Robert Lippert

Robert Lenard Lippert (March 31, 1909 – November 16, 1976) was an American film producer and cinema chain owner. He was president and chief operating officer of Lippert Theatres, Affiliated Theatres and Transcontinental Theatres, all based in San Francisco, and at his height, he owned a chain of 139 movie theaters.

He helped finance more than 300 films, including the directorial debuts of Sam Fuller, James Clavell, and Burt Kennedy. His films include ''I Shot Jesse James'' (1949) and '' The Fly'' (1958) and was known as "King of the Bs".

In 1962, Lippert said, "the word around Hollywood is: Lippert makes a lot of cheap pictures but he's never made a stinker".

Biography

Born in San Francisco, California and adopted by the owner of a hardware store, Robert Lippert became fascinated by the cinema at an early age. As a youngster, he worked a variety of jobs in local theaters, including projectionist and assistant manager. As a manager of a cinema during the Depression, Lippert encouraged regular attendance with promotions such as "Dish Night" and "Book Night."

Lippert went from cinema manager to owning a chain of cinemas in Alameda, California in 1942, during the peak years of theater attendance. Lippert's theaters in Los Angeles adopted a "grind house" policy, screening older and cheaper films for a continuous 24 hours with an admission price of 25 cents. Not only did his theaters attract shift workers and late-night revelers, but also servicemen on leave who could not find cheap accommodations and would sleep in the chairs.

In May 1948, he merged his theater chain with George Mann's. He also owned a number of drive-ins. The 139 theaters he eventually owned were mostly in Northern California and southern Oregon, as well as some in Southern California and Arizona.

Screen Guild Productions

"Every theater owner thinks he can make pictures better than the ones they sent him," Lippert later said. "So back in 1943, I tried it". Dissatisfied with what he believed to be exorbitant rental fees charged by major studios, Lippert formed Screen Guild Productions in 1945, its first release being a Bob Steele western called ''Wildfire'', filmed in then-unusual Cinecolor. Veteran producer Edward Finney partnered with Lippert in 1946.

For the next few years Screen Guild entered into agreements with independent producers Finney, William Berke, William David, Jack Schwarz, Walter Colmes, and Ron Ormond to guarantee a steady supply of releases. One of the most controversial Screen Guild releases was ''The Burning Cross'' (1947), which concerned the Ku Klux Klan.

Lippert Pictures

Screen Guild became Lippert Pictures in 1948, using rental stages and the Corriganville Movie Ranch for the production of its films. 130 Lippert features were made and released between 1948 and 1955.

Lippert's fortunes and reputation improved when he sponsored screenwriter and former newspaper reporter Samuel Fuller. Fuller wanted to become a director, so he agreed to direct the three films he had been contracted to write for Lippert: ''I Shot Jesse James'', ''The Baron of Arizona'' and ''The Steel Helmet'', all for no extra money, accepting just the directing credit. The Fuller films received excellent reviews.

A 1949 ''New York Times'' profile said Lippert owned 61 theaters. It also reported (erroneously) that he had directed most of the Westerns his company had made.

Lippert tried to add luster to his productions, but only if it could be done economically. His studio became a haven for actors whose careers were interrupted when their studios, no longer making lower-budget pictures, released them from their contracts. Robert Lippert was able to sign major-studio talent for a fraction of the usual rate, giving his productions more marquee value. Among the established names who worked for Lippert were George Raft, Veronica Lake, Zachary Scott, Robert Hutton, Joan Leslie, Cesar Romero, George Reeves, Ralph Byrd, Richard Arlen, Don "Red" Barry, Robert Alda, Gloria Jean, Sabu, Ellen Drew, Preston Foster, Jean Porter, Anne Gwynne, Jack Holt, Hugh Beaumont, Tom Neal, Robert Lowery, and John Howard.

Lippert maintained a small stock company of supporting actors, including Margia Dean, Mara Lynn, Don Castle, and Reed Hadley. Lippert's most ubiquitous actor was probably the diminutive Sid Melton. He appeared as a supporting comedian in many of Lippert's productions and starred in three hour-long comedies.

The "name" cast ensembles were only part of Lippert's successful formula. Other selling angles were realized when certain of Lippert's features could be marketed in a process more elaborate than ordinary black-and-white. Lippert used Cinecolor and sepiatone to dress up his more ambitious features, and embellished others by using tinted film stock for special effects (mint green for ''Lost Continent'', pinkish red-sepia for the Mars sequences in ''Rocketship X-M''). He even anticipated the 3-D film craze by publicizing a special photographic lens, which he claimed gave a stereoscopic effect without special projection equipment.

In addition to his original productions, Lippert reissued older films to theaters under his own brand name, including several Hopalong Cassidy westerns and the Laurel and Hardy feature '' Babes in Toyland'' (reissued as ''March of the Wooden Soldiers'').

Lippert read a 1949 ''Life'' magazine article about a proposed trip to and landing on the Moon. He rushed into production his version called ''Rocketship X-M'', released a year later in 1950; he changed the film's destination to Mars to avoid copying exactly the same idea being utilized by producer George Pal in his large-budget, high-profile '' Destination Moon''. ''Rocketship X-M'' succeeded in becoming the first post-war science fiction outer space drama to appear in theaters, but only by 20 days, while capitalizing on all the publicity surrounding the Pal film. More importantly, it became the first feature film drama to warn of the dangers and folly of full-scale atomic war.

Dealings and disputes with trade unions

In 1951, Lippert was anxious to sell his films to television. The American Federation of Musicians became involved, and Lippert had to rescore some of the films and pay an amount to the musicians' music fund.

Also in 1951, he clashed with the Screen Actors Guild when he sold his films to television. He was blackballed by the Guild, as a result. He was going to make films for television with Hal Roach, Jr., but problems with the Screen Actors Guild led to their cancellation. He ended up making only two, ''Tales of Robin Hood'' and ''Present Arms'' (released as ''As You Were''). , In October 1951, Lippert signed a three-picture deal with the recently blacklisted Carl Foreman. He also signed a two-picture deal with blacklisted Paul Henreid but no films appear to have resulted. In 1951, he entered into an arrangement with Famous Artist Corporation to make features with their talent. By January 1952, however, the SAG dispute had not been resolved and Lippert announced he was leaving film production.

Hammer Films

In 1951, Lippert signed a four-year production and distribution contract with the British company Hammer Films by which Lippert would distribute Hammer movies in America, and Hammer would distribute Lippert's films in the UK. To ensure familiarity with American audiences, Lippert insisted on an American star supplied by him in the Hammer films he was to distribute. The first film produced under the contract was ''The Last Page'', which starred George Brent

20th Century-Fox

Regal Pictures

When Darryl F. Zanuck announced his CinemaScope process, he faced hostility from many theater owners who had gone to great expense to convert their theaters to show 3-D films that Hollywood had stopped making. Zanuck assured them that they could have a large supply of CinemaScope product because Fox would make CinemaScope lenses available to other film companies and start a production unit, led by Lippert, called Regal Pictures in 1956 to produce B pictures in that process.

Lippert's company was contracted to make 20 pictures a year for seven years, each to be shot in seven days for no more than $100,000. Due to Lippert's problems with the film unions over not paying residuals to actors and writers of his films when they were sold to television, Ed Baumgarten was officially appointed the head of Regal, but Lippert had overall control. Regal Pictures filmed its movies with CinemaScope lenses, but due to 20th Century-Fox insisting that only its "A" films would be labelled CinemaScope, Regal's product used the term "Regalscope" in its films' credits.

Beginning with ''Stagecoach to Fury'' (1956), Regal produced 25 pictures in its first year.

Maury Dexter, who worked at Regal, later recalled the outfit's productions were all shot at independent sound stages because they could not afford to shoot at 20th Century Fox, due to the high cost of rental and overhead they charged. The films were entirely financed and released by Fox, but Regal was independent. Dexter says "the only stipulation production-wise was that we had to give Bausch and Lomb screen credit on each film for CinemaScope camera lenses, as well as being charged back to Fox, $3,000 of each budget.

Impressed by the unit's profits, Fox extended Regal's contract by a further 16 films with an "exploitation angle" that would be approved by Fox.

In November 1957, Regal announced that they would make ten films in three months.

Regal made a deal with actors and directors to play them a percentage of any money from the sale of films to television. It did not make a deal with writers, and the Screenwriters Guild forbade its writers to work for Lippert. Regal stopped making films.

In 1960, Lippert sold 30 Regal films to television for $1 million.

In October 1958, a new company was formed by Lippert, Regal Films, to make one a month low budget films for Fox, starting with '' Alaskan Highway''. The company was headed by George Warren, a cost controller for MGM, with William Magginetti as production supervisor and Harry Spaulding as story editor. Lippert was described as being "associated" with the company.

