|
Bach-Gesellschaft
The German Bach-Gesellschaft (Bach Society) was a society formed in 1850 for the express purpose of publishing the complete works of Johann Sebastian Bach without editorial additions. The collected works are known as the Bach-Gesellschaft-Ausgabe. On completion of the project, the Society dissolved itself. The nineteenth-century society should be distinguished from its successor, the Neue Bachgesellschaft (New Bach Society), founded in 1900. Origins of the Bach-Gesellschaft The founders of the society were Moritz Hauptmann, cantor of the St. Thomas Church, Leipzig, (and thus a successor of Bach); Otto Jahn, author of a noted biography of Mozart; Carl Ferdinand Becker, teacher at the Leipzig Conservatory; and the composer Robert Schumann. Publication history The Bach-Gesellschaft began publishing Bach's works in 1851 with a volume that started with BWV 1, the cantata ''Wie schön leuchtet der Morgenstern, BWV 1''. (Worklist for J.S. Bach). It completed publication in 1900 wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Gesellschaft-Ausgabe
Joh. Seb. Bach's Werke () is the Bach Gesellschaft's collected edition of Johann Sebastian Bach's compositions, published in 61 volumes in the second half of the 19th century. The series is also known as Bach-Gesellschaft edition (german: Bach-Gesellschaft Ausgabe; BGA). It is also referred to as ''Bach-Gesamtausgabe'' (BG; ). It is a German-language edition: title pages and notes by editors are exclusively in German. A supplemental volume was published in 1926, quarter of a century after the Bach Gesellschaft's dissolution. Another late addition to the series was Max Schneider's 1935 revision of the fourth volume. All volumes, including the 20th-century additions, were published by Breitkopf & Härtel. As complete edition of Bach's works it was succeeded by the New Bach Edition, published from 1954 to 2007. Volