Bach cantata

The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723.

Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the liturgical calendar have survived. These relate to the readings prescribed by the Lutheran liturgy for the specific occasion. The last known cantata was composed in 1745.

In addition to the church cantatas composed for occasions of the liturgical year, Bach wrote sacred cantatas for functions like weddings or (the inauguration of a new town council). His secular cantatas, around 50 known works, less than half of which surviving with both text and music, were written for academic functions of the University of Leipzig, or anniversaries and entertainment among the nobility and in society, some of them (congratulatory cantatas) and (homage cantatas).

Bach's cantatas usually require four soloists and a four-part choir, but he also wrote solo cantatas (i.e. for one soloist singer) and dialogue cantatas for two singers. The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. Hymns were mostly set to their Lutheran chorale tune. His chorale cantata cycle contains at least 40 chorale cantatas, each of these entirely based on text and tune of such hymn.

Titles of the cantatas

Although the German term ''Bachkantate'' (Bach cantata) became very familiar, Bach himself rarely used the title ''Cantata'' in his manuscripts. In , he wrote ''Cantata à Voce Sola e Stromenti'' (''Cantata for solo voice and instruments''). Another cantata in which Bach used that term is . Typically, he began a heading with the abbreviation ''J.J.'' (, "Jesus, help"), followed by the name of the celebration, the beginning of the words and the instrumentation, for example in . Bach often signed his cantatas with SDG, short for ("glory to the only God" / "glory to God alone").

Bach often wrote a title page for the autograph score and copies of the original parts. For example, he titled the parts of ''Aus tiefer Not schrei ich zu dir'', BWV 38, using a mix of languages to describe the occasion, the incipit, the precise scoring and his name: "Dominica 21. post Trinit / Aus tieffer Noth schrey ich zu dir. / â / 4. Voc. / 2. Hautbois. / 2. Violini. / Viola. / 4. Tromboni / e / Continuo. / di / Signore / J.S.Bach". The occasion for which the piece was performed is given first, in Latin: "" (21st Sunday after Trinity Sunday, with Trinit short for Trinitatem). The title follows, given in German in the orthography of Bach's time. The scoring and finally his name appear in a mix of French and Italian, the common languages among musicians at the time, partly abbreviated.

BWV number

Bach wrote more than 200 cantatas, of which many have survived. In the Bach-Werke-Verzeichnis (BWV), Wolfgang Schmieder assigned them each a number within groups: 1–200 (sacred cantatas), 201–216 (secular cantatas), and 217–224 (cantatas of doubtful authorship). Since Schmieder's designation, several of the cantatas he thought authentic have been redesignated as "spurious." However, the spurious cantatas retain their BWV numbers. The List of Bach cantatas is organized by BWV number but sortable by other criteria.

Structure of a Bach cantata

A typical Bach cantata of his first year in Leipzig follows the scheme:
# Opening chorus
# Recitative
# Aria
# Recitative (or Arioso)
# Aria
# Chorale

The opening chorus () is usually a polyphonic setting, with the orchestra presenting the themes or contrasting material first. Most arias follow the form of a da capo aria, repeating the first part after a middle section. The final chorale is typically a homophonic setting of a traditional melody.

Bach used an expanded structure to take up his position in Leipzig with the cantatas , and , both in two parts, to be performed before and after the sermon () and during communion (). Each part is a sequence of an opening movement, five movements with alternating recitatives and arias, and a chorale. In an exemplary way both cantatas cover the prescribed readings: starting with a related psalm from the Old Testament, Part I reflects the Gospel and Part II the Epistle.

Bach did not follow any strict scheme but composed as he wanted to express the words. A few cantatas are opened by an instrumental piece before the first chorus, such as the Sinfonia of . A solo movement begins , because its first words speak of silence. Many cantatas composed in Weimar are set like chamber music, mostly for soloists, with a four-part setting only in the closing chorale, which may have been sung by the soloists. In an early cantata, , Bach marked a repeat of the opening chorus after the chorale.

The chorale can be as simple as a traditional four-part setting, or be accompanied by an instrument, or be accompanied by the instruments of the opening chorus or even expanded by interludes based on its themes, or have the homophonic vocal parts embedded in an instrumental concerto as in the familiar , or have complex vocal parts embedded in the concerto as in , in a form called ' (chorale fantasia). In , for the first Sunday in Advent, the beginning of a new liturgical year, he rendered the opening chorus as a French overture.

Singers and instrumentation

Vocal

Typically Bach employs soprano, alto, tenor and bass soloists and a four-part choir, also SATB. He sometimes assigns the voice parts to the dramatic situation, for example soprano for innocence or alto for motherly feelings. The bass is often the ''vox Christi,'' the voice of Jesus, when Jesus is quoted directly, as in , or indirectly, as in .

In the absence of clear documentary evidence, there are different options as to how many singers to deploy per part in choral sections. This is reflected in the recordings discussed below. Ton Koopman, for example, is a conductor who has recorded a complete set of the cantatas and who favours a choir with four singers per part. On the other hand, some modern performances and recordings use one voice per part. Joshua Rifkin is well known is an advocate of this approach, although it has yet to be followed through in a complete set of cantatas. Nonetheless, Bach would have had more singers available at Leipzig, for example, while the space in the court chapel in Weimar was limited. One size of choir probably does not fit all the cantatas.

Instrumental

The orchestra that Bach used is based on string instruments (violin, viola) and ''basso continuo,'' typically played by cello, double bass (an octave lower) and organ. A continuo bass is the rule in Baroque music; its absence is noteworthy and often has a special reason, such as describing fragility.

The specific character of a cantata or a single movement is rather defined by wind instruments, such as oboe, oboe da caccia, oboe d'amore, flauto traverso, recorder, trumpet, horn, trombone, and timpani. In movements with winds, a bassoon usually joins the continuo group.

Festive occasions call for richer instrumentation. Some instruments also carry symbolic meaning, such as a trumpet, the royal instrument of the Baroque, for divine majesty and three trumpets for the Trinity. In an aria of BWV 172, addressing the ''Heiligste Dreifaltigkeit'' (Most holy Trinity), the bass is accompanied only by three trumpets and timpani.

In many arias Bach uses obbligato instruments, which accompany the singer as an equal partner. These instrumental parts are frequently set in virtuoso repetitive patterns called figuration. Instruments include, in addition to the ones mentioned, organ, flauto piccolo ( sopranino recorder), violino piccolo, viola d'amore, violoncello piccolo (a smaller cello), tromba da tirarsi (slide trumpet) and corno da tirarsi.

In his early compositions Bach also used instruments that had become old-fashioned, such as viola da gamba and violone. Alto recorders (flauti dolci) are sometimes used in connection with death and mourning as in .

Solo cantata

Some cantatas are composed for a solo singer (''Solokantate''), as , for soprano, sometimes concluded by a chorale, as in , for bass.

Dialogue cantata

Some cantatas are structured as a dialogue, mostly for Jesus and the Soul (bass and soprano), set like miniature operas. Bach titled them for example , concerto in dialogue. An early example is (1714). He composed four such works in his third annual cycle, (1725), , (both 1726), and (1727).

Text of Bach's sacred cantatas

Within the Lutheran liturgy, certain readings from the Bible were prescribed for every event during the church year; specifically, it was expected that an from an Epistle and from a Gospel would be read. Music was expected for all Sundays and holidays except the quiet times (''tempus clausum'') of Advent and Lent; the cantatas were supposed to reflect the readings. Many opening movements are based on quotations from the Bible, such as , from . Ideally, a cantata text started with an Old Testament quotation related to the readings, and reflected both the Epistle and the Gospel, as in the exemplary . Most of the solo movements are based on poetry of contemporary writers, such as court poet Salomon Franck in Weimar or Georg Christian Lehms or Picander in Leipzig, with whom Bach collaborated. The final words were usually a stanza from a chorale. Bach's Chorale cantatas are based exclusively on one chorale, for example the early , and most cantatas of his second annual cycle in Leipzig.

The German text may pose difficulties in translation and comprehension. Sometimes caused by archaic language, these issues are also a result of the different social context of modern artists and listeners, who do not share the same biblical and theological knowledge and perspectives as Bach or his audience.

Periods of cantata composition

The following lists of works (some marked as questioned) rely mainly on Alfred Dürr's ''Die Kantaten von Johann Sebastian Bach.'' Usually the cantatas appear in the year of their first performance, sometimes also for later performances and then in brackets.

Mühlhausen

Bach moved to Mühlhausen in 1707 when he was 22 to take up an appointment as the organist of St. Blasius church (). There is evidence suggesting that he composed a cantata as an audition piece for Mühlhausen, and this may have been . One or two more surviving cantatas may have been composed while Bach was at his previous post in Arnstadt, for example, .

A couple of the surviving cantatas can be firmly dated to his time in Mühlhausen. For example, , was composed for the inauguration of the town council in 1708. By Bach's own account, , was also composed at Mühlhausen. Other cantatas are assumed to date from this period:
* , related to Psalm 146, likely for New Year's Day
* , assumed to be a wedding cantata
* , a funeral cantata

Weimar

Bach worked in Weimar from 1708. He composed a secular cantata, Was mir behagt, ist nur die muntre Jagd, BWV 208, in 1713. The composition of cantatas for the (court chapel) on a regular monthly basis started with his promotion to in March 1714. His goal was to compose a complete set of cantatas for the liturgical year within four years. The cantatas 54 and 199 were performed within the cycle but possibly composed earlier.
*1713: ? * 63?
*1714: * * 172 * 21 * 54 * 199 * 61 * 152
*1715: * 165 * 185 * 162 * 163 * 132
*1716: * 161 * 80a * 70a * 186a * 147a

Köthen

Bach worked in Köthen from 1717 to 1723, where he composed for example the '' Brandenburg Concertos''. He had no responsibility for church music, but his employer Prince Leopold did commission secular cantatas. Later in Leipzig, he derived several church cantatas from congratulatory cantatas, such as , for Easter from the birthday cantata .
*1717?: (or between 1720 and 1722)
*1718:
*1719:
Even after he moved to Leipzig he retained his title of (that is director of music to the court at Köthen). He continued to compose for the court until Leopold's funeral in 1729. There is evidence that he reused musical material from works that he premiered in Leipzig in the 1720s, for example the secular cantata , believed to be have been composed to honour one of the Bach's academic colleagues in Leipzig, was the basis of a secular cantata with a text in honour of Leopold's second wife.

*1726: Steigt freudig in die Luft, BWV 36a
*1729:

Leipzig

In Leipzig Bach was responsible for the town's church music in the and and was head of the . Church cantata performances alternated in the two churches for ordinary Sundays and took place in both churches on high holidays such as Christmas, then one in the morning, one in the afternoon, and again alternating for the three days such an occasion was celebrated. Academic functions took place at the . There is debate whether Bach performed , there a week before he began his cantorate. Bach started it on the first Sunday after Trinity of 1723 and wrote a first annual cycle. Bach's major works such as the Passions and the Mass in B minor are inserted in the listing for comparison.

*1723: * (audition pieces)

First cantata cycle

*1723: * 76 * (21) * 24 * 167 * 147 * ''Magnificat'' * 186 * 136 * 105 * 46 * 179 * (199) * 69a * 77 * 25 * 119 * 138 * 95 * 148 * 48 * (162) * 109 * 89 * (163?) * 60 * 90 * 70 * (61) * (63) * 40 * 64
*1724: Singet dem Herrn ein neues Lied, BWV 190 * 153 * 65 * 154 * ( 155) * 73 * 81 * 83 * 144 * 181 + (18) * (22 23) * ( 182) * '' St John Passion'' * ( 4) * 66 * 134 * 67 * 104 * (12) * 166 * 86 * 37 * 44 * 59 * 173 * 184 * 194

Second cantata cycle

After Trinity of 1724 he started a second annual cycle of mainly chorale cantatas. The chorale was typically the chorale prescribed for that week ( or ). These cantatas were performed even after his death, according to Christoph Wolff probably because the well-known hymns were appealing to the audience.
*1724: * 2 * 7 * 135 * 10 * 93 * 107 * 178 * 94 * 101 * 113 * 33 * 78 * 99 * 8 * 130 * 114 * 96 * 5 * 180 * 38 * 115 * 139 * 26 * 116 * 62 * 91 * 121 * 133 * 122
*1725: * 123 * 124 * 3 * 111 * 92 * 125 * 126 * 127 * 1

The new cantatas Bach composed for Easter of 1725 and afterwards were not chorale cantatas:
*1725: BWV 249, early version (later versions known as the ''Easter Oratorio'' but the 1725 version was a cantata) * 6 * 42 * 85 * 103 * 108 * 87 * 128 * 183 * 74 * 68 * 175 * 176
Two of these, BWV 128 and BWV 68, both starting with a chorale fantasia, are sometimes seen as included in the chorale cantata cycle.

Other cantatas by Bach that are usually seen as belonging to the chorale cantata cycle:
* BWV 4 (version as performed again at Easter 1725, somewhat different from the early Mühlhausen version) * 137 (1725) * 58 (1727) * 129 (1727) * 80 (1727 or later, although an early version of this cantata, BWV 80b, may have been composed for or performed on Reformation Day in 1724) * 112 (1731) * 140 (1731) * 177 (1732) * 9 (1732) * 14 (1735)

For four further chorale cantatas it is unclear for which occasion they were composed, and whether they were intended to be added to the cycle:
* BWV 117 (1728–1731) * 192 (1730) * 100 (1732–1735) * 97 (1734?)

Third to fifth year in Leipzig

After Trinity of 1725 Bach began a third annual cycle, but with less consistency. The first cantata is written for the ninth Sunday after Trinity, but the following year he added a substantial work for the first Sunday after Trinity. The cycle extends over several years, although the cantatas from 1727 have been termed as "between the third and fourth cycles".Tatiana Shabalin
"Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas"
pp. 77-99 i
''Understanding Bach'' 4
2009 Cantatas for some occasions are not extant.

Picander cycle of 1728–29

There is some circumstantial evidence that a complete fourth cycle of Bach cantatas, in scholarship indicated as the Picander cycle, may have existed.Picander (=Christian Friedrich Henrici)
''Ernst-Schertzhaffte und Satyrische Gedichte'', Volume III.
Leipzig: Joh. Theod. Boetii Tochter (1732; 2nd printing 1737)
p. 79ff
/ref>

Extant cantatas of the fourth cycle:
*1728: 149 * 188 * 197a * 117
*1729: * * * 156 * 159 * 145 * 174

Other cantatas and church music

Not belonging to the foregoing:
*1730: ''Jauchzet Gott in allen Landen'', BWV 51
*1731: *
*1732: *
*1733: Kyrie–Gloria Mass, BWV 232 I (early version) *
*1734: * ''Christmas Oratorio''
*1735: (Ascension Oratorio)
*1738?: Kyrie–Gloria Masses, BWV 233–236
*1742: *
*1744?:
*1745:
*1748?: Mass in B minor, BWV 232 (largely a compilation of previously composed music)

Parodies

Bach sometimes reused an earlier composition, typically revising and improving it in a process called parody. For example, a movement from a partita for violin, in ceaseless motion, was arranged as an orchestral sinfonia with the organ as solo instrument for the wedding cantata 120a and again in Cantata 29, for which the organ was accompanied by a full orchestra dominated by trumpets. Not only a single movement but a complete cantata was reworked from the Shepherd cantata , to become the ''Easter Oratorio''. Bach used parody to be able to deliver cantatas for Christmas, Easter and Pentecost, which were each celebrated for a period of three days. His Easter cantata , is a parody of six of eight movements of the cantata for New Year's Day, . Six movements of his congratulatory cantata , form the cantata for Pentecost Monday of 1724, , while a seventh movement was made part of the cantata for Pentecost Tuesday of 1725, .

Bach's four short masses are parodies of cantata movements; he used several movements of , for two of them. When he compiled his Mass in B minor, he again used many cantata movements, such as a part of , for the of the .

Oratorios

Bach's oratorios can be considered as expanded cantatas. They were also meant to be performed during church services. Distinct from the cantatas, a narrator, the Evangelist, tells a story in the exact Bible wording, while soloists and the choir have "roles" such as Mary or "the shepherds", in addition to reflective chorales or arias commenting on the story. The ''St Matthew Passion'' and the '' St John Passion'' were intended to be performed on Good Friday, before and after the sermon. The six parts of the ''Christmas Oratorio'' were intended to be performed on six feast days of the Christmas season, each part composed as a cantata with an opening chorus (except in Part 2) and a closing chorale.

Performances by Bach

Bach composed the cantatas and performed them, conducting from the keyboard. The choir was the Thomanerchor, which also served the other main churches of Leipzig for which Bach was responsible. Cantatas, under his personal direction, were performed in the Nikolaikirche and in the Thomaskirche, alternating on ordinary Sundays. On high feast days, the same cantata was performed in the morning in one of these churches, in a vespers service in the other.

Later performances and recordings

After Bach's death the cantatas fell into obscurity even more than his oratorios. There is some evidence for the chorale cantatas being performed at Leipzig after Bach's death, but the cantatas were little known until a society called the Bach-Gesellschaft began to publish the composer's complete works starting in 1851. Only one of the cantatas, , had been published during Bach's lifetime. The cantata , was selected as the first work to appear in the ''Bach-Gesellschaft-Ausgabe'', the first complete edition. (Worklist for J.S. Bach).

In 1928, ''The New York Times'' reported the presentation in Paris of two secular Bach cantatas by opera soprano Marguerite Bériza and her company in staged productions, '' The Peasant Cantata'' and '' The Coffee Cantata''. In 1931 a recording was made of a performance of , in Barcelona.

The number of performances and recordings increased in the decades after the Second World War. In the early 1950s Fritz Lehmann recorded several cantatas with the Berliner Motettenchor and the Berlin Philharmonic. From 1953, Max Thurn conducted for the broadcaster NDR a series of Bach cantatas, with members of the NDR Chor and members of the NDR Sinfonieorchester. Karl Richter called his choir programmatically Münchener Bach-Chor in 1954 and recorded about a third of the cantatas.

Between 1958 and 1987, the London Bach Society, conducted by Paul Steinitz performed all the extant church and secular cantatas, 208 separate works, in various venues, mostly in the Church of St Bartholomew-the-Great, London. Diethard Hellmann called the (chorale) of the Christuskirche ''Bachchor Mainz'' in 1965 and produced more than 100 cantatas on a weekly basis with the Südwestrundfunk. Fritz Werner started recording with the Heinrich-Schütz-Chor Heilbronn and the Pforzheim Chamber Orchestra a series that they called ''Les Grandes Cantates de J.S. Bach''.

The Thomanerchor has sung a weekly cantata during the evening service on Saturday.
The cantatas are also regularly performed on Sundays at Holy Trinity Lutheran Church, New York City, under the direction of the Cantor (currently Donald R. Meineke).

Complete recordings

While individual cantatas were recorded as early as the 1930s, a complete set was not attempted until the 1970s when Nikolaus Harnoncourt and Gustav Leonhardt began recording the Teldec set. This 20-year collaboration used historical instruments, with boys' choirs and boy soloists for most soprano and a few alto parts. Harnoncourt conducted the Wiener Sängerknaben or the Tölzer Knabenchor and the Concentus Musicus Wien. Leonhardt conducted the Tölzer Knabenchor, Knabenchor Hannover and the Collegium Vocale Gent, and the ensemble Leonhardt-Consort. Helmuth Rilling, Gächinger Kantorei, and the Bach-Collegium Stuttgart completed a recording of the sacred cantatas and oratorios on Bach's 300th birthday, 21 March 1985. Ton Koopman and the Amsterdam Baroque Orchestra & Choir recorded all vocal works of Bach in 10 years starting in 1994, including the cantatas. Sir John Eliot Gardiner and his Monteverdi Choir undertook the Bach Cantata Pilgrimage, performing and recording in the year 2000 the sacred cantatas at churches all over Europe and in the United States. Sigiswald Kuijken has recorded ''Cantatas for the Complete Liturgical Year'' with La Petite Bande and the soloists forming the choir. Masaaki Suzuki commenced in 1995 a project to record the complete sacred cantatas with his Bach Collegium Japan for the Swedish label BIS; he completed the process in 2013.Ibbitson, John, "A Bach cantata two decades in the making," Toronto Globe and Mail, Nov. 08, 2013 URL= https://www.theglobeandmail.com/arts/music/a-bach-cantata-two-decades-in-the-making/article15346443/ Pieter Jan Leusink recorded the complete cantatas in 15 months in 1999 and 2000 with the Holland Boys Choir and Netherlands Bach Collegium for Brilliant Classics.

The Fifth Gospel

In 1929 the Swedish bishop Nathan Söderblom, a recipient of the Nobel Peace Prize, called Bach's cantatas the Fifth Gospel.

Bach cantatas listed in the first chapter of the ''Bach-Werke-Verzeichnis'' (1998)

, - style="background: #E3F6CE;"
, data-sort-value="0001.000" , 1
, data-sort-value="001.002" , 1.
, 1725-03-25
, Cantata ''Wie schön leuchtet der Morgenstern'' (Annunciation)
, F maj.
, data-sort-value="stbSATB Hnx2 Odcx2 Vlx2 Str Bc" , stbSATB 2Hn 2Odc 2Vl Str Bc
, data-sort-value="000.01: 001" , 1: 1
, data-sort-value="I/28 2: 003" , I/28.2: 3
, after Z 8359; text after Nicolai
,
, - style="background: #E3F6CE;"
, data-sort-value="0002.000" , 2
, data-sort-value="002.002" rowspan="2" , 1.
, rowspan="2" , 1724-06-18
, Cantata ''Ach Gott, vom Himmel sieh darein'' (Trinity II)
, G min.
, data-sort-value="atbSATB Tbnx4 Obx2 Str Bc" , atbSATB 4Tbn 2Ob Str Bc
, data-sort-value="000.01: 053" , 1: 53
, data-sort-value="I/16: 081" , I/16: 81
, after Z 4431; text after Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0002.006" , 2/6
, chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6)
, G Dor.
, SATB
, data-sort-value="000.01: 072" , 1: 72
, data-sort-value="III/02 1: 026" , III/2.1: 25
III/2.2: 156
, after Z 4431; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0003.000" , 3
, data-sort-value="003.001" rowspan="2" , 1.
, rowspan="2" , 1725-01-14
, Cantata ''Ach Gott, wie manches Herzeleid'' (Epiphany II)
, rowspan="2" , A maj.
, data-sort-value="satbSATB Hn Tbn Obax2 Str Bc" , satbSATB Hn Tbn 2Oba Str Bc
, data-sort-value="000.01: 073" , 1: 73
, data-sort-value="I/05: 189" , I/5: 189
, data-sort-value="after Z 0533a; text after Moller" , after Z 533a; text after Moller
,
, - style="background: #E3F6CE;"
, data-sort-value="0003.006" , 3/6
, chorale setting "Ach Gott, wie manches Herzeleid" (s. 18)
, SATB
, data-sort-value="000.01: 094" , 1: 94
, data-sort-value="III/02 1: 028" , III/2.1: 26
III/2.2: 90
, data-sort-value="after Z 0533a; text by Moller" , after Z 533a; text by Moller
,
, - style="background: #E3F6CE;"
, data-sort-value="0004.200" , 4.2
, data-sort-value="004.001" rowspan="2" , 1.
, rowspan="2" , 1724-04-09
, Cantata ''Christ lag in Todes Banden'' (Easter)
, E min.
, data-sort-value="satbSATB Cnt Tbnx3 Str Bc" , satbSATB Cnt 3Tbn Str Bc
, data-sort-value="000.01: 095" , 1: 95
, data-sort-value="I/09: 001" , I/9: 1
, after BWV 4.1; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0004.208" , 4/8
, chorale setting "Christ lag in Todes Banden" (s. 7)
, E min.
D min.
, SATB
, data-sort-value="000.01: 124" , 1: 124
, data-sort-value="III/02 2: 104" , III/2.2: 104
, after Z 7012a; text by Luther
,
, -
, data-sort-value="0004.100" , 4.1
, data-sort-value="004.002" , 1.
, 1707-04-24
, Cantata ''Christ lag in Todes Banden'' (Easter; early version, lost)
,
, data-sort-value="satbSATB Vlx2 Vax2 Bc" , satbSATB 2Vl 2Va Bc
,
, data-sort-value="I/09: 002" , I/9
, after Z 7012a; → BWV 4.2; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0005.000" , 5
, data-sort-value="005.001" rowspan="3" , 1.
, rowspan="3" , 1724-10-15
, Cantata ''Wo soll ich fliehen hin'' (Trinity XIX)
, rowspan="3" , G min.
, data-sort-value="satbSATB Tdt Obx2 Str Bc" , satbSATB Tdt 2Ob Str Bc
, data-sort-value="000.01: 125" , 1: 125
, I/24: 133
, after Z 2164; text after Heermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0005.007" rowspan="2" , 5/7
, chorale setting "Wo soll ich fliehen hin" (s. 11)
, rowspan="2" , SATB
, data-sort-value="000.01: 150" rowspan="2" , 1: 150
, rowspan="2" data-sort-value="III/02 1: 093" , III/2.1: 66
III/2.2: 180
, after Z 2164; text by Heermann
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Auf meinen lieben Gott"
, after Z 2164
, - style="background: #E3F6CE;"
, data-sort-value="0006.000" , 6
, data-sort-value="006.001" rowspan="2" , 1.
, rowspan="2" , 1725-04-02
, Cantata ''Bleib bei uns, denn es will Abend werden'' (Easter 2)
, C min.
, data-sort-value="satbSATB Obx2 Odc Str Vc Bc" , satbSATB 2Ob Odc Str Vc Bc
, data-sort-value="000.01: 151" , 1: 151
, data-sort-value="I/10: 043" , I/10: 43
, data-sort-value="after Z 0439 (/3: → BWV 0649)" , after Z 439 (/3: → BWV 649), Z 350a (/6); text after Lk 24:29 (/1), by Melanchthon & Selnecker (/3), Luther (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0006.006" , 6/6
, chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2)
, G min.
, SATB
, data-sort-value="000.01: 176" , 1: 176
, data-sort-value="III/02 2: 040" , III/2.2: 40
, data-sort-value="after Z 0350; text by Luther" , after Z 350a; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0007.000" , 7
, data-sort-value="007.001" , 1.
, 1724-06-24
, Cantata ''Christ unser Herr zum Jordan kam'' (24 June: feast of John the Baptist)
, E min.
, data-sort-value="atbSATB Obax2 Vlx2 Str Bc" , atbSATB 2Oba 2Vl Str Bc
, data-sort-value="000.01: 177" , 1: 177
, data-sort-value="I/29: 025" , I/29: 25
, after Z 7246; text after Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0008.100" , 8.1
, data-sort-value="008.002" , 1.
, 1724-09-24
, Cantata ''Liebster Gott, wenn werd ich sterben?'' (Trinity XVI; 1st version)
, E maj.
, data-sort-value="satbSATB Hn Fl Obax2 Str Bc" , satbSATB Hn Fl 2Oba Str Bc
, data-sort-value="000.01: 211" , 1: 211
, I/23: 105
, after Z 6634; by Vetter, D. (/6); text after Neumann; → BWV 8.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0008.200" , 8.2
, data-sort-value="009.002" , 1.
, 1747-09-17
, Cantata ''Liebster Gott, wenn werd ich sterben?'' (Trinity XVI; 2nd version)
, D maj.
, data-sort-value="satbSATB Fl Obax2 Tai Vlx2 Str Bc" , satbSATB Fl 2Oba Tai 2Vl Str Bc
,
, I/23: 163
, data-sort-value="after BWV 0008.1" , after BWV 8.1
,
, - style="background: #E3F6CE;"
, data-sort-value="0009.000" , 9
, data-sort-value="009.003" rowspan="2" , 1.
, rowspan="2" , 1732-07-20
, Cantata ''Es ist das Heil uns kommen her'' (Trinity VI)
, rowspan="2" , E maj.
, satbSATB Fl Oba Str Bc
, data-sort-value="000.01: 243" , 1: 243
, data-sort-value="I/17 2: 083" , I/17.2: 83
, after Z 4430; text after Speratus
,
, - style="background: #E3F6CE;"
, data-sort-value="0009.007" , 9/7
, chorale setting "Es ist das Heil uns kommen her" (s. 12)
, SATB
, data-sort-value="000.01: 274" , 1: 274
, data-sort-value="III/02 1: 070" , III/2.1: 52
III/2.2: 172
, after Z 4430; text by Speratus
,
, - style="background: #E3F6CE;"
, data-sort-value="0010.000" , 10
, data-sort-value="010.002" rowspan="2" , 1.
, rowspan="2" , 1724-07-02
, Cantata ''Meine Seel erhebt den Herren'' a.k.a. ''German Magnificat'' (Visitation)
, rowspan="2" , G min.
, data-sort-value="satbSATB Tr Obx2 Str Bc" , satbSATB Tr 2Ob Str Bc
, data-sort-value="000.01: 275" , 1: 275
, data-sort-value="I/28 2: 131" , I/28.2: 131
, after Magnificat peregrini toni; text after Magnificat; → BWV 648
,
, - style="background: #E3F6CE;"
, data-sort-value="0010.007" , 10/7
, chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11)
, SATB
, data-sort-value="000.01: 303" , 1: 303
, data-sort-value="III/02 1: 118" , III/2.1: 82
III/2.2: 205
, after Magnificat peregrini toni; text: German Magnificat
,
, - style="background: #E3F6CE;"
, data-sort-value="0012.000" rowspan="2" , 12
, data-sort-value="011.003" rowspan="2" , 1.
, 1714-04-22
, rowspan="2" , Cantata ''Weinen, Klagen, Sorgen, Zagen'' (Jubilate; two versions)
, F Dor.
, data-sort-value="atbSATB Tr Ob Vlx2 Vax2 Bas Bc" rowspan="2" , atbSATB Tr Ob 2Vl 2Va Bas Bc
, data-sort-value="000.02: 059" , 2: 59
, data-sort-value="I/11 2: 001" rowspan="2" , I/11.2: 1
, rowspan="2" , after Z 5629 (/7: → BWV 69.1/6); text by Franck, S.?; text after Acts 14:22 (/3); text by Rodigast (/7); /2 → BWV 232/14
, rowspan="2" ,
, - style="background: #E3F6CE;"
, 1724-04-30
, G min.
,
, - style="background: #E3F6CE;"
, data-sort-value="0013.000" , 13
, data-sort-value="012.002" rowspan="3" , 1.
, rowspan="3" , 1726-01-20
, Cantata ''Meine Seufzer, meine Tränen'' (Epiphany II)
, D min.
, data-sort-value="satbSATB Flx2 Odc Str Bc" , satbSATB 2Fl Odc Str Bc
, data-sort-value="000.02: 079" , 2: 79
, data-sort-value="I/05: 229" , I/5: 229
, after Z 6543 (/3), Z 2293b (/6); text by Lehms, Heermann (/3), Fleming (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0013.006" rowspan="2" , 13/6
, chorale setting "In allen meinen Taten" (s. 9)
, B♭ maj.
, rowspan="2" , SATB
, data-sort-value="000.02: 098" , 2: 98
, data-sort-value="III/02 2: 058" , III/2.2: 58
, rowspan="2" , after Z 2293b; text by Fleming
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Nun ruhen alle Wälder"
, G maj.
,
, data-sort-value="III/02 2: 216" , III/2.2: 216
, - style="background: #E3F6CE;"
, data-sort-value="0014.000" , 14
, data-sort-value="013.002" rowspan="2" , 1.
, rowspan="2" , 1735-01-30
, Cantata ''Wär Gott nicht mit uns diese Zeit'' (Epiphany IV)
, rowspan="2" , G min.
, data-sort-value="stbSATB Hn Obx2 Str Bc" , stbSATB Hn 2Ob Str Bc
, data-sort-value="000.02: 099" , 2: 99
, data-sort-value="I/06: 139" , I/6: 139
, after Z 4434; text after Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0014.005" , 14/5
, chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3)
, SATB
, data-sort-value="000.02: 132" , 2: 132
, data-sort-value="III/02 1: 128" , III/2.1: 88
III/2.2: 103
, after Z 4434; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0016.000" rowspan="2" , 16
, data-sort-value="014.003" rowspan="3" , 1.
, 1726-01-01
, rowspan="2" , Cantata ''Herr Gott, dich loben wir'' (New Year/Circumcision)
, rowspan="3" , A min.
, data-sort-value="atbSATB Hn Obx2 Odc Str Bc" , atbSATB Hn 2Ob Odc Str Bc
, data-sort-value="000.02: 173" rowspan="2" , 2: 173
, data-sort-value="I/04: 103" rowspan="2" , I/4: 103
, rowspan="2" , after Z 8652 (/1), 5267 (/6; → BWV 419); text by Lehms, Luther (/1), Eber (/6)
, rowspan="2" ,
, - style="background: #E3F6CE;"
, 1731-01-01
, data-sort-value="atbSATB Hn Obx2 Va Str Bc" , atbSATB Hn 2Ob Va Str Bc
, - style="background: #E3F6CE;"
, data-sort-value="0016.006" , 16/6
, 1726-01-01
, chorale setting "Helft mir Gotts Güte preisen" (s. 6)
, SATB
, data-sort-value="000.02: 198" , 2: 198
, data-sort-value="III/02 2: 056" , III/2.2: 56
, after Z 5267; text by Eber
,
, - style="background: #E3F6CE;"
, data-sort-value="0017.000" , 17
, data-sort-value="015.002" rowspan="2" , 1.
, rowspan="2" , 1726-09-22
, Cantata ''Wer Dank opfert, der preiset mich'' (Trinity XIV)
, rowspan="2" , A maj.
, data-sort-value="satbSATB Obx2 Str Bc" , satbSATB 2Ob Str Bc
, data-sort-value="000.02: 199" , 2: 199
, I/21: 147
, after Z 8244 (/7); text: Meiningen, after Ps 50:23 (/1; → BWV 236/6), Lk 17:15-16 (/4), by Gramann (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0017.007" , 17/7
, chorale setting "Nun lob, mein Seel, den Herren" (s. 3)
, SATB
, data-sort-value="000.02: 225" , 2: 225
, data-sort-value="III/02 2: 004" , III/2.2: 4
, after Z 8244; text by Gramann
,
, - style="background: #E3F6CE;"
, data-sort-value="0018.200" , 18.2
, data-sort-value="016.002" rowspan="2" , 1.
, rowspan="2" , 1724-02-13
, Cantata ''Gleichwie der Regen und Schnee vom Himmel fällt'' (Sexagesima)
, rowspan="2" , A min.
, data-sort-value="stbSATB Flx2 Bas Vax4 Vc Bc" , stbSATB 2Fl Bas 4Va Vc Bc
, data-sort-value="000.02: 227" , 2: 227
(in g)
, data-sort-value="I/07: 107" , I/7: 107
, data-sort-value="after BWV 0018.1" , after BWV 18.1; text by Neumeister, after Is 55:10– 11 (/2), Luther (/3), by Spengler (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0018.205" rowspan="2" , 18/5
, chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8)
, rowspan="2" , SATB
, data-sort-value="000.02: 252" rowspan="2" , 2: 252
(in g)
, data-sort-value="III/02 2: 071" , III/2.2: 71
, after Z 7549; text by Spengler
, rowspan="2" ,
, - style="background: #E3F6CE;"
, data-sort-value="016.003" rowspan="2" , 1.
, rowspan="2" , 1715-02-24
, chorale setting "Ich ruf zu dir, Herr Jesu Christ"
, rowspan="2" , G min.
, data-sort-value="III/02 2: 056" , III/2.2: 56
, after Z 7549; text by Agricola
, - style="background: #E3F6CE;"
, data-sort-value="0018.001" , 18.1
, Cantata ''Gleichwie der Regen und Schnee vom Himmel fällt'' (Sexagesima)
, data-sort-value="stbSATB Bas Vax4 Vc Bc" , stbSATB Bas 4Va Vc Bc
,
, data-sort-value="I/07: 081" , I/7: 81
, after Z 7549 (/5); text by Neumeister, after Is 55:10– 11 (/2), Luther (/3), by Spengler (/5); → BWV 18.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0019.000" , 19
, data-sort-value="017.003" rowspan="3" , 1.
, rowspan="3" , 1726-09-29
, Cantata ''Es erhub sich ein Streit'' (Michaelmas)
, rowspan="3" , C maj.
, data-sort-value="stbSATB Trx3 Tmp Obx2 Obax2 Tai Str Bc" , stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc
, data-sort-value="000.02: 253" , 2: 253
, data-sort-value="I/30: 055" , I/30: 55
, after Z 6543 (/7); text after Picander
,
, - style="background: #E3F6CE;"
, data-sort-value="0019.007" rowspan="2" , 19/7
, chorale setting "Freu dich sehr, o meine Seele" (s. 9)
, rowspan="2" , SATB
, data-sort-value="000.02: 288" rowspan="2" , 2: 288
, rowspan="2" data-sort-value="III/02 1: 087" , III/2.1: 62
III/2.2: 177
, after Z 6543
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Weg, mein Herz, mit den Gedanken"
, after Z 6543; text by Gerhardt
, - style="background: #E3F6CE;"
, data-sort-value="0020.000" , 20
, data-sort-value="018.002" rowspan="2" , 1.
, rowspan="2" , 1724-06-11
, Cantata ''O Ewigkeit, du Donnerwort'' (Trinity I)
, rowspan="2" , F maj.
, data-sort-value="atbSATB Tdt Tmp Obx3 Str Bc" , atbSATB Tdt Tmp 3Ob Str Bc
, data-sort-value="000.02: 291" , 2: 291
, I/15: 133
, after Z 5820; text after Rist
,
, - style="background: #E3F6CE;"
, data-sort-value="0020.007" , 20/7
20/11
, chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16)
, SATB
, data-sort-value="000.02: 317" , 2: 317,
327
, data-sort-value="III/02 2: 017" , III/2.2: 17
, after Z 5820; text by Rist
,
, - style="background: #E3F6CE;"
, data-sort-value="0021.100" , 21.1
, data-sort-value="019.002" , 1.
, data-sort-value="1713-11-30" , before Dec. 1713
, Cantata ''Ich hatte viel Bekümmernis'' (1st version: in ogni tempore; 1714-06-17: Trinity III)
, C min.
, data-sort-value="satbSATB Trx3 Tmp Ob Str Bc" , satbSATB 3Tr Tmp Ob Str Bc
,
, I/16: 109
, after Z 2778 (/9); text by Franck, S.?; text after Ps 94:19 (/2), 42:12 (/6), 116:7 (/9), Rv 5:12-13 (/11), by Neumark (/9); → BWV 21.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0021.200" , 21.2
, data-sort-value="019.003" , 1.
, data-sort-value="1720-09-28" , 1720
, Cantata ''Ich hatte viel Bekümmernis'' (2nd version: in ogni tempore)
, D min.
, data-sort-value="satbSATB Trx3 Tmp Ob Str Bas Bc" , satbSATB 3Tr Tmp Ob Str Bas Bc
,
, I/16
, after BWV 21.1 (same text); → BWV 21.3
,
, - style="background: #E3F6CE;"
, data-sort-value="0021.300" , 21.3
, data-sort-value="019.004" , 1.
, 1723-06-13
, Cantata ''Ich hatte viel Bekümmernis'' (3rd version: Trinity III)
, C min.
, data-sort-value="satbSATB Trx3 Tmp Tnex4 Ob Str Bas Bc" , satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc
, data-sort-value="000.05 1: 001" , scores:Ich hatte viel Bekümmernis, BWV 21 (Bach, Johann Sebastian), 5¹: 1
, I/16
, after BWV 21.2 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0022.000" , 22
, data-sort-value="021.001" , 1.
, 1723-02-07
, BWV 22, Cantata ''Jesus nahm zu sich die Zwölfe'' (Estomihi)
,
, satbSATB Ob Str Bc
, data-sort-value="000.05 1: 065" , scores:Jesus nahm zu sich die Zwölfe, BWV 22 (Bach, Johann Sebastian), 5¹: 65
, data-sort-value="I/08: 001" , I/8: 1
, after Zahn 4297a, Z 4297a (/5); text after Luke 18:31, 34 (/1), by Elisabeth Cruciger, Cruciger (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0023.100" , 23.1
, data-sort-value="022.001" , 1.
, data-sort-value="1723-01-15" , 1723
, BWV 23, Cantata ''Du wahrer Gott und Davids Sohn'' (1st version, 3 movements: Estomihi)
, C min.
, data-sort-value="satbSATB Obx2 Str Bc" , satbSATB 2Ob Str Bc
, data-sort-value="000.05 1: 093" , scores:Du wahrer Gott und Davids Sohn, BWV 23 (Bach, Johann Sebastian), 5¹: 93
, data-sort-value="I/08: 033" , I/8: 33
, data-sort-value="→ BWV 0023.2" , → BWV 23.2, .3
,
, - style="background: #E3F6CE;"
, data-sort-value="0023.200" , 23.2
, data-sort-value="022.002" , 1.
, 1723-02-07
, BWV 23, Cantata ''Du wahrer Gott und Davids Sohn'' (2nd version, 4 movements: Estomihi)
, B min.
, data-sort-value="satbSATB Cnt Tbnx3 Obax2 Str Bc" , satbSATB Cnt 3Tbn 2Oba Str Bc
,
, data-sort-value="I/08: 069" , I/8: 69
, data-sort-value="after BWV 0023.1" , after BWV 23.1, Zahn 58, Z 58 (/4); text by Luther after Agnus Dei (/4); → BWV 23.3, BWV 245.2, 245.2/40
,
, - style="background: #E3F6CE;"
, data-sort-value="0023.300" , 23.3
, data-sort-value="022.003" , 1.
, data-sort-value="1729-12-31" , 1728–1731
, BWV 23, Cantata ''Du wahrer Gott und Davids Sohn'' (3rd version, 4 movements: Estomihi)
, C min.
, data-sort-value="satbSATB Obx2 Str Bc" , satbSATB 2Ob Str Bc
, data-sort-value="000.05 1: 094" , scores:Du wahrer Gott und Davids Sohn, BWV 23 (Bach, Johann Sebastian), 5¹: 93
, data-sort-value="I/08: 035" , I/8: 33
, data-sort-value="after BWV 0023.2" , after BWV 23.1, .2; text by Luther after Agnus Dei (/4)
,
, - style="background: #E3F6CE;"
, data-sort-value="0024.000" , 24
, data-sort-value="023.001" rowspan="3" , 1.
, rowspan="3" , 1723-06-20
, BWV 24, Cantata ''Ein ungefärbt Gemüte'' (Trinity IV)
, rowspan="3" , F maj.
, data-sort-value="satbSATB Tr Obx2 Obax2 Str Bc" , satbSATB Tr 2Ob 2Oba Str Bc
, data-sort-value="000.05 1: 125" , scores:Ein ungefärbt Gemüte, BWV 24 (Bach, Johann Sebastian), 5¹: 125
, data-sort-value="I/17 1: 047" , I/17.1: 47
, after Zahn number, Z 5148 (/6); text by Neumeister, Heermann (/6), after Matthew 7:12, Mt 7:12 (/3)
,
, - style="background: #E3F6CE;"
, data-sort-value="0024.006" rowspan="2" , 24/6
, chorale setting "O Gott, du frommer Gott" (s. 1)
, rowspan="2" , SATB
, data-sort-value="000.05 1: 150" rowspan="2" , scores:Ein ungefärbt Gemüte, BWV 24 (Bach, Johann Sebastian), 5¹: 150
, data-sort-value="III/02 2: 195" rowspan="2" , III/2.2: 195
, after Zahn number, Z 5148; text by Heermann
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Was frag ich nach der Welt"
, after Zahn number, Z 5148; text by Balthasar Kindermann, Kindermann
, - style="background: #E3F6CE;"
, data-sort-value="0025.000" , 25
, data-sort-value="024.001" rowspan="4" , 1.
, rowspan="4" , 1723-08-29
, BWV 25, Cantata ''Es ist nichts Gesundes an meinem Leibe'' (Trinity XIV)
, E min.
, data-sort-value="stbSATB Cnt Tbnx3 Flx3 Obx2 Str Bc" , stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc
, data-sort-value="000.05 1: 153" , scores:Es ist nichts Gesundes an meinem Leibe, BWV 25 (Bach, Johann Sebastian), 5¹: 153
, data-sort-value="I/21: 079" , I/21: 79
, after Z 6543 (/6); text after , Psalm 38, Ps 38:4 (/1), by Heermann (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0025.006" rowspan="3" , 25/6
, chorale setting "Treuer Gott, ich muss dir klagen" (s. 12)
, rowspan="3" , C maj.
, rowspan="3" , SATB
, data-sort-value="000.05 1: 188" rowspan="3" , scores:Es ist nichts Gesundes an meinem Leibe, BWV 25 (Bach, Johann Sebastian), 5¹: 188
, rowspan="2" data-sort-value="III/02 1: 011" , scores:Es ist nichts Gesundes an meinem Leibe, BWV 25 (Bach, Johann Sebastian)#Other, III/2.1: 15
III/2.2: 150
, after Z 6543; text by Heermann
, rowspan="3" ,
, - style="background: #E3F6CE;"
, chorale setting "Weg, mein Herz, mit den Gedenken"
, after Z 6543; text by Gerhardt
, - style="background: #E3F6CE;"
, chorale setting "Freu dich sehr, o meine Seele"
, data-sort-value="III/02 2: 168" , III/2.2: 168
, after Z 6543
, - style="background: #E3F6CE;"
, data-sort-value="0026.000" , 26
, data-sort-value="024.002" rowspan="2" , 1.
, rowspan="2" , 1724-11-19
, BWV 26, Cantata ''Ach wie flüchtig, ach wie nichtig'' (Trinity XXIV)
, rowspan="2" , A min.
, data-sort-value="satbSATB Hn Fl Obx3 Str Bc" , satbSATB Hn Fl 3Ob Str Bc
, data-sort-value="000.05 1: 189" , scores:Ach wie flüchtig, ach wie nichtig, BWV 26 (Bach, Johann Sebastian), 5¹: 189
, data-sort-value="I/27: 029" , I/27: 29
, after Zahn 1887b, Z 1887b; text after Michael Franck, Franck, M.
,
, - style="background: #E3F6CE;"
, data-sort-value="0026.006" , 26/6
, chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8)
, SATB
, data-sort-value="000.05 1: 216" , scores:Ach wie flüchtig, ach wie nichtig, BWV 26 (Bach, Johann Sebastian), 5¹: 216
, data-sort-value="III/02 2: 028" , III/2.2: 28
, after Zahn 1887b, Z 1887b; text by Michael Franck, Franck, M.
,
, - style="background: #E3F6CE;"
, data-sort-value="0027.000" , 27
, data-sort-value="025.002" , 1.
, 1726-10-06
, BWV 27, Cantata ''Wer weiß, wie nahe mir mein Ende?'' (Trinity XVI)
, C min.
, data-sort-value="satbSSATB Hn Obx2 Odc Str Org Bc" , satbSSATB Hn 2Ob Odc Str Org Bc
, data-sort-value="000.05 1: 217" , scores:Wer weiß, wie nahe mir mein Ende, BWV 27 (Bach, Johann Sebastian), 5¹: 217
, I/23: 221
, after Z 2778 (/1); by Johann Rosenmüller, Rosenmüller (/6 = BWV Anh. 170); text by Emilie Juliane of Barby-Mühlingen, E. J. of Schwarzburg-Rudolstadt (/1), Johann Georg Albinus, Albinus (/6), after Neumeister (/3)
,
, - style="background: #E3F6CE;"
, data-sort-value="0028.000" , 28
, data-sort-value="026.002" rowspan="3" , 1.
, rowspan="3" , 1725-12-30
, BWV 28, Cantata ''Gottlob! nun geht das Jahr zu Ende'' (Christmas I)
, rowspan="3" , A min.
, data-sort-value="satbSATB Cnt Tbnx3 Obx2 Tai Str Bc" , satbSATB Cnt 3Tbn 2Ob Tai Str Bc
, data-sort-value="000.05 1: 245" , scores:Gottlob! nun geht das Jahr zu Ende, BWV 28 (Bach, Johann Sebastian), 5¹: 245
, data-sort-value="I/03 2: 075" , I/3.2: 75
, after Z 8244 (/2), 5267 (/6); text by Neumeister, Gramann (/2), Eber (/6), after Jeremiah 32, Jer 32:41 (/3); → BWV 28/2a, BWV Anh. 160, Anh. 160/2
,
, - style="background: #E3F6CE;"
, data-sort-value="0028.006" rowspan="2" , 28/6
, chorale setting "Helft mir Gotts Güte preisen" (s. 12)
, rowspan="2" , SATB
, data-sort-value="000.05 1: 272" rowspan="2" , scores:Gottlob! nun geht das Jahr zu Ende, BWV 28 (Bach, Johann Sebastian), 5¹: 272
, data-sort-value="III/02 1: 008" , scores:Gottlob! nun geht das Jahr zu Ende, BWV 28 (Bach, Johann Sebastian)#Other, III/2.1: 13
III/2.2: 49
, after Z 5267; text by Eber
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Zeuch ein zu deinen Toren"
, data-sort-value="III/02 2: 015" , III/2.2: 15
, after Z 5267; text by Gerhardt
, -
, data-sort-value="0028.202" , 28/2a
, data-sort-value="027.002" , 1.
, data-sort-value="1725-07-01" , 1725?
, BWV 231, Motet ''Sei Lob und Preis mit Ehren''
, C maj.
, SATB
, data-sort-value="000.39: 167" , scores:Sei Lob und Preis mit Ehren, BWV 231 (Bach, Johann Sebastian), 39: 167
, data-sort-value="III/03: 015" , III/3: 15
, data-sort-value="after BWV 0028/2" , after BWV 28/2; ↔ BWV Anh. 160, Anh. 160/2; was BWV 231
,
, - style="background: #E3F6CE;"
, data-sort-value="0029.000" , 29
, data-sort-value="027.003" rowspan="2" , 1.
, rowspan="2" , 1731-08-27
, BWV 29, Cantata ''Wir danken dir, Gott, wir danken dir'' (council election)
, rowspan="2" , D maj.
, data-sort-value="satbSATB Trx3 Tmp Obx2 Str Org Bc" , satbSATB 3Tr Tmp 2Ob Str Org Bc
, data-sort-value="000.05 1: 273" , scores:Wir danken dir, Gott, wir danken dir, BWV 29 (Bach, Johann Sebastian), 5¹: 273
, data-sort-value="I/32 2: 001" , I/32.2: 1
, data-sort-value="after BWV 0120.2/4" , after BWV 120.2/4 (/1), Z 8244 (/8); text after Psalm 75, Ps 75:2 (/2; → BWV 232/7, /23), by Gramann (/8)
,
, - style="background: #E3F6CE;"
, data-sort-value="0029.008" , 29/8
, chorale setting "Nun lob, mein Seel, den Herren" (s. 5)
, SATB
, data-sort-value="000.05 1: 316" , scores:Wir danken dir, Gott, wir danken dir, BWV 29 (Bach, Johann Sebastian), 5¹: 316
, data-sort-value="III/02 2: 065" , III/2.2: 65
, after Z 8244; text by Gramann
,
, - style="background: #E3F6CE;"
, data-sort-value="0030.200" , 30.2
, data-sort-value="028.002" rowspan="3" , 1.
, rowspan="3" , 1738-06-24
, BWV 30.2, Cantata ''Freue dich, erlöste Schar'' (24 June: feast of John the Baptist)
, D maj.
, data-sort-value="satbSATB Flx2 Obx2 Oba Vl Str Bc" , satbSATB 2Fl 2Ob Oba Vl Str Bc
, data-sort-value="000.05 1: 321" , scores:Freue dich, erlöste Schar, BWV 30 (Bach, Johann Sebastian), 5¹: 321
, data-sort-value="I/29: 059" , I/29: 59
, after BWV 30.1, Z 6543 (/6); text by Picander?, Johann Olearius (1611–1684), Olearius, J. (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0030.206" rowspan="2" , 30.2/6
, chorale setting "Tröstet, tröstet, meine Lieben" (s. 3)
, A maj.
, rowspan="2" , SATB
, data-sort-value="000.05 1: 360" rowspan="2" , scores:Freue dich, erlöste Schar, BWV 30 (Bach, Johann Sebastian), 5¹: 360
, rowspan="2" data-sort-value="III/02 2: 042" , III/2.2: 42
, after Z 6543; text by Johann Olearius (1611–1684), Olearius, J.
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Freu dich sehr, o meine Seele"
, G maj.
, after Z 6543
, - style="background: #E3F6CE;"
, data-sort-value="0030.100" , 30.1
, data-sort-value="030.002" , 1.
, 1737-09-28
, BWV 30.1, Secular cantata ''Angenehmes Wiederau'' (for at manor)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Flx2 Obx2 Oba Str Bc" , satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc
, data-sort-value="000.05 1: 399" , 5¹: 399
scores:Angenehmes Wiederau, BWV 30a (Bach, Johann Sebastian), 34: 325
, data-sort-value="I/39: 051" , I/39: 51
, text by Picander; → BWV 30.2, BWV 195, 195.2/6, /8
,
, - style="background: #E3F6CE;"
, data-sort-value="0031.200" , 31.2
, data-sort-value="031.002" rowspan="2" , 1.
, rowspan="2" , 1724-04-09
, BWV 31, Cantata ''Der Himmel lacht! Die Erde jubilieret'' (Leipzig version: Easter)
, rowspan="2" , C maj.
, data-sort-value="stbSSATB Trx3 Tmp Ob Obax2 Bas Vlx2 Vax2 Bc" , stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc
, data-sort-value="000.07: 001" , scores:Der Himmel lacht! die Erde jubiliert, BWV 31 (Bach, Johann Sebastian), 7: 1
, data-sort-value="I/09: 041" , I/9: 41
, after BWV 31.1 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0031.209" , 31/9
, chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5)
, SATB
, data-sort-value="000.07: 050" , scores:Der Himmel lacht! die Erde jubiliert, BWV 31 (Bach, Johann Sebastian), 7: 50
, data-sort-value="III/02 1: 078" , scores:Der Himmel lacht! die Erde jubiliert, BWV 31 (Bach, Johann Sebastian)#Other, III/2.1: 56
, after Zahn number, Z 4482a; text by Nikolaus Herman, Herman
,
, - style="background: #E3F6CE;"
, data-sort-value="0031.100" , 31.1
, data-sort-value="031.003" , 1.
, 1715-04-21
, BWV 31, Cantata ''Der Himmel lacht! Die Erde jubilieret'' (Weimar version: Easter)
, C maj.
, data-sort-value="stbSSATB Trx3 Tmp Obx3 Tai Bas Vlx2 Vax2 Bc" , stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc
,
, data-sort-value="I/09" , I/9
rev 2: 37
, after Zahn number, Z 4482a (/9); text by Salomon Franck, Franck, S, Nikolaus Herman, Herman (/9); → BWV 31.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0032.000" , 32
, data-sort-value="032.002" rowspan="3" , 1.
, rowspan="3" , 1726-01-13
, BWV 32, Cantata ''Liebster Jesu, mein Verlangen'' (Epiphany I)
, E min.
, sbSATB Ob Str Bc
, data-sort-value="000.07: 053" , scores:Liebster Jesu, mein Verlangen, BWV 32 (Bach, Johann Sebastian), 7: 53
, data-sort-value="I/05: 143" , I/5: 143
, after Z 6543 (/6); text by Lehms, Gerhardt (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0032.006" rowspan="2" , 32/6
, chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12)
, rowspan="2" , G maj.
, rowspan="2" , SATB
, data-sort-value="000.07: 080" rowspan="2" , scores:Liebster Jesu, mein Verlangen, BWV 32 (Bach, Johann Sebastian), 7: 80
, rowspan="2" data-sort-value="III/02 2: 018" , III/2.2: 18
, after Z 6543; text by Gerhardt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Freu dich sehr, o meine Seele"
, after Z 6543
, - style="background: #E3F6CE;"
, data-sort-value="0033.000" , 33
, data-sort-value="033.002" rowspan="2" , 1.
, rowspan="2" , 1724-09-03
, BWV 33, Cantata ''Allein zu dir, Herr Jesu Christ'' (Trinity XIII)
, rowspan="2" , A min.
, data-sort-value="atbSATB Obx2 Str Bc" , atbSATB 2Ob Str Bc
, data-sort-value="000.07: 081" , scores:Allein zu dir, Herr Jesu Christ, BWV 33 (Bach, Johann Sebastian), 7: 81
, data-sort-value="I/21: 023" , I/21: 23
, after Zahn number, Z 7292b; text after Konrad Hubert, Hubert
,
, - style="background: #E3F6CE;"
, data-sort-value="0033.006" , 33/6
, chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4)
, SATB
, data-sort-value="000.07: 114" , scores:Allein zu dir, Herr Jesu Christ, BWV 33 (Bach, Johann Sebastian), 7: 114
, data-sort-value="III/02 1: 080" , scores:Allein zu dir, Herr Jesu Christ, BWV 33 (Bach, Johann Sebastian)#Other, III/2.1: 58
III/2.2: 10
, after Zahn number, Z 7292b; text by Konrad Hubert, Hubert
,
, - style="background: #E3F6CE;"
, data-sort-value="0034.100" , 34.1
, data-sort-value="034.002" , 1.
, 1727-06-01
, BWV 34.1, Cantata ''O ewiges Feuer, o Ursprung der Liebe'' (Pentecost)
, D maj.
, data-sort-value="atbSATB Trx3 Tmp Flx2 Obx2 Str Bc" , atbSATB 3Tr Tmp 2Fl 2Ob Str Bc
, data-sort-value="000.07: 115" , scores:O ewiges Feuer, o Ursprung der Liebe, BWV 34 (Bach, Johann Sebastian), 7: 115
, I/13: 129
, text after Psalm 128, Ps 128:6 (/5); → BWV 34.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0034.200" , 34.2
, data-sort-value="035.002" , 1.
, data-sort-value="1728-07-01" , after 1727
, BWV 34.2, Cantata ''O ewiges Feuer, o Ursprung der Liebe'' (wedding; incomplete)
, D maj.
, satbSATB Vl Va Bc
, data-sort-value="000.41: 117" , scores:O ewiges Feuer, o Ursprung der Liebe, BWV 34a (Bach, Johann Sebastian), 41: 117
, data-sort-value="I/33: 027" , I/33: 27
, data-sort-value="after BWV 0034.1" , after BWV 34.1; text after Psalm 128, Ps 128:4–6 (/3–/4), Book of Numbers, Nm 6:24–26 (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0035.000" , 35
, data-sort-value="036.002" , 1.
, 1726-09-08
, BWV 35, Cantata ''Geist und Seele wird verwirret'' (Trinity XII)
, D min.
, data-sort-value="a Obx2 Tai Str Org Bc" , a 2Ob Tai Str Org Bc
, data-sort-value="000.07: 171" , scores:Geist und Seele wird verwirret, BWV 35 (Bach, Johann Sebastian), 7: 171
, I/20: 215
, text by Lehms; → BWV 1059
,
, - style="background: #F6E3CE;"
, data-sort-value="0036.400" , 36.4
, data-sort-value="037.001" rowspan="2" , 1.
, data-sort-value="1728-07-01" rowspan="2" ,
, BWV 36, Cantata ''Schwingt freudig euch empor'' (Advent I; early version)
, rowspan="2" , D maj.
, stbSATB Oba Str Bc
, data-sort-value="000.07: 395" , scores:Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian), 7: 395
, data-sort-value="I/01: 017" , I/1: 17
, data-sort-value="after BWV 0036.1" , after BWV 36.1, Z 8359 (/5); text by Picander?, by Nicolai (/5); → BWV 36.5
,
, - style="background: #F6E3CE;"
, data-sort-value="0036.405" , 36.4/5
, chorale setting "Wie schön leuchtet der Morgenstern" (s. 7)
, SATB
, data-sort-value="000.07: 399" , scores:Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian), 7: 399
, data-sort-value="III/02 1: 033" , scores:Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian)#Other, III/2.1: 28
, after Z 8359; text by Nicolai
,
, - style="background: #E3F6CE;"
, data-sort-value="0036.500" , 36.5
, data-sort-value="037.002" rowspan="3" , 1.
, rowspan="3" , 1731-12-02
, BWV 36, Cantata ''Schwingt freudig euch empor'' (Advent I)
, rowspan="2" , D maj.
, data-sort-value="satbSATB Obax2 Str Bc" , satbSATB 2Oba Str Bc
, data-sort-value="000.07: 221" , scores:Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian), 7: 221
, data-sort-value="I/01: 041" , I/1: 41
, data-sort-value="after BWV 0036.4" , after BWV 36.4, Zahn 1174, Z 1174 (/2, /6, /8), Z 8359 (/4); text by Picander?, by Luther (/2, /6, /8), Nicolai (/4)
,
, - style="background: #E3F6CE;"
, data-sort-value="0036.504" , 36.5/4
, chorale setting "Wie schön leuchtet der Morgenstern" (s. 6)
, SATB
, data-sort-value="000.07: 243" , scores:Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian), 7: 243
, data-sort-value="III/02 2: 048" , III/2.2: 48,
109, 180
, after Z 8359; text by Nicolai
,
, - style="background: #E3F6CE;"
, data-sort-value="0036.508" , 36.5/8
, chorale setting "Nun komm, der Heiden Heiland" (s. 8)
, B min.
, SATB
, data-sort-value="000.07: 258" , scores:Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian), 7: 258
, data-sort-value="III/02 2: 018" , III/2.2: 18
, after Zahn 1174, Z 1174; text by Luther
,
, -
, data-sort-value="0036.200" , 36.2
, data-sort-value="039.001" , 1.
, data-sort-value="1725-11-30" , 1726-11-30 or
1725-11-30
, BWV 36.2, Secular cantata ''Steigt freudig in die Luft'' (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost)
,
, stbSATB Oba Va Str Bc (?)
,
, I/35
, text by Picander; after BWV 36.1/1, /3, /5, /7, /9
,
, - style="background: #E3F6CE;"
, data-sort-value="0036.300" , 36.3
, data-sort-value="039.002" , 1.
, 1735-07-27
, BWV 36.3, Secular cantata ''Die Freude reget sich'' (birthday of Rivinus, ?)
, D maj.
, satSATB Fl Oba Str Bc
, data-sort-value="000.34: 039" , scores:Die Freude reget sich, BWV 36b (Bach, Johann Sebastian), 34: 39
, I/38: 255
, data-sort-value="after BWV 0036.1/1" , after BWV 36.1/1, /3, /5, /7, /8
,
, - style="background: #E3F6CE;"
, data-sort-value="0036.100" , 36.1
, data-sort-value="040.002" , 1.
, data-sort-value="1725-04-30" , April–May 1725
, BWV 36.1, Secular cantata ''Schwingt freudig euch empor'' (birthday of ?)
, D maj.
, stbSATB Oba Str Va Bc
, data-sort-value="000.34: 039" , scores:Schwingt freudig euch empor, BWV 36c (Bach, Johann Sebastian), 34: 39
, data-sort-value="I/39: 001" , I/39: 1
, data-sort-value="→ BWV 0036.2" , → BWV 36.2–BWV 36, .4
,
, - style="background: #E3F6CE;"
, data-sort-value="0037.000" , 37
, data-sort-value="041.002" rowspan="2" , 1.
, rowspan="2" , 1724-05-18
, BWV 37, Cantata ''Wer da gläubet und getauft wird'' (Ascension)
, rowspan="2" , A maj.
, data-sort-value="satbSATB Obax2 Str Bc" , satbSATB 2Oba Str Bc
, data-sort-value="000.07: 259" , scores:Wer da gläubet und getauft wird, BWV 37 (Bach, Johann Sebastian), 7: 259
, data-sort-value="I/12: 079" , I/12: 79
, after Z 8359 (/3), Zahn number, 5354 (/6); text after Mark 16, Mk 16: 16, by Nicolai (/3), Johann Kolross, Kolross (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0037.006" , 37/6
, chorale setting "Ich dank dir, lieber Herre" (s. 4)
, SATB
, data-sort-value="000.07: 282" , scores:Wer da gläubet und getauft wird, BWV 37 (Bach, Johann Sebastian), 7: 282
, data-sort-value="III/02 2: 197" , III/2.2: 197
, after Zahn number, Z 5354; text by Johann Kolross, Kolross
,
, - style="background: #E3F6CE;"
, data-sort-value="0038.000" , 38
, data-sort-value="042.002" rowspan="2" , 1.
, rowspan="2" , 1724-10-29
, BWV 38, Cantata ''Aus tiefer Not schrei ich zu dir'' (Trinity XXI)
, rowspan="2" , E min.
, data-sort-value="satbSATB Tbnx4 Obx2 Str Bc" , satbSATB 2Ob 4Tbn Str Bc
, data-sort-value="000.07: 283" , scores:Aus tiefer Not schrei ich zu dir, BWV 38 (Bach, Johann Sebastian), 7: 283
, I/25: 217
, after Zahn 4437, Z 4437; text after Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0038.006" , 38/6
, chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5)
, SATB
, data-sort-value="000.07: 300" , scores:Aus tiefer Not schrei ich zu dir, BWV 38 (Bach, Johann Sebastian), 7: 300
, data-sort-value="III/02 1: 094" , scores:Aus tiefer Not schrei ich zu dir, BWV 38 (Bach, Johann Sebastian)#Other, III/2.1: 67
III/2.2: 8
, after Zahn 4437, Z 4437; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0039.000" , 39
, data-sort-value="043.002" rowspan="3" , 1.
, rowspan="3" , 1726-06-23
, BWV 39, Cantata ''Brich dem Hungrigen dein Brot'' (Trinity I)
, G min.
, data-sort-value="sabSATB Flx2 Obx2 Str Bc" , sabSATB 2Fl 2Ob Str Bc
, data-sort-value="000.07: 336" , scores:Brich dem Hungrigen dein Brot, BWV 39 (Bach, Johann Sebastian), 7: 336
, I/15 179
, after Z 6543 (/7); text: Meiningen, after Isaiah 58, Is 58:7–8 (/1), Hebrews 13, Hb 13:16 (/4), by David Denicke, Denicke (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0039.007" rowspan="2" , 39/7
, chorale setting "Kommt, lasst euch den Herren lehren" (s. 6)
, rowspan="2" , B♭ maj.
, rowspan="2" , SATB
, data-sort-value="000.07: 348" rowspan="2" , scores:Brich dem Hungrigen dein Brot, BWV 39 (Bach, Johann Sebastian), 7: 348
, rowspan="2" data-sort-value="III/02 1: 116" , scores:Brich dem Hungrigen dein Brot, BWV 39 (Bach, Johann Sebastian)#Other, III/2.1: 81
III/2.2: 37
, after Z 6543; text by David Denicke, Denicke
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Freu dich sehr, o meine Seele"
, after Z 6543
, - style="background: #E3F6CE;"
, data-sort-value="0040.000" , 40
, data-sort-value="044.002" rowspan="4" , 1.
, rowspan="4" , 1723-12-26
, BWV 40, Cantata ''Darzu ist erschienen der Sohn Gottes'' (Christmas 2)
, F maj.
, data-sort-value="atbSATB Hnx2 Obx2 Str Bc" , atbSATB 2Hn 2Ob Str Bc
, data-sort-value="000.07: 349" , scores:Dazu ist erschienen der Sohn Gottes, BWV 40 (Bach, Johann Sebastian), 7: 349
, data-sort-value="I/03 1: 003" , I/3.1: 3
, after Zahn number, Z 2072 (/3), 4870 (/6), 7880a (/8); text after First Epistle of John, 1Jh 3:8 (/1; → BWV 233/6), by Kaspar Füger, Füger (/3), Gerhardt (/6), Christian Keymann, Keymann (/8)
,
, - style="background: #E3F6CE;"
, data-sort-value="0040.003" , 40/3
, chorale setting "Wir Christenleut" (s. 3)
, G min.
, SATB
, data-sort-value="000.07: 377" , scores:Dazu ist erschienen der Sohn Gottes, BWV 40 (Bach, Johann Sebastian), 7: 377
, data-sort-value="III/02 2: 186" , III/2.2: 186
, after Zahn number, Z 2072; text by Kaspar Füger, Füger
,
, - style="background: #E3F6CE;"
, data-sort-value="0040.006" , 40/6
, chorale setting "Schwing dich auf zu deinem Gott" (s. 2)
, D min.
, SATB
, data-sort-value="000.07: 387" , scores:Dazu ist erschienen der Sohn Gottes, BWV 40 (Bach, Johann Sebastian), 7: 387
, data-sort-value="III/02 2: 082" , III/2.2: 82
, after Zahn number, Z 4870; text by Gerhardt
,
, - style="background: #E3F6CE;"
, data-sort-value="0040.008" , 40/8
, chorale setting "Freuet euch, ihr Christen alle" (s. 4)
, F min.
, SATB
, data-sort-value="000.07: 394" , scores:Dazu ist erschienen der Sohn Gottes, BWV 40 (Bach, Johann Sebastian), 7: 394
, data-sort-value="III/02 2: 006" , III/2.2: 6
, after Zahn number, Z 7880a; text by Christian Keymann, Keymann
,
, - style="background: #E3F6CE;"
, data-sort-value="0041.000" , 41
, data-sort-value="045.002" rowspan="2" , 1.
, rowspan="2" , 1725-01-01
, BWV 41, Cantata ''Jesu, nun sei gepreiset'' (New Year)
, rowspan="2" , C maj.
, data-sort-value="satbSATB Trx3 Tmp Obx3 Str Vc Bc" , satbSATB 3Tr Tmp 3Ob Str Vc Bc
, data-sort-value="000.10: 001" , scores:Jesu, nun sei gepreiset, BWV 41 (Bach, Johann Sebastian), 10: 1
, data-sort-value="I/04: 037" , I/4: 37
, after Zahn number, Z 8477a; text after Johannes Hermann, Hermann; /6 → BWV 171/6
,
, - style="background: #E3F6CE;"
, data-sort-value="0041.006" , 41/6
, chorale setting "Jesu, nun sei gepreiset" (s. 3)
, SATB
, data-sort-value="000.10: 058" , scores:Jesu, nun sei gepreiset, BWV 41 (Bach, Johann Sebastian), 10: 58
, data-sort-value="III/02 1: 131" , scores:Jesu, nun sei gepreiset, BWV 41 (Bach, Johann Sebastian)#Other, III/2.1: 90
III/2.2: 8
, after Zahn number, Z 8477a; text by Johannes Hermann, Hermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0042.000" , 42
, data-sort-value="046.002" rowspan="2" , 1.
, rowspan="2" , 1725-04-08
, BWV 42, Cantata ''Am Abend aber desselbigen Sabbats'' (Quasimodogeniti)
, D maj.
, data-sort-value="satbSATB Obx2 Bas Str Bc" , satbSATB 2Ob Bas Str Bc
, data-sort-value="000.10: 063" , scores:Am Abend aber desselbigen Sabbats, BWV 42 (Bach, Johann Sebastian), 10: 63
, data-sort-value="I/11 1: 061" , I/11.1: 61
, after Zahn number, Z 1945b (/7); text after John 20:19, Jh 20:19 (/2), by (/4), Luther after Da pacem, Domine & Johann Walter, Walter after 1 Timothy 2, 1Tm 2:2 (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0042.007" , 42/7
, chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2)
, F♯ min.
, SATB
, data-sort-value="000.10: 091" , scores:Am Abend aber desselbigen Sabbats, BWV 42 (Bach, Johann Sebastian), 10: 91
, data-sort-value="III/02 1: 020" , scores:Am Abend aber desselbigen Sabbats, BWV 42 (Bach, Johann Sebastian)#Other, III/2.1: 21
III/2.2: 51, 154
, after Zahn number, Z 1945b; text by Luther after Da pacem, Domine & Johann Walter, Walter after 1 Timothy 2, 1Tm 2:2
,
, - style="background: #E3F6CE;"
, data-sort-value="0043.000" , 43
, data-sort-value="047.002" , 1.
, 1726-05-30
, BWV 43, Cantata ''Gott fähret auf mit Jauchzen'' (Ascension)
, C maj.
, data-sort-value="satbSATB Trx3 Tmp Obx2 Str Bc" , satbSATB 3Tr Tmp 2Ob Str Bc
, data-sort-value="000.10: 093" , scores:Gott fähret auf mit Jauchzen, BWV 43 (Bach, Johann Sebastian), 10: 93
, I/12: 133
, after Zahn 5741b, Z 5741b (/11: by ); text: Meiningen, after Psalm 47, Ps 47:6-7 (/1), Mark 16, Mk 16:19 (/4), by Rist (/11)
,
, - style="background: #E3F6CE;"
, data-sort-value="0044.000" , 44
, data-sort-value="049.001" rowspan="3" , 1.
, rowspan="3" , 1724-05-21
, BWV 44, Cantata ''Sie werden euch in den Bann tun'' (Exaudi)
, G min.
, data-sort-value="satbSATB Obx2 Str Bc" , satbSATB 2Ob Str Bc
, data-sort-value="000.10: 127" , scores:Sie werden euch in den Bann thun, BWV 44 (Bach, Johann Sebastian), 10: 127
, I/12: 165
, data-sort-value="after Z 0533a" , after Z 533a (/4), Zahn 2293, 2293b (/7); text after John 16, Jh 16:2 (/1–2), by Moller (/4), Fleming (/7)
,
, - style="background: #E3F6CE;"
, rowspan="2" data-sort-value="0044.007" , 44/7
, chorale setting "In allen meinen Taten" (s. 7)
, rowspan="2" , B♭ maj.
, rowspan="2" , SATB
, data-sort-value="000.10: 150" rowspan="2" , scores:Sie werden euch in den Bann tun, BWV 44 (Bach, Johann Sebastian), 10: 150
, rowspan="2" data-sort-value="III/02 1: 108" , scores:Sie werden euch in den Bann tun, BWV 44 (Bach, Johann Sebastian)#Other, III/2.1: 75
III/2.2: 203
, after Z 2293b; text by Fleming
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Nun ruhen alle Wälder"
, after Z 2293b; text by Gerhardt
, - style="background: #E3F6CE;"
, data-sort-value="0045.000" , 45
, data-sort-value="050.001" rowspan="2" , 1.
, rowspan="2" , 1726-08-11
, BWV 45, Cantata ''Es ist dir gesagt, Mensch, was gut ist'' (Trinity VIII)
, rowspan="2" , E maj.
, data-sort-value="atbSATB Flx2 Ob Oba Str Bc" , atbSATB 2Fl Ob Oba Str Bc
, data-sort-value="000.10: 151" , scores:Es ist dir gesagt, Mensch, was gut ist, BWV 45 (Bach, Johann Sebastian), 10: 151
, I/18: 197
, after Zahn number, Z 5206b–c (/7); text: Meiningen, after Book of Micah, Mh 6:8 (/1), Matthew 7:22, Mt 7:22–Matthew 7:23, 23 (/4), by Heermann (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0045.007" , 45/7
, chorale setting "O Gott, du frommer Gott" (s. 7)
, SATB
, data-sort-value="000.10: 186" , scores:Es ist dir gesagt, Mensch, was gut ist, BWV 45 (Bach, Johann Sebastian), 10: 186
, data-sort-value="III/02 2: 047" , III/2.2: 47
, after Zahn number, Z 5206b–c; text by Heermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0046.000" , 46
, data-sort-value="051.001" rowspan="2" , 1.
, rowspan="2" , 1723-08-01
, BWV 46, Cantata ''Schauet doch und sehet, ob irgend ein Schmerz sei'' (Trinity X)
, D min.
, data-sort-value="atbSATB Tdt Hn Flx2 Odcx2 Str Bc" , atbSATB Tdt Hn 2Fl 2Odc Str Bc
, data-sort-value="000.10: 187" , scores:Schauet doch und sehet, BWV 46 (Bach, Johann Sebastian), 10: 187
, I/19: 109
, after Zahn number, Z 5105a (/6); text after Lamentations 1, Lm 1:12 (/1), by Johann Matthäus Meyfart, Meyfart (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0046.006" , 46/6
, chorale setting "O großer Gott von Macht" (s. 9)
, G min.
, SATB
, data-sort-value="000.10: 236" , scores:Schauet doch und sehet, BWV 46 (Bach, Johann Sebastian), 10: 236
, data-sort-value="III/02 2: 045" , III/2.2: 45
, after Zahn number, Z 5105a; text by Johann Matthäus Meyfart, Meyfart
,
, - style="background: #E3F6CE;"
, data-sort-value="0047.000" , 47
, data-sort-value="052.001" rowspan="2" , 1.
, rowspan="2" , 1726-10-13
, BWV 47, Cantata ''Wer sich selbst erhöhet, der soll erniedriget werden'' (Trinity XVII)
, rowspan="2" , G min.
, data-sort-value="sbSATB Obx2 Str Org Bc" , sbSATB 2Ob Str Org Bc
, data-sort-value="000.10: 239" , scores:Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 (Bach, Johann Sebastian), 10: 239
, I/23: 319
, after Zahn 1689a, Z 1689a (/5); text by Johann Friedrich Helbig, Helbig, after Luke 14, Lk 14:11 (/1)
,
, - style="background: #E3F6CE;"
, data-sort-value="0047.005" , 47/5
, chorale setting "Warum betrübst du dich, mein Herz" (s. 11)
, SATB
, data-sort-value="000.10: 274" , scores:Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 (Bach, Johann Sebastian), 10: 274
, data-sort-value="III/02 2: 052" , III/2.2: 52
, after Zahn 1689a, Z 1689a
,
, - style="background: #E3F6CE;"
, data-sort-value="0048.000" , 48
, data-sort-value="052.002" rowspan="4" , 1.
, rowspan="4" , 1723-10-03
, BWV 48, Cantata ''Ich elender Mensch, wer wird mich erlösen'' (Trinity XIX)
, G min.
, data-sort-value="atSATB Tr Obx2 Str Bc" , atSATB Tr 2Ob Str Bc
, data-sort-value="000.10: 275" , scores:Ich elender Mensch, wer wird mich erlösen, BWV 48 (Bach, Johann Sebastian), 10: 275
, I/24: 105
, after Zahn number, Z 2051 (/3), Zahn 4486, 4486 (/7); text after Romans 7, Rm 7:24, by (/3)
,
, - style="background: #E3F6CE;"
, data-sort-value="0048.003" , 48/3
, chorale setting "Ach Gott und Herr" (s. 4)
, B♭ maj.
, SATB
, data-sort-value="000.10: 288" , scores:Ich elender Mensch, wer wird mich erlösen, BWV 48 (Bach, Johann Sebastian), 10: 288
, data-sort-value="III/02 1: 037" , scores:Ich elender Mensch, wer wird mich erlösen, BWV 48 (Bach, Johann Sebastian)#Other, III/2.1: 30
III/2.2: 166
, after Zahn number, Z 2051; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0048.007" rowspan="2" , 48/7
, chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12)
, rowspan="2" , G min.
, rowspan="2" , SATB
, data-sort-value="000.10: 298" rowspan="2" , scores:Ich elender Mensch, wer wird mich erlösen, BWV 48 (Bach, Johann Sebastian), 10: 298
, rowspan="2" data-sort-value="III/02 1: 040" , scores:Ich elender Mensch, wer wird mich erlösen, BWV 48 (Bach, Johann Sebastian)#Other, III/2.1: 33
III/2.2: 158
, after Zahn 4486, Z 4486
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Herr Jesu Christ, du höchstes Gut"
, after Zahn 4486, Z 4486; text by Bartholomäus Ringwaldt, Ringwaldt
, - style="background: #E3F6CE;"
, data-sort-value="0049.000" , 49
, data-sort-value="053.002" , 1.
, 1726-11-03
, BWV 49, Cantata ''Ich geh und suche mit Verlangen'' (Trinity XX)
, G min.
, sb Oba Str Vl Org Bc
, data-sort-value="000.10: 299" , scores:Ich geh' und suche mit Verlangen, BWV 49 (Bach, Johann Sebastian), 10: 299
, I/25: 107
, after Z 8359; text by Christoph Birkmann, Birkmann, Nicolai & after Jeremiah 31, Jer 31:3, Rv 3:20 (/6); /1 → BWV 1053/3
,
, - style="background: #F6E3CE;"
, data-sort-value="0050.000" , 50
, data-sort-value="054.002" , 1.
,
, BWV 50, Cantata ''Nun ist das Heil und die Kraft'' (single movement; arrangement or fragment of a cantata for Michaelmas?)
, D maj.
, data-sort-value="SATBx2 Trx3 Tmp Obx3 Str Bc" , 2SATB 3Tr Tmp 3Ob Str Bc
, data-sort-value="000.10: 341" , scores:Nun ist das Heil und die Kraft, BWV 50 (Bach, Johann Sebastian), 10: 341
, I/30: 141
, text after Rv 12:10; in SBB ''P 136''
,
, - style="background: #E3F6CE;"
, data-sort-value="0051.000" , 51
, data-sort-value="055.001" , 1.
, 1730-09-17
, BWV 51, Cantata ''Jauchzet Gott in allen Landen'' (Trinity XV)
, C maj.
, data-sort-value="s Trx2 Tmp Str Bc" , s (2)Tr (Tmp) Str Bc
, data-sort-value="000.12 2: 001" , scores:Jauchzet Gott in allen Landen, BWV 51 (Bach, Johann Sebastian), 12²: 1
, data-sort-value="I/22: 077" , I/22: 77
, after Z 8244 (/4); text after Psalm 128, Ps 128:2 & Psalm 26, 26:2 (/2), by Gramann (/4)
,
, - style="background: #E3F6CE;"
, data-sort-value="0052.000" , 52
, data-sort-value="055.002" , 1.
, 1726-11-24
, BWV 52, Cantata ''Falsche Welt, dir trau ich nicht'' (Trinity XXIII)
, F maj.
, data-sort-value="sSATB Hnx2 Obx3 Bas Str Bc" , sSATB 2Hn 3Ob Bas Str Bc
, data-sort-value="000.12 2: 025" , scores:Falsche Welt, dir trau ich nicht, BWV 52 (Bach, Johann Sebastian), 12²: 25
, I/26: 131
, after BWV 1046a/1 (/1), Zahn 2461, Z 2461 (/6); text by Christoph Birkmann, Birkmann, Adam Reusner, Reusner (/6)
,
, - style="background: #F6E3CE;"
, data-sort-value="0054.000" , 54
, data-sort-value="056.003" , 1.
, data-sort-value="1715-12-31" , 1714–1717?
, BWV 54, Cantata ''Widerstehe doch der Sünde'' (Oculi)
, E♭ maj.
, data-sort-value="a Vlx2 Vax2 Bc" , a 2Vl 2Va Bc
, data-sort-value="000.12 2: 059" , scores:Widerstehe doch der Sünde, BWV 54 (Bach, Johann Sebastian), 12²: 59
, data-sort-value="I/18: 003" , I/18: 3
, text by Lehms; → BWV 247/53?
,
, - style="background: #E3F6CE;"
, data-sort-value="0055.000" , 55
, data-sort-value="057.002" rowspan="2" , 1.
, rowspan="2" , 1726-11-17
, BWV 55, Cantata ''Ich armer Mensch, ich Sündenknecht'' (Trinity XXII)
, G min.
, tSATB Fl Oba Str Bc
, data-sort-value="000.12 2: 073" , scores:Ich armer Mensch, ich Sündenknecht, BWV 55 (Bach, Johann Sebastian), 12²: 73
, data-sort-value="I/26: 055" , I/26: 55
, after Zahn 6551, Z 6551 (/5); text by Christoph Birkmann, Birkmann, Rist (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0055.005" , 55/5
, chorale setting "Werde munter, mein Gemüte" (s. 6)
, B♭ maj.
, SATB
, data-sort-value="000.12 2: 086" , scores:Ich armer Mensch, ich Sündenknecht, BWV 55 (Bach, Johann Sebastian), 12²: 86
, data-sort-value="III/02 2: 053" , III/2.2: 53
, after Zahn 6551, Z 6551; text by Rist
,
, - style="background: #E3F6CE;"
, data-sort-value="0056.000" , 56
, data-sort-value="058.001" rowspan="2" , 1.
, rowspan="2" , 1726-10-27
, BWV 56, Cantata ''Ich will den Kreuzstab gerne tragen'' (Trinity XIX)
, G min.
, data-sort-value="bSATB Obx2 Tai Str Vc Bc" , bSATB 2Ob Tai Str Vc Bc
, data-sort-value="000.12 2: 087" , scores:Ich will den Kreuzstab gerne tragen, BWV 56 (Bach, Johann Sebastian), 12²: 87
, I/24: 173
, after Zahn number, Z 6773 (/5); text by Christoph Birkmann, Birkmann, Johann Franck, Franck, J. (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0056.005" , 56/5
, chorale setting "Du, o schönes Weltgebäude" (s. 6)
, Dorian mode#Modern Dorian mode, C Dor.
, SATB
, data-sort-value="000.12 2: 104" , scores:Ich will den Kreuzstab gerne tragen, BWV 56 (Bach, Johann Sebastian), 12²: 104
, data-sort-value="III/02 2: 048" , III/2.2: 48
, after Zahn number, Z 6773; text by Johann Franck, Franck, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0057.000" , 57
, data-sort-value="058.002" rowspan="2" , 1.
, rowspan="2" , 1725-12-26
, BWV 57, Cantata ''Selig ist der Mann'' (Christmas 2)
, G min.
, data-sort-value="sbSATB Obx2 Tai Str Bc" , sbSATB 2Ob Tai Str Bc
, data-sort-value="000.12 2: 105" , scores:Selig ist der Mann, BWV 57 (Bach, Johann Sebastian), 12²: 105
, data-sort-value="I/03 1: 083" , I/3.1: 83
, after Zahn number, Z 1912a–c (/8); text by Lehms, Ahasverus Fritsch, Fritsch (/8), after James 1#Verse 12, Jm 1:12 (/1)
,
, - style="background: #E3F6CE;"
, data-sort-value="0057.008" , 57/8
, chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6)
, B♭ maj.
, SATB
, data-sort-value="000.12 2: 132" , scores:Selig ist der Mann, BWV 57 (Bach, Johann Sebastian), 12²: 132
, data-sort-value="III/02 2: 050" , III/2.2: 50
, after Zahn number, Z 1912a–c; text by Ahasverus Fritsch, Fritsch
,
, - style="background: #E3F6CE;"
, data-sort-value="0058.200" , 58.2
, data-sort-value="059.002" , 1.
, data-sort-value="1733-01-04" , 1733-01-04
or
1734-01-03
, BWV 58, Cantata ''Ach Gott, wie manches Herzeleid'' (New Year I)
, C maj.
, data-sort-value="sb Obx2 Tai Vl Str Bc" , sb 2Ob Tai Vl Str Bc
, data-sort-value="000.12 2: 133" , scores:Ach Gott, wie manches Herzeleid, BWV 58 (Bach, Johann Sebastian), 12²: 133
, data-sort-value="I/04: 217" , I/4: 217
, data-sort-value="after BWV 0058.1; text by Birkmann" , after BWV 58.1; text by Christoph Birkmann, Birkmann, Moller (/1), Martin Behm, Behm (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0058.100" , 58.1
, data-sort-value="060.001" , 1.
, 1727-01-05
, BWV 58, Cantata ''Ach Gott, wie manches Herzeleid'' (New Year I; early version)
, C maj.
, sb Vl Str Bc
,
, data-sort-value="I/04: 241" , I/4: 241
, data-sort-value="after Z 0533a (/1, 5); text by Birkmann" , after Z 533a (/1, /5); text by Christoph Birkmann, Birkmann, Moller (/1), Martin Behm, Behm (/5); → BWV 58.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0059.000" , 59
, data-sort-value="060.002" , 1.
, 1724-05-28
, BWV 59, Cantata ''Wer mich liebet, der wird mein Wort halten'' (Pentecost)
, C maj.
, data-sort-value="sbSATB Trx2 Tmp Str Bc" , sbSATB 2Tr Tmp Str Bc
, data-sort-value="000.12 2: 151" , scores:Wer mich liebet, der wird mein Wort halten, BWV 59 (Bach, Johann Sebastian), 12²: 151
, data-sort-value="I/13: 065" , I/13: 65
, after Zahn 7445a, Z 7445a (/3); text by Neumeister, Luther (/3), after John 14, Jh 14:23 (/1); → BWV 74/1–/2, 175/7
,
, - style="background: #E3F6CE;"
, data-sort-value="0060.000" , 60
, data-sort-value="061.002" rowspan="2" , 1.
, rowspan="2" , 1723-11-07
, BWV 60, Cantata ''O Ewigkeit, du Donnerwort'' (Trinity XXIV)
, D maj.
, data-sort-value="atbSATB Hn Obax2 Str Bc" , atbSATB Hn 2Oba Str Bc
, data-sort-value="000.12 2: 169" , scores:O Ewigkeit, du Donnerwort, BWV 60 (Bach, Johann Sebastian), 12²: 169
, data-sort-value="I/27: 001" , I/27: 1
, after Z 5820 (/1), Zahn 7173, 7173 (/5); text by Rist (/1), Franz Joachim Burmeister, Burmeister (/5), after Rv 14:13 (/4)
,
, - style="background: #E3F6CE;"
, data-sort-value="0060.005" , 60/5
, chorale setting "Es ist genug, so nimm" (s. 5)
, A maj.
, SATB
, data-sort-value="000.12 2: 190" , scores:O Ewigkeit, du Donnerwort, BWV 60 (Bach, Johann Sebastian), 12²: 190
, data-sort-value="III/02 1: 046" , scores:O Ewigkeit, du Donnerwort, BWV 60 (Bach, Johann Sebastian)#Other, III/2.1: 37
III/2.2: 127
, after Zahn 7173, Z 7173; text by Franz Joachim Burmeister, Burmeister
,
, - id="NBA I-1" style="background: #E3F6CE;"
, data-sort-value="0061.000" , 61
, data-sort-value="062.001" , 1.
, 1714-12-02
, BWV 61, Cantata ''Nun komm, der Heiden Heiland'' (Advent I – first setting)
, A min.
, data-sort-value="stbSATB Fag Vlx2 Vax2 Bc" , stbSATB Fag 2Vl 2Va Bc
, data-sort-value="000.16: 001" , scores:Nun komm, der Heiden Heiland, BWV 61 (Bach, Johann Sebastian), 16: 1
, data-sort-value="I/01: 001" , I/1: 1
, after Zahn 1174, Z 1174 (/1), Zahn 8359, 8359 (/6); text by Neumeister, Luther (/1), Nicolai (/6), after Rv 3:20 (/4)
,
, - style="background: #E3F6CE;"
, data-sort-value="0062.000" , 62
, data-sort-value="063.001" rowspan="3" , 1.
, rowspan="3" , 1724-12-03
, BWV 62, Cantata ''Nun komm, der Heiden Heiland'' (Advent I – second setting)
, rowspan="2" , B min.
, data-sort-value="satbSATB Hn Obx2 Str Bc" , satbSATB Hn 2Ob Str Bc
, data-sort-value="000.16: 019" , scores:Nun komm, der Heiden Heiland, BWV 62 (Bach, Johann Sebastian), 16: 19
, data-sort-value="I/01: 075" , I/1: 75
, after Zahn 1174, Z 1174; text after Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0062.006" rowspan="2" , 62/6
, rowspan="2" , chorale setting "Nun komm, der Heiden Heiland" (s. 8)
, rowspan="2" , SATB
, data-sort-value="000.16: 050" , scores:Nun komm, der Heiden Heiland, BWV 62 (Bach, Johann Sebastian), 16: 50
, data-sort-value="III/02 1: 096" , scores:Nun komm, der Heiden Heiland, BWV 62 (Bach, Johann Sebastian)#Other, III/2.1: 68
, rowspan="2" , after Zahn 1174, Z 1174; text by Luther
, rowspan="2" ,
, - style="background: #E3F6CE;"
, A min.
,
, data-sort-value="III/02 2: 097" , III/2.2: 97
, - style="background: #E3F6CE;"
, data-sort-value="0063.000" , 63
, data-sort-value="064.001" , 1.
, data-sort-value="1714-12-25" , 1714-12-25
1723-12-25
, BWV 63, Cantata ''Christen, ätzet diesen Tag'' (Christmas; two versions)
, C maj.
, data-sort-value="satbSATB Trx4 Tmp Obx3 Bas Str Bc" , satbSATB 4Tr Tmp 3Ob Bas Str Bc
, data-sort-value="000.16: 051" , scores:Christen, ätzet diesen Tag, BWV 63 (Bach, Johann Sebastian), 16: 51
, data-sort-value="I/02: 001" , I/2: 1
, text by Johann Michael Heineccius, Heineccius?
,
, - style="background: #F5F6CE;"
, data-sort-value="0064.000" , 64
, data-sort-value="065.001" rowspan="4" , 1.
, rowspan="4" , 1723-12-27
, BWV 64, Cantata ''Sehet, welch eine Liebe hat uns der Vater erzeiget'' (Christmas 3)
, E min.
, data-sort-value="sabSATB Cnt Tbnx3 Oba Str Bc" , sabSATB Cnt 3Tbn Oba Str Bc
, data-sort-value="000.16: 111" , scores:Sehet, welch eine Liebe, BWV 64 (Bach, Johann Sebastian), 16: 111, 371
, data-sort-value="I/03 1: 113" , I/3.1: 113
, after Zahn 1947, Z 1947 (/2), Zahn number, 5206b–c (/4), Zahn 8032, 8032 (/8); text after , First Epistle of John, 1Jh 3:1 (/1), by Luther (/2), Balthasar Kindermann, Kindermann (/4), Johann Franck, Franck, J. (/8)
,
, - style="background: #F5F6CE;"
, data-sort-value="0064.002" , 64/2
, chorale setting "Gelobet seist du, Jesu Christ" (s. 7)
, G maj.
, SATB
, data-sort-value="000.16: 371" , scores:Sehet, welch eine Liebe, BWV 64 (Bach, Johann Sebastian), 16: 371
, data-sort-value="III/02 1: 013" , scores:Sehet, welch eine Liebe, BWV 64 (Bach, Johann Sebastian)#Other, III/2.1: 16
III/2.2: 92
, after Zahn 1947, Z 1947; text by Luther
,
, - style="background: #F5F6CE;"
, data-sort-value="0064.004" , 64/4
, chorale setting "Was frag ich nach der Welt" (s. 1)
, D maj.
, SATB
, data-sort-value="000.16: 372" , scores:Sehet, welch eine Liebe, BWV 64 (Bach, Johann Sebastian), 16: 372
, data-sort-value="III/02 1: 014" , scores:Sehet, welch eine Liebe, BWV 64 (Bach, Johann Sebastian)#Other, III/2.1: 16
III/2.2: 151
, after Zahn number, Z 5206b–c; text by Balthasar Kindermann, Kindermann
,
, - style="background: #F5F6CE;"
, data-sort-value="0064.008" , 64/8
, chorale setting "Jesu, meine Freude" (s. 5)
, E min.
, SATB
, data-sort-value="000.16: 132" , scores:Sehet, welch eine Liebe, BWV 64 (Bach, Johann Sebastian), 16: 132
, data-sort-value="III/02 1: 012" , scores:Sehet, welch eine Liebe, BWV 64 (Bach, Johann Sebastian)#Other, III/2.1: 15
III/2.2: 80
, after Zahn 8032, Z 8032; text by Johann Franck, Franck, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0065.000" , 65
, data-sort-value="066.001" rowspan="5" , 1.
, rowspan="5" , 1724-01-06
, BWV 65, Cantata ''Sie werden aus Saba alle kommen'' (Epiphany)
, C maj.
, data-sort-value="tbSATB Hnx2 Flx2 Odcx2 Str Bc" , tbSATB 2Hn 2Fl 2Odc Str Bc
, data-sort-value="000.16: 133" , scores:Sie werden aus Saba alle kommen, BWV 65 (Bach, Johann Sebastian), 16: 133
, data-sort-value="I/05: 001" , I/5: 1
, data-sort-value="after Z 0192b (/2)" , after Zahn 192b, Z 192b (/2), Zahn 7568, 7568 (/7); text after Isaiah 60, Is 60:6 (/1), by Cyriacus Spangenberg, Spangenberg (/2), Gerhardt (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0065.002" rowspan="2" , 65/2
, chorale setting "Ein Kind geboren zu Bethlehem" (s. 4)
, rowspan="2" , A min.
, rowspan="2" , SATB
, data-sort-value="000.16: 152" rowspan="2" , scores:Sie werden aus Saba alle kommen, BWV 65 (Bach, Johann Sebastian), 16: 152
, data-sort-value="III/02 2: 009" rowspan="2" , III/2.2: 9
, data-sort-value="after Z 0192b; text by Spangenberg" , after Zahn 192b, Z 192b; text by Cyriacus Spangenberg, Spangenberg
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Puer natus in Bethlehem"
, data-sort-value="after Z 0192b" , after Zahn 192b, Z 192b
, - style="background: #E3F6CE;"
, data-sort-value="0065.007" rowspan="2" , 65/7
, chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10)
, rowspan="2" , A min.
, rowspan="2" , SATB
, data-sort-value="000.16: 166" rowspan="2" , scores:Sie werden aus Saba alle kommen, BWV 65 (Bach, Johann Sebastian), 16: 166
, data-sort-value="III/02 2: 024" rowspan="2" , III/2.2: 24
, after Zahn 7568, Z 7568; text by Gerhardt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Was mein Gott will, das gscheh allzeit"
, after Zahn 7568, Z 7568; text by Albert, Duke of Prussia, Albert of Prussia
, - style="background: #E3F6CE;"
, data-sort-value="0066.200" , 66.2
, data-sort-value="067.001" rowspan="2" , 1.
, rowspan="2" , 1724-04-10
, BWV 66.2, Cantata ''Erfreut euch, ihr Herzen'' (Easter 2)
, D maj.
, data-sort-value="atbSATB Tr Obx2 Str Bc" , atbSATB Tr 2Ob Str Bc
, data-sort-value="000.16: 167" , scores:Erfreut euch, ihr Herzen, BWV 66 (Bach, Johann Sebastian), 16: 167
, data-sort-value="I/10: 001" , I/10: 1
, data-sort-value="after BWV 0066.1" , after BWV 66.1/8, /1–/4, Zahn 8584, Z 8584/3
,
, - style="background: #E3F6CE;"
, data-sort-value="0066.206" , 66.2/6
, chorale setting "Alleluja", s. 3 from "Christ ist erstanden"
, F♯ min.
, SATB
, data-sort-value="000.16: 214" , scores:Erfreut euch, ihr Herzen, BWV 66 (Bach, Johann Sebastian), 16: 214
, data-sort-value="III/02 1: 079" , scores:Erfreut euch, ihr Herzen, BWV 66 (Bach, Johann Sebastian)#Other, III/2.1: 57
, after Zahn 8584, Z 8584/3
,
, -
, data-sort-value="0066.100" , 66.1
, data-sort-value="067.002" , 1.
, 1718-12-10
, BWV 66.1, Secular cantata ''Der Himmel dacht auf Anhalts Ruhm und Glück'' (birthday of Leopold, Prince of Anhalt-Köthen, Leopold of Anhalt-Köthen)
,
, data-sort-value="atbSATB Obx2 Bas Str Bc" , atbSATB 2Ob Bas Str Bc (?)
,
, I/35
, text by Christian Friedrich Hunold, Hunold; → BWV 66.2/1–/5
,
, - style="background: #E3F6CE;"
, data-sort-value="0067.000" , 67
, data-sort-value="068.002" rowspan="2" , 1.
, rowspan="2" , 1724-04-16
, BWV 67, Cantata ''Halt im Gedächtnis Jesum Christ'' (Quasimodogeniti)
, rowspan="2" , A maj.
, data-sort-value="atbSATB Hn Fl Obax2 Str Bc" , atbSATB Hn Fl 2Oba Str Bc
, data-sort-value="000.16: 215" , scores:Halt im Gedächtnis Jesum Christ, BWV 67 (Bach, Johann Sebastian), 16: 215
, data-sort-value="I/11 1: 001" , I/11.1: 1
, after Zahn 1743, Z 1743 (/4), Zahn number, 4373 (/7); text after 2 Timothy 2, 2Ti 2:8 (/1), John 20:19, Jh 20:19 (/6; → BWV 234/2), by Nikolaus Herman, Herman (/4), Jakob Ebert, Ebert (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0067.007" , 67/7
, chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1)
, SATB
, data-sort-value="000.16: 246" , scores:Halt im Gedächtnis Jesum Christ, BWV 67 (Bach, Johann Sebastian), 16: 246
, data-sort-value="III/02 1: 004" , scores:Halt im Gedächtnis Jesum Christ, BWV 67 (Bach, Johann Sebastian)#Other, III/2.1: 10
III/2.2: 25
, after Zahn number, Z 4373; text by Jakob Ebert, Ebert
,
, - style="background: #E3F6CE;"
, data-sort-value="0068.000" , 68
, data-sort-value="069.002" , 1.
, 1725-05-21
, BWV 68, Cantata ''Also hat Gott die Welt geliebt'' (Pentecost 2)
, D min.
, data-sort-value="sbSATB Hn Cnt Tbnx3 Obx2 Tai Str Vc Bc" , sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc
, data-sort-value="000.16: 247" , scores:Also hat Gott die Welt geliebt, BWV 68 (Bach, Johann Sebastian), 16: 247
, data-sort-value="I/14: 031" , I/14: 31
, after Zahn number, Z 5920 (/1), BWV 208/13 (/2) and /7 (/4); text by Christiana Mariana von Ziegler, Ziegler, C. M., Salomo Liscow, Liscow (/1), after John 3, Jh 3:18 (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0069.200" , 69.2
, data-sort-value="070.002" rowspan="2" , 1.
, rowspan="2" , 1748-08-26
, BWV 69.2, Cantata ''Lobe den Herrn, meine Seele'' (council election)
, rowspan="2" , D maj.
, data-sort-value="satbSATB Trx3 Tmp Obx3 Oba Bas Str Bc" , satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc
, data-sort-value="000.16: 281" , scores:Lobe den Herrn, meine Seele, BWV 69 (Bach, Johann Sebastian), 16: 281
, data-sort-value="I/32 2: 111" , I/32.2: 111
, data-sort-value="after BWV 0069.1/1" , after BWV 69.1/1, /3, /5, Zahn 7247, Z 7247 (/6); text after , Psalm 103, Ps 103:2 (/1), by Luther (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0069.206" , 69.2/6
, chorale setting "Es woll uns Gott genädig sein" (s. 3)
, SATB
, data-sort-value="000.16: 325" , scores:Lobe den Herrn, meine Seele, BWV 69 (Bach, Johann Sebastian), 16: 325
, data-sort-value="III/02 2: 192" , III/2.2: 192
, after Zahn 7247, Z 7247; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0069.100" , 69.1
, data-sort-value="071.002" rowspan="2" , 1.
, rowspan="2" , 1723-08-15
, BWV 69.1, Cantata ''Lobe den Herrn, meine Seele'' (Trinity XII)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Fl Obx3 Oba Odc Bas Str Bc" , satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc
, data-sort-value="000.16: 373" , scores:Lobe den Herrn, meine Seele, BWV 69 (Bach, Johann Sebastian), 16: 373
, scores:Lobe den Herrn, meine Seele, BWV 69a (Bach, Johann Sebastian), I/20: 117
, after BWV 12/7 (/6); text after , Psalm 103, Ps 103:2 (/1), by Rodigast (/6); → BWV 69.2/1, /3, /5
,
, - style="background: #E3F6CE;"
, data-sort-value="0069.106" , 69.1/6
, chorale setting "Was Gott tut, das ist wohlgetan" (s. 6)
, G maj.
, SATB
, data-sort-value="000.16: 379" , scores:Lobe den Herrn, meine Seele, BWV 69 (Bach, Johann Sebastian), 16: 379
, data-sort-value="III/02 1: 076" , scores:Lobe den Herrn, meine Seele, BWV 69a (Bach, Johann Sebastian)#Other, III/2.1: 55
III/2.2: 174
, after BWV 12/7; text by Rodigast
,
, - style="background: #E3F6CE;"
, data-sort-value="0070.200" , 70.2
, data-sort-value="072.001" rowspan="2" , 1.
, 1723-11-21
, BWV 70, Cantata ''Wachet! Betet! Betet! Wachet!'' (Trinity XXVI)
, C maj.
, satbSATB Tr Ob Str Vc Bc
, data-sort-value="000.16: 327" , scores:Wachet! betet! betet! wachet!, BWV 70 (Bach, Johann Sebastian), 16: 327
, I/27: 107
, after BWV 70.1, Z 6543 (/7); text by Salomon Franck, Franck, S, Christian Keymann, Keymann (/11)
,
, - style="background: #E3F6CE;"
, data-sort-value="0070.211" , 70.2/11
, rowspan="2" , 1716-12-06
, chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5)
, rowspan="2" , C maj.
, SATB
, data-sort-value="000.16: 368" , scores:Wachet! betet! betet! wachet!, BWV 70 (Bach, Johann Sebastian), 16: 368
, data-sort-value="III/02 2: 200" , III/2.2: 200
, = BWV 70.1/6
,
, - style="background: #E3F6CE;"
, data-sort-value="0070.100" , 70.1
, data-sort-value="073.002" , 1.
, BWV 70a, Cantata ''Wachet! Betet! Betet! Wachet!'' (Advent II)
, satbSATB Tr Ob Str Vc Bc
, data-sort-value="000.16: 327" , scores:Wachet! betet! betet! wachet!, BWV 70 (Bach, Johann Sebastian), 16: 327
, data-sort-value="I/01: 076" , I/1
, after Zahn 3449, Z 3449 (/6); text by Salomon Franck, Franck, S, Christian Keymann, Keymann (/6); → BWV 70.2/1, /3, /5, /8, /10, /11
,
, - style="background: #E3F6CE;"
, data-sort-value="0071.000" , 71
, data-sort-value="073.003" , 1.
, 1708-02-04
, BWV 71, Cantata ''Gott ist mein König'' (council election)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Flx2 Vc Obx2 Bas Str Vne Org" , satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org
, data-sort-value="000.18: 001" , scores:Gott ist mein König, BWV 71 (Bach, Johann Sebastian), 18: 1
, data-sort-value="I/32 1: 003" , I/32.1: 3
, after Zahn number, Z 5148 (/2); text by Georg Christian Eilmar, Eilmar?, Heermann & after 2 Samuel, 2Sm 19:35 & 37 (/2), Psalm 74, Ps 74:12 (/1), 16–17 (/4), 19 (/6), Deuteronomy 33, Dt 33:25 & Genesis 21, Gn 21:22b (/3)
,
, - style="background: #E3F6CE;"
, data-sort-value="0072.000" , 72
, data-sort-value="075.001" , 1.
, 1726-01-27
, BWV 72, Cantata ''Alles nur nach Gottes Willen'' (Epiphany III)
, A min.
, data-sort-value="sabSATB Obx2 Str Bc" , sabSATB 2Ob Str Bc
, data-sort-value="000.18: 055" , scores:Alles nur nach Gottes Willen, BWV 72 (Bach, Johann Sebastian), 18: 55
, data-sort-value="I/06: 059" , I/6: 59
, after Zahn 7568, Z 7568 (/6); text by Salomon Franck, Franck, S, Albert, Duke of Prussia, Albert of Prussia (/6); /1 → BWV 235/2
,
, - style="background: #E3F6CE;"
, data-sort-value="0073.000" , 73
, data-sort-value="075.002" rowspan="2" , 1.
, rowspan="2" , 1724-01-23
, BWV 73, Cantata ''Herr, wie du willt, so schicks mit mir'' (Epiphany III)
, G min.
, data-sort-value="stbSATB Hn Obx2 Str Bc" , stbSATB Hn 2Ob Str Bc
, data-sort-value="000.18: 085" , scores:Herr, wie du willt, so schick's mit mir, BWV 73 (Bach, Johann Sebastian), 18: 85
, data-sort-value="I/06: 003" , I/6: 3
, after Zahn 4441a, Z 4441a (/1), Zahn number, 5264b (/5); text by (/1), Ludwig Helmbold, Helmbold (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0073.005" , 73/5
, chorale setting "Von Gott will ich nicht lassen" (s. 9)
, C min.
A min.
, SATB
, data-sort-value="000.18: 104" , scores:Herr, wie du willt, so schick's mit mir, BWV 73 (Bach, Johann Sebastian), 18: 104
, data-sort-value="III/02 2: 107" , III/2.2: 107
, after Zahn number, Z 5264b; text by Ludwig Helmbold, Helmbold
,
, - style="background: #E3F6CE;"
, data-sort-value="0074.000" , 74
, data-sort-value="076.002" rowspan="3" , 1.
, rowspan="3" , 1725-05-20
, BWV 74, Cantata ''Wer mich liebet, der wird mein Wort halten'' (Pentecost)
, C maj.
, data-sort-value="satbSATB Trx3 Tmp Obx2 Odc Str Bc" , satbSATB 3Tr Tmp 2Ob Odc Str Bc
, data-sort-value="000.18: 105" , scores:Wer mich liebet, der wird mein Wort halten, BWV 74 (Bach, Johann Sebastian), 18: 105
, data-sort-value="I/13: 083" , I/13: 83
, after BWV 59/1 & /4 (/1–/2), Zahn 2496, Z 2496 (/8); text by Christiana Mariana von Ziegler, Ziegler, C. M., Gerhardt (/8), after John 14, Jh 14:23 (/1), 28 (/4), Romans 8, Rm 8:1 (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0074.008" rowspan="2" , 74/8
, chorale setting "Gott Vater, sende deinen Geist" (s. 2)
, rowspan="2" , A min.
, rowspan="2" , SATB
, data-sort-value="000.18: 146" rowspan="2" , scores:Wer mich liebet, der wird mein Wort halten, BWV 74 (Bach, Johann Sebastian), 18: 146
, rowspan="2" data-sort-value="III/02 1: 112" , scores:Wer mich liebet, der wird mein Wort halten, BWV 74 (Bach, Johann Sebastian)#Other, III/2.1: 78
III/2.2: 212
, after Zahn 2496, Z 2496; text by Gerhardt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Kommt her zu mir, spricht Gottes Sohn"
, after Zahn 2496, Z 2496; text by Georg Grünwald, Grünwald
, - style="background: #E3F6CE;"
, data-sort-value="0075.000" , 75
, data-sort-value="077.002" , 1.
, 1723-05-30
, BWV 75, Cantata ''Die Elenden sollen essen'' (Trinity I)
, E min.
, data-sort-value="satbSATB Tr Obx2 Oba Bas Str Bc" , satbSATB Tr 2Ob Oba Bas Str Bc
, data-sort-value="000.18: 147" , scores:Die Elenden sollen essen, BWV 75 (Bach, Johann Sebastian), 18: 147
, data-sort-value="I/15: 085" , I/15: 85
, after Z 5629 (/7=/14: → BWV 100/6); text after Psalm 22, Ps 22:27 (/1), by Rodigast (/7, /14)
,
, - style="background: #E3F6CE;"
, data-sort-value="0076.000" , 76
, data-sort-value="079.001" , 1.
, 1723-06-06
, BWV 76, Cantata ''Die Himmel erzählen die Ehre Gottes'' (Trinity II)
, C maj.
, data-sort-value="satbSATB Tr Obx2 Oba Str Vdg Bc" , satbSATB Tr 2Ob Oba Str Vdg Bc
, data-sort-value="000.18: 189" , scores:Die Himmel erzählen die Ehre Gottes, BWV 76 (Bach, Johann Sebastian), 18: 189
, data-sort-value="I/16: 001" , I/16: 1
, after Zahn 7247, Z 7247 (/7=/14); text after Psalm 12, Ps 12:2 & 4 (/1), by Luther (/7, /14); /8 ↔ BWV 528/1
,
, - style="background: #E3F6CE;"
, data-sort-value="0077.000" , 77
, data-sort-value="080.002" rowspan="3" , 1.
, rowspan="3" , 1723-08-22
, BWV 77, Cantata ''Du sollt Gott, deinen Herren, lieben'' (Trinity XIII)
, C maj.
, data-sort-value="satbSATB Tdt Obx2 Str Bc" , satbSATB Tdt 2Ob Str Bc
, data-sort-value="000.18: 233" , scores:Du sollt Gott, deinen Herren, lieben, BWV 77 (Bach, Johann Sebastian), 18: 233
, data-sort-value="I/21: 001" , I/21: 1
, after Z 4431 (/6); text after Johann Oswald Knauer, Knauer, Luke 10:25-37, Lk 10:27 (/1), by David Denicke, Denicke? (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0077.006" rowspan="2" , 77/6
, chorale setting "Wenn einer alle Ding verstünd" (s. 8)?
, rowspan="2" , G min.
, rowspan="2" , SATB
, data-sort-value="000.18: 254" rowspan="2" , scores:Du sollt Gott, deinen Herren, lieben, BWV 77 (Bach, Johann Sebastian), 18: 254
, rowspan="2" data-sort-value="III/02 1: 010" , scores:Du sollt Gott, deinen Herren, lieben, BWV 77 (Bach, Johann Sebastian)#Other, III/2.1: 14
III/2.2: 150
, after Z 4431; text by David Denicke, Denicke
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Ach Gott, vom Himmel sieh darein"
, after Z 4431; text by Luther
, - style="background: #E3F6CE;"
, data-sort-value="0078.000" , 78
, data-sort-value="081.002" rowspan="2" , 1.
, rowspan="2" , 1724-09-10
, BWV 78, Cantata ''Jesu, der du meine Seele'' (Trinity XIV)
, rowspan="2" , G min.
, data-sort-value="satbSATB Hn Fl Obx2 Str Vne Bc" , satbSATB Hn Fl 2Ob Str Vne Bc
, data-sort-value="000.18: 255" , scores:Jesu, der du meine Seele, BWV 78 (Bach, Johann Sebastian), 18: 255
, I/21: 115
, after Zahn number, Z 6804; text after Rist
,
, - style="background: #E3F6CE;"
, data-sort-value="0078.007" , 78/7
, chorale setting "Jesu, der du meine Seele" (s. 12)
, SATB
, data-sort-value="000.18: 286" , scores:Jesu, der du meine Seele, BWV 78 (Bach, Johann Sebastian), 18: 286
, data-sort-value="III/02 1: 084" , scores:Jesu, der du meine Seele, BWV 78 (Bach, Johann Sebastian)#Other, III/2.1: 60
III/2.2: 150
, after Zahn number, Z 6804; text by Rist
,
, - style="background: #E3F6CE;"
, data-sort-value="0079.000" , 79
, data-sort-value="082.002" , 1.
, 1725-10-31
, BWV 79, Cantata ''Gott der Herr ist Sonn und Schild'' (Reformation Day; two versions: Fl associated with 2nd 1730)
, G maj.
, data-sort-value="sabSATB Hnx2 Tmp Flx2 Obx2 Str Bc" , sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc
, data-sort-value="000.18: 287" , scores:Gott der Herr ist Sonn und Schild, BWV 79 (Bach, Johann Sebastian), 18: 287
, data-sort-value="I/31: 001" , I/31: 1
, after Zahn 5142, Z 5142 (/3), Zahn 159, 159 (/6); text after Psalm 84, Ps 84:12 (/1), by Martin Rinkart, Rinkart (/3), Ludwig Helmbold, Helmbold (/6); → BWV 236/2, /4, BWV 234, 234/5
,
, - style="background: #F5F6CE;"
, data-sort-value="0080.300" , 80.3
, data-sort-value="083.002" , 1.
, data-sort-value="1735-10-31" , ?
, BWV 80.3, Cantata ''Ein feste Burg ist unser Gott'' (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely Wilhelm Friedemann Bach, W. F. Bach's addition)
, D maj.
, data-sort-value="satbSATB Obx3 Obax2 Odc Str Bc" , satbSATB 3Ob 2Oba Odc Str Bc
, data-sort-value="000.18: 317" , scores:Ein feste Burg ist unser Gott, BWV 80 (Bach, Johann Sebastian), 18: 317
, data-sort-value="I/31: 071" , I/31: 71
, after BWV 80.2 (same text)
,
, -
, data-sort-value="0080.100" , 80.1
, data-sort-value="085.001" , 1.
, 1715-03-24
, BWV 80.1, Cantata ''Alles, was von Gott geboren'' (Oculi; music lost)
,
, data-sort-value="satbSATB Ob Str Bc" , satb(?)SATB Ob Str Bc
,
, data-sort-value="I/08 2: 000" , I/8.2: V
, after Zahn 7377, Z 7377 (/1, /6)?; text by Salomon Franck, Franck, S, Luther (/6); → BWV 80.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0080.200" , 80.2
, data-sort-value="085.002" rowspan="2" , 1.
, data-sort-value="1730-10-31" rowspan="2" ,
, BWV 80.2, Cantata ''Ein feste Burg ist unser Gott'' (Reformation Day; 1st Leipzig version)
, rowspan="2" , D maj.
, data-sort-value="sbSATB Ob Str Bc" , sbSATB Ob Str Bc
, data-sort-value="000.18: 351" , scores:Ein feste Burg ist unser Gott, BWV 80 (Bach, Johann Sebastian), 18: 351
, data-sort-value="I/31: 065" , I/31: 65
, after Zahn 7377, Z 7377, BWV 80.1 (/2–/4, /6–/7); text by Salomon Franck, Franck, S, Luther (/1, /2, /5, /8); → BWV 80.3
,
, - style="background: #E3F6CE;"
, data-sort-value="0080.208" , 80/8
, chorale setting "Ein feste Burg ist unser Gott" (s. 4)
, SATB
, data-sort-value="000.18: 378" , scores:Ein feste Burg ist unser Gott, BWV 80 (Bach, Johann Sebastian), 18: 378
, data-sort-value="III/02 1: 035" , scores:Ein feste Burg ist unser Gott, BWV 80 (Bach, Johann Sebastian)#Other, III/2.1: 29
III/2.2: 162
, after Zahn 7377, Z 7377; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0081.000" , 81
, data-sort-value="085.003" rowspan="2" , 1.
, rowspan="2" , 1724-01-30
, BWV 81, Cantata ''Jesus schläft, was soll ich hoffen?'' (Epiphany IV)
, rowspan="2" , E min.
, data-sort-value="atbSATB Flx2 Obax2 Str Bc" , atbSATB 2Fl 2Oba Str Bc
, data-sort-value="000.20 1: 001" , scores:Jesus schläft, was soll ich hoffen?, BWV 81 (Bach, Johann Sebastian), 20¹: 1
, data-sort-value="I/06: 111" , I/6: 111
, after Zahn 8032, Z 8032 (/7); text after Psalm 10, Ps 10:1 (/2), Matthew 8, Mt 8:26 (/4), by Johann Franck, Franck, J. (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0081.007" , 81/7
, chorale setting "Jesu, meine Freude" (s. 2)
, SATB
, data-sort-value="000.20 1: 024" , scores:Jesus schläft, was soll ich hoffen?, BWV 81 (Bach, Johann Sebastian), 20¹: 24
, data-sort-value="III/02 2: 188" , III/2.2: 188
, after Zahn 8032, Z 8032; text by Johann Franck, Franck, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0082.100" , 82.1
, data-sort-value="086.002" , 1.
, 1727-02-02
, BWV 82, Cantata ''Ich habe genug'' (Purification; 1st version)
, C min.
, b Ob Str Bc
, data-sort-value="000.20 1: 025" , scores:Ich habe genug, BWV 82 (Bach, Johann Sebastian), 20¹: 25
, data-sort-value="I/28 1: 077" , I/28.1: 77
, text by Christoph Birkmann, Birkmann; → BWV 82.2–.4
,
, - style="background: #E3F6CE;"
, data-sort-value="0082.200" , 82.2
, data-sort-value="086.003" , 1.
, 1731-02-02
, BWV 82, Cantata ''Ich habe genug'' (Purification; 2nd version)
, E min.
, s Fl Str Bc
,
, data-sort-value="I/28 1: 155" , I/28.1: 155
, data-sort-value="after BWV 0082.1" , after BWV 82.1 (same text); → BWV 82, 82.3–.4
,
, - style="background: #F5F6CE;"
, data-sort-value="0082.202" , 82.2/2–/3
, data-sort-value="086.004" , 1.
, data-sort-value="1731-07-01" , 1731 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 34" , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen"
, E min.
, s Bc
, data-sort-value="000.43 2: 046" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 43²: 46
, data-sort-value="V/04: 124" , V/4:122
, data-sort-value="after BWV 0082.2" , after BWV 82.2; text by Christoph Birkmann, Birkmann
,
, - style="background: #F5F6CE;"
, data-sort-value="0082.203" , 82.2/3
, data-sort-value="086.005" , 1.
, data-sort-value="1731-07-01" , 1731 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 38" , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete)
, E min.
, s Bc
, data-sort-value="000.43 2: 049" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 43²: 49
, data-sort-value="V/04: 128" , V/4:122
, data-sort-value="after BWV 0082.2" , after BWV 82.2; text by Christoph Birkmann, Birkmann
,
, -
, data-sort-value="0082.300" , 82.3
, data-sort-value="086.006" , 1.
, data-sort-value="1735-02-02" , 1735
, BWV 82, Cantata ''Ich habe genug'' (Purification; 3rd version)
, C min.
, data-sort-value="b or mezzo Ob Str Bc" , b or mezzo Ob Str Bc
,
, data-sort-value="I/28 1: 109" , I/28.1: 109
, data-sort-value="after BWV 0082.1–.2" , after BWV 82.1–.2 (same text); → BWV 82, 82.4
,
, - style="background: #E3F6CE;"
, data-sort-value="0082.400" , 82.4
, data-sort-value="086.007" , 1.
, data-sort-value="1747-02-02" , 1746–1748
, BWV 82, Cantata ''Ich habe genug'' (Purification; 4th version)
, C min.
, data-sort-value="b or mezzo Ob Odc Str Bc" , b (or mezzo) Ob Odc Str Bc
,
, data-sort-value="I/28 1: 111" , I/28.1: 109
, data-sort-value="after BWV 0082.1–.3" , after BWV 82.1–.3 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0083.000" , 83
, data-sort-value="087.002" rowspan="2" , 1.
, rowspan="2" , 1724-02-02
, BWV 83, Cantata ''Erfreute Zeit im neuen Bunde'' (Purification)
, F maj.
, data-sort-value="atbSATB Hnx2 Obx2 Vl Str Bc" , atbSATB 2Hn 2Ob Vl Str Bc
, data-sort-value="000.20 1: 051" , scores:Erfreute Zeit im neuen Bunde, BWV 83 (Bach, Johann Sebastian), 20¹: 51
, data-sort-value="I/28 1: 003" , I/28.1: 3
, after Zahn 3986, Z 3986 (/5); text after Luke 2#Presentation in the Temple (2:22–38), Lk 2:29-31 (/2), Hebrews 4, Hb 4:16 (/3), by Luther (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0083.005" , 83/5
, chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4)
, D min.
, SATB
, data-sort-value="000.20 1: 076" , scores:Erfreute Zeit im neuen Bunde, BWV 83 (Bach, Johann Sebastian), 20¹: 76
, data-sort-value="III/02 2: 188" , III/2.2: 188
, after Zahn 3986, Z 3986; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0084.000" , 84
, data-sort-value="088.002" rowspan="3" , 1.
, rowspan="3" , 1727-02-09
, BWV 84, Cantata ''Ich bin vergnügt mit meinem Glücke'' (Septuagesimae)
, E min.
, sSATB Ob Str Bc
, data-sort-value="000.20 1: 077" , scores:Ich bin vergnügt mit meinem Glücke, BWV 84 (Bach, Johann Sebastian), 20¹: 77
, data-sort-value="I/07: 021" , I/7: 21
, after Z 2778 (/5); text after Picander, by Emilie Juliane of Barby-Mühlingen, E. J. of Schwarzburg-Rudolstadt (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0084.005" rowspan="2" , 84/5
, chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12)
, rowspan="2" , B min.
, rowspan="2" , SATB
, data-sort-value="000.20 1: 098" rowspan="2" , scores:Ich bin vergnügt mit meinem Glücke, BWV 84 (Bach, Johann Sebastian), 20¹: 98
, rowspan="2" data-sort-value="III/02 1: 030" , scores:Ich bin vergnügt mit meinem Glücke, BWV 84 (Bach, Johann Sebastian)#Other, III/2.1: 27
III/2.2: 63
, after Z 2778; text by Emilie Juliane of Barby-Mühlingen, E. J. of Schwarzburg-Rudolstadt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Wer nur den lieben Gott lässt walten"
, after Z 2778; text by Neumark
, - style="background: #E3F6CE;"
, data-sort-value="0085.000" , 85
, data-sort-value="089.001" rowspan="2" , 1.
, rowspan="2" , 1725-04-15
, BWV 85, Cantata ''Ich bin ein guter Hirt'' (Misericordias Domini)
, rowspan="2" , C min.
, data-sort-value="satbSATB Obx2 Str Vc Bc" , satbSATB 2Ob Str Vc Bc
, data-sort-value="000.20 1: 099" , scores:Ich bin ein guter Hirt, BWV 85 (Bach, Johann Sebastian), 20¹: 99
, data-sort-value="I/11 1: 157" , I/11.1: 157
, after Zahn 4457, Z 4457 (/3), Zahn number, 2542 (/6); text after John 10, Jh 10:12 (/1), by Cornelius Becker, Becker (/3), (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0085.006" , 85/6
, chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4)
, SATB
, data-sort-value="000.20 1: 118" , scores:Ich bin ein guter Hirt, BWV 85 (Bach, Johann Sebastian), 20¹: 118
, data-sort-value="III/02 1: 106" , scores:Ich bin ein guter Hirt, BWV 85 (Bach, Johann Sebastian)#Other, III/2.1: 74
III/2.2: 69
, after Zahn number, Z 2542; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0086.000" , 86
, data-sort-value="089.002" rowspan="2" , 1.
, rowspan="2" , 1724-05-14
, BWV 86, Cantata ''Wahrlich, wahrlich, ich sage euch'' (Rogate)
, rowspan="2" , E maj.
, data-sort-value="satbSATB Obax2 Str Bc" , satbSATB 2Oba Str Bc
, data-sort-value="000.20 1: 119" , scores:Wahrlich, wahrlich, ich sage euch, BWV 86 (Bach, Johann Sebastian), 20¹: 119
, data-sort-value="I/12: 045" , I/12: 45
, after Zahn 2496, Z 2496c (/3), Zahn 4430, 4430 (/6); text after John 16, Jh 16:23 (/1), by Georg Grünwald, Grünwald (/3), Speratus (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0086.006" , 86/6
, chorale setting "Es ist das Heil uns kommen her" (s. 11)
, SATB
, data-sort-value="000.20 1: 134" , scores:Wahrlich, wahrlich, ich sage euch, BWV 86 (Bach, Johann Sebastian), 20¹: 134
, data-sort-value="III/02 2: 003" , III/2.2: 3
, after Z 4430; text by Speratus
,
, - style="background: #E3F6CE;"
, data-sort-value="0087.000" , 87
, data-sort-value="090.002" rowspan="3" , 1.
, rowspan="3" , 1725-05-06
, BWV 87, Cantata ''Bisher habt ihr nichts gebeten in meinem Namen'' (Rogate)
, rowspan="3" , D min.
, data-sort-value="atbSATB Obx2 Odcx2 Str Bc" , atbSATB 2Ob 2Odc Str Bc
, data-sort-value="000.20 1: 135" , scores:Bisher habt ihr nichts gebeten, BWV 87 (Bach, Johann Sebastian), 20¹: 135
, data-sort-value="I/12: 061" , I/12: 61
, after Zahn 8032, Z 8032 (/7); text after Christiana Mariana von Ziegler, Ziegler, C. M., John 16#Verse 24, Jh 16:24 (/1), by Heinrich Müller (theologian), Müller, H. (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0087.007" rowspan="2" , 87/7
, chorale setting "Selig ist die Seele" (s. 9)
, rowspan="2" , SATB
, data-sort-value="000.20 1: 152" rowspan="2" , scores:Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 (Bach, Johann Sebastian), 20¹: 152
, rowspan="2" data-sort-value="III/02 1: 105" , scores:Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 (Bach, Johann Sebastian)#Other, III/2.1: 73
III/2.2: 54
, after Zahn 8032, Z 8032; text by Heinrich Müller (theologian), Müller, H.
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Jesu, meine Freude"
, after Zahn 8032, Z 8032; text by Johann Franck, Franck, J.
, - style="background: #E3F6CE;"
, data-sort-value="0088.000" , 88
, data-sort-value="091.002" rowspan="2" , 1.
, rowspan="2" , 1726-07-21
, BWV 88, Cantata ''Siehe, ich will viel Fischer aussenden'' (Trinity V)
, D maj.
, data-sort-value="satbSATB Hnx2 Obax2 Tai Str Bc" , satbSATB 2Hn 2Oba Tai Str Bc
, data-sort-value="000.20 1: 153" , scores:Siehe, ich will viel Fischer aussenden, BWV 88 (Bach, Johann Sebastian), 20¹: 153
, data-sort-value="I/17 2: 033" , I/17.2: 33
, after Z 2778 (/7); text: Meiningen, after Jeremiah 16, Jer 16:16 (/1), Luke 5, Lk 5:10 (/4), by Neumark (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0088.007" , 88/7
, chorale setting "Wer nur den lieben Gott lässt walten" (s. 7)
, B min.
, SATB
, data-sort-value="000.20 1: 178" , scores:Siehe, ich will viel Fischer aussenden, BWV 88 (Bach, Johann Sebastian), 20¹: 178
, data-sort-value="III/02 2: 058" , III/2.2: 58
, after Z 2778; text by Neumark
,
, - style="background: #E3F6CE;"
, data-sort-value="0089.000" , 89
, data-sort-value="092.002" rowspan="2" , 1.
, rowspan="2" , 1723-10-24
, BWV 89, Cantata ''Was soll ich aus dir machen, Ephraim?'' (Trinity XXII)
, C min.
, data-sort-value="sabSATB Hn Obx2 Str Bc" , sabSATB Hn 2Ob Str Bc
, data-sort-value="000.20 1: 179" , scores:Was soll ich aus dir machen, Ephraim, BWV 89 (Bach, Johann Sebastian), 20¹: 179
, data-sort-value="I/26: 001" , I/26: 1
, after Z 2164 (/6); text after Hosea 11, Hs 11:8 (/1), by Heermann (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0089.006" , 89/6
, chorale setting "Wo soll ich fliehen hin" (s. 7)
, G min.
, SATB
, data-sort-value="000.20 1: 194" , scores:Was soll ich aus dir machen, Ephraim, BWV 89 (Bach, Johann Sebastian), 20¹: 194
, data-sort-value="III/02 2: 167" , III/2.2: 167
, after Z 2164; text by Heermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0090.000" , 90
, data-sort-value="093.002" rowspan="3" , 1.
, rowspan="3" , 1723-11-14
, BWV 90, Cantata ''Es reißet euch ein schrecklich Ende'' (Trinity XXV)
, rowspan="3" , D min.
, data-sort-value="atbSATB Tr Str Bc" , atbSATB (Tr) Str Bc
, data-sort-value="000.20 1: 195" , scores:Es reißet euch ein schrecklich Ende, BWV 90 (Bach, Johann Sebastian), 20¹: 195
, data-sort-value="I/27: 059" , I/27: 59
, after Zahn 2561, Z 2561 (/5); text by Moller (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0090.005" rowspan="2" , 90/5
, chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7)
, rowspan="2" , SATB
, data-sort-value="000.20 1: 214" rowspan="2" , scores:Es reißet euch ein schrecklich Ende, BWV 90 (Bach, Johann Sebastian), 20¹: 214
, rowspan="2" data-sort-value="III/02 1: 041" , scores:Es reißet euch ein schrecklich Ende, BWV 90 (Bach, Johann Sebastian)#Other, III/2.1: 33
III/2.2: 158
, after Zahn 2561, Z 2561; text by Moller
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Vater unser im Himmelreich"
, after Zahn 2561, Z 2561; text by Luther
, - style="background: #E3F6CE;"
, data-sort-value="0091.200" , 91.2
, data-sort-value="094.000" , 1.
, data-sort-value="1747-06-25" , 1746–1747
, BWV 91, Cantata ''Gelobet seist du, Jesu Christ'' (Christmas; later version)
, G maj.
, data-sort-value="satbSATB Hnx2 Tmp Obx3 Str Bc" , satbSATB 2Hn Tmp 3Ob Str Bc
, data-sort-value="000.22: 001" , scores:Gelobet seist du, Jesu Christ, BWV 91 (Bach, Johann Sebastian), 22: 1
, data-sort-value="I/02: 131" , I/2: 131
, data-sort-value="after BWV 0091" , after BWV 91.1 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0091.100" , 91.1
, data-sort-value="094.001" rowspan="2" , 1.
, rowspan="2" , 1724-12-25
, BWV 91, Cantata ''Gelobet seist du, Jesu Christ'' (Christmas; early version)
, rowspan="2" , G maj.
, data-sort-value="satbSATB Hnx2 Tmp Obx3 Str Bc" , satbSATB 2Hn Tmp 3Ob Str Bc
, data-sort-value="000.22: 001, 333" , scores:Gelobet seist du, Jesu Christ, BWV 91 (Bach, Johann Sebastian), 22: 1,
333
, data-sort-value="I/02: 164" , I/2: 164
, after Zahn 1947, Z 1947; text after Luther; → BWV 91.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0091.106" , 91/6
, chorale setting "Gelobet seist du, Jesu Christ" (s. 7)
, SATB
,
, data-sort-value="III/02 1: 130" , scores:Gelobet seist du, Jesu Christ, BWV 91 (Bach, Johann Sebastian)#Other, III/2.1: 89
III/2.2: 30
, after Zahn 1947, Z 1947; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0092.000" , 92
, data-sort-value="094.002" , 1.
, 1725-01-28
, BWV 92, Cantata ''Ich hab in Gottes Herz und Sinn'' (Septuagesimae)
, B min.
, data-sort-value="satbSATB Obax2 Str Bc" , satbSATB 2Oba Str Bc
, data-sort-value="000.22: 033" , scores:Ich hab in Gottes Herz und Sinn, BWV 92 (Bach, Johann Sebastian), 22: 33
, data-sort-value="I/07: 041" , I/7: 41
, after Zahn 7568, Z 7568; text after Gerhardt
,
, - style="background: #E3F6CE;"
, data-sort-value="0093.000" , 93
, data-sort-value="096.001" , 1.
, 1724-07-09
, BWV 93, Cantata ''Wer nur den lieben Gott läßt walten'' (Trinity V)
, C min.
, data-sort-value="satbSATB Obx2 Str Bc" , satbSATB 2Ob Str Bc
, data-sort-value="000.22: 069" , scores:Wer nur den lieben Gott lässt walten, BWV 93 (Bach, Johann Sebastian), 22: 69
, data-sort-value="I/17 2: 003" , I/17.2: 3
, after Z 2778; text after Neumark; /4 → BWV 647
,
, - style="background: #E3F6CE;"
, data-sort-value="0094.000" , 94
, data-sort-value="097.001" rowspan="2" , 1.
, rowspan="2" , 1724-08-06
, BWV 94, Cantata ''Was frag ich nach der Welt'' (Trinity IX)
, rowspan="2" , D maj.
, data-sort-value="satbSATB Fl Obx2 Obax2 Str Bc" , satbSATB Fl 2Ob 2Oba Str Bc
, data-sort-value="000.22: 095" , scores:Was frag ich nach der Welt, BWV 94 (Bach, Johann Sebastian), 22: 95
, data-sort-value="I/19: 043" , I/19: 43
, after Zahn number, Z 5206b–c; text after Balthasar Kindermann, Kindermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0094.008" , 94/8
, chorale setting "Was frag ich nach der Welt" (s. 8)
, SATB
, data-sort-value="000.22: 127" , scores:Was frag ich nach der Welt, BWV 94 (Bach, Johann Sebastian), 22: 127
, data-sort-value="III/02 1: 072" , scores:Was frag ich nach der Welt, BWV 94 (Bach, Johann Sebastian)#Other, III/2.1: 53
III/2.2: 173
, after Zahn number, Z 5206b–c; text by Balthasar Kindermann, Kindermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0095.000" , 95
, data-sort-value="098.001" rowspan="2" , 1.
, rowspan="2" , 1723-09-12
, BWV 95, Cantata ''Christus, der ist mein Leben'' (Trinity XVI)
, rowspan="2" , G maj.
, data-sort-value="stbSATB Hn Cnt Obx2 Obax2 Str Bc" , stbSATB Hn or Cnt 2Ob 2Oba Str Bc
, data-sort-value="000.22: 129" , scores:Christus, der ist mein Leben, BWV 95 (Bach, Johann Sebastian), 22: 129
, data-sort-value="I/23: 065" , I/23: 65
, data-sort-value="after Z 0132 & 3986 (/1: → BWV 0282)" , after Zahn number, Z 132 & Zahn 3986, 3986 (/1: → BWV 282), Zahn 5404a, 5404a (/3), Zahn number, 4482 (/7); text by & Luther (/1), Valerius Herberger, Herberger (/3), Nikolaus Herman, Herman (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0095.007" , 95/7
, chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4)
, SATB
, data-sort-value="000.22: 153" , scores:Christus, der ist mein Leben, BWV 95 (Bach, Johann Sebastian), 22: 153
, data-sort-value="III/02 1: 089" , scores:Christus, der ist mein Leben, BWV 95 (Bach, Johann Sebastian)#Other, III/2.1: 64
, after Zahn number, Z 4482; text by Nikolaus Herman, Herman
,
, - style="background: #E3F6CE;"
, data-sort-value="0096.000" , 96
, data-sort-value="099.002" rowspan="2" , 1.
, rowspan="2" , 1724-10-08
, BWV 96, Cantata ''Herr Christ, der einge Gottessohn'' (Trinity XVIII)
, rowspan="2" , F maj.
, data-sort-value="satbSATB Hn Tbn Flx2 Vl Obx2 Str Bc" , satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc
, data-sort-value="000.22: 155" , scores:Herr Christ, der einge Gottessohn, BWV 96 (Bach, Johann Sebastian), 22: 155
, data-sort-value="I/24: 001" , I/24: 1
, after Zahn 4297a, Z 4297a; text after Elisabeth Cruciger, Cruciger
,
, - style="background: #E3F6CE;"
, data-sort-value="0096.006" , 96/6
, chorale setting "Herr Christ, der einge Gottessohn" (s. 5)
, SATB
, data-sort-value="000.22: 184" , scores:Herr Christ, der einge Gottessohn, BWV 96 (Bach, Johann Sebastian), 22: 184
, data-sort-value="III/02 1: 092" , scores:Herr Christ, der einge Gottessohn, BWV 96 (Bach, Johann Sebastian)#Other, III/2.1: 66
III/2.2: 179
, after Zahn 4297a, Z 4297a; text by Elisabeth Cruciger, Cruciger
,
, - style="background: #E3F6CE;"
, data-sort-value="0097.000" , 97
, data-sort-value="100.001" rowspan="3" , 1.
, data-sort-value="1734-07-25" rowspan="3" , 1734-07-25?
after 1735
, BWV 97, Cantata ''In allen meinen Taten'' (two versions; Trinity V?)
, rowspan="3" , B♭ maj.
, data-sort-value="satbSATB Obx2 Str Bc" , satbSATB 2Ob Str Bc
, data-sort-value="000.22: 185" , scores:In allen meinen Taten, BWV 97 (Bach, Johann Sebastian), 22: 185, 336
, I/34: 197
, after Z 2293b; text by Fleming; /9 → BWV 392
,
, - style="background: #E3F6CE;"
, data-sort-value="0097.009" rowspan="2" , 97/9
, chorale setting "In allen meinen Taten" (s. 9)
, rowspan="2" , SATB
, data-sort-value="000.22: 230" rowspan="2" , scores:In allen meinen Taten, BWV 97 (Bach, Johann Sebastian), 22: 230
, rowspan="2" data-sort-value="III/02 1: 066" , scores:In allen meinen Taten, BWV 97 (Bach, Johann Sebastian)#Other, III/2.1: 49
, after Z 2293b; text by Fleming; → BWV 392
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Nun ruhen alle Wälder"
, after Z 2293b; text by Gerhardt; → BWV 392
, - style="background: #E3F6CE;"
, data-sort-value="0098.000" , 98
, data-sort-value="101.001" , 1.
, 1726-11-10
, BWV 98, Cantata ''Was Gott tut, das ist wohlgetan'' (Trinity XXI)
, B♭ maj.
, data-sort-value="satbSATB Obx2 Str Bc" , satbSATB 2Ob Str Bc
, data-sort-value="000.22: 231" , scores:Was Gott tut, das ist wohlgetan, BWV 98 (Bach, Johann Sebastian), 22: 231
, I/25: 241
, after Z 5629 (/1); text by Christoph Birkmann, Birkmann, Rodigast (/1)
,
, - style="background: #E3F6CE;"
, data-sort-value="0099.000" , 99
, data-sort-value="102.001" , 1.
, 1724-09-17
, BWV 99, Cantata ''Was Gott tut, das ist wohlgetan'' (Trinity XV)
, G maj.
, satbSATB Hn Fl Oba Str Bc
, data-sort-value="000.22: 251" , scores:Was Gott tut, das ist wohlgetan, BWV 99 (Bach, Johann Sebastian), 22: 251
, data-sort-value="I/22: 041" , I/22: 41
, after Z 5629; text after Rodigast; /1 → BWV 100/1
,
, - style="background: #E3F6CE;"
, data-sort-value="0100.000" , 100
, data-sort-value="102.002" rowspan="2" , 1.
, data-sort-value="1734-12-31" rowspan="2" , 1734–1735
, BWV 100, Cantata ''Was Gott tut, das ist wohlgetan''
, rowspan="2" , G maj.
, data-sort-value="satbSATB Hnx2 Tmp Fl Oba Str Bc" , satbSATB 2Hn Tmp Fl Oba Str Bc
, data-sort-value="000.22: 277" , scores:Was Gott tut, das ist wohlgetan, BWV 100 (Bach, Johann Sebastian), 22: 277
, I/34: 239
, after Z 5629, BWV 99/1 (/1), BWV 75, 75/7 (/6); text by Rodigast
,
, - style="background: #E3F6CE;"
, data-sort-value="0100.006" , 100/6
, chorale setting "Was Gott tut, das ist wohlgetan" (s. 6)
, SATB
, data-sort-value="000.22: 323" , scores:Was Gott tut, das ist wohlgetan, BWV 100 (Bach, Johann Sebastian), 22: 323
, data-sort-value="III/02 1: 103" , scores:Was Gott tut, das ist wohlgetan, BWV 100 (Bach, Johann Sebastian)#Other, III/2.1: 72
, data-sort-value="after BWV 0075/7=/14" , after BWV 75, 75/7=/14; text by Rodigast
,
, - style="background: #E3F6CE;"
, data-sort-value="0101.000" , 101
, data-sort-value="103.002" rowspan="2" , 1.
, rowspan="2" , 1724-08-13
, BWV 101, Cantata ''Nimm von uns, Herr, du treuer Gott'' (Trinity X)
, rowspan="2" , D min.
, data-sort-value="satbSATB Hnx2 Tmp Fl Oba Str Bc" , satbSATB 2Hn Tmp Fl Oba Str Bc
, data-sort-value="000.23: 001" , scores:Nimm von uns, Herr, du treuer Gott, BWV 101 (Bach, Johann Sebastian), 23: 1
, I/19: 173
, after Zahn 2561, Z 2561; text after Moller
,
, - style="background: #E3F6CE;"
, data-sort-value="0101.007" , 101/7
, chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7)
, SATB
, data-sort-value="000.23: 032" , scores:Nimm von uns, Herr, du treuer Gott, BWV 101 (Bach, Johann Sebastian), 23: 32
, data-sort-value="III/02 1: 073" , scores:Nimm von uns, Herr, du treuer Gott, BWV 101 (Bach, Johann Sebastian)#Other, III/2.1: 54
III/2.2: 174
, after Zahn 2561, Z 2561; text by Moller
,
, - style="background: #E3F6CE;"
, data-sort-value="0102.000" , 102
, data-sort-value="105.001" rowspan="3" , 1.
, rowspan="3" , 1726-08-25
, BWV 102, Cantata ''Herr, deine Augen sehen nach dem Glauben'' (Trinity X)
, G min.
, data-sort-value="atbSATB Fl Vl Obx2 Str Bc" , atbSATB Fl Vl 2Ob Str Bc
, data-sort-value="000.23: 033" , scores:Herr, deine Augen sehen nach dem Glauben, BWV 102 (Bach, Johann Sebastian), 23: 33
, I/19: 229
, after Zahn 2561, Z 2561 (/7); text: Meiningen, after Jeremiah 5, Jer 5:3 (/1: → BWV 235/1), Romans 2, Rm 2:4–5 (/4), by Heermann (/7); /3 & /5 → BWV 233/4 & /5
,
, - style="background: #E3F6CE;"
, data-sort-value="0102.007" rowspan="2" , 102/7
, chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7)
, rowspan="2" , C min.
, rowspan="2" , SATB
, data-sort-value="000.23: 066" rowspan="2" , scores:Herr, deine Augen sehen nach dem Glauben, BWV 102 (Bach, Johann Sebastian), 23: 66
, rowspan="2" data-sort-value="III/02 2: 062" , III/2.2: 62
, after Zahn 2561, Z 2561; text by Heermann
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Vater unser im Himmelreich"
, after Zahn 2561, Z 2561; text by Luther
, - style="background: #E3F6CE;"
, data-sort-value="0103.000" , 103
, data-sort-value="106.001" rowspan="4" , 1.
, data-sort-value="1725-04-22" rowspan="4" , 1725-04-22
1731-04-15
, BWV 103, Cantata ''Ihr werdet weinen und heulen'' (Jubilate, 2 versions)
, rowspan="4" , B min.
, data-sort-value="atSATB Tr Fl Fl Vl Obax2 Str Bc" , atSATB Tr Fl Fl (or) Vl 2Oba Str Bc
, data-sort-value="000.23: 067" , scores:Ihr werdet weinen und heulen, BWV 103 (Bach, Johann Sebastian), 23: 67
, data-sort-value="I/11 2: 025" , I/11.2: 25
, after Zahn 7568, Z 7568 (/6); text by Christiana Mariana von Ziegler, Ziegler, C. M., Gerhardt (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0103.006" rowspan="3" , 103/6
, chorale setting "Barmherzger Vater, höchster Gott" (s. 9)
, rowspan="3" , SATB
, data-sort-value="000.23: 094" rowspan="3" , scores:Ihr werdet weinen und heulen, BWV 103 (Bach, Johann Sebastian), 23: 94
, rowspan="3" data-sort-value="III/02 1: 102" , scores:Ihr werdet weinen und heulen, BWV 103 (Bach, Johann Sebastian)#Other, III/2.1: 72
III/2.2: 68
, rowspan="2" , after Zahn 7568, Z 7568; text by Gerhardt
, rowspan="3" ,
, - style="background: #E3F6CE;"
, chorale setting "Ich hab in Gottes Herz und Sinn"
, - style="background: #E3F6CE;"
, chorale setting "Was mein Gott will, das gscheh allzeit"
, after Zahn 7568, Z 7568; text by Albert, Duke of Prussia, Albert of Prussia
, - style="background: #E3F6CE;"
, data-sort-value="0104.000" , 104
, data-sort-value="106.002" rowspan="4" , 1.
, rowspan="4" , 1724-04-23
, BWV 104, Cantata ''Du Hirte Israel, höre'' (Misericordias)
, G maj.
, data-sort-value="tbSATB Obx2 Obax2 Tai Str Bc" , tbSATB 2Ob 2Oba Tai Str Bc
, data-sort-value="000.23: 095" , scores:Du Hirte Israel, höre, BWV 104 (Bach, Johann Sebastian), 23: 95
, data-sort-value="I/11 1: 113" , I/11.1: 113
, after Zahn 4457, Z 4457 (/6); text after Psalm 80, Ps 80:2 (/1), by Cornelius Becker, Becker (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0104.006" rowspan="3" , 104/6
, chorale setting "Der Herr ist mein getreuer Hirt" (s. 1)
, rowspan="2" , A maj.
, rowspan="3" , SATB
, data-sort-value="000.23: 116" rowspan="2" , scores:Du Hirte Israel, höre, BWV 104 (Bach, Johann Sebastian), 23: 116
, rowspan="2" data-sort-value="III/02 2: 189" , III/2.2: 189
, after Zahn 4457, Z 4457; text by Cornelius Becker, Becker
, rowspan="2" ,
, - style="background: #E3F6CE;"
, rowspan="2" , chorale setting "Allein Gott in der Höh sei Ehr"
, rowspan="2" , after Zahn 4457, Z 4457; text by Nikolaus Decius, Decius