"We use hack writers or new writers and beat-up faces or new faces", he said later. "No, I don't direct any of them. I wouldn't be a director for anything. No wonder they all have ulcers."

Associated Producers Incorporated

In 1959, Lippert renamed Regal as Associated Producers Incorporated (API) to make more low-budget films for double features (API having similar initials to exploitation specialist American International Pictures may have been coincidental).

The core of API was Harry Spalding and Maury Dexter. All API's productions were done in-house.

In October 1959, Lippert said making "little Bs" for $100,000 was no longer as lucrative because "it is now in the same category as the short TV feature which people can see for free." He persuaded Fox to start financing his films up to $300,000 and a shooting schedule of around 15 days starting with ''The Sad Horse''.

"I have an angle on everything", he said in 1960, adding that he found it profitable to focus on small towns and country areas. "There's a lot of money in sticks."

In 1962, Lippert criticized Hollywood for the "slow suicide" in movie going, blaming involvement of New York bankers in creative matters, inflated overhead, union featherbedding and obsolete theaters.

"The economics of this business have gone cock-eyed", he added. "The total gross of pictures has dropped from 20-30% and the costs have doubled. It's nuts." By this stage, he estimated that he had made "about 300 films" including 100 for Fox in five years. "One year, I made 26, more than the rest of the studios."

"Most Bs cost $100,000 or $200,000", he said. "We shoot them in six or seven days. There's hardly any re-shooting. Unless something is glaringly wrong, we let 'em go. What the hell, people don't care. They want to be entertained. I've heard people coming out of my theaters after seeing a double bill that featured a big production, 'Everybody died' or 'How that girl suffered. Thank God for the little picture'."

Lippert said that he wanted to make more Westerns "because they're cheap" but did not because "television had saturated the market."

Faced with increasing production costs in Hollywood, Lippert announced in 1962 that he would be making films in England, Italy ('' The Last Man on Earth''), and the Philippines. Fox ended Regal/API when its own production schedule had declined and it didn't have enough "A" features to support its "B" pictures.

Later career

In March 1966, Fox announced that Lippert would return to film production with ''Country Music''.

Lippert's association with Fox ended after 250 films with ''The Last Shot You Hear'' that began filming in 1967 but was not released until 1969.

After stopping producing, Lippert doubled his chain of theaters from 70 to 139 and managed them until his death.

Personal life

In 1926, he married Ruth Robinson and they remained married until his death. He has a son, Robert L. Lippert Jr., and a daughter, Judith Ann. His son followed his father into producing and also helping manage the theater chain. Maury Dexter says Lippert had a mistress, Margia Dean, who he would insist appear in Lippert films.

Death

Lippert died of a heart attack, his second, at home in Alameda, California on November 16, 1976. His cremated remains were interred at the Woodlawn Memorial Park Cemetery in Colma, California.

Select filmography

Produced by Action Pictures, distributed by Screen Guild Productions

*'' Wildfire: The Story of a Horse'' (1945) – starring Bob Steele, produced by William David, directed by Robert Emmett Tansey
*''Northwest Trail'' (1945) – starring Bob Steele, produced by William David, directed by Derwin Abrahams
*'' God's Country'' (1946) – starring Bob Steele, produced by William David, directed by Robert Emmett Tansey

Produced by Affiliated Productions, distributed by Screen Guild Productions

*''Renegade Girl'' (1946) – starring Ann Savage, directed by William Berke
*'' Rolling Home'' (1946) – starring Jean Parker, directed by William Berke

Produced by Golden Gate Pictures, distributed by Screen Guild Productions

*'' 'Neath Canadian Skies'' (1946) – produced by William David, directed by B. Reeves Eason from a story by James Oliver Curwood
*'' North of the Border'' (1946) – produced by William David, directed by B. Reeves Eason from a story by James Oliver Curwood
*''Flight to Nowhere'' (1946) – with Alan Curtis & Evelyn Ankers, produced by William David, directed by William Rowland
*''My Dog Shep'' (1946) – starring Flame, produced by William David, directed by Ford Beebe
*''Death Valley'' (1946) – produced by William David, directed by Lew Landers
*'' Scared to Death'' (1947) – starring Bela Lugosi, produced by William David, directed by Christy Cabanne

Produced by Edward F. Finney Productions, distributed by Screen Guild Productions

*''Queen of the Amazons'' (1947) – written by Roger Merton, directed by Edward Finney
*''The Prairie'' (1947) – Based on a story by James Fenimore Cooper, written by Arthur St. Claire (screenplay) directed by Frank Wisbar

Produced by Somerset Pictures, distributed by Screen Guild Productions

*'' Road to the Big House'' (1947) – written by Aubrey Wisberg, directed by Walter Colmes
*''The Burning Cross'' (1947) – written by Aubrey Wisberg, directed by Walter Colmes

Produced by Jack Schwarz Productions, distributed by Screen Guild Productions

*''Buffalo Bill Rides Again'' (April 19, 1947) – produced by Jack Schwarz, directed by Bernard B. Ray
*'' Hollywood Barn Dance'' (June 21, 1947) – produced by Jack Schwarz, directed by Bernard B. Ray

Distributed only by Screen Guild Productions

*''Trail of the Mounties'' (1947) – Bali Pictures – starring Russell Hayden & Jennifer Holt, directed by Howard Bretherton
*''Bush Pilot'' (1947) – Dominion Pictures, a Canadian company – starring Jack La Rue
*''Boy! What a Girl!'' (1947) – Herald Pictures – race film musical featuring black performers
*''Bells of San Fernando'' (1947) – Hillcrest Productions
*'' Dragnet'' (1947) aka ''Dark Bullet'' and ''A Shot in the Dark'' – Fortune Films
*''Killer Dill'' (1947) – Max M. King Productions, Nivel Pictures Corporation
*''Harpoon'' (1948) – produced by Danches Bros. Productions
*'' S.O.S. Submarine'' (1941) – 1941 Italian film released in US in 1948, aka ''Men on the Sea Floor''
*''Miracle in Harlem'' (1948) – featuring black performers
*''The Mozart Story'' (1948) – Austrian film from Patrician Pictures
*'' Tromba'' (1949) aka ''Tromba the Tiger Man'' (in 1952)
*'' Omoo-Omoo the Shark God'' (June 10, 1949) – Esla Pictures – directed by Leon Leonard
*'' Call of the Forest'' (1949) – Adventure Pictures, directed by John F Link

Reissues

'Hopalong Cassidy Westerns'
*''Hopalong Rides Again'' (1937) (in 1946)
*''Rustlers' Valley'' (1937) (in 1946)
*''North of the Rio Grande'' (1937) (in 1946)
*'' Borderland'' (1937) (in 1946)
*''Trail Dust'' (1936) (in 1946)
*''Hopalong Cassidy Returns'' (1936) (in 1946)
*''Hop-Along Cassidy'' (1935) (in 1946)*''Secret of the Wastelands'' (1941) (in 1946)
*''Outlaws of the Desert'' (1941) (in 1946)
*''Twilight on the Trail'' (1941) (in 1946)
*''Riders of the Timberline'' (1941) (in 1946)
*''Stick to Your Guns'' (1941) (in 1946)
*'' Wide Open Town'' (1941) (in 1946)
*'' Pirates on Horseback'' (1941) (in 1946)
*''Border Vigilantes'' (1941) (in 1946)
*''In Old Colorado'' (1941) (in 1946)
*''Three Men from Texas'' (1940) (in 1946)
*''Bar 20 Justice'' (1938) (in 1947)
*''Heart of Arizona'' (1938) (in 1947)
*''Cassidy of Bar 20'' (1938) (in 1947)
*''Partners of the Plains'' (1938) (in 1947)
*'' Texas Trail'' (1937) (in 1947)
*''The Frontiersmen'' (1938) (in 1947)
*''Stagecoach War'' (1940) (in 1948)
*'' Hidden Gold'' (1940) (in 1948)
*''Santa Fe Marshal'' (1940) (in 1948)
*'' Law of the Pampas'' (1939) (in 1948)
*''Range War'' (1939) (in 1948)
*'' Renegade Trail'' (1939) (in 1948)
*''Sunset Trail'' (1938) (in 1948)
*'' In Old Mexico'' (1938) (in 1948)
*'' Pride of the West'' (1938) (in 1948)

