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Nocturnes, Op. 48 (Chopin)
The Nocturnes, Op. 48 are a set of two nocturnes for solo piano written by Frédéric Chopin in 1841 and published the following year in 1842. They are dedicated to Mlle. Laure Duperré. Chopin later sold the copyright for the nocturnes for 2,000 francs along with several other pieces. Nocturne in C minor, Op. 48, No. 1 The Nocturne in C minor, Op. 48, No. 1 is initially marked '' lento'' and is in meter. In general, the scheme of the music is ternary form and follows A–B–A′. The piece becomes ''poco più lento'' at measure 25 and enters its middle section, which is a chorale in C major. Later, it moves to a technically demanding ''doppio movimento agitato'' at measure 49 which features fortissimo octave passages and double octave arpeggios. Finally, the piece ends with a reprise of the initial melody with extremely fast chordal accompaniment. The piece is a total of 77 measures long. The Nocturne in C minor is one of the more well known nocturnes, and has been categoriz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphibrach
An amphibrach () is a metrical foot used in Latin and Greek prosody. It consists of a long syllable between two short syllables. The word comes from the Greek ἀμφίβραχυς, ''amphíbrakhys'', "short on both sides". In English accentual-syllabic poetry, an amphibrach is a stressed syllable surrounded by two unstressed syllables. It is rarely used as the overall meter of a poem, usually appearing only in a small amount of humorous poetry, children's poetry, and experimental poems. The individual amphibrachic foot often appears as a variant within, for instance, anapaestic meter. It is the main foot used in the construction of the limerick, as in "There once was / a girl from / Nantucket." It was also used by the Victorians for narrative poetry, e.g. Samuel Woodworth's poem "The Old Oaken Bucket" (1817) beginning "How dear to / my heart are / the scenes of / my childhood." W. H. Auden's poem "O where are you going?" (1931) is a more recent and slightly less metrically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions In F-sharp Minor
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions In C Minor
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1841 Compositions
Events January–March * January 20 – Charles Elliot of the United Kingdom, and Qishan of the Qing dynasty, agree to the Convention of Chuenpi. * January 26 – Britain occupies Hong Kong. Later in the year, the first census of the island records a population of about 7,500. * January 27 – The active volcano Mount Erebus in Antarctica is discovered, and named by James Clark Ross. * January 28 – Ross discovers the "Victoria Barrier", later known as the Ross Ice Shelf. On the same voyage, he discovers the Ross Sea, Victoria Land and Mount Terror. * January 30 – A fire ruins and destroys two-thirds of the villa (modern-day city) of Mayagüez, Puerto Rico. * February 4 – First known reference to Groundhog Day in North America, in the diary of a James Morris. * February 10 – The Act of Union (''British North America Act'', 1840) is proclaimed in Canada. * February 11 – The two colonies of the Canadas are merged, into the United Province of Canada. * February 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturnes By Frédéric Chopin
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '' nocturne'' 'of the night') was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for solo piano, the noct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecile Licad
Cecile Buencamino Licad (born 11 May 1961) is a Filipina classical pianist. She was born in Manila. Awards * In 1981 Licad received the Leventritt Competition Gold Medal. * Her recording of Chopin's Piano Concerto No. 2 and Saint-Saëns' Piano Concerto No. 2, with André Previn conducting the London Philharmonic, was awarded the ''Grand Prix du Disque Frédéric Chopin'' in 1985, in the piano and orchestra works category by the Chopin Society ( Warsaw, Poland). Discography *'' Rachmaninoff Piano Concerto No. 2 in C minor and Rhapsody on a Theme of Paganini, in A minor Op.43'' with the Chicago Symphony Orchestra with Claudio Abbado conducting from CBS Masterworks Records (1984). *'' Chopin Piano Concerto No. 2 and Saint-Saëns Piano Concerto No. 2'' with André Previn conducting the London Philharmonic Orchestra from CBS Masterworks (1984). *''Schumann's Carnaval, Papillons and Toccata in C Major'' from Sony Classical (1990). *''Tchaikovsky Piano Trio in A minor ('In Memory o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picardy Third
A Picardy third, (; french: tierce picarde) also known as a Picardy cadence or Tierce de Picardie, is a major chord of the tonic at the end of a musical section that is either modal or in a minor key. This is achieved by raising the third of the expected minor triad by a semitone to create a major triad, as a form of resolution. For example, instead of a cadence ending on an A minor chord containing the notes A, C, and E, a Picardy third ending would consist of an A major chord containing the notes A, C, and E. The minor third between the A and C of the A minor chord has become a major third in the Picardy third chord. Philosopher Peter Kivy writes: According to Deryck Cooke, "Western composers, expressing the 'rightness' of happiness by means of a major third, expressed the 'wrongness' of grief by means of the minor third, and for centuries, pieces in a minor key had to have a 'happy ending' – a final major chord (the 'tierce de Picardie') or a bare fifth." As a harmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Major
F-sharp major (or the key of F) is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. The F-sharp major scale is: : Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains the same number of flats in its key signature. Music in F-sharp major F-sharp major is the key of the minuet in Haydn's "Farewell" Symphony, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's " Va, pensiero" from ''Nabucco'', a part of Franz Liszt's Hungarian Rhapsody No. 2, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata. The key was the favorite tonality of Olivier Messiaen, who used it repeatedly throughout his work to express his most exciting or transcendent moods, most notably in the '' Turangalîla-Symphonie''. Like G-flat major, F-sharp major is rarely used in orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () ( Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