, - style="background: #E3F6CE;"
, G maj.
,
, data-sort-value="III/02 2: 071" , III/2.2: 71
,
, - style="background: #E3F6CE;"
, data-sort-value="0105.000" , 105
, data-sort-value="107.002" rowspan="2" , 1.
, rowspan="2" , 1723-07-25
, BWV 105, Cantata ''Herr, gehe nicht ins Gericht mit deinem Knecht'' (Trinity IX)
, rowspan="2" , G min.
, data-sort-value="satbSATB Hn Obx2 Str Bc" , satbSATB Hn 2Ob Str Bc
, data-sort-value="000.23: 117" , scores:Herr, gehe nicht ins Gericht, BWV 105 (Bach, Johann Sebastian), 23: 117
, data-sort-value="I/19: 001" , I/19: 1
, after Zahn number, Z 6804 (/6); text after Psalm 143, Ps 143:2 (/1), by Rist (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0105.006" , 105/6
, chorale setting "Jesu, der du meine Seele" (s. 11)
, SATB
, data-sort-value="000.23: 146" , scores:Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 (Bach, Johann Sebastian), 23: 146
, data-sort-value="III/02 1: 071" , scores:Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 (Bach, Johann Sebastian)#Other, III/2.1: 52
, after Zahn number, Z 6804; text by Rist
,
, -
, data-sort-value="0106.000" , 106
, data-sort-value="108.002" , 1.
, data-sort-value="1708-09-16" , 1708-09-16?
, BWV 106, Cantata ''Gottes Zeit ist die allerbeste Zeit'' (funeral; aka ''Actus tragicus'')
, E♭ maj.
, data-sort-value="satbSATB Flx2 Vdgx2 Bc" , satbSATB 2Fl 2Vdg Bc
, data-sort-value="000.23: 147" , scores:Gottes Zeit ist die allerbeste Zeit, BWV 106 (Bach, Johann Sebastian), 23: 147
, data-sort-value="I/34: 001" , I/34: 1
, after Zahn number, Z 1680 (/2d), Zahn 3986, 3986 (/3b), Zahn 2461, 2461 (/4); text after Johann Olearius (1611–1684), Olearius, J., Acts 17:28, Acts 17:28 & Psalm 90, Ps 90:12 & Isaiah 38, Is 38:1 & Sirach, JS 14:18 & Revelation, Rv 22:20 (/2), Psalm 31, Ps 31:6 & Luke 23:43, Lk 23:43 & by Luther (/3), Adam Reusner, Reusner (/4)
,
, - style="background: #E3F6CE;"
, data-sort-value="0107.000" , 107
, data-sort-value="109.002" , 1.
, 1724-07-23
, BWV 107, Cantata ''Was willst du dich betrüben'' (Trinity VII)
, B min.
, data-sort-value="stbSATB Hn Flx2 Obax2 Str Bc" , stbSATB Hn 2Fl 2Oba Str Bc
, data-sort-value="000.23: 179" , scores:Was willst du dich betrüben, BWV 107 (Bach, Johann Sebastian), 23: 179
, data-sort-value="I/18: 055" , I/18: 55
, after Zahn number, Z 5264b; text by Heermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0108.000" , 108
, data-sort-value="110.002" rowspan="3" , 1.
, rowspan="3" , 1725-04-29
, BWV 108, Cantata ''Es ist euch gut, daß ich hingehe'' (Cantate)
, A maj.
, data-sort-value="atbSATB Obax2 Str Bc" , atbSATB 2Oba Str Bc
, data-sort-value="000.23: 203" , scores:Es ist euch gut, dass ich hingehe, BWV 108 (Bach, Johann Sebastian), 23: 203
, data-sort-value="I/12: 017" , I/12: 17
, after Zahn 2496, Z 2496 (/6); text by Christiana Mariana von Ziegler, Ziegler, C. M., Gerhardt (/6), after John 16, Jh 16:7 (/1), 13 (/4)
,
, - style="background: #E3F6CE;"
, data-sort-value="0108.006" rowspan="2" , 108/6
, chorale setting "Gott Vater, sende deinen Geist" (s. 10)
, rowspan="2" , B min.
, rowspan="2" , SATB
, data-sort-value="000.23: 230" rowspan="2" , scores:Es ist euch gut, daß ich hingehe, BWV 108 (Bach, Johann Sebastian), 23: 230
, rowspan="2" data-sort-value="III/02 1: 098" , scores:Es ist euch gut, daß ich hingehe, BWV 108 (Bach, Johann Sebastian)#Other, III/2.1: 69
III/2.2: 26
, after Zahn 2496, Z 2496; text by Gerhardt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Kommt her zu mir, spricht Gottes Sohn"
, after Zahn 2496, Z 2496; text by Georg Grünwald, Grünwald
, - style="background: #E3F6CE;"
, data-sort-value="0109.000" , 109
, data-sort-value="111.002" , 1.
, 1723-10-17
, BWV 109, Cantata ''Ich glaube, lieber Herr, hilf meinem Unglauben'' (Trinity XXI; 2 versions)
, D min.
, data-sort-value="atSATB Hn Obx2 Str Bc" , atSATB (Hn) 2Ob Str Bc
, data-sort-value="000.23: 231" , scores:Ich glaube, lieber Herr, BWV 109 (Bach, Johann Sebastian), 23: 231
, I/25: 157
, after Z 7549 (/6); text after Mark 9, Mk 9:24 (/1), by Spengler (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0110.000" , 110
, data-sort-value="112.002" rowspan="2" , 1.
, rowspan="2" , 1725-12-25
, BWV 110, Cantata ''Unser Mund sei voll Lachens'' (Christmas)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Flx2 Obx3 Oba Odc Bas Str Bc" , satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc
, data-sort-value="000.23: 263" , scores:Unser Mund sei voll Lachens, BWV 110 (Bach, Johann Sebastian), 23: 263
, data-sort-value="I/02: 071" , I/2: 71
, after Zahn number, Z 2072 (/7); text by Lehms, Kaspar Füger, Füger (/7), after Psalm 126, Ps 126:2–3 (/1), Jeremiah 10, Jer 10:6 (/3), Luke 2, Lk 2:14 (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0110.007" , 110/7
, chorale setting "Wir Christenleut" (s. 5)
, B min.
, SATB
, data-sort-value="000.23: 324" , scores:Unser Mund sei voll Lachens, BWV 110 (Bach, Johann Sebastian), 23: 324
, data-sort-value="III/02 2: 032" , III/2.2: 32
, after Zahn number, Z 2072; text by Kaspar Füger, Füger
,
, - style="background: #E3F6CE;"
, data-sort-value="0111.000" , 111
, data-sort-value="113.002" , 1.
, 1725-01-25
, BWV 111, Cantata ''Was mein Gott will, das g'scheh allzeit'' (Epiphany III)
, A min.
, data-sort-value="satbSATB Obx2 Str Bc" , satbSATB 2Ob Str Bc
, data-sort-value="000.24: 001" , scores:Was mein Gott will, das g'scheh allzeit, BWV 111 (Bach, Johann Sebastian), 24: 1
, data-sort-value="I/06: 027" , I/6: 27
, after Zahn 7568, Z 7568; text after Albert, Duke of Prussia, Albert of Prussia
,
, - style="background: #E3F6CE;"
, data-sort-value="0112.000" , 112
, data-sort-value="114.002" rowspan="3" , 1.
, rowspan="3" , 1731-04-08
, BWV 112, Cantata ''Der Herr ist mein getreuer Hirt'' (Misericordias)
, rowspan="3" , G maj.
, data-sort-value="satbSATB Hnx2 Obax2 Str Bc" , satbSATB 2Hn 2Oba Str Bc
, data-sort-value="000.24: 029" , scores:Der Herr ist mein getreuer Hirt, BWV 112 (Bach, Johann Sebastian), 24: 29
, data-sort-value="I/11 1: 179" , I/11.1: 179
, rowspan="2" , after Zahn 4457, Z 4457; text by Wolfgang Musculus, Meuslin after Psalm 23, Ps. 23
,
, - style="background: #E3F6CE;"
, data-sort-value="0112.005" rowspan="2" , 112/5
, chorale setting "Der Herr ist mein getreuer Hirt" (s. 5)
, rowspan="2" , SATB
, data-sort-value="000.24: 048" rowspan="2" , scores:Der Herr ist mein getreuer Hirt, BWV 112 (Bach, Johann Sebastian), 24: 48
, rowspan="2" data-sort-value="III/02 1: 101" , scores:Der Herr ist mein getreuer Hirt, BWV 112 (Bach, Johann Sebastian)#Other, III/2.1: 71
III/2.2: 183,
202
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Allein Gott in der Höh sei Ehr"
, after Zahn 4457, Z 4457; text by Nikolaus Decius, Decius
, - style="background: #E3F6CE;"
, data-sort-value="0113.000" , 113
, data-sort-value="115.002" rowspan="2" , 1.
, rowspan="2" , 1724-08-20
, BWV 113, Cantata ''Herr Jesu Christ, du höchstes Gut'' (Trinity XI)
, rowspan="2" , B min.
, data-sort-value="satbSATB Fl Obax2 Str Bc" , satbSATB Fl 2Oba Str Bc
, data-sort-value="000.24: 049" , scores:Herr Jesu Christ, du höchstes Gut, BWV 113 (Bach, Johann Sebastian), 24: 49
, data-sort-value="I/20: 079" , I/20: 79
, after Zahn 4486, Z 4486; text after Bartholomäus Ringwaldt, Ringwaldt
,
, - style="background: #E3F6CE;"
, data-sort-value="0113.008" , 113/8
, chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8)
, SATB
, data-sort-value="000.24: 080" , scores:Herr Jesu Christ, du höchstes Gut, BWV 113 (Bach, Johann Sebastian), 24: 80
, data-sort-value="III/02 1: 074" , scores:Herr Jesu Christ, du höchstes Gut, BWV 113 (Bach, Johann Sebastian)#Other, III/2.1: 54
III/2.2: 175
, after Zahn 4486, Z 4486; text by Bartholomäus Ringwaldt, Ringwaldt
,
, - style="background: #E3F6CE;"
, data-sort-value="0114.000" , 114
, data-sort-value="116.002" rowspan="2" , 1.
, rowspan="2" , 1724-10-01
, BWV 114, Cantata ''Ach, lieben Christen, seid getrost'' (Trinity XVII)
, rowspan="2" , G min.
, data-sort-value="satbSATB Hn Fl Obx2 Str Bc" , satbSATB Hn Fl 2Ob Str Bc
, data-sort-value="000.24: 081" , scores:Ach, lieben Christen, seid getrost, BWV 114 (Bach, Johann Sebastian), 24: 81
, I/23: 287
, after Zahn 4441a, Z 4441a; text after Johannes Gigas, Gigas
,
, - style="background: #E3F6CE;"
, data-sort-value="0114.007" , 114/7
, chorale setting "Ach, lieben Christen, seid getrost" (s. 6)
, SATB
, data-sort-value="000.24: 108" , scores:Ach, lieben Christen, seid getrost, BWV 114 (Bach, Johann Sebastian), 24: 108
, data-sort-value="III/02 1: 091" , scores:Ach, lieben Christen, seid getrost, BWV 114 (Bach, Johann Sebastian)#Other, III/2.1: 65
III/2.2: 179
, after Zahn 4441a, Z 4441a; text by Johannes Gigas, Gigas
,
, - style="background: #E3F6CE;"
, data-sort-value="0115.000" , 115
, data-sort-value="117.002" rowspan="3" , 1.
, rowspan="3" , 1724-11-05
, BWV 115, Cantata ''Mache dich, mein Geist, bereit'' (Trinity XXII)
, rowspan="3" , G maj.
, satbSATB Hn Fl Oba Str Vc Bc
, data-sort-value="000.24: 109" , scores:Mache dich, mein Geist, bereit, BWV 115 (Bach, Johann Sebastian), 24: 109
, data-sort-value="I/26: 021" , I/26: 21
, after Zahn number, Z 6274a; text after Johann Burchard Freystein, Freystein
,
, - style="background: #E3F6CE;"
, data-sort-value="0115.006" rowspan="2" , 115/6
, chorale setting "Mache dich, mein Geist, bereit" (s. 10)
, rowspan="2" , SATB
, data-sort-value="000.24: 132" rowspan="2" , scores:Mache dich, mein Geist, bereit, BWV 115 (Bach, Johann Sebastian), 24: 132
, data-sort-value="III/02 1: 027" rowspan="2" , scores:Mache dich, mein Geist, bereit, BWV 115 (Bach, Johann Sebastian)#Other, III/2.1: 25
III/2.2: 23
, after Zahn number, Z 6274a; text by Johann Burchard Freystein, Freystein
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Straf mich nicht in deinem Zorn"
, after Zahn number, Z 6274a; text by Johann Georg Albinus, Albinus
, - style="background: #E3F6CE;"
, data-sort-value="0116.000" , 116
, data-sort-value="118.002" , 1.
, 1724-11-26
, BWV 116, Cantata ''Du Friedefürst, Herr Jesu Christ'' (Trinity XXV)
, A maj.
, data-sort-value="satbSATB Hn Obax2 Str Bc" , satbSATB Hn 2Oba Str Bc
, data-sort-value="000.24: 133" , scores:Du Friedefürst, Herr Jesu Christ, BWV 116 (Bach, Johann Sebastian), 24: 133
, data-sort-value="I/27: 079" , I/27: 79
, after Zahn number, Z 4373; text after Jakob Ebert, Ebert
,
, - style="background: #E3F6CE;"
, data-sort-value="0117.000" , 117
, data-sort-value="119.002" rowspan="3" , 1.
, data-sort-value="1729-12-31" rowspan="3" , 1728–1731
, BWV 117, Cantata ''Sei Lob und Ehr dem höchsten Gut''
, rowspan="3" , G maj.
, data-sort-value="atbSATB Flx2 Obx2 Obax2 Str Bc" , atbSATB 2Fl 2Ob 2Oba Str Bc
, data-sort-value="000.24: 159" , scores:Sei Lob und Ehr dem höchsten Gut, BWV 117 (Bach, Johann Sebastian), 24: 159
, I/34: 151
, rowspan="3" , after Z 4430; text by Johann Jacob Schütz, Schütz, J. J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0117.004" rowspan="2" , 117/4
117/9
, chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9)
, rowspan="2" , SATB
, data-sort-value="000.24: 159" rowspan="2" , scores:Sei Lob und Ehr dem höchsten Gut, BWV 117 (Bach, Johann Sebastian), 24: 159
, data-sort-value="III/02 1: 100" , scores:Sei Lob und Ehr dem höchsten Gut, BWV 117 (Bach, Johann Sebastian)#Other, III/2.1: 71
III/2.2: 203
,
, - style="background: #E3F6CE;"
, chorale setting "Sei Lob und Ehr dem höchsten Gut"
, data-sort-value="III/02 1: 001" , scores:Sei Lob und Ehr dem höchsten Gut, BWV 117 (Bach, Johann Sebastian)#Other, III/2.1: 9
III/2.2: 147
,
, - style="background: #E3F6CE;"
, data-sort-value="0119.000" , 119
, data-sort-value="121.002" , 1.
, 1723-08-30
, BWV 119, Cantata ''Preise, Jerusalem, den Herrn'' (council election)
, C maj.
, data-sort-value="satbSATB Trx4 Tmp Flx2 Obx3 Odcx2 Str Bc" , satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc
, data-sort-value="000.24: 193" , scores:Preise, Jerusalem, den Herren, BWV 119 (Bach, Johann Sebastian), 24: 193
, data-sort-value="I/32 1: 129" , I/32.1: 129
, after Z 8652 (/9); text after Psalm 147, Ps 147:12–14 (/1), by Luther (/9)
,
, - style="background: #E3F6CE;"
, data-sort-value="0120.100" , 120.1
, data-sort-value="122.002" , 1.
, data-sort-value="1729-08-25" , 1729 or earlier
, BWV 120.1, Cantata ''Gott, man lobet dich in der Stille'' (council election)
, A maj.
, data-sort-value="satbSATB Trx3 Obx2 Obax2 Vl Str Bc" , satbSATB 3Tr 2Ob 2Oba Vl Str Bc
, data-sort-value="000.24: 247" , scores:Gott, man lobet dich in der Stille, BWV 120 (Bach, Johann Sebastian), 24: 247
, data-sort-value="I/32 2: 053" , I/32.2: 53
, after Z 8652 (/6); text after Psalm 65, Ps 65:2 (/1), by Luther (/6); ↔ BWV 120.2/6 (/1 → .3/1), /1 (/2 → .3/2), /3 (/4 ↔ BWV 1019a, 1019a/3 → .3/4)
,
, - style="background: #E3F6CE;"
, data-sort-value="0120.200" , 120.2
, data-sort-value="123.002" , 1.
, data-sort-value="1729-07-01" , 1729?
, BWV 120.2, Cantata ''Herr Gott, Beherrscher aller Dinge'' (wedding; incomplete)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Obx2 Obax2 Str Org Bc" , satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc
, data-sort-value="000.41: 149" , scores:Herr Gott, Beherrscher aller Dinge, BWV 120a (Bach, Johann Sebastian), 41: 149
, data-sort-value="I/33: 075" , I/33: 75
, after BWV 1006/1 (/4 → 29/1), 137/5 (/8); text after Sirach, JS 50:24 (/2), by Luther (/5), Joachim Neander, Neander (/8); ↔ BWV 120.1/2 (/1 → .3/2), /4 (/3 ↔ BWV 1019a, 1019a/3 → .3/4), /1 (/6 → .3/1)
,
, -
, data-sort-value="0120.300" , 120.3
, data-sort-value="124.002" , 1.
, 1730-06-26
, BWV 120.3, Cantata ''Gott, man lobet dich in der Stille'' (200th anniversary of the Augsburg Confession, Augsb. Confess.; music lost, partially reconstructable)
,
, data-sort-value="saSATB Trx3 Tmp Obax2 Vl Str Bc" , saSATB 3Tr Tmp 2Oba Vl Str Bc ?
,
, I/34
I/32.2
, after BWV 120.1/1 (=.2/6), /2 (=.2/1 → BWV 232, 232^II/9), /4 (=.2/3 ↔ BWV 1019a, 1019a/3); text by Picander
,
, - style="background: #E3F6CE;"
, data-sort-value="0121.000" , 121
, data-sort-value="125.001" rowspan="2" , 1.
, rowspan="2" , 1724-12-26
, BWV 121, Cantata ''Christum wir sollen loben schon'' (Christmas 2)
, rowspan="2" , E min.
, data-sort-value="satbSATB Cnt Tbnx3 Oba Str Bc" , satbSATB Cnt 3Tbn Oba Str Bc
, data-sort-value="000.26: 001" , scores:Christum wir sollen loben schon, BWV 121 (Bach, Johann Sebastian), 26: 1
, data-sort-value="I/03 1: 057" , I/3.1: 57
, data-sort-value="after Z 0297c, text after Luther" , after Zahn 297c, Z 297c, text after Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0121.006" , 121/6
, chorale setting "Christum wir sollen loben schon" (s. 8)
, SATB
, data-sort-value="000.26: 020" , scores:Christum wir sollen loben schon, BWV 121 (Bach, Johann Sebastian), 26: 20
, data-sort-value="III/02 2: 031" , III/2.2: 31
, data-sort-value="after Z 0297c, text by Luther" , after Zahn 297c, Z 297c, text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0122.000" , 122
, data-sort-value="126.001" rowspan="2" , 1.
, rowspan="2" , 1724-12-31
, BWV 122, Cantata ''Das neugeborne Kindelein'' (Christmas I)
, rowspan="2" , G min.
, data-sort-value="satbSATB Flx3 Obx2 Tai Str Bc" , satbSATB 3Fl 2Ob Tai Str Bc
, data-sort-value="000.26: 021" , scores:Das neugeborne Kindelein, BWV 122 (Bach, Johann Sebastian), 26: 21
, data-sort-value="I/03 2: 053" , I/3.2: 53
, data-sort-value="after Z 0491; text after Schneegaß" , after Zahn number, Z 491; text after Cyriakus Schneegass, Schneegaß
,
, - style="background: #E3F6CE;"
, data-sort-value="0122.006" , 122/6
, chorale setting "Das neugeborne Kindelein" (s. 5)
, SATB
, data-sort-value="000.26: 040" , scores:Das neugeborne Kindelein, BWV 122 (Bach, Johann Sebastian), 26: 40
, data-sort-value="III/02 1: 055" , scores:Das neugeborne Kindelein, BWV 122 (Bach, Johann Sebastian)#Other, III/2.1: 43
III/2.2: 30,
101
, data-sort-value="after Z 0491; text by Schneegaß" , after Zahn number, Z 491; text by Cyriakus Schneegass, Schneegaß
,
, - style="background: #E3F6CE;"
, data-sort-value="0123.000" , 123
, data-sort-value="127.001" rowspan="2" , 1.
, rowspan="2" , 1725-01-06
, BWV 123, Cantata ''Liebster Immanuel, Herzog der Frommen'' (Epiphany)
, rowspan="2" , B min.
, data-sort-value="atbSATB Flx2 Obax2 Str Bc" , atbSATB 2Fl 2Oba Str Bc
, data-sort-value="000.26: 041" , scores:Liebster Immanuel, Herzog der Frommen, BWV 123 (Bach, Johann Sebastian), 26: 41
, data-sort-value="I/05: 047" , I/5: 47
, after Zahn number, Z 4932c; text after Ahasverus Fritsch, Fritsch
,
, - style="background: #E3F6CE;"
, data-sort-value="0123.006" , 123/6
, chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6)
, SATB
, data-sort-value="000.26: 060" , scores:Liebster Immanuel, Herzog der Frommen, BWV 123 (Bach, Johann Sebastian), 26: 60
, data-sort-value="III/02 2: 108" , III/2.2: 108
, after Zahn number, Z 4932c; text by Ahasverus Fritsch, Fritsch
,
, - style="background: #E3F6CE;"
, data-sort-value="0124.000" , 124
, data-sort-value="128.001" , 1.
, 1725-01-07
, BWV 124, Cantata ''Meinen Jesum laß ich nicht'' (Epiphany I)
, E maj.
, satbSATB Hn Oba Str Bc
, data-sort-value="000.26: 061" , scores:Meinen Jesum lass ich nicht, BWV 124 (Bach, Johann Sebastian), 26: 61
, data-sort-value="I/05: 115" , I/5: 115
, after Zahn 3449, Z 3449; text after Christian Keymann, Keymann
,
, - style="background: #E3F6CE;"
, data-sort-value="0125.000" , 125
, data-sort-value="129.001" , 1.
, 1725-02-02
, BWV 125, Cantata ''Mit Fried und Freud ich fahr dahin'' (Purification)
, E min.
, atbSATB Hn Fl Ob Oba Str Bc
, data-sort-value="000.26: 083" , scores:Mit Fried und Freud ich fahr dahin, BWV 125 (Bach, Johann Sebastian), 26: 83
, data-sort-value="I/28 1: 031" , I/28.1: 31
, after Zahn 3986, Z 3986; text after Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0126.000" , 126
, data-sort-value="130.001" rowspan="2" , 1.
, rowspan="2" , 1725-02-04
, BWV 126, Cantata ''Erhalt uns, Herr, bei deinem Wort'' (Sexagesimae)
, rowspan="2" , A min.
, data-sort-value="atbSATB Tr Obx2 Str Bc" , atbSATB Tr 2Ob Str Bc
, data-sort-value="000.26: 111" , scores:Erhalt uns, Herr, bei deinem Wort, BWV 126 (Bach, Johann Sebastian), 26: 111
, data-sort-value="I/07: 155" , I/7: 155
, data-sort-value="after Z 0350, 1945b; text by Luther" , after Z 350a, Zahn number, 1945b (/6); text after Luther, Justus Jonas, Jonas, Johann Walter, Walter
,
, - style="background: #E3F6CE;"
, data-sort-value="0126.006" , 126/6
, chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2)
, SATB
, data-sort-value="000.26: 131" , scores:Erhalt uns, Herr, bei deinem Wort, BWV 126 (Bach, Johann Sebastian), 26: 131
, data-sort-value="III/02 2: 126" , III/2.2: 126
(in g)
, after Zahn number, Z 1945b; text by Luther, Johann Walter, Walter
,
, - style="background: #E3F6CE;"
, data-sort-value="0127.000" , 127
, data-sort-value="131.001" rowspan="2" , 1.
, rowspan="2" , 1725-02-11
, BWV 127, Cantata ''Herr Jesu Christ, wahr' Mensch und Gott'' (Estomihi)
, rowspan="2" , F maj.
, data-sort-value="stbSATB Tr Flx2 Obx2 Str Bc" , stbSATB Tr 2Fl 2Ob Str Bc
, data-sort-value="000.26: 133" , scores:Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 (Bach, Johann Sebastian), 26: 133
, data-sort-value="I/08: 107" , I/8: 107
, after Zahn number, Z 2570; text after Eber; /1 → BWV 127/1 (variant)
,
, - style="background: #E3F6CE;"
, data-sort-value="0127.005" , 127/5
, chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8)
, SATB
, data-sort-value="000.26: 160" , scores:Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 (Bach, Johann Sebastian), 26: 160
, data-sort-value="III/02 1: 060" , scores:Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 (Bach, Johann Sebastian)#Other, III/2.1: 46
III/2.2: 169
, after Zahn number, Z 2570; text by Eber
,
, -
, data-sort-value="0127.V01" , 127/1 (var.)
, data-sort-value="131.002" , 1.
, data-sort-value="1750-01-01" , 1750
, Chorus "BWV 127/1 (variant), Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement)
, E♭ maj.
, data-sort-value="SATB Flx2 Obx2 Str Bc" , SATB 2Fl 2Ob Str Bc
,
, data-sort-value="I/41: 095" , I/41: 95
, data-sort-value="after BWV 0127/1" , after BWV 127/1; → BC D 10
,
, - style="background: #E3F6CE;"
, data-sort-value="0128.000" , 128
, data-sort-value="132.001" , 1.
, 1725-05-10
, BWV 128, Cantata ''Auf Christi Himmelfahrt allein'' (Ascension)
, G maj.
, data-sort-value="atbSATB Tr Hnx2 Obx2 Obax2 Odc Str Bc" , atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc
, data-sort-value="000.26: 163" , scores:Auf Christi Himmelfahrt allein, BWV 128 (Bach, Johann Sebastian), 26: 163
, I/12: 101
, after Zahn 4457, Z 4457 (/1), Zahn number, 5206b (/5); text by Christiana Mariana von Ziegler, Ziegler, C. M., (/1), (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0129.000" , 129
, data-sort-value="133.001" rowspan="3" , 1.
, rowspan="3" , 1727-06-08
, BWV 129, Cantata ''Gelobet sei der Herr, mein Gott'' (Trinity)
, rowspan="3" , D maj.
, data-sort-value="sabSATB Trx3 Tmp Fl Obx2 Oba Str Bc" , sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc
, data-sort-value="000.26: 185" , scores:Gelobet sei der Herr, mein Gott, BWV 129 (Bach, Johann Sebastian), 26: 185
, data-sort-value="I/15: 037" , I/15: 37
, rowspan="2" , after Zahn number, Z 5206b; text by Johann Olearius (1611–1684), Olearius, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0129.005" rowspan="2" , 129/5
, chorale setting "Gelobet sei der Herr, mein Gott" (s. 5)
, rowspan="2" , SATB
, data-sort-value="000.26: 224" rowspan="2" , scores:Gelobet sei der Herr, mein Gott, BWV 129 (Bach, Johann Sebastian), 26: 224
, rowspan="2" data-sort-value="III/02 1: 114" , scores:Gelobet sei der Herr, mein Gott, BWV 129 (Bach, Johann Sebastian)#Other, III/2.1: 80
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "O Gott, du frommer Gott"
, after Zahn number, Z 5206b; text by Heermann
, - style="background: #E3F6CE;"
, data-sort-value="0130.100" , 130.1
, data-sort-value="134.001" rowspan="2" , 1.
, rowspan="2" , 1724-09-29
, BWV 130, Cantata ''Herr Gott, dich loben alle wir'' (Michaelmas; 1st version)
, rowspan="2" , C maj.
, data-sort-value="satbSATB Trx3 Tmp Fl Obx3 Str Bc" , satbSATB 3Tr Tmp Fl 3Ob Str Bc
, data-sort-value="000.26: 231" , scores:Herr Gott, dich loben alle wir, BWV 130 (Bach, Johann Sebastian), 26: 231
, data-sort-value="I/30: 001" , I/30: 1
, data-sort-value="after Z 0368; text after Eber" , after Zahn number, Z 368; text after Eber; → BWV 130.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0130.106" , 130/6
, chorale setting "Herr Gott, dich loben alle wir" (s. 11)
, SATB
, data-sort-value="000.26: 268" , scores:Herr Gott, dich loben alle wir, BWV 130 (Bach, Johann Sebastian), 26: 268
, data-sort-value="III/02 1: 085" , scores:Herr Gott, dich loben alle wir, BWV 130 (Bach, Johann Sebastian)#Other, III/2.1: 61
III/2.2: 218
, data-sort-value="after Z 0368; text by Eber" , after Zahn number, Z 368; text by Eber
,
, - style="background: #E3F6CE;"
, data-sort-value="0130.200" , 130.2
, data-sort-value="134.002" , 1.
, data-sort-value="1733-12-31" , 1732–1735
, BWV 130, Cantata ''Herr Gott, dich loben alle wir'' (Michaelmas; 2nd version)
, C maj.
, data-sort-value="satbSATB Trx3 Tmp Fl Obx3 Str Bc" , satbSATB 3Tr Tmp Fl 3Ob Str Bc
,
, data-sort-value="I/30: 048" , I/30: 48
, data-sort-value="after BWV 0130.1 (same text)" , after BWV 130.1 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0131.000" , 131
, data-sort-value="135.001" , 1.
, data-sort-value="1707-07-01" , 1707
, BWV 131, Cantata ''Aus der Tiefen rufe ich, Herr, zu dir''
, G min.
, satbSATB Ob Bas Str Bc
, data-sort-value="000.28: 001" , scores:Aus der Tiefe rufe ich, Herr, zu dir, BWV 131 (Bach, Johann Sebastian), 28: 1
, data-sort-value="I/34: 067" , I/34: 67
, after Zahn 4486, Z 4486 (/2, /4); text after Psalm 130, Ps. 130, by Bartholomäus Ringwaldt, Ringwaldt (/2, /4); → BWV 131a
,
, - style="background: #E3F6CE;"
, data-sort-value="0132.000" , 132
, data-sort-value="136.002" , 1.
, 1715-12-22
, BWV 132, Cantata ''Bereitet die Wege, bereitet die Bahn'' (Advent IV)
, A maj.
, satbSATB Ob Bas Str Vc Bc
, data-sort-value="000.28: 033" , scores:Bereitet die Wege, bereitet die Bahn, BWV 132 (Bach, Johann Sebastian), 28: 33
, data-sort-value="I/01: 099" , I/1: 99
rev 2: 97
, text by Franck, S., Elisabeth Cruciger, Cruciger (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0133.000" , 133
, data-sort-value="137.001" rowspan="2" , 1.
, rowspan="2" , 1724-12-27
, BWV 133, Cantata ''Ich freue mich in dir'' (Christmas 3)
, A maj.
, data-sort-value="satbSATB Cnt Obax2 Str Bc" , satbSATB Cnt 2Oba Str Bc
, data-sort-value="000.28: 051" , scores:Ich freue mich in dir, BWV 133 (Bach, Johann Sebastian), 28: 51
, data-sort-value="I/03 1: 135" , I/3.1: 135
, ↔ Zahn number, Z 5187; text after Caspar Ziegler, Ziegler, C.
,
, - style="background: #E3F6CE;"
, data-sort-value="0133.006" , 133/6
, chorale setting "Ich freue mich in dir" (s. 4)
, D maj.
, SATB
, data-sort-value="000.28: 080" , scores:Ich freue mich in dir, BWV 133 (Bach, Johann Sebastian), 28: 80
, data-sort-value="III/02 1: 056" , scores:Ich freue mich in dir, BWV 133 (Bach, Johann Sebastian)#Other, III/2.1: 44
III/2.2: 34
, ↔ Zahn number, Z 5187; text by Caspar Ziegler, Ziegler, C.
,
, - style="background: #E3F6CE;"
, data-sort-value="0134.300" , 134.3
, data-sort-value="138.001" , 1.
, data-sort-value="1731-03-27" , 1731-03-27
1735-04-12
, BWV 134, Cantata ''Ein Herz, das seinen Jesum lebend weiß'' (Easter 3; later version)
, B♭ maj.
, data-sort-value="atSATB Obx2 Str Bc" , atSATB 2Ob Str Bc
, data-sort-value="000.28: 081" , scores:Ein Herz, das seinen Jesum lebend weiß, BWV 134 (Bach, Johann Sebastian), 28: 81
, data-sort-value="I/10: 069" , I/10: 69
, data-sort-value="after BWV 0134.2" , after BWV 134.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0134.200" , 134.2
, data-sort-value="138.002" , 1.
, 1724-04-11
, BWV 134, Cantata ''Ein Herz, das seinen Jesum lebend weiß'' (Easter 3; early version)
, B♭ maj.
, data-sort-value="atSATB Obx2 Str Bc" , atSATB 2Ob Str Bc
, data-sort-value="000.28: 081, 287" , scores:Ein Herz, das seinen Jesum lebend weiß, BWV 134 (Bach, Johann Sebastian), 28: 81, 287
, data-sort-value="I/10: 106" , I/10: 106
, data-sort-value="after BWV 0134.1" , after BWV 134.1; → BWV 134.3
,
, - style="background: #E3F6CE;"
, data-sort-value="0134.100" , 134.1
, data-sort-value="138.003" , 1.
, 1719-01-01
, BWV 134.1, Secular cantata ''Die Zeit, die Tag und Jahre macht'' (congratulation for New Year)
, B♭ maj.
, data-sort-value="atSATB Obx2 Str Bc" , atSATB 2Ob Str Bc
, data-sort-value="000.29: 209" , scores:Die Zeit, die Tag und Jahre macht, BWV 134a (Bach, Johann Sebastian), 29: 209
, data-sort-value="I/35: 049" , I/35: 49
, text by Christian Friedrich Hunold, Hunold; → BWV 134.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0135.000" , 135
, data-sort-value="139.002" , 1.
, 1724-06-25
, BWV 135, Cantata ''Ach Herr, mich armen Sünder'' (Trinity III)
, E min.
, data-sort-value="atbSATB Cnt Tbn Obx2 Str Bc" , atbSATB Cnt Tbn 2Ob Str Bc
, data-sort-value="000.28: 119" , scores:Ach Herr, mich armen Sünder, BWV 135 (Bach, Johann Sebastian), 28: 119
, I/16: 197
, after Zahn 5385a, Z 5385a; text after Cyriakus Schneegass, Schneegaß
,
, - style="background: #E3F6CE;"
, data-sort-value="0136.000" , 136
, data-sort-value="140.002" rowspan="2" , 1.
, rowspan="2" , 1723-07-18
, BWV 136, Cantata ''Erforsche mich, Gott, und erfahre mein Herz'' (Trinity VIII)
, A min.
, data-sort-value="atbSATB Hn Obx2 Obax2 Str Bc" , atbSATB Hn 2Ob 2Oba Str Bc
, data-sort-value="000.28: 137" , scores:Erforsche mich, Gott, und erfahre mein Herz, BWV 136 (Bach, Johann Sebastian), 28: 137
, I/18: 129
, after Z 2164 (/6); text after Psalm 139, Ps 139:23 (/1: → BWV 234/6), by Heermann (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0136.006" , 136/6
, chorale setting "Wo soll ich fliehen hin" (s. 9)
, B min.
, SATB
, data-sort-value="000.28: 164" , scores:Erforsche mich, Gott, und erfahre mein Herz, BWV 136 (Bach, Johann Sebastian), 28: 164
, data-sort-value="III/02 2: 191" , III/2.2: 191
, after Z 2164; text by Heermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0137.000" , 137
, data-sort-value="141.002" rowspan="3" , 1.
, rowspan="3" , 1725-08-19
, BWV 137, Cantata ''Lobe den Herren, den mächtigen König der Ehren'' (Trinity XII)
, rowspan="3" , C maj.
, data-sort-value="satbSATB Trx3 Tmp Obx2 Str Bc" , satbSATB 3Tr Tmp 2Ob Str Bc
, data-sort-value="000.28: 165" , scores:Lobe den Herren, den mächtigen König der Ehren, BWV 137 (Bach, Johann Sebastian), 28: 165
, I/20: 171
, after Zahn number, Z 1912a–c; text by Joachim Neander, Neander; /2 → BWV 650; /5 → BWV 120.2, 120.2/8
,
, - style="background: #E3F6CE;"
, data-sort-value="0137.005" rowspan="2" , 137/5
, chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5)
, rowspan="2" , SATB
, data-sort-value="000.28: 196" rowspan="2" , scores:Lobe den Herren, den mächtigen König der Ehren, BWV 137 (Bach, Johann Sebastian), 28: 196
, rowspan="2" data-sort-value="III/02 1: 077" , scores:Lobe den Herren, den mächtigen König der Ehren, BWV 137 (Bach, Johann Sebastian)#Other, III/2.1: 56
, after Zahn number, Z 1912a–c; text by Joachim Neander, Neander; → BWV 120.2/8
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen"
, after Zahn number, Z 1912a–c; text by Ahasverus Fritsch, Fritsch
, - style="background: #E3F6CE;"
, data-sort-value="0138.000" , 138
, data-sort-value="142.001" , 1.
, 1723-09-05
, BWV 138, Cantata ''Warum betrübst du dich, mein Herz'' (Trinity XV)
, B min.
, data-sort-value="satbSATB Obax2 Str Bc" , satbSATB 2Oba Str Bc
, data-sort-value="000.28: 197" , scores:Warum betrübst du dich, mein Herz, BWV 138 (Bach, Johann Sebastian), 28: 197
, data-sort-value="I/22: 019" , I/22: 19
, after Zahn 1689a, Z 1689a; /4 → BWV 236/3
,
, - style="background: #E3F6CE;"
, data-sort-value="0139.000" , 139
, data-sort-value="143.001" , 1.
, 1724-11-12
, BWV 139, Cantata ''Wohl dem, der sich auf seinen Gott'' (Trinity XXIII)
, E maj.
, data-sort-value="satbSATB Obax2 Str Bc" , satbSATB 2Oba Str Bc
, data-sort-value="000.28: 223" , scores:Wohl dem, der sich auf seinen Gott, BWV 139 (Bach, Johann Sebastian), 28: 223
, data-sort-value="I/26: 097" , I/26: 97
, after Zahn number, Z 2383; text after
,
, - style="background: #E3F6CE;"
, data-sort-value="0140.000" , 140
, data-sort-value="144.001" rowspan="2" , 1.
, rowspan="2" , 1731-11-25
, BWV 140, Cantata ''Wachet auf, ruft uns die Stimme'' (Trinity XXVII)
, rowspan="2" , E♭ maj.
, data-sort-value="stbSATB Hn Obx2 Tai Vl Str Bc" , stbSATB Hn 2Ob Tai Vl Str Bc
, data-sort-value="000.28: 249" , scores:Wachet auf, ruft uns die Stimme, BWV 140 (Bach, Johann Sebastian), 28: 249
, I/27: 149
, after Zahn 8405a, Z 8405a, text after Nicolai; /4 → BWV 645
,
, - style="background: #E3F6CE;"
, data-sort-value="0140.007" , 140/7
, chorale setting "Wachet auf, ruft uns die Stimme" (s. 3)
, SATB
, data-sort-value="000.28: 284" , scores:Wachet auf, ruft uns die Stimme, BWV 140 (Bach, Johann Sebastian), 28: 284
, data-sort-value="III/02 1: 017" , scores:Wachet auf, ruft uns die Stimme, BWV 140 (Bach, Johann Sebastian)#Other, III/2.1: 19
III/2.2: 101
, after Zahn 8405a, Z 8405a, text by Nicolai
,
, -
, data-sort-value="0143.000" rowspan="2" , 143
, data-sort-value="145.003" rowspan="2" , 1.
, data-sort-value="1710-01-01" rowspan="2" , ?
, rowspan="2" , BWV 143, Cantata ''Lobe den Herrn, meine Seele'' (New Year)
, B♭ maj.
, data-sort-value="stbSATB Hnx3 Tmp Bas Str Bc" , stbSATB 3Hn Tmp Bas Str Bc
, data-sort-value="000.30: 043" , scores:Lobe den Herrn, meine Seele, BWV 143 (Bach, Johann Sebastian), 30: 43
, data-sort-value="I/04: 165" , I/4: 165
rev 2: 3
, rowspan="2" , after Zahn number, Z 4373; text after Psalm 146, Ps 146, by Jakob Ebert, Ebert (/2, /7)
, rowspan="2" ,
, -
, C maj.
, data-sort-value="stbSATB Trx3 Tmp Bas Str Bc" , stbSATB 3Tr Tmp Bas Str Bc
,
, data-sort-value="rev 02: 119" , rev 2: 119
, - style="background: #E3F6CE;"
, data-sort-value="0144.000" , 144
, data-sort-value="146.002" rowspan="3" , 1.
, rowspan="3" , 1724-02-06
, BWV 144, Cantata ''Nimm, was dein ist, und gehe hin'' (Septuagesima)
, B min.
, data-sort-value="satSATB Obx2 Oba Str Bc" , satSATB 2Ob Oba Str Bc
, data-sort-value="000.30: 075" , scores:Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian), 30: 75
, data-sort-value="I/07: 001" , I/7: 1
, after Z 5629 (/3), Zahn 7568, 7568 (/6); text after Matthew 20, Mt 20:14 (/1), by Rodigast (/3), Albert, Duke of Prussia, Albert of Prussia (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0144.003" , 144/3
, chorale setting "Was Gott tut, das ist wohlgetan" (s. 1)
, G maj.
, rowspan="2" , SATB
, data-sort-value="000.30: 087" , scores:Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian), 30: 87
, data-sort-value="III/02 1: 043" , scores:Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian)#Other, III/2.1: 34
III/2.2: 36
, after Z 5629; text by Rodigast
,
, - style="background: #E3F6CE;"
, data-sort-value="0144.006" , 144/6
, chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1)
, B min.
, data-sort-value="000.30: 092" , scores:Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian), 30: 92
, data-sort-value="III/02 1: 044" , scores:Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian)#Other, III/2.1: 35
III/2.2: 157
, after Zahn 7568, Z 7568; text by Albert, Duke of Prussia, Albert of Prussia
,