''King of the Turf'' (1939) (in 1948)
*'' Flirting with Fate'' (1938) (in 1948)
*''The Duke of West Point'' (1938) (in 1948)*'' Flirting with Fate'' (1938) (in 1948)
*''Forbidden Music'' (1936) (in 1948)
*'' Red Salute'' (1935) (in 1946)
*''March of the Wooden Soldiers'' (1934) (in 1950)
*''Midnight'' (1934) (in 1948)
*'' That's My Boy'' (1932) (in 1948)
*''Miss Annie Rooney'' (1942) (in 1948)
*''Captain Kidd'' (1945) (in 1952)
*''The Macomber Affair'' (1947) (in 1952)
*''The Iron Mask'' (1929) (in 1953)
*'' Mr Robinson Crusoe'' (1932) (in 1953)
*''Chu Chin Chow'' (1934) (in 1953)

Featurettes

*''The Case of the Baby Sitter'' (1947) – produced by Carl Hittleman for Screen Art Pictures Corp.
* ''The Hat Box Mystery'' (1947) – produced by Hittleman
*''Bandit Island'' (1953) – in 3-D

Produced by Ron Ormond for Western Adventure Productions, distributed by Screen Guild Productions

*''Dead Man's Gold'' (1948)
*''Mark of the Lash'' (1948)
*''Frontier Revenge'' (1948)
*''Son of a Bad Man'' (1949)
*''Son of Billy the Kid'' (1949)
*'' Outlaw Country'' (1949)

Distributed by Screen Guild and produced by Lippert Productions

*'' Shoot to Kill'' (1947) – produced and directed by William Berke
*''Jungle Goddess'' (1948) – written by Jo Pagano, produced by William Stephens, directed by Lewis D. Collins
*'' 40,000 Eyes'' (1948)
*''Thunder in the Pines'' (1948) – produced by William Stephens, directed by Robert Edwards
*''Shep Comes Home'' (1948) – produced by Ron Ormond, written and directed by Ford Beebe
*''Highway 13'' (1948) produced by William Stephens, directed by William Berke
*'' Black Stallion'' (1948) aka ''The Return of Wildfire'' – produced by Carl Hittleman, directed by Ray Taylor
*''Last of the Wild Horses'' (1948) – directed by Robert Lippert (the only film he directed)
*''Arson, Inc.'' (1949) – directed by William Berke
*''Deputy Marshal'' (1949) – directed by William Berke
*'' Red Desert'' (1949) aka ''Texas Manhunt'' – directed by Ford Beebe
*''Treasure of Monte Cristo'' (1949) – directed by William Berke
*'' Sky Liner'' (1949) – produced by William Stephens, directed by William Berke
*''I Shot Jesse James'' (1949) – produced by Carl Hittleman, written and directed by Sam Fuller
*''Grand Canyon'' (1949) – produced by Carl Hittleman, directed by Rob Landres
*'' Rimfire'' (1949) – produced by Ron Ormond, directed by B. Reeves Eason
*''Texas Manhunt'' (1949) aka ''Red Desert'' – starring Don Barry, directed by Ford Beebe
*''Apache Chief'' (1949) – directed by Frank McDonald
*''Ringside'' (1949) – directed by Frank McDonald
*'' Curfew Breakers'' (1957) – directed by Alex Wells

Produced by Lippert Productions, distributed by Lippert Productions

*''Hollywood Varieties'' (January 15, 1950)
*''Radar Secret Service'' (January 28, 1950)
*''Hostile Country'' (March 24, 1950)
*''Everybody's Dancin''' (March 31, 1950) – Nunes-Cooley Productions
*''Marshal of Heldorado'' (April 21, 1950) – starring James Ellison, produced by Ron Ormond, directed by Thomas Carr
*''Operation Haylift'' (May 5, 1950) – directed by William Berke, Produced by Joe Sawyer, written by Dean Riesner & Joe Sawyer
*''Colorado Ranger'' (May 12, 1950) – starring James Ellison, produced by Ron Ormond, directed by Thomas Carr
*''Motor Patrol'' (May 12, 1950) – directed by Sam Newfield
*''Rocketship X-M'' (May 26, 1950)
*'' West of the Brazos'' (June 2, 1950) – starring James Ellison, produced by Ron Ormond, directed by Thomas Carr
*'' Crooked River'' (June 9, 1950)
*''Fast on the Draw'' (June 30, 1950)
*''The Return of Jesse James'' (September 8, 1950)
*'' Border Rangers'' (October 6, 1950)
*'' Holiday Rhythm'' (October 13, 1950)
*'' Bandit Queen'' (December 22, 1950) – produced and directed by William Berke
*'' Kentucky Jubilee'' (May 18, 1951)
*''Unknown World'' (October 26, 1951)
*''Superman and the Mole-Men'' (November 23, 1951)
*''Stronghold'' (February 15, 1952) – Tom Productions
*''The Jungle'' (August 1, 1952) aka ''Kaadu''
*''The Tall Texan'' (February 13, 1953)
*''Bandit Island'' (March 1953) (short)
*''A Day in the Country'' (March 13, 1953) (short)
*''The Great Jesse James Raid'' (July 17, 1953)
*'' Fangs of the Wild'' (April 2, 1954)
*''The Cowboy'' (May 28, 1954) (Documentary)
*'' Thunder Pass'' (September 20, 1954)

