 520) and "" (K. 530) explicitly for Gottfried von Jacquin to use under his own name. The German word ' means "a place where skittles are played", akin to a duckpin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio For Violin, Horn And Piano (Ligeti)
The Trio for Violin, Horn and Piano by György Ligeti was completed in 1982. The piece was a turning point in Ligeti’s career. Ligeti had composed little since he completed his opera, '' Le Grand Macabre,'' in 1977, having only finished a few smaller pieces, like ''Hungarian Rock (chaconne)'' and ''Passacaglia ungherese'' for harpsichord. Influenced by sources as diverse as sub-Saharan African drumming, the music of Conlon Nancarrow, and the piano music of Chopin and Schumann, the Trio is considered to be the watershed moment that opened up his "third way," a style that Ligeti claimed to be neither modern nor postmodern. Ligeti wrote the Trio at the suggestion of pianist Eckart Besch as a companion to Johannes Brahms' Horn Trio, one of the few other examples in the genre, which is why the Ligeti Trio is marked ''Hommage à Brahms''. Ligeti recalled his reaction to the suggestion: " soon as he pronounced the word 'horn' somewhere inside my head I heard the sound of a horn as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Transylvania, Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule für Musik und Theater, where he worked until retiring in 1989. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, Germany, his breakthrough came with orchestral works such as ''Atmosphères ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horn Trio (Brahms)
The Horn Trio in E major, Op. 40, by Johannes Brahms is a chamber piece in four movements written for natural horn, violin, and piano. Composed in 1865, the work commemorates the death of Brahms's mother, Christiane, earlier that year. However, it draws on a theme which Brahms had composed twelve years previously but did not publish at the time. The work was first performed in Zurich on November 28, 1865, and was published a year later in November 1866. The Horn Trio was the last chamber piece Brahms wrote for the next eight years. Brahms chose to write the work for natural horn rather than valve horn despite the fact that the valve horn was becoming more common. The timbre of the natural horn is more somber and melancholic than the valve horn and creates a much different mood. Brahms himself believed that the open tones of the natural horn had a fuller quality than those produced by valves. Nineteenth-century listeners associated the sound of the natural horn with nature a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horn Trio
Horn trio can mean a work written for three horns or horns as well as one for horn and two other instruments. In the latter category, an important genre is the trio for horn, violin and piano. Although there are a few earlier examples, the tradition of this scoring was inaugurated in 1865 by Johannes Brahms with his Trio in E, opus 40. Related combinations are those of (1) oboe, horn, and piano, (2) clarinet, horn, and piano, (3) horn, bassoon, and piano and (4) flute, horn, and piano. Horn, violin and piano Horn, oboe and piano Horn, clarinet and piano Horn, bassoon and piano Horn, flute and piano {, class="wikitable" , - ! style="background-color:silver;" , Composer ! style="background-color:silver;" , Title ! style="background-color:silver;" , Year of composition ! style="background-color:silver;" , Publisher ! style="background-color:silver;" , appr. duration , - , Eric Ewazen , Ballade, Pastorale & Dance , 1992–93 , San Antonio: Southern Music company, 2002 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio For Oboe, Bassoon And Piano
The ''Trio pour hautbois, basson et piano'' (Trio for oboe, bassoon and piano), FP 43, by Francis Poulenc is a three-movement chamber work, composed between 1924 and 1926, and premiered in the latter year. The trio was well received at its premiere in Paris, with the composer at the piano. It has been performed and recorded frequently since. Critics have praised the work's depth of feeling, noting touches of Mozartian flavour and echoes of other composers' styles. It is regarded as the first major chamber work by Poulenc. Background and first performance By 1924 the 25-year-old Poulenc had become fairly well known in France, and to some extent elsewhere. First as a member of Les Six around the start of the decade, and then with his music for the ballet ''Les biches'' in 1924, he had established himself as a rising young composer. He had composed several chamber works, including the Sonata for clarinet and bassoon and the Sonata for horn, trumpet and trombone (both 1922), and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, link=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka., mʲɪxɐˈil ɪˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on Russian composers, notably the members of The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth nobleman, Wiktoryn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio For Piano, Flute And Cello (Weber)
Trio for Piano, Flute and Cello in G minor, Op. 63, J. 259 was composed by Carl Maria von Weber in 1818–1819 and published the next year. It is one of his most substantial chamber pieces. A typical performance lasts 21-25 min. History The composition process can be traced from entries in Weber's diary: on 8 April 1818 he "worked on trio"; on 12 May he probably began composing the finale rondo (in Dresden). He then fell ill and resumed work on two first movements only in July 1819. The whole trio was finished on 25 July 1819 in Hosterwitz, the composer's summer residence. Surprisingly no traces of the third movement can be found in the diary. These is an assumption that it was derived from ''Adagio with Variations for cello and piano, J.Anh.42'' (composed in 1813 in Prague), a work today lost. It is believed that the composer revised it for piano, flute and cello (or viola) in 1815 (J.Anh.58). This was composed for Weber's friend Dr. Philipp Jungh, a fine flautist: they met in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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