, - style="background: #F5F6CE;"
, data-sort-value="0145.000" , 145/1–5
, data-sort-value="147.002" rowspan="3" , 1.
, rowspan="3" , 1729-04-19
, BWV 145, Cantata ''Ich lebe, mein Herze, zu deinem Ergötzen'' (Easter 3)
, D maj.
, data-sort-value="stbSATB Tr Fl Obx2 Str Bc" , stbSATB Tr Fl 2Ob Str Bc
, data-sort-value="000.30: 104" , scores:Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 (Bach, Johann Sebastian), 30: 104
, I/10: 111
, by Carl Philipp Emanuel Bach, Bach, C. P. E.?; after Zahn 1743, Z 1743 (/5); text by Picander, Nikolaus Herman, Herman (/5)
,
, - style="background: #F5F6CE;"
, data-sort-value="0145.005" rowspan="2" , 145/5
, chorale setting "Erschienen ist der herrlich Tag" (s. 14)
, F♯ min.
, rowspan="2" , SATB
, data-sort-value="000.30: 122" , scores:Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 (Bach, Johann Sebastian), 30: 122
, data-sort-value="III/02 2: 214" , III/2.2: 214
, rowspan="2" , by Carl Philipp Emanuel Bach, Bach, C. P. E.?; after Zahn 1743, Z 1743; text by Nikolaus Herman, Herman
, rowspan="2" ,
, - style="background: #F5F6CE;"
, chorale setting "Erschienen ist der herrlich Tag"
, E min.
,
, data-sort-value="III/02 2: 012" , III/2.2: 12
, - style="background: #F5F6CE;"
, data-sort-value="0145.a00" rowspan="2" , 145/a
, data-sort-value="148.001" rowspan="2" , 1.
, rowspan="2" ,
, BWV 145/a, chorale setting "Auf, mein Herz, des Herren Tag" (s. 1)
, rowspan="2" , D maj.
, rowspan="2" , SATB (or) Org
, data-sort-value="000.30: 093" rowspan="2" , scores:Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 (Bach, Johann Sebastian), 30: 93
, data-sort-value="III/02 2: 195" rowspan="2" , III/2.2: 195
, by Carl Philipp Emanuel Bach, Bach, C. P. E.; after Zahn number, Z 3432b; text by Neumann
,
, - style="background: #F5F6CE;"
, BWV 145/a, chorale setting "Jesus, meine Zuversicht"
, by Carl Philipp Emanuel Bach, Bach, C. P. E.; after Zahn number, Z 3432b; text by Countess Louise Henriette of Nassau, L. H. of Brandenb.
,
, - style="background: #F6E3CE;"
, data-sort-value="0146.000" , 146
, data-sort-value="148.002" , 1.
, 1726-05-12
, BWV 146, Cantata ''Wir müssen durch viel Trübsal'' (Jubilate)
, D min.
, data-sort-value="satbSATB Fl Obx2 Obax2 Tai Str Org Bc" , satbSATB Fl 2Ob 2Oba Tai Str Org Bc
, data-sort-value="000.30: 123" , scores:Wir müssen durch viel Trübsal, BWV 146 (Bach, Johann Sebastian), 30: 123
, data-sort-value="I/11 2: 065" , I/11.2: 65
, after Zahn 6551, Z 6551 (/8); text after Acts 14:22 (/2); /1 & /2 ↔ BWV 1052/1 & /2
,
, - style="background: #E3F6CE;"
, data-sort-value="0147.200" , 147.2
, data-sort-value="149.002" , 1.
, 1723-07-02
, BWV 147, Cantata ''Herz und Mund und Tat und Leben'' (Visitation)
, D maj.
, data-sort-value="satbSATB Tr Obx2 Oba Odcx2 Str Bc" , satbSATB Tr 2Ob Oba 2Odc Str Bc
, data-sort-value="000.30: 191" , scores:Herz und Mund und Tat und Leben, BWV 147 (Bach, Johann Sebastian), 30: 191
, data-sort-value="I/28: 063" , I/28: 63
, after BWV 147.1/1–5 (/1, /3, /7, /5, /9), Zahn number, Z 6551 (/6, /10); text by Franck, S. (/1, /3, /7, /5, /9), Martin Janus, Janus (/6, /10)
,
, - style="background: #E3F6CE;"
, data-sort-value="0147.100" , 147.1
, data-sort-value="150.002" , 1.
, 1716-12-20
, BWV 147.1, Cantata ''Herz und Mund und Tat und Leben'' (Advent IV)
, D maj.
, data-sort-value="satbSATB Tr Ob Str Bc" , satbSATB Tr Ob Str Bc
,
, data-sort-value="I/01" , I/1
, text by Franck, S., Johann Kolross, Kolross (/6); /1–/5 → BWV 147.2/1, /3, /7, /5, /9
,
, - style="background: #F5F6CE;"
, data-sort-value="0148.000" , 148
, data-sort-value="151.002" rowspan="2" , 1.
, rowspan="2" , 1723-09-19
, BWV 148, Cantata ''Bringet dem Herrn Ehre seines Namens'' (Trinity XVII)
, D maj.
, data-sort-value="atSATB Tr Obax2 Odc Str Bc" , atSATB Tr 2Oba Odc Str Bc
, data-sort-value="000.30: 235" , scores:Bringet dem Herrn Ehre seines Namens, BWV 148 (Bach, Johann Sebastian), 30: 235
, I/23: 253
, after Z 2164 (/6); text after Picander
,
, - style="background: #F5F6CE;"
, data-sort-value="0148.006" , 148/6
, chorale setting "Wo soll ich fliehen hin"
, F♯ min.
F min.
, SATB
, data-sort-value="000.30: 260" , scores:Bringet dem Herrn Ehre seines Namens, BWV 148 (Bach, Johann Sebastian), 30: 260
, data-sort-value="III/02 2: 016" , III/2.2: 16
, after Z 2164; text by Heermann
,
, -
, data-sort-value="0149.000" , 149
, data-sort-value="152.002" , 1.
, 1729-09-29
, BWV 149, Cantata ''Man singet mit Freuden vom Sieg'' (Michaelmas)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Obx3 Bas Str Vne Bc" , satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc
, data-sort-value="000.30: 261" , scores:Man singet mit Freuden vom Sieg, BWV 149 (Bach, Johann Sebastian), 30: 261
, data-sort-value="I/30: 097" , I/30: 97
, after BWV 208/15 (/1), Zahn 8326, Z 8326 (/7); text by Picander, Martin Schalling, Schalling (/7)
,
, - id="BWV 149/1a" style="background: #E3F6CE;"
, data-sort-value="0149.A01" , 149/1a
, data-sort-value="152.003" , 1.
, data-sort-value="1729-09-28" , Fall 1729
, Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?)
, D maj.
, SATB 3Tr Tmp 2Ob Str Bc
,
, I/40
I/30
, data-sort-value="in SBB P 0175" , in SBB ''P 175''; was BWV Anh. 198
,
, -
, data-sort-value="0150.000" , 150
, data-sort-value="153.002" , 1.
, 1707-07-10
, BWV 150, Cantata ''Nach dir, Herr, verlanget mich'' (Trinity III)
, B min.
, data-sort-value="satbSATB Bas Vlx2 Bc" , satbSATB Bas 2Vl Bc
, data-sort-value="000.30: 301" , scores:Nach dir, Herr, verlanget mich, BWV 150 (Bach, Johann Sebastian), 30: 301
, data-sort-value="I/41: 003" , I/41: 3
, text after Psalm 25, Ps 25 (/2, /4, /6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0151.000" , 151
, data-sort-value="154.002" rowspan="2" , 1.
, rowspan="2" , 1725-12-27
, BWV 151, Cantata ''Süßer Trost, mein Jesus kömmt'' (Christmas 3)
, rowspan="2" , G maj.
, satbSATB Fl Vl Oba Str Bc
, data-sort-value="000.32: 001" , scores:Süsser Trost, mein Jesus kömmt, BWV 151 (Bach, Johann Sebastian), 32: 1
, data-sort-value="I/03 1: 169" , I/3.1: 169
, after Zahn 198, Z 198 (/5); text by Lehms, Nikolaus Herman, Herman (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0151.005" , 151/5
, chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8)
, SATB
, data-sort-value="000.32: 016" , scores:Süsser Trost, mein Jesus kömmt, BWV 151 (Bach, Johann Sebastian), 32: 16
, data-sort-value="III/02 2: 030" , III/2.2: 30
, after Zahn 198, Z 198; text by Nikolaus Herman, Herman
,
, - style="background: #E3F6CE;"
, data-sort-value="0152.000" , 152
, data-sort-value="155.002" , 1.
, 1714-12-30
, BWV 152, Cantata ''Tritt auf die Glaubensbahn'' (Christmas I)
, E min.
, sb Fl Ob Va Vdg Bc
, data-sort-value="000.32: 017" , scores:Tritt auf die Glaubensbahn, BWV 152 (Bach, Johann Sebastian), 32: 17
, data-sort-value="I/03 2: 003" , I/3.2: 3
, text by Franck, S.; /1 ↔ BWV 536/2, → BWV 536a, 536a/2
,
, - style="background: #E3F6CE;"
, data-sort-value="0153.000" , 153
, data-sort-value="156.001" rowspan="6" , 1.
, rowspan="6" , 1724-01-02
, BWV 153, Cantata ''Schau, lieber Gott, wie meine Feind'' (Christmas II)
, A min.
, atbSATB Str Bc
, data-sort-value="000.32: 041" , scores:Schau, lieber Gott, wie meine Feind, BWV 153 (Bach, Johann Sebastian), 32: 41
, data-sort-value="I/04: 199" , I/4: 199
, after Z 4431 (/1), Zahn 5385a, 5385a (/5), Zahn 533, 533a (/9); text by David Denicke, Denicke (/1), Gerhardt (/5), Moller (/9), after Isaiah 14, Is 14:10 (/3)
,
, - style="background: #E3F6CE;"
, data-sort-value="0153.001" rowspan="2" , 153/1
, chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1)
, rowspan="2" , A min.
, rowspan="2" , SATB
, data-sort-value="000.32: 043" rowspan="2" , scores:Schau, lieber Gott, wie meine Feind, BWV 153 (Bach, Johann Sebastian), 32: 43
, rowspan="2" data-sort-value="III/02 2: 003" , III/2.2: 3
, after Z 4431; text by David Denicke, Denicke
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Ach Gott, vom Himmel sieh darein"
, after Z 4431; text by Martin Luther
, - style="background: #E3F6CE;"
, data-sort-value="0153.005" rowspan="2" , 153/5
, chorale setting "Befiehl du deine Wege" (s. 5)
, rowspan="2" , A min.
, rowspan="2" , SATB
, data-sort-value="000.32: 046" rowspan="2" , scores:Schau, lieber Gott, wie meine Feind, BWV 153 (Bach, Johann Sebastian), 32: 46
, rowspan="2" data-sort-value="III/02 2: 014" , III/2.2: 14
, after Zahn 5385a, Z 5385a; text by Gerhardt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Herzlich tut mich verlangen"
, after Zahn 5385a, Z 5385a; text by Christoph Knoll, Knoll
, - style="background: #E3F6CE;"
, data-sort-value="0153.009" , 153/9
, chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18)
, C maj.
, SATB
, data-sort-value="000.32: 058" , scores:Schau, lieber Gott, wie meine Feind, BWV 153 (Bach, Johann Sebastian), 32: 58
, data-sort-value="III/02 2: 128" , III/2.2: 128
, data-sort-value="after Z 0533a; text by Moller" , after Zahn 533, Z 533a; text by Moller
,
, - style="background: #E3F6CE;"
, data-sort-value="0154.000" , 154
, data-sort-value="157.002" rowspan="4" , 1.
, rowspan="4" , 1724-01-09
, BWV 154, Cantata ''Mein liebster Jesus ist verloren'' (Epiphany I)
, B min.
, data-sort-value="atbSATB Obax2 Str Hc Bc" , atbSATB 2Oba Str Hc Bc
, data-sort-value="000.32: 059" , scores:Mein liebster Jesus ist verloren, BWV 154 (Bach, Johann Sebastian), 32: 59
, data-sort-value="I/05: 089" , I/5: 89
, after Zahn number, Z 6551 (/3), Zahn 3449, 3449 (/8); text by Martin Janus, Janus (/3), Christian Keymann, Keymann (/8), after Luke 2, Lk 2:49; /3 → BWV 359
,
, - style="background: #E3F6CE;"
, data-sort-value="0154.003" rowspan="2" , 154/3
, chorale setting "Jesu, meiner Seelen Wonne" (s. 2)
, rowspan="2" , A maj.
, rowspan="2" , SATB
, data-sort-value="000.32: 065" rowspan="2" , scores:Mein liebster Jesus ist verloren, BWV 154 (Bach, Johann Sebastian), 32: 65
, rowspan="2" data-sort-value="III/02 1: 127" , scores:Mein liebster Jesus ist verloren, BWV 154 (Bach, Johann Sebastian)#Other, III/2.1: 87
III/2.2: 137
, after Zahn number, Z 6551; text by Martin Janus, Janus; → BWV 359
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Werde munter, mein Gemüte"
, after Zahn number, Z 6551; text by Rist
, - style="background: #E3F6CE;"
, data-sort-value="0154.008" , 154/8
, chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6)
, D maj.
, SATB
, data-sort-value="000.32: 082" , scores:Mein liebster Jesus ist verloren, BWV 154 (Bach, Johann Sebastian), 32: 82
, data-sort-value="III/02 1: 129" , scores:Mein liebster Jesus ist verloren, BWV 154 (Bach, Johann Sebastian)#Other, III/2.1: 88
III/2.2: 88
, after Zahn 3449, Z 3449; text by Christian Keymann, Keymann
,
, - style="background: #E3F6CE;"
, data-sort-value="0155.000" , 155
, data-sort-value="158.002" rowspan="2" , 1.
, data-sort-value="1716-01-19" rowspan="2" , 1716-01-19
1724-01-16
, BWV 155, Cantata ''Mein Gott, wie lang, ach lange?'' (Epiphany II)
, D min.
, satbSATB Bas Str Bc
, data-sort-value="000.32: 083" , scores:Mein Gott, wie lang, ach lange, BWV 155 (Bach, Johann Sebastian), 32: 83
, data-sort-value="I/05: 173" , I/5: 173
, after Z 4430 (/5); text by Franck, S., Speratus (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0155.005" , 155/5
, chorale setting "Es ist das Heil uns kommen her" (s. 12)
, F maj.
, SATB
, data-sort-value="000.32: 096" , scores:Mein Gott, wie lang, ach lange, BWV 155 (Bach, Johann Sebastian), 32: 96
, data-sort-value="III/02 2: 194" , III/2.2: 194
, after Z 4430; text by Speratus
,
, - style="background: #F5F6CE;"
, data-sort-value="0156.000" , 156
, data-sort-value="159.001" rowspan="2" , 1.
, rowspan="2" , 1729-01-23
, BWV 156, Cantata ''Ich steh mit einem Fuß im Grabe'' (Epiphany III)
, F maj.
, satbSATB Ob Str Bc
, data-sort-value="000.32: 097" , scores:Ich steh mit einem Fuß im Grabe, BWV 156 (Bach, Johann Sebastian), 32: 97
, data-sort-value="I/06: 091" , I/6: 91
, after Zahn number, Z 2383 (/2), Zahn 4438, 4438 (/6); text by Picander, Johann Hermann Schein, Schein (/2), (/6); /1 ↔ BWV 1056/2
,
, - style="background: #F5F6CE;"
, data-sort-value="0156.006" , 156/6
, chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1)
, C maj.
, SATB
, data-sort-value="000.32: 114" , scores:Ich steh mit einem Fuß im Grabe, BWV 156 (Bach, Johann Sebastian), 32: 114
, data-sort-value="III/02 2: 185" , III/2.2: 185
, after Zahn 4438, Z 4438; text by
,
, - style="background: #F6E3CE;"
, data-sort-value="0157.200" , 157.2
, data-sort-value="160.001" , 1.
, data-sort-value="1741-02-06" , after 1727-02-06
, BWV 157, Cantata ''Ich lasse dich nicht, du segnest mich denn'' (funeral; later: Purification)
, B min.
, tbSATB Fl Ob Oba Va 2Vl Bc
, data-sort-value="000.32: 115" , scores:Ich lasse dich nicht, du segnest mich denn!, BWV 157 (Bach, Johann Sebastian), 32: 115
, data-sort-value="I/34: 041" , I/34: 41
, after Zahn 3449, Z 3449 (/5), BWV 157.1 (same text)
,
, -
, data-sort-value="0157.100" , 157.1
, data-sort-value="160.002" , 1.
, 1727-02-06
, BWV 157, Cantata ''Ich lasse dich nicht, du segnest mich denn'' (funeral)
,
, tbSATB Fl Oba Va Bc
,
, data-sort-value="I/34" , I/34
, text by Picander, Christian Keymann, Keymann (/5), after Genesis 32, Gen 32:27 (/1); → BWV 157.2
,
, - style="background: #F6E3CE;"
, data-sort-value="0158.000" , 158
, data-sort-value="161.001" rowspan="2" , 1.
, data-sort-value="1730-07-01" rowspan="2" ,
, BWV 158, Cantata ''Der Friede sei mit dir'' (Purification; later: Easter 3)
, D maj.
, sbSATB Ob Vl Bc
, data-sort-value="000.32: 141" , scores:Der Friede sei mit dir, BWV 158 (Bach, Johann Sebastian), 32: 141
, I/10: 129
, after Zahn number, Z 6531 (/2), Zahn 7012a, 7012a (/4); text by Johann Georg Albinus, Albinus (/2), Luther (/4; ↔ BWV 279)
,
, - style="background: #F6E3CE;"
, data-sort-value="0158.004" , 158/4
, chorale setting "Christ lag in Todes Banden" (s. 5)
, E min.
, SATB
, data-sort-value="000.32: 154" , scores:Der Friede sei mit dir, BWV 158 (Bach, Johann Sebastian), 32: 154
, data-sort-value="III/02 1: 024" , scores:Der Friede sei mit dir, BWV 158 (Bach, Johann Sebastian)#Other, III/2.1: 24
III/2.2: 155
, after Z 7012a; text by Luther; ↔ BWV 279
,
, - style="background: #F5F6CE;"
, data-sort-value="0159.000" , 159
, data-sort-value="161.002" rowspan="2" , 1.
, rowspan="2" , 1729-02-27
, BWV 159, Cantata ''Sehet, wir gehn hinauf gen Jerusalem'' (Estomihi)
, C min.
, satbSATB Ob Str Bc
, data-sort-value="000.32: 155" , scores:Sehet, wir geh'n hinauf gen Jerusalem, BWV 159 (Bach, Johann Sebastian), 32: 155
, data-sort-value="I/08: 153" , I/8: 153
, after Zahn 5385a, Z 5385a (/2), Zahn 6288, 6288a–b (/5); text by Picander, Gerhardt (/2), Paul Stockmann, Stockmann (/5), after Luke 18, Lk 18:31 (/1), John 19:30, Jh 19:30 (/4)
,
, - style="background: #F5F6CE;"
, data-sort-value="0159.005" , 159/5
, chorale setting "Jesu Leiden, Pein und Tod" (s. 33)
, E♭ maj.
, SATB
, data-sort-value="000.32: 168" , scores:Sehet, wir geh'n hinauf gen Jerusalem, BWV 159 (Bach, Johann Sebastian), 32: 168
, data-sort-value="III/02 1: 052" , scores:Sehet, wir geh'n hinauf gen Jerusalem, BWV 159 (Bach, Johann Sebastian)#Other, III/2.1: 41
III/2.2: 33
, after Zahn 6288, 6288a–b; text by Paul Stockmann, Stockmann
,
, - style="background: #E3F6CE;"
, data-sort-value="0161.000" , 161
, data-sort-value="162.003" rowspan="3" , 1.
, rowspan="3" , 1716-09-27
, BWV 161, Cantata ''Komm, du süße Todesstunde'' (Trinity XVI; 1st version)
, C maj.
, data-sort-value="atSATB Flx2 Str Org Bc" , atSATB 2Fl Str Org Bc
, data-sort-value="000.33: 001" , scores:Komm, du süsse Todesstunde, BWV 161 (Bach, Johann Sebastian), 33: 1
, data-sort-value="I/23: 001" , I/23: 1, 33
, after Zahn 5385a, Z 5385a; text by Franck, S., Christoph Knoll, Knoll; → BWV 161, v2
,
, - style="background: #E3F6CE;"
, data-sort-value="0161.006" rowspan="2" , 161/6
, chorale setting "Herzlich tut mich verlangen" (s. 4)
, rowspan="2" , A min.
, rowspan="2" , SATB
, data-sort-value="000.33: 027" rowspan="2" , scores:Komm, du süsse Todesstunde, BWV 161 (Bach, Johann Sebastian), 33: 27
, rowspan="2" data-sort-value="III/02 1: 034" , scores:Komm, du süsse Todesstunde, BWV 161 (Bach, Johann Sebastian)#Other, III/2.1: 29
III/2.2: 160
, after Zahn 5385a, Z 5385a; text by Christoph Knoll, Knoll
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Befiehl du deine Wege"
, after Zahn 5385a, Z 5385a; text by Gerhardt
, -
, data-sort-value="0161.B00" , 161, v2
, data-sort-value="163.002" , 1.
, data-sort-value="1736-12-31" , 1723–1750?
, BWV 161, Cantata ''Komm, du süße Todesstunde'' (Trinity XVI; 2nd version)
, C maj.
, data-sort-value="satSATB Flx2 Str Bc" , satSATB 2Fl Str Bc
,
, data-sort-value="I/23: 033" , I/23: 33
, after BWV 161; text by Franck, S., Christoph Knoll, Knoll
,
, - style="background: #E3F6CE;"
, data-sort-value="0162.100" , 162.1
, data-sort-value="163.003" , 1.
, 1716-10-25
, BWV 162, Cantata ''Ach! ich sehe, itzt, da ich zur Hochzeit gehe'' (Trinity XX)
, A min.
, satbSATB Str Bc
,
, data-sort-value="I/25: 001" , I/25: 1
, after Zahn number, Z 6783 (/6); text by Franck, S., Johann Rosenmüller, Rosenmüller (/6); → BWV 162.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0162.200" , 162.2
, data-sort-value="163.004" , 1.
, 1723-10-10
, BWV 162, Cantata ''Ach! ich sehe, itzt, da ich zur Hochzeit gehe'' (Trinity XX)
, B min.
, satbSATB Hn Str Bc
, data-sort-value="000.33: 029" , scores:Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 (Bach, Johann Sebastian), 33: 29
(in A minor, a)
, data-sort-value="I/25: 023" , I/25: 23
, after BWV 162.1 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0163.000" , 163
, data-sort-value="164.002" , 1.
, 1715-11-24
, BWV 163, Cantata ''Nur jedem das Seine'' (Trinity XXIII)
, B min.
, data-sort-value="satbSATB Str Vcx2 Bc" , satbSATB Str 2Vc Bc
, data-sort-value="000.33: 047" , scores:Nur jedem das Seine, BWV 163 (Bach, Johann Sebastian), 33: 47
, data-sort-value="I/26: 077" , I/26: 77
, after Zahn 3449, Z 3449 (/5), Zahn number, 2177 (/6); text by Franck, S., Heermann (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0164.000" , 164
, data-sort-value="165.002" rowspan="2" , 1.
, rowspan="2" , 1725-08-26
, BWV 164, Cantata ''Ihr, die ihr euch von Christo nennet'' (Trinity XIII)
, G min.
, data-sort-value="satbSATB Flx2 Obx2 Str Bc" , satbSATB 2Fl 2Ob Str Bc
, data-sort-value="000.33: 065" , scores:Ihr, die ihr euch von Christo nennet, BWV 164 (Bach, Johann Sebastian), 33: 65
, data-sort-value="I/21: 057" , I/21: 57
, after Zahn 4297a, Z 4297a (/6); text by Franck, S., Elisabeth Cruciger, Cruciger (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0164.006" , 164/6
, chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5)
, B♭ maj.
, SATB
, data-sort-value="000.33: 088" , scores:Ihr, die ihr euch von Christo nennet, BWV 164 (Bach, Johann Sebastian), 33: 88
, data-sort-value="III/02 1: 082" , scores:Ihr, die ihr euch von Christo nennet, BWV 164 (Bach, Johann Sebastian)#Other, III/2.1: 59
III/2.2: 57
, after Zahn 4297a, Z 4297a; text by Elisabeth Cruciger, Cruciger
,
, - style="background: #F6E3CE;"
, data-sort-value="0165.000" , 165
, data-sort-value="166.001" , 1.
, data-sort-value="1715-06-16" , 1715-06-16
1724-06-04
, BWV 165, Cantata ''O heilges Geist- und Wasserbad'' (Trinity)
, G maj.
, satbSATB Fag Str Bc
, data-sort-value="000.33: 089" , scores:O heilges Geist- und Wasserbad, BWV 165 (Bach, Johann Sebastian), 33: 89
, data-sort-value="I/15: 001" , I/15: 1
, data-sort-value="after Z 0159 (/6)" , after Zahn 159, Z 159 (/6); text by Franck, S., Ludwig Helmbold, Helmbold (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0166.000" , 166
, data-sort-value="167.001" rowspan="2" , 1.
, rowspan="2" , 1724-05-07
, BWV 166, Cantata ''Wo gehest du hin?'' (Cantate)
, B♭ maj.
, satbSATB Ob Str Bc
, data-sort-value="000.33: 105" , scores:Wo gehest du hin?, BWV 166 (Bach, Johann Sebastian), 33: 105
, data-sort-value="I/12: 001" , I/12: 1
, after Zahn 4486, Z 4486 (/3), Zahn 2778, 2778 (/6); text by Franck, S., Bartholomäus Ringwaldt, Ringwaldt (/3), Emilie Juliane of Barby-Mühlingen, E. J. of Schwarzburg-Rudolstadt (/6), after John 16, Jh 16:5 (/1); /2 → BWV 584
,
, - style="background: #E3F6CE;"
, data-sort-value="0166.006" , 166/6
, chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1)
, G min.
, SATB
, data-sort-value="000.33: 122" , scores:Wo gehest du hin?, BWV 166 (Bach, Johann Sebastian), 33: 122
, data-sort-value="III/02 2: 116" , III/2.2: 116
, after Zahn 2778, 2778; text by Emilie Juliane of Barby-Mühlingen, E. J. of Schwarzburg-Rudolstadt
,
, - style="background: #E3F6CE;"
, data-sort-value="0167.000" , 167
, data-sort-value="168.001" , 1.
, 1723-06-24
, BWV 167, Cantata ''Ihr Menschen, rühmet Gottes Liebe'' (24 June: feast of John the Baptist)
, G maj.
, satbSATB Tr Ob Odc Str Bc
, data-sort-value="000.33: 123" , scores:Ihr Menschen, rühmet Gottes Liebe, BWV 167 (Bach, Johann Sebastian), 33: 123
, data-sort-value="I/29: 001" , I/29: 1
, after Z 8244 (/5); text by Gramann (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0168.000" , 168
, data-sort-value="168.002" rowspan="2" , 1.
, rowspan="2" , 1725-07-29
, BWV 168, Cantata ''Tue Rechnung! Donnerwort'' (Trinity IX)
, rowspan="2" , B min.
, data-sort-value="satbSATB Obax2 Str Bc" , satbSATB 2Oba Str Bc
, data-sort-value="000.33: 147" , scores:Tue Rechnung! Donnerwort, BWV 168 (Bach, Johann Sebastian), 33: 147
, data-sort-value="I/19: 087" , I/19: 87
, after Zahn 4486, Z 4486 (/6); text by Franck, S., Bartholomäus Ringwaldt, Ringwaldt (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0168.006" , 168/6
, chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8)
, SATB
, data-sort-value="000.33: 166" , scores:Tue Rechnung! Donnerwort, BWV 168 (Bach, Johann Sebastian), 33: 166
, data-sort-value="III/02 2: 052" , III/2.2: 52
, after Zahn 4486, Z 4486; text by Bartholomäus Ringwaldt, Ringwaldt
,
, - style="background: #E3F6CE;"
, data-sort-value="0169.000" , 169
, data-sort-value="169.002" rowspan="2" , 1.
, rowspan="2" , 1726-10-20
, BWV 169, Cantata ''Gott soll allein mein Herze haben'' (Trinity XVIII)
, D maj.
, data-sort-value="aSATB Obax2 Tai Str Org Bc" , aSATB 2Oba Tai Str Org Bc
, data-sort-value="000.33: 167" , scores:Gott soll allein mein Herze haben, BWV 169 (Bach, Johann Sebastian), 33: 167
, data-sort-value="I/24: 059" , I/24: 59
, after Zahn 2029a, Z 2029a (/7); text by Christoph Birkmann, Birkmann, Luther (/7); /1 & /5 ↔ BWV 1053/1 & /2
,
, - style="background: #E3F6CE;"
, data-sort-value="0169.007" , 169/7
, chorale setting "Nun bitten wir den Heiligen Geist" (s. 3)
, A maj.
, SATB
, data-sort-value="000.33: 192" , scores:Gott soll allein mein Herze haben, BWV 169 (Bach, Johann Sebastian), 33: 192
, data-sort-value="III/02 1: 036" , scores:Gott soll allein mein Herze haben, BWV 169 (Bach, Johann Sebastian)#Other, III/2.1: 30
III/2.2: 54
, after Zahn 2029a, Z 2029a; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0170.000" , 170
, data-sort-value="170.002" , 1.
, 1726-07-28
, BWV 170, Cantata ''Vergnügte Ruh, beliebte Seelenlust'' (Trinity VI)
, D maj.
, a Oba Fl Str Org Bc
, data-sort-value="000.33: 193" , scores:Vergnügte Ruh, beliebte Seelenlust, BWV 170 (Bach, Johann Sebastian), 33: 193
, data-sort-value="I/17 2: 061" , I/17.2: 61
, text by Lehms
,
, - style="background: #E3F6CE;"
, data-sort-value="0171.000" , 171
, data-sort-value="171.002" rowspan="2" , 1.
, rowspan="2" , 1729-01-01
, BWV 171, Cantata ''Gott, wie dein Name, so ist auch dein Ruhm'' (New Year)
, rowspan="2" , D maj.
, data-sort-value="satbSATB Trx3 Tmp Obx2 Str Bc" , satbSATB 3Tr Tmp 2Ob Str Bc
, data-sort-value="000.35: 001" , scores:Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 (Bach, Johann Sebastian), 35: 1
, data-sort-value="I/04: 131" rowspan="2" , I/4: 131
, data-sort-value="after BWV 0205 (/4), 0041/6 (/6)" , after BWV 205 (/4), BWV 41, 41/6 (/6); text by Picander, Johannes Hermann, Hermann (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0171.006" , 171/6
, chorale setting "Jesu, nun sei gepreiset" (s. 2)
, SATB
, data-sort-value="000.35: 032" , scores:Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 (Bach, Johann Sebastian), 35: 32
, data-sort-value="after BWV 0041/6" , after BWV 41/6; text by Johannes Hermann, Hermann
,
, - style="background: #E3F6CE;"
, data-sort-value="0172.100" , 172.1
, data-sort-value="172.002" rowspan="2" , 1.
, rowspan="2" , 1714-05-20
, BWV 172, Cantata ''Erschallet, ihr Lieder, erklinget, ihr Saiten!'' (Pentecost; 1st version = Weimar version; incomplete)
, C maj.
, data-sort-value="SATB Trx3 Tmp Fl Ob Vlx2 Vax2 Vc Bas Bc" , (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc)
,
, I/13
, after Z 8359 (/6); text by Franck, S.?, Nicolai (/6), after John 14, Jh 14:23 (/2); → BWV 172.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0172.106" , 172/6
, chorale setting "Wie schön leuchtet der Morgenstern" (s. 4)
, F maj.
, SATB
, data-sort-value="000.35: 069" , scores:Erschallet, ihr Lieder, BWV 172 (Bach, Johann Sebastian), 35: 69
, data-sort-value="III/02 2: 187" , III/2.2: 187
, after Z 8359; text by Nicolai
,
, - style="background: #E3F6CE;"
, data-sort-value="0172.200" , 172.2
, data-sort-value="172.003" , 1.
, 1724-05-28
, BWV 172, Cantata ''Erschallet, ihr Lieder, erklinget, ihr Saiten!'' (Pentecost; 2nd version = 1st Leipzig version)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Fl Ob Oba Bas Vlx2 Vax2 Vc Bc" , satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc
,
, data-sort-value="I/13: 001" , I/13: 1
, after BWV 172.1 (same text); → BWV 172.3
,
, - style="background: #E3F6CE;"
, data-sort-value="0172.300" , 172.3
, data-sort-value="173.002" , 1.
, 1731-05-13
, BWV 172, Cantata ''Erschallet, ihr Lieder, erklinget, ihr Saiten!'' (Pentecost; 3rd version = 2nd Leipzig version)
, C maj.
, data-sort-value="satbSATB Trx3 Tmp Ob Bas Vlx2 Vax2 Vc Org Bc" , satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc
, data-sort-value="000.35: 035" , scores:Erschallet, ihr Lieder, BWV 172 (Bach, Johann Sebastian), 35: 35
, data-sort-value="I/13: 033" , I/13: 33
, after BWV 172.2 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0173.200" , 173.2
, data-sort-value="173.003" , 1.
, data-sort-value="1727-06-02" , 1727-06-02
1731-05-14
, BWV 173, Cantata ''Erhöhtes Fleisch und Blut'' (Pentecost 2)
, D maj.
, data-sort-value="satbSATB Flx2 Str Bc" , satbSATB 2Fl Str Bc
, data-sort-value="000.35: 071" , scores:Erhöhtes Fleisch und Blut, BWV 173 (Bach, Johann Sebastian), 35: 71
, data-sort-value="I/14: 001" , I/14: 1
, data-sort-value="after BWV 0173.1" , after BWV 173.1
,
, - style="background: #E3F6CE;"
, data-sort-value="0173.100" , 173.1
, data-sort-value="174.002" , 1.
, 1722-12-10
, BWV 173.1, Secular cantata ''Durchlauchtster Leopold'' (birthday of Leopold, Prince of Anhalt-Köthen, Leopold of Anhalt-Köthen)
, D maj.
, data-sort-value="satbSATB Flx2 Str Bc" , satbSATB 2Fl Str Bc
, data-sort-value="000.34: 001" , scores:Durchlauchtster Leopold, BWV 173a (Bach, Johann Sebastian), 34: 1
, data-sort-value="I/35: 095" , I/35: 95
, data-sort-value="→ BWV 0173.2" , → BWV 173.2 (/1–/5, /8), 175/4 (/7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0174.000" , 174
, data-sort-value="175.002" rowspan="2" , 1.
, rowspan="2" , 1729-06-06
, BWV 174, Cantata ''Ich liebe den Höchsten von ganzem Gemüte'' (Pentecost 2)
, G maj.
, data-sort-value="atbSATB Cdcx2 Obx2 Tai Vlx3 Vax3 Vcx3 Str Bc" , atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc
, data-sort-value="000.35: 103" , scores:Ich liebe den Höchsten von ganzem Gemüte, BWV 174 (Bach, Johann Sebastian), 35: 103
, data-sort-value="I/14: 063" , I/14: 63
, after BWV 1048/1 (/1), Zahn 8326, Z 8326 (/5); text by Picander, Martin Schalling, Schalling (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0174.005" , 174/5
, chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1)
, D maj.
, SATB
, data-sort-value="000.35: 157" , scores:Ich liebe den Höchsten von ganzem Gemüte, BWV 174 (Bach, Johann Sebastian), 35: 157
, data-sort-value="III/02 1: 111" , scores:Ich liebe den Höchsten von ganzem Gemüte, BWV 174 (Bach, Johann Sebastian)#Other, III/2.1: 78
III/2.2: 32
, after Zahn 8326, Z 8326; text by Martin Schalling, Schalling
,
, - style="background: #E3F6CE;"
, data-sort-value="0175.000" , 175
, data-sort-value="176.001" rowspan="3" , 1.
, rowspan="3" , 1725-05-22
, BWV 175, Cantata ''Er rufet seinen Schafen mit Namen'' (Pentecost 3)
, rowspan="3" , G maj.
, data-sort-value="atbSATB Trx2 Flx3 Str Vc Bc" , atbSATB 2Tr 3Fl Str Vc Bc
, data-sort-value="000.35: 159" , scores:Er rufet seinen Schafen mit Namen, BWV 175 (Bach, Johann Sebastian), 35: 159
, I/14: 147
, data-sort-value="after BWV 0173.1/7 (/4)" , after BWV 173.1/7 (/4), BWV 59/3 (/7); text by Christiana Mariana von Ziegler, Ziegler, C. M., Rist (/7), after John 10, Jh 10:3 & 6 (/1 & /5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0175.007" rowspan="2" , 175/7
, chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9)
, rowspan="2" , SATB
, data-sort-value="000.35: 177" rowspan="2" , scores:Er rufet seinen Schafen mit Namen, BWV 175 (Bach, Johann Sebastian), 35: 177
, rowspan="2" data-sort-value="III/02 1: 110" , scores:Er rufet seinen Schafen mit Namen, BWV 175 (Bach, Johann Sebastian)#Other, III/2.1: 76
, after Zahn 7445a, Z 7445a; text by Rist
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Komm, Heiliger Geist, Herre Gott"
, after Zahn 7445a, Z 7445a; text by Luther
, - style="background: #E3F6CE;"
, data-sort-value="0176.000" , 176
, data-sort-value="177.001" rowspan="3" , 1.
, rowspan="3" , 1725-05-27
, BWV 176, Cantata ''Es ist ein trotzig und verzagt Ding'' (Trinity)
, rowspan="3" , C min.
, data-sort-value="sabSATB Obx2 Odc Str Bc" , sabSATB 2Ob Odc Str Bc
, data-sort-value="000.35: 179" , scores:Es ist ein trotzig und verzagt Ding, BWV 176 (Bach, Johann Sebastian), 35: 179
, data-sort-value="I/15: 017" , I/15: 17
, after Z 7246 (/6); text by Christiana Mariana von Ziegler, Ziegler, C. M., Gerhardt (/6), after Jeremiah 17, Jer 17:9 (/1)
,
, - style="background: #E3F6CE;"
, data-sort-value="0176.006" rowspan="2" , 176/6
, chorale setting "Was alle Weisheit in der Welt" (s. 8)
, rowspan="2" , SATB
, data-sort-value="000.35: 198" rowspan="2" , scores:Es ist ein trotzig und verzagt Ding, BWV 176 (Bach, Johann Sebastian), 35: 198
, rowspan="2" data-sort-value="III/02 2: 067" , III/2.2: 67
, after Z 7246; text by Gerhardt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Christ unser Herr zum Jordan kam"
, after Z 7246; text by Luther
, - style="background: #E3F6CE;"
, data-sort-value="0177.000" , 177
, data-sort-value="178.001" rowspan="2" , 1.
, rowspan="2" , 1732-07-06
, BWV 177, Cantata ''Ich ruf zu dir, Herr Jesu Christ'' (Trinity IV)
, G min.
, data-sort-value="satSATB Obx2 Odc Bas Vl Str Bc" , satSATB 2Ob Odc Bas Vl Str Bc
, data-sort-value="000.35: 199" , scores:Ich ruf zu dir, Herr Jesu Christ, BWV 177 (Bach, Johann Sebastian), 35: 199
, data-sort-value="I/17 1: 077" , I/17.1: 77
, rowspan="2" , after Zahn number, Z 7400; text by Johannes Agricola, Agricola, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0177.005" , 177/5
, chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5)
, G min.
E min
, SATB
, data-sort-value="000.35: 234" , scores:Ich ruf zu dir, Herr Jesu Christ, BWV 177 (Bach, Johann Sebastian), 35: 234
, data-sort-value="III/02 1: 067" , scores:Ich ruf zu dir, Herr Jesu Christ, BWV 177 (Bach, Johann Sebastian)#Other, III/2.1: 50
III/2.2: 40
,
, - style="background: #E3F6CE;"
, data-sort-value="0178.000" , 178
, data-sort-value="178.002" , 1.
, 1724-07-30
, BWV 178, Cantata ''Wo Gott der Herr nicht bei uns hält'' (Trinity VIII)
, A min.
, data-sort-value="atbSATB Hn Obx2 Obax2 Str Bc" , atbSATB Hn 2Ob 2Oba Str Bc
, data-sort-value="000.35: 235" , scores:Wo Gott der Herr nicht bei uns hält, BWV 178 (Bach, Johann Sebastian), 35: 235
, I/18: 159
, after Zahn 4441a, Z 4441a; text after Justus Jonas, Jonas
,
, - style="background: #E3F6CE;"
, data-sort-value="0179.000" , 179
, data-sort-value="180.001" rowspan="3" , 1.
, rowspan="3" , 1723-08-08
, BWV 179, Cantata ''Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei'' (Trinity XI)
, G min.
, data-sort-value="stbSATB Obx2 Odcx2 Str Bc" , stbSATB 2Ob 2Odc Str Bc
, data-sort-value="000.35: 273" , scores:Siehe zu, dass deine Gottesfurcht, BWV 179 (Bach, Johann Sebastian), 35: 273
, data-sort-value="I/20: 055" , I/20: 55
, after Z 2778 (/6); text after Sirach, JS 1:34 (/1), by (/6); /1 & /3 → BWV 236/1 & /5; /5 → BWV 234, 234/4
,
, - style="background: #E3F6CE;"
, data-sort-value="0179.006" rowspan="2" , 179/6
, chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1)
, rowspan="2" , A min.
, rowspan="2" , SATB
, data-sort-value="000.35: 292" rowspan="2" , scores:Siehe zu, dass deine Gottesfurcht, BWV 179 (Bach, Johann Sebastian), 35: 292
, rowspan="2" data-sort-value="III/02 1: 075" , scores:Siehe zu, dass deine Gottesfurcht, BWV 179 (Bach, Johann Sebastian)#Other, III/2.1: 55
III/2.2: 196
, after Z 2778; text by
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Wer nur den lieben Gott lässt walten
, after Z 2778; text by Neumark
, - style="background: #E3F6CE;"
, data-sort-value="0180.000" , 180
, data-sort-value="180.002" rowspan="2" , 1.
, rowspan="2" , 1724-10-22
, BWV 180, Cantata ''Schmücke dich, o liebe Seele'' (Trinity XX)
, F maj.
, data-sort-value="satbSATB Flx2 Fl Ob Odc Str Vc Bc" , satbSATB 2Fl Fl Ob Odc Str Vc Bc
, data-sort-value="000.35: 293" , scores:Schmücke dich, o liebe Seele, BWV 180 (Bach, Johann Sebastian), 35: 293
, data-sort-value="I/25: 041" , I/25: 41
, after Zahn 6923, Z 6923; text after Johann Franck, Franck, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0180.007" , 180/7
, chorale setting "Schmücke dich, o liebe Seele" (s. 9)
, F maj.
E♭ maj.
, SATB
, data-sort-value="000.35: 322" , scores:Schmücke dich, o liebe Seele, BWV 180 (Bach, Johann Sebastian), 35: 322
, data-sort-value="III/02 1: 025" , scores:Schmücke dich, o liebe Seele, BWV 180 (Bach, Johann Sebastian)#Other, III/2.1: 24
III/2.2: 15
, after Zahn 6923, Z 6923; text by Johann Franck, Franck, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0181.000" , 181
, data-sort-value="181.002" , 1.
, 1724-02-13
, BWV 181, Cantata ''Leichtgesinnte Flattergeister'' (Sexagesima)
, E min.
, satbSATB Tr Fl Ob Str Bc
, data-sort-value="000.37: 001" , scores:Leichtgesinnte Flattergeister, BWV 181 (Bach, Johann Sebastian), 37: 1
, data-sort-value="I/07: 133" , I/7: 133
,
,
, - style="background: #E3F6CE;"
, data-sort-value="0182.000" rowspan="2" , 182
, data-sort-value="182.002" rowspan="2" , 1.
, 1714-03-25
, rowspan="2" , BWV 182, Cantata ''Himmelskönig, sei willkommen'' (Palm Sunday)
, B♭ maj.
, data-sort-value="atbSATB Fl Ob Vlx2 Vax2 Bc" rowspan="2" , atbSATB Fl (Ob 2)Vl 2Va Bc
,
, data-sort-value="I/08 2: 001" , I/8.2: 1
, rowspan="2" , after Zahn 6288, 6288a–b (/7); text by Franck, S.?, Paul Stockmann, Stockmann (/7), after Psalm 40, Ps 40:8-9 (/3)
, rowspan="2" ,
, - style="background: #E3F6CE;"
, data-sort-value="1724-03-25" , 1724-03-25
1728-03-21
, G maj.
, data-sort-value="000.37: 021" , scores:Himmelskönig, sei willkommen, BWV 182 (Bach, Johann Sebastian), 37: 21
, data-sort-value="I/08 2: 043" , I/8.2: 43
, - style="background: #E3F6CE;"
, data-sort-value="0183.000" , 183
, data-sort-value="183.002" rowspan="3" , 1.
, rowspan="3" , 1725-05-13
, BWV 183, Cantata ''Sie werden euch in den Bann tun'' (Exaudi)
, rowspan="3" , A min.
, data-sort-value="satbSATB Obax2 Odcx2 Str Vc Bc" , satbSATB 2Oba 2Odc Str Vc Bc
, data-sort-value="000.37: 059" , scores:Sie werden euch in den Bann tun, BWV 183 (Bach, Johann Sebastian), 37: 59
, I/12: 187
, after Z 5267 (/5); text by Christiana Mariana von Ziegler, Ziegler, C. M., Gerhardt (/5), after John 16, Jh 16:2 (/1)
,
, - style="background: #E3F6CE;"
, data-sort-value="0183.005" rowspan="2" , 183/5
, chorale setting "Zeuch ein zu deinen Toren" (s. 5)
, rowspan="2" , SATB
, data-sort-value="000.37: 074" rowspan="2" , scores:Sie werden euch in den Bann tun, BWV 183 (Bach, Johann Sebastian), 37: 74
, rowspan="2" data-sort-value="III/02 2: 070" , III/2.2: 70
, after Z 5267; text by Gerhardt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Helft mir Gotts Güte preisen"
, after Z 5267; text by Eber
, - style="background: #E3F6CE;"
, data-sort-value="0184.200" , 184.2
, data-sort-value="184.001" rowspan="2" , 1.
, data-sort-value="1724-05-30" rowspan="2" , 1724-05-30
1727-06-03
1731-05-15
, BWV 184, Cantata ''Erwünschtes Freudenlicht'' (Pentecost 3)
, G maj.
, data-sort-value="satSATB Flx2 Str Bc" , satSATB 2Fl Str Bc
, data-sort-value="000.37: 075" , scores:Erwünschtes Freudenlicht, BWV 184 (Bach, Johann Sebastian), 37: 75
, I/14: 119
, data-sort-value="after BWV 0184.1/1–/4" , after BWV 184.1/1–/4 & /6, Zahn number, Z 5690 (/5); text by Anarg zu Wildenfels, Wildenfels (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0184.205" , 184.2/5
, chorale setting "O Herre Gott, dein göttlich Wort" (s. 8)
, D maj.
G maj.
, SATB
, data-sort-value="000.37: 095" , scores:Erwünschtes Freudenlicht, BWV 184 (Bach, Johann Sebastian), 37: 95
, data-sort-value="III/02 1: 015" , scores:Erwünschtes Freudenlicht, BWV 184 (Bach, Johann Sebastian)#Other, III/2.1: 17
III/2.2: 10
, after Zahn number, Z 5690; text by Anarg zu Wildenfels, Wildenfels
,
, - id="BWV 184a" style="background: #E3F6CE;"
, data-sort-value="0184.100" , 184.1
, data-sort-value="185.001" , 1.
, 1721-01-01
, BWV 184.1, Secular cantata (incomplete)
, G maj.
, data-sort-value="sb Flx2 Vl Str Bc" , sb 2Fl Vl Str Bc (?)
,
, I/35
, data-sort-value="→ BWV 0184/1–/4" , → BWV 184.2/1–/4, /6
,
, - style="background: #E3F6CE;"
, data-sort-value="0185.100" , 185.1
, data-sort-value="185.002" rowspan="2" , 1.
, rowspan="2" , 1715-07-14
, BWV 185, Cantata ''Barmherziges Herze der ewigen Liebe'' (Trinity IV)
, rowspan="2" , F♯ min.
, satbSATB Ob Str Bc
, data-sort-value="000.37: 101" , scores:Barmherziges Herze der ewigen Liebe, BWV 185 (Bach, Johann Sebastian), 37: 101
, data-sort-value="I/17 1: 001" , I/17.1: 1
, after Zahn number, Z 7400 (/6); text by Franck, S., Johannes Agricola, Agricola, J. (/6); → BWV 185.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0185.106" , 185/6
, chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1)
, SATB
, data-sort-value="000.37: 118" , scores:Barmherziges Herze der ewigen Liebe, BWV 185 (Bach, Johann Sebastian), 37: 118
, data-sort-value="III/02 1: 068" , scores:Barmherziges Herze der ewigen Liebe, BWV 185 (Bach, Johann Sebastian)#Other, III/2.1: 50
, after Zahn number, Z 7400; text by Johannes Agricola, Agricola, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0185.200" , 185.2
, data-sort-value="185.003" , 1.
, 1723-06-20
, BWV 185, Cantata ''Barmherziges Herze der ewigen Liebe'' (Trinity IV)
, G min.
, satbSATB Tr Ob Str Bc
, data-sort-value="000.37: 101" , scores:Barmherziges Herze der ewigen Liebe, BWV 185 (Bach, Johann Sebastian), 37: 101
, data-sort-value="I/17 1: 001" , I/17.1: 1
, after BWV 185.1 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0186.200" , 186.2
, data-sort-value="186.002" , 1.
, 1723-07-11
, BWV 186, Cantata ''Ärgre dich, o Seele, nicht'' (Trinity VII)
, G min.
, data-sort-value="satbSATB Obx2 Tai Bas Str Bc" , satbSATB 2Ob Tai Bas Str Bc
, data-sort-value="000.37: 119" , scores:Ärgre dich, o Seele, nicht, BWV 186 (Bach, Johann Sebastian), 37: 119
, data-sort-value="I/18: 015" , I/18: 15
, after BWV 186.1/1–/5 (/1, /3, /5, /8, /10), Z 4430 (/6, /11); text by Franck, S. (/1, /3, /5, /8, /10), Speratus (/6, /11)
,
, -
, data-sort-value="0186.100" , 186.1
, data-sort-value="187.002" , 1.
, 1716-12-13
, BWV 186a, Cantata ''Ärgre dich, o Seele, nicht'' (Advent III; incomplete)
,
, data-sort-value="stbSATB Obx2 Odc Tai Bas Str Bc" , stbSATB 2Ob Odc Tai Bas Str Bc
,
, data-sort-value="I/01" , I/1
, text by Franck, S., Ludwig Helmbold, Helmbold (/6); → BWV 186.2/1, /3, /5, /8, /10
,
, - style="background: #E3F6CE;"
, data-sort-value="0187.000" , 187
, data-sort-value="188.001" rowspan="2" , 1.
, rowspan="2" , 1726-08-04
, BWV 187, Cantata ''Es wartet alles auf dich'' (Trinity VII)
, rowspan="2" , G min.
, data-sort-value="sabSATB Obx2 Str Bc" , sabSATB 2Ob Str Bc
, data-sort-value="000.37: 155" , scores:Es wartet Alles auf dich, BWV 187 (Bach, Johann Sebastian), 37: 155
, data-sort-value="I/18: 091" , I/18: 91
, after Zahn number, Z 4816e (/7); text: Meiningen, after Psalm 104, Ps 104:27–28 (/1), Matthew 6:31–32, Mt 6:31–32 (/4), by (/7); /1, /3, /4, /5 → BWV 235/6, /4, /3, /5
,
, - style="background: #E3F6CE;"
, data-sort-value="0187.007" , 187/7
, chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6)
, SATB
, data-sort-value="000.37: 191" , scores:Es wartet Alles auf dich, BWV 187 (Bach, Johann Sebastian), 37: 191
, data-sort-value="III/02 2: 061" , III/2.2: 61
, after Zahn number, Z 4816e; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0188.000" , 188
, data-sort-value="188.002" , 1.
, 1728-10-17
, BWV 188, Cantata ''Ich habe meine Zuversicht'' (Trinity XXI)
, D min.
, data-sort-value="satbSATB Obx2 Tai Str Org Bc" , satbSATB 2Ob Tai Str Org Bc
, data-sort-value="000.37: 193" , scores:Ich habe meine Zuversicht, BWV 188 (Bach, Johann Sebastian), 37: 193
, I/25: 265
, after Z 2164 (/6); text by Picander; /1 ↔ BWV 1052/3
,
, - style="background: #E3F6CE;"
, data-sort-value="0190.100" , 190.1
, data-sort-value="189.003" rowspan="2" , 1.
, rowspan="2" , 1724-01-01
, BWV 190, Cantata ''Singet dem Herrn ein neues Lied'' (New Year; incomplete)
, rowspan="2" , D maj.
, data-sort-value="atbSATB Trx3 Tmp Obx3 Oba Bas Str Bc" , atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc
, data-sort-value="000.37: 227" , scores:Singet dem Herrn ein neues Lied, BWV 190 (Bach, Johann Sebastian), 37: 227
, data-sort-value="I/04: 001" , I/4: 1
, after Z 8652 (/1–/2), Zahn number, 8477a (/7); text by Luther (/1–/2), Johannes Hermann, Hermann (/7); → BWV 190.2/1, /2, /3, /5
,
, - style="background: #E3F6CE;"
, data-sort-value="0190.107" , 190/7
, chorale setting "Jesu, nun sei gepreiset" (s. 2)
, SATB
, data-sort-value="000.37: 257" , scores:Singet dem Herrn ein neues Lied, BWV 190 (Bach, Johann Sebastian), 37: 257
, data-sort-value="III/02 2: 189" , III/2.2: 189
, after Zahn number, 8477a; text by Johannes Hermann, Hermann (/7)
,
, -
, data-sort-value="0190.200" , 190.2
, data-sort-value="190.002" , 1.
, 1730-06-25
, BWV 190.2, Cantata ''Singet dem Herrn ein neues Lied'' (200th anniversary of the Augsburg Confession, Augsb. Confess.; incomplete)
,
, data-sort-value="atbSATB Trx3 Tmp Obx3 Str Bc" , atbSATB 3Tr Tmp 3Ob Str Bc (?)
,
, I/34
, after BWV 190/1, /2, /3, /5; text by Picander, Luther (/1–/2, /7)
,
, - style="background: #E3F6CE;"
, data-sort-value="0191.000" , 191
, data-sort-value="191.002" , 1.
, data-sort-value="1744-12-25" , 1743–1746
, BWV 191, Cantata ''Gloria in excelsis Deo'' (Christmas)
, D maj.
, data-sort-value="stSSATB Trx3 Tmp Flx2 Obx2 Str Bc" , stSSATB 3Tr Tmp 2Fl 2Ob Str Bc
, data-sort-value="000.41: 001" , scores:Gloria in excelsis Deo, BWV 191 (Bach, Johann Sebastian), 41: 1
, data-sort-value="I/02: 171" , I/2: 171
, data-sort-value="after BWV 0232/4" , after BWV 232/4, /5, /8, /12; text: Luke 2, Lk 2:14, Gloria Patri, doxology
,
, - style="background: #E3F6CE;"
, data-sort-value="0192.000" , 192
, data-sort-value="191.003" , 1.
, data-sort-value="1730-10-31" , autumn 1730?
, BWV 192, Cantata ''Nun danket alle Gott'' (incomplete)
, G maj.
, data-sort-value="sbSATB Flx2 Obx2 Str Bc" , sbSATB 2Fl 2Ob Str Bc
, data-sort-value="000.41: 065" , scores:Nun danket alle Gott, BWV 192 (Bach, Johann Sebastian), 41: 65
, I/34: 107
, after Zahn 5142, Z 5142; text by Martin Rinkart, Rinkart
,
, - style="background: #E3F6CE;"
, data-sort-value="0193.200" , 193.2
, data-sort-value="192.002" , 1.
, 1727-08-25
, BWV 193, Cantata ''Ihr Tore zu Zion'' (council election; incomplete)
, D maj.
, data-sort-value="saSATB Obx2 Str Bc" , saSA(TB) 2Ob Str (Bc)
, data-sort-value="000.41: 091" , scores:Ihr Tore zu Zion, BWV 193 (Bach, Johann Sebastian), 41: 91
, data-sort-value="I/32 1: 201" , I/32.1: 201
, data-sort-value="after BWV 0193.1/1" , after BWV 193.1/1, /7, /9
,
, -
, data-sort-value="0193.100" , 193.1
, data-sort-value="193.002" , 1.
, 1727-08-03
, BWV 193.1, Secular cantata ''Ihr Häuser des Himmels, ihr scheinenden Lichter'' (name day of Augustus III of Poland, Friedrich August II; incomplete)
,
, data-sort-value="saSATB Obx2 Str Bc" , saSA(TB) 2Ob Str (Bc)
,
, I/36
, text by Picander; → BWV 193.2/1, /3, /5
,
, - style="background: #E3F6CE;"
, data-sort-value="0194.300" , 194.3
, data-sort-value="193.003" , 1.
, data-sort-value="1724-06-04" , 1724-06-04
1731-05-20
, BWV 194, Cantata ''Höchsterwünschtes Freudenfest'' (Trinity; 1st Leipzig version)
, B♭ maj.
, data-sort-value="stbSATB Obx3 Bas Str Bc" , stbSATB 3Ob Bas Str Bc
, data-sort-value="000.29: 099" , scores:Höchsterwünschtes Freudenfest, BWV 194 (Bach, Johann Sebastian), 29: 99
, I/31: 145
, data-sort-value="after BWV 0194.2" , after BWV 194.2 (same text); → BWV 194.4
,
, -
, data-sort-value="0194.400" , 194.4
, data-sort-value="193.004" , 1.
, 1726-06-16
, BWV 194, Cantata ''Nun lasst uns Gott, dem Herren''? (Trinity; 2nd Leipzig version)
, B♭ maj.
, data-sort-value="stbSATB Obx3 Bas Str Bc" , stbSATB 3Ob Bas Str Bc
, data-sort-value="000.29: 099" , scores:Höchsterwünschtes Freudenfest, BWV 194 (Bach, Johann Sebastian), 29: 99
, I/31: 145, 235
, data-sort-value="after BWV 0194.3" , after BWV 194.3/12, /2, /3, /4, /5, /7, /10
,
, - style="background: #E3F6CE;"
, data-sort-value="0194.200" , 194.2
, data-sort-value="193.005" rowspan="6" , 1.
, rowspan="6" , 1723-11-02
, BWV 194, Cantata ''Höchsterwünschtes Freudenfest'' (Störmthal version: consecration of church and organ)
, B♭ maj.
, data-sort-value="sabSATB Obx3 Bas Str Bc" , sabSATB 3Ob Bas Str Bc
, data-sort-value="000.29: 099" , scores:Höchsterwünschtes Freudenfest, BWV 194 (Bach, Johann Sebastian), 29: 99
, I/31: 123
, data-sort-value="after BWV 0194.1/1" , after BWV 194.1/1, /3, /5, /7, /9, Z 6543 (/6), Zahn 159, 159 (/12); text by Heermann (/6), Gerhardt (/12); → BWV 194.3
,
, - style="background: #E3F6CE;"
, data-sort-value="0194.206" rowspan="3" , 194.2/6
, chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7)
, rowspan="3" , B♭ maj.
G maj.
, rowspan="3" , SATB
, data-sort-value="000.29: 124" rowspan="3" , scores:Höchsterwünschtes Freudenfest, BWV 194 (Bach, Johann Sebastian), 29: 124
, rowspan="3" data-sort-value="III/02 1: 018" , scores:Höchsterwünschtes Freudenfest, BWV 194 (Bach, Johann Sebastian)#Other, III/2.1: 20
III/2.2: 35, 152
, after Z 6543; text by Heermann
, rowspan="3" ,
, - style="background: #E3F6CE;"
, chorale setting "Jesu, deine tiefen Wunden"
, after Z 6543; text by Heermann
, - style="background: #E3F6CE;"
, chorale setting "Freu dich sehr, o meine Seele"
, after Z 6543
, - style="background: #E3F6CE;"
, data-sort-value="0194.212" rowspan="2" , 194.2/12
, chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10)
, rowspan="2" , B♭ maj.
, rowspan="2" , SATB
, data-sort-value="000.29: 138" rowspan="2" , scores:Höchsterwünschtes Freudenfest, BWV 194 (Bach, Johann Sebastian), 29: 138
, rowspan="2" data-sort-value="III/02 1: 019" , scores:Höchsterwünschtes Freudenfest, BWV 194 (Bach, Johann Sebastian)#Other, III/2.1: 20
III/2.2: 52, 152
, data-sort-value="after Z 0159; text by Gerhardt" , after Zahn 159, Z 159; text by Gerhardt
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Nun lasst uns Gott dem Herren"
, data-sort-value="after Z 0159; text by Helmbold" , after Zahn 159, Z 159; text by Ludwig Helmbold, Helmbold
, -
, data-sort-value="0194.100" , 194.1
, data-sort-value="195.001" , 1.
, data-sort-value="1720-07-01" , 1717–1723?
, BWV 194, Secular cantata model for church cantata versions of BWV 194 (incomplete)
, B♭ maj.
, data-sort-value="Obx3 Str" , 3Ob Str &?
,
, I/35
, data-sort-value="→ BWV 0194.2/1" , → BWV 194.2/1, /3, /5, /8, /10
,
, - style="background: #E3F6CE;"
, data-sort-value="0195.300" , 195.3
, data-sort-value="195.002" , 1.
, data-sort-value="1748-12-31" , 1748–1749
, BWV 195, Cantata ''Dem Gerechten muß das Licht'' (wedding; last version)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Hnx2 Flx2 Obx2 Obax2 Str Bc" , satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc
, data-sort-value="000.13 1: 001" , scores:Dem Gerechten muss das Licht, BWV 195 (Bach, Johann Sebastian), 13¹: 1
, I/33: 171
, data-sort-value="after BWV 0195.2, Z 0198" , after BWV 195.2, Zahn 198, Z 198 (/6); text after Psalm 97, Ps 97:11–12 (/1), by Gerhardt (/6)
,
, - style="background: #E3F6CE;"
, data-sort-value="0195.100" , 195.1
, data-sort-value="195.003" , 1.
, data-sort-value="1729-07-01" , 1727–1731
, BWV 195, Cantata ''Dem Gerechten muß das Licht'' (wedding; 1st version, lost)
,
, data-sort-value="SATB Trx3 Tmp Flx2 Obx2 Str Bc" , SATB 3Tr Tmp 2Fl 2Ob Str Bc
,
, I/33
, data-sort-value="→ BWV 0195.2" , → BWV 195.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0195.200" , 195.2
, data-sort-value="196.002" , 1.
, data-sort-value="1742-07-01" ,
, BWV 195, Cantata ''Dem Gerechten muß das Licht'' (wedding; 2nd version, incomplete)
,
, data-sort-value="SATB" , SATB &?
,
, I/33
, data-sort-value="after BWV 0195.1" , after BWV 195.1, BWV 30.1, 30.1/5, /1 (/6, /8); text after Psalm 97, Ps 97:11–12 (/1); → BWV 195.3
,
, -
, data-sort-value="0196.000" , 196
, data-sort-value="197.001" , 1.
, data-sort-value="1708-06-05" , 1708-06-05?
, BWV 196, Cantata ''Der Herr denket an uns'' (wedding)
, C maj.
, stbSATB Str Bc
, data-sort-value="000.13 1: 071" , scores:Der Herr denket an uns, BWV 196 (Bach, Johann Sebastian), 13¹: 71
, data-sort-value="I/33: 001" , I/33: 1
, text after Psalm 115, Ps. 115: 12–15
,
, - style="background: #E3F6CE;"
, data-sort-value="0197.200" , 197.2
, data-sort-value="197.002" rowspan="3" , 1.
, data-sort-value="1736-12-31" rowspan="3" , 1736–1737
, BWV 197.2, Cantata ''Gott ist unsre Zuversicht'' (wedding)
, D maj.
, data-sort-value="sabSATB Trx3 Tmp Obx2 Obax2 Bas Str Bc" , sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc
, data-sort-value="000.13 1: 095" , scores:Gott ist unsre Zuversicht, BWV 197 (Bach, Johann Sebastian), 13¹: 95
, I/33: 117
, after Zahn 2029a, Z 2029a (/5), Zahn 2778, 2778 (/10), BWV 197.1/4, /6 (/6, /8); text by Luther (/5)
,
, - style="background: #E3F6CE;"
, data-sort-value="0197.205" , 197.2/5
, chorale setting "Nun bitten wir den Heiligen Geist" (s. 3)
, A maj.
, SATB
, data-sort-value="000.13 1: 128" , scores:Gott ist unsre Zuversicht, BWV 197 (Bach, Johann Sebastian), 13¹: 128
, data-sort-value="III/02 2: 046" , III/2.2: 46
, after Zahn 2029a, Z 2029a; text by Luther
,
, - style="background: #E3F6CE;"
, data-sort-value="0197.210" , 197.2/10
, chorale setting "Wer nur den lieben Gott lässt walten"
, B min.
, SATB
, data-sort-value="000.13 1: 144" , scores:Gott ist unsre Zuversicht, BWV 197 (Bach, Johann Sebastian), 13¹: 144
, data-sort-value="III/02 2: 037" , III/2.2: 37
, after Z 2778; text by Neumark
,
, - style="background: #E3F6CE;"
, data-sort-value="0197.100" , 197.1
, data-sort-value="199.001" rowspan="3" , 1.
, rowspan="3" , 1728-12-25
, BWV 197.1, Cantata ''Ehre sei Gott in der Höhe'' (Christmas; incomplete)
, rowspan="3" , D maj.
, data-sort-value="abSATB Flx2 Oba Bas Str Vc Bc" , abSATB 2Fl Oba Bas Str Vc Bc
, data-sort-value="000.41: 109" , scores:Ehre sei Gott in der Höhe, BWV 197a (Bach, Johann Sebastian), 41: 109
, data-sort-value="I/02: 063" , I/2: 63
, after Zahn number, Z 5206b–c (/7); text by Picander, Caspar Ziegler, Ziegler, C. (/7; ↔ BWV 398), after Luke 2, Lk 2:14 (/1); /4 & /6 → BWV 197.2/6, /8
,
, - style="background: #E3F6CE;"
, data-sort-value="0197.107" rowspan="2" , 197.1/7
, chorale setting "Ich freue mich in dir" (s. 4)
, rowspan="2" , SATB
, data-sort-value="000.41: 114" rowspan="2" , scores:Ehre sei Gott in der Höhe, BWV 197a (Bach, Johann Sebastian), 41: 114
, rowspan="2" data-sort-value="III/02 2: 182" , III/2.2: 182
, after Zahn number, Z 5206b–c; text by Caspar Ziegler, Ziegler, C.; ↔ BWV 398
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "O Gott, du frommer Gott"
, after Zahn number, Z 5206b–c; text by Heermann; ↔ BWV 398
, - style="background: #E3F6CE;"
, data-sort-value="0198.000" , 198
, data-sort-value="199.002" , 1.
, 1727-10-17
, BWV 198, Secular cantata ''Laß, Fürstin, laß noch einen Strahl'' a.k.a. ''Trauer-Ode'' (funeral ceremony for Christiane Eberhardine of Brandenburg-Bayreuth, Christiane Eberhardine)
, B min.
, data-sort-value="satbSATB Flx2 Obx2 Obax2 Str Vdgx2 Lux2 Bc" , satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc
, data-sort-value="000.13 3: 001" , scores:Lass, Fürstin, lass noch einen Strahl, BWV 198 (Bach, Johann Sebastian), 13³: 1
44: 54
, I/38: 179
, text by Johann Christoph Gottsched, Gottsched, J. C.; ↔ BWV 244a, BWV 247, 247
,
, - style="background: #E3F6CE;"
, data-sort-value="0199.200" , 199.2
, data-sort-value="201.001" , 1.
, data-sort-value="1720-12-31" , 1720–1721
, BWV 199, Cantata ''Mein Herze schwimmt im Blut'' (Trinity XI; Köthen version; incomplete)
, D min.
, s Ob Str Vdg Bc
, data-sort-value="000.41: 202" , scores:Mein Herze schwimmt im Blut, BWV 199 (Bach, Johann Sebastian), 41: 202
, data-sort-value="I/20: 048" , I/20: 48
, data-sort-value="after BWV 0199.1" , after BWV 199.1 (same text); → 199.3
,
, -
, data-sort-value="0199.300" , 199.3
, data-sort-value="201.002" , 1.
, 1723-08-08
, BWV 199, Cantata ''Mein Herze schwimmt im Blut'' (Trinity XI; Leipzig version)
, D min.
, s Ob Str Vc Bc
,
, data-sort-value="I/20: 023" , I/20: 23
, data-sort-value="after BWV 0199.2" , after BWV 199.2 (same text)
,
, - style="background: #E3F6CE;"
, data-sort-value="0199.100" , 199.1
, data-sort-value="201.003" , 1.
, 1714-08-12
, BWV 199, Cantata ''Mein Herze schwimmt im Blut'' (Trinity XI; Weimar version)
, C min.
, s Ob Str Bc
, data-sort-value="000.63 2: 000" , NBG 13²
, data-sort-value="I/20: 001" , I/20: 1
, text by Lehms, Heermann (/6); → BWV 199.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0200.000" , 200
, data-sort-value="202.001" , 1.
, data-sort-value="1742-12-31" , 1742–1743 (JSB)
, BWV 200, Aria ''Bekennen will ich seinen Namen''
, E maj.
, data-sort-value="a Vlx2 Bc" , a (2Vl) Bc
,
, data-sort-value="I/28 1: 189" , I/28.1: 189
, after Gottfried Heinrich Stölzel, Stölzel; text after Luke 2, Lk 2:29–32
,
, - style="background: #E3F6CE;"
, data-sort-value="0201.000" , 201
, data-sort-value="202.002" , 1.
, data-sort-value="1729-09-28" , autumn 1729
, BWV 201, Secular cantata ''Geschwinde, ihr wirbelnden Winde'' a.k.a. ''Der Streit zwischen Phoebus und Pan'' (dramma per musica)
, D maj.
, data-sort-value="sattbb Trx3 Tmp Flx2 Obx2 Oba Str Bc" , sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc
, data-sort-value="000.11 2: 001" , scores:Geschwinde, ihr wirbelnden Winde, BWV 201 (Bach, Johann Sebastian), 11²: 1
44: 85
, I/40: 117
, text by Picander; /7 → BWV 212/20
,
, -
, data-sort-value="0202.000" , 202
, data-sort-value="204.001" , 1.
, data-sort-value="1718-07-01" , 1718?
, BWV 202, Secular cantata ''Weichet nur, betrübte Schatten'' (wedding)
, G maj.
, s Ob Str Bc
, data-sort-value="000.11 2: 073" , scores:Weichet nur, betrübte Schatten, BWV 202 (Bach, Johann Sebastian), 11²: 73
, data-sort-value="I/40: 001" , I/40: 1
, in D-LEb ''Peters Ms. R 8''
,
, -
, data-sort-value="0203.000" , 203
, data-sort-value="205.001" , 1.
, data-sort-value="1720-07-01" , 1720?
, BWV 203, Secular cantata ''Amore traditore''
, A min.
, b Hc
, data-sort-value="000.11 2: 091" , scores:Amore traditore, BWV 203 (Bach, Johann Sebastian), 11²: 91
, data-sort-value="I/41: 031" , I/41: 31
,
,
, - style="background: #E3F6CE;"
, data-sort-value="0204.000" , 204
, data-sort-value="205.002" , 1.
, data-sort-value="1726-12-31" , 1726–1727
, BWV 204, Secular cantata ''Ich bin in mir vergnügt'' a.k.a. ''Von der Vergnügsamkeit''
, B♭ maj.
, data-sort-value="s Fl Obx2 Str Bc" , s Fl 2Ob Str Bc
, data-sort-value="000.11 2: 103" , scores:Ich bin in mir vergnügt, BWV 204 (Bach, Johann Sebastian), 11²: 103
, data-sort-value="I/40: 079" , I/40: 79
, text after Christian Friedrich Hunold, Hunold
,
, - style="background: #E3F6CE;"
, data-sort-value="0205.100" , 205.1
, data-sort-value="206.002" , 1.
, 1725-08-03
, BWV 205.1, Secular cantata ''Zerreißet, zersprenget, zertrümmert die Gruft'' a.k.a. ''Der zufriedengestellte Aeolus'' (dramma per musica for August Friedrich Müller)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Hnx2 Flx2 Obx2 Oba Str Va Vdg Bc" , satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc
, data-sort-value="000.11 2: 137" , scores:Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205 (Bach, Johann Sebastian), 11²: 137
44: 39
, data-sort-value="I/38: 001" , I/38: 1
, text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, BWV 171, 171/4, BWV 216, 216/7
,
, - style="background: #E3F6CE;"
, data-sort-value="0205.200" , 205.2
, data-sort-value="208.002" , 1.
, 1734-02-19
, BWV 205.2, Secular cantata ''Blast Lärmen, ihr Feinde'' (dramma per musica; music lost but largely reconstructable; coronation of Augustus III of Poland, Augustus III)
,
, data-sort-value="satbSATB Trx3 Tmp Hnx2 Flx2 Obx2 Oba Str Va Vdg Bc" , satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc
,
, I/37
, data-sort-value="after BWV 0205.1/1" , after BWV 205.1/1–/7, /9–/11, /13, /15; text by Picander?
,
, - style="background: #E3F6CE;"
, data-sort-value="0206.100" , 206.1
, data-sort-value="208.003" , 1.
, data-sort-value="1736-10-07" , 1736-10-07
(1734?)
, BWV 206, Secular cantata ''Schleicht, spielende Wellen'' (dramma per musica; 1st version: birthday of Augustus III of Poland, Augustus III)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Flx3 Obax2 Str Bc" , satbSATB 3Tr Tmp 3Fl 2Oba Str Bc
, data-sort-value="000.20 2: 001" , scores:Schleicht, spielende Wellen, BWV 206 (Bach, Johann Sebastian), 20²: 1
, I/36: 157
, data-sort-value="→ BWV 0206.2" , → BWV 206.2
,
, - style="background: #E3F6CE;"
, data-sort-value="0206.200" , 206.2
, data-sort-value="208.004" , 1.
, 1740-08-03
, BWV 206, Secular cantata ''Schleicht, spielende Wellen'' (dramma per musica; 2nd version: name day of Augustus III of Poland, Augustus III)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Flx3 Obx2 Obax2 Str Bc" , satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc
,
, I/36: 157
, data-sort-value="after BWV 0206.1" , after BWV 206.1
,
, - style="background: #E3F6CE;"
, data-sort-value="0207.100" , 207.1
, data-sort-value="210.002" , 1.
, 1726-12-11
, BWV 207.1, Secular cantata ''Vereinigte Zwietracht der wechselnden Saiten'' (dramma per musica; appointment of professor Gottlieb Kortte)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Flx2 Obax2 Tai Str Bc" , satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc
, data-sort-value="000.20 2: 071" , scores:Vereinigte Zwietracht der wechselnden Saiten, BWV 207 (Bach, Johann Sebastian), 20²: 71
, data-sort-value="I/38: 097" , I/38: 97
, after BWV 1046/3 (/1); → BWV 207.2/1, /3, /5, /7–/9
,
, - style="background: #E3F6CE;"
, data-sort-value="0207.200" , 207.2
, data-sort-value="211.002" , 1.
, 1735-08-03
, BWV 207.2, Secular cantata ''Auf, schmetternde Töne der muntern Trompeten'' (dramma per musica; name day of Augustus III of Poland, Augustus III)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Flx2 Obax2 Tai Str Bc" , satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc
, data-sort-value="000.20 2: 139" , scores:Auf, schmetternde Töne der muntern Trompeten, BWV 207a (Bach, Johann Sebastian), 20²: 139
34: 345
, data-sort-value="I/37: 001" , I/37: 1
, data-sort-value="after BWV 0207" , after BWV 207.1/1, /3, /5, /7–/9
,
, - style="background: #E3F6CE;"
, data-sort-value="0208.100" , 208.1
, data-sort-value="212.001" , 1.
, 1713-02-23
, BWV 208.1, Secular cantata ''Was mir behagt, ist nur die muntre Jagd'' a.k.a. ''Hunting Cantata'' (1st version: birthday of Christian, Duke of Saxe-Weissenfels, Christian of Saxe-Weissenfels)
, F maj.
, data-sort-value="sstb Hnx2 Flx2 Obx2 Tai Bas Str Vc Bc Vne" , sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)
, data-sort-value="000.29: 001" , scores:Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian), 29: 1
, data-sort-value="I/35: 001" , I/35: 1
, text by Franck, S.; → BWV 208.2, BWV 1040, 1040, 68/4, /2, 149/1
,
, - style="background: #E3F6CE;"
, data-sort-value="1040.000" , 1040
, data-sort-value="212.002" , 1.
, 1713-02-23
, BWV 1040, Trio (a.k.a. (Canonic) Trio Sonata; postlude to the ''Hunting Cantata''?)
, F maj.
, Vl Ob Bc
, data-sort-value="000.29: 230" , scores:Trio Sonata in F major, BWV 1040 (Bach, Johann Sebastian), 29: 230
, data-sort-value="I/35: 002" , I/35: 1
, data-sort-value="after BWV 0208/13" , after BWV 208.1/13; =BWV 208.1/13a
,
, - style="background: #E3F6CE;"
, data-sort-value="0208.200" , 208.2
, data-sort-value="212.003" , 1.
, data-sort-value="1715-07-01" , 1715
, BWV 208.2, Secular cantata ''Was mir behagt, ist nur die muntre Jagd'' a.k.a. ''Hunting Cantata'' (2nd version: for Ernest Augustus I, Duke of Saxe-Weimar-Eisenach, Ernst August I of Saxe-Weimar)
, F maj.
, data-sort-value="sstb Hnx2 Flx2 Obx2 Tai Bas Str Vc Bc Vne" , sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)
, data-sort-value="000.29: 001" , scores:Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian), 29: 1
, data-sort-value="I/35: 001" , I/35: 1
, after BWV 208.1 (near-identical text); → BWV 208.3
,
, - style="background: #E3F6CE;"
, data-sort-value="0208.300" , 208.3
, data-sort-value="214.002" , 1.
, 1742-08-03
, BWV 208.3, Secular cantata ''Was mir behagt, ist nur die muntre Jagd'' (3rd version: name day of Augustus III of Poland, Augustus III)
, F maj.
, data-sort-value="sstb Hnx2 Flx2 Obx2 Tai Bas Str Vc Bc Vne" , sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)?
,
, I/37
, after BWV 208.2; text after Franck, S.
,
, -
, data-sort-value="0209.000" , 209
, data-sort-value="214.003" , 1.
, data-sort-value="1747-07-01" , 1747?
, BWV 209, Secular cantata ''Non sa che sia dolore'' (farewell of Lorenz Albrecht Beck?)
, B min.
, s Fl Str Bc
, data-sort-value="000.29: 043" , scores:Non sa che sia dolore, BWV 209 (Bach, Johann Sebastian), 29: 43
, data-sort-value="I/41: 043" , I/41: 43
, text after Pietro Metastasio, Metastasio
,
, - style="background: #E3F6CE;"
, data-sort-value="0210.200" , 210.2
, data-sort-value="215.002" , 1.
, 1741-09-19
, BWV 210.2, Secular cantata ''O holder Tag, erwünschte Zeit'' (wedding)
, A maj.
, s Fl Oba Str Hc Vne
, data-sort-value="000.29: 067" , scores:O holder Tag, erwünschte Zeit, BWV 210 (Bach, Johann Sebastian), 29: 67
, data-sort-value="I/40: 035" , I/40: 35
, data-sort-value="after BWV 0210.1" , after BWV 210.1/1–/2, /4, /8, /10
,
, - style="background: #E3F6CE;"
, data-sort-value="0210.100" , 210.1
, data-sort-value="216.002" , 1.
, 1729-01-12
, BWV 210.1, Secular cantata ''O angenehme Melodei'' (incomplete; homage to Christian, Duke of Saxe-Weissenfels, Christian of Saxe-Weissenfels)
, A maj.
, data-sort-value="s Fl Oba Str Bc" , s (Fl Oba Str Bc)?
, data-sort-value="000.29: 245" , scores:O angenehme Melodei, BWV 210a (Bach, Johann Sebastian), 29: 245
, I/39: 141
, data-sort-value="→ BWV 0210.2/1" , → BWV 210.2/1–/2, /4, /8, /10
,
, - style="background: #E3F6CE;"
, data-sort-value="0211.000" , 211
, data-sort-value="217.001" , 1.
, data-sort-value="1734-07-01" , 1734
, BWV 211, Secular cantata ''Schweigt stille, plaudert nicht'' a.k.a. ''Coffee Cantata''
, G maj.
, stb Fl Str Hc Bc
, data-sort-value="000.29: 139" , scores:Schweigt stille, plaudert nicht, BWV 211 (Bach, Johann Sebastian), 29: 139
44: 86
, I/40: 193
, text by Picander
,
, - style="background: #E3F6CE;"
, data-sort-value="0212.000" , 212
, data-sort-value="218.001" , 1.
, 1742-08-30
, BWV 212, Secular cantata ''Mer hahn en neue Oberkeet'' a.k.a. ''Peasant Cantata'' (Cantate burlesque; homage to Carl Heinrich von Dieskau)
, G maj.
, sb Hn Fl Str Bc
, data-sort-value="000.29: 173" , scores:Mer hahn en neue Oberkeet, BWV 212 (Bach, Johann Sebastian), 29: 173
44: 132
, I/39: 151
, after BWV 1157/9 (/14), BWV 201, 201/7 (/20); text by Picander
,
, - style="background: #E3F6CE;"
, data-sort-value="0213.000" , 213
, data-sort-value="219.002" , 1.
, 1733-09-05
, BWV 213, Secular cantata ''Laßt uns sorgen, laßt uns wachen'' a.k.a. ''Hercules auf dem Scheidewege'' (dramma per musica; birthday of Frederick Christian, Elector of Saxony, Frederick Christian of Saxony)
, F maj.
, data-sort-value="satbSATB Hnx2 Obx2 Oba Vlx2 Vax2 Bc" , satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc
, data-sort-value="000.34: 119" , scores:Laßt uns sorgen, laßt uns wachen, BWV 213 (Bach, Johann Sebastian), 34: 119
, data-sort-value="I/36: 001" , I/36: 1
, text by Picander; /1, /3, /5, /7, /9, /11 → BWV 248/36, /19, /39, /41, /4, /29
,
, - style="background: #E3F6CE;"
, data-sort-value="0214.000" , 214
, data-sort-value="221.002" , 1.
, 1733-12-08
, BWV 214, Secular cantata ''Tönet, ihr Pauken! Erschallet, Trompeten!'' (birthday of queen Maria Josepha of Austria, Maria Josepha)
, D maj.
, data-sort-value="satbSATB Trx3 Tmp Flx2 Obx2 Oba Str Vne Bc" , satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc
, data-sort-value="000.34: 175" , scores:Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214 (Bach, Johann Sebastian), 34: 175
, data-sort-value="I/36: 089" , I/36: 89
, text by Picander; /1, /5, /7, /9 → BWV 248/1, /15, /8, /24
,
, - style="background: #E3F6CE;"
, data-sort-value="0215.000" , 215
, data-sort-value="222.002" , 1.
, 1734-10-05
, BWV 215, Secular cantata ''Preise dein Glücke, gesegnetes Sachsen'' (anniversary of the election of Augustus III of Poland, Augustus III as king of Poland)
, D maj.
, data-sort-value="stbSATBx2 Trx3 Tmp Flx2 Obx2 Oba Str Va Bc" , stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc
, data-sort-value="000.34: 243" , scores:Preise dein Glücke, gesegnetes Sachsen, BWV 215 (Bach, Johann Sebastian), 34: 243
, data-sort-value="I/37: 085" , I/37: 85
, after BWV 1157/1 (/1)?; text by ; /7 → BWV 248/47
,
, -
, data-sort-value="0216.100" , 216.1
, data-sort-value="223.002" , 1.
, 1728-02-05
, BWV 216.1, Secular cantata ''Vergnügte Pleißenstadt'' (wedding; incomplete)
, C maj.
, sa &?
,
, data-sort-value="I/40: 021" , I/40: 21
, data-sort-value="after BWV 0204/8 (/3), 0205.1/13 (/7)" , after BWV 204/8 (/3), BWV 205, 205.1/13 (/7); text by Picander; → BWV 216.2/1, /3, /5, /7
,
, -
, data-sort-value="0216.200" , 216.2
, data-sort-value="224.002" , 1.
, data-sort-value="1729-12-31" , 1728–1731
, BWV 216.2, Secular cantata ''Erwählte Pleißenstadt'' a.k.a. ''Apollo et Mercurius'' (incomplete)
,
, at &?
,
, I/39
, data-sort-value="after BWV 0216.1" , after BWV 216.1/1, /3, /5, /7; text by after Picander
,

References

Further reading

* NBA Neue Bach-Ausgabe, Bärenreiter, 1954 to 2007
* BWV Bach-Werke-Verzeichnis, Breitkopf & Härtel, 1998
*
* Alfred Dürr: ''The Cantatas of J.S. Bach'', Oxford University Press, 2006.
* Christoph Wolff/Ton Koopman: ''Die Welt der Bach-Kantaten'' Verlag J.B. Metzler, Stuttgart, Weimar 2006 (in German)
* Werner Neumann: ''Handbuch der Kantaten J.S.Bachs'', 1947, 5th ed. 1984,
* Hans-Joachim Schulze: ''Die Bach-Kantaten: Einführungen zu sämtlichen Kantaten Johann Sebastian Bachs'' Leipzig: Evangelische Verlags-Anstalt; Stuttgart: Carus-Verlag 2006 (Edition Bach-Archiv Leipzig) (EVA), (in German)
* Luigi Ferdinando Tagliavini. ''Studi sui testi delle Cantate sacre di J. S. Bach''. Università di Padova, pubblicazioni della Facoltà di Lettere e Filosofia, vol. XXXI, Padova & Kassel, 1956, xv-291
* Geoffrey Turner. "Singing The Word: The Cantatas of J S Bach". ''New Blackfriars'', volume 87, issue 1008, pp. 144–154
* J. C. J. Day. "The texts of Bach's Church cantatas: some observations". ''German Life and Letters'', volume 13 (1960), num. 2, pp. 137–144
* Harald Streck. ''Die Verskunst in den poetischen Texten zu den Kantaten J. S. Bachs''. Dissertation: Universität Hamburg 1971, 214 pages
* Walter F. Bischof
The Bach Cantatas
University of Alberta 2003–2010
* Z. Philip Ambros
Texts of the Complete Vocal Works with English Translation and Commentary
University of Vermont 2005–2011
* Robin Boyle. ''The Listener's Guide to the Bach Church Cantatas'', 2012.
* Complete Bach Cantatas. 12 volumes. Tarnhelm Ed. 2010.http://www.bach-cantatas.com/Books/S0102.htm

Links are found for the individual cantatas:
* Craig Smith (conductor), Craig Smith: programme notes, Emmanuel Music
* Walter F. Bischof: The Bach Cantatas, University of Alberta
* Z. Philip Ambrose: Texts of the Complete Vocal Works with English Translation and Commentary, University of Vermont

External links

Bach Cantatas
website, a link to information about works, translations to various languages, prescribed reading, commentaries, singers, ensembles, recordings
Johann Sebastian Bach
on "IMSLP / Petrucci Music Library, The free public domain sheet music library"

notes and translations to English

A listener and student guide, Julian Mincham, 2010
Johann Sebastian Bach – A Listener's Guide to the Cantatas
and a list of book and references by Simon Crouch on the Classical Net website

{{Johann Sebastian Bach

Cantatas by Johann Sebastian Bach,
Compositions by Johann Sebastian Bach,
Bach cantatas by period of composition,