Other

*'' The Fighting Seventh'' (June 1951) aka ''Little Big Horn'' – produced by Bali Productions – written and directed by Charles Marquis Warren (first film as director), produced by Carl Hittleman
*''G.I. Jane'' (1952) – produced by Murray Lerner for Murray Productions
*'' F.B.I. Girl'' (1951) – produced by Jegar Productions
*''Navajo'' (1952) (documentary) – Hall Bartlett Productions
*''Outlaw Women'' (1952) – Ron Ormond Productions
*''Loan Shark'' (1952) – Encore Productions
*'' Hellgate'' (1952) – Commander Films
*''Mr. Walkie Talkie'' (1952) – Rockingham Productions
*''White Goddess'' (1953) – Arrow Productions – episodes of ''Ramar of the Jungle''
*'' Eyes of the Jungle'' (1953) aka ''Destination Danger'' – episodes of ''Ramar of the Jungle''
*''Project Moon Base'' (1953) – Galaxy Pictures Inc.
*''Hollywood Thrill-Makers'' (1954) – Kosloff
*''Monster from the Ocean Floor'' (1954) – Palo Alto Productions (Roger Corman)
*'' Thunder Over Sangoland'' (1955) – episodes of ''Ramar of the Jungle''
*'' Phantom of the Jungle'' (1955) – episodes of ''Ramar of the Jungle''
*''King Dinosaur'' (1955) – Zimgor
*''Air Strike'' (1955) – produced, directed, and written by Cy Roth

Produced by Earle Lyon and Richard Bartlett's L&B Productions, released by Lippert Pictures

*''Silent Raiders'' (1954) – Co-Written, directed by and starring Richard Bartlett and Earle Lyon
*'' The Silver Star'' (1955) – Co-Written, directed by and co-starring Richard Bartlett and Earle Lyon
*'' The Lonesome Trail'' (1955) – Co-Written and directed by Richard Bartlett and Earle Lyon

Produced by Don Barry Productions, released by Lippert Pictures

*''The Dalton Gang'' (October 21, 1949)
*''Square Dance Jubilee'' (November 11, 1949)
*''Tough Assignment'' (November 15, 1949)
*''I Shot Billy the Kid'' (July 27, 1950)
*'' Frank James Rides Again'' (August 12, 1950) aka ''Gunfire''
*'' Train to Tombstone'' (September 16, 1950)

Produced by Sigmund Neufeld Productions

*'' Western Pacific Agent'' (1950)
*''Hi-Jacked'' (1950)
*''Three Desperate Men'' (1951)
*''Fingerprints Don't Lie'' (1951)
*''Mask of the Dragon'' (1951)
*''Stop That Cab'' (1951) (featurette)
*'' Danger Zone'' (1951)
*''Roaring City'' (1951)
*''Pier 23'' (1951)
*''Savage Drums'' (1951)
*'' Yes Sir, Mr. Bones'' (1951)
*'' Varieties on Parade'' (1951)
*''Lost Continent'' (1951)
*'' Leave It to the Marines'' (1951)
*'' Sky High'' (1951)
*''Sins of Jezebel'' (1953)

Produced by Deputy Corporation

*''The Baron of Arizona'' (Mar 1950) – written by Sam Fuller and Homer Croy, produced by Carl Hittleman, and directed by Sam Fuller
*''The Steel Helmet'' (Feb 1951) – written, produced and directed by Sam Fuller

Produced by R and L Productions (Hal Roach, Jr. and Lippert)

*''Tales of Robin Hood'' (1951)
*'' As You Were'' (1952)

International pick-ups

*''Johnny the Giant Killer'' (1950, released 1953) – France
*''Highly Dangerous'' aka ''Time Running Out'' (1950)
*'' The Fighting Men'' (1950) – Italy
*''The Siege'' (1950) – Spain
*''Valley of Eagles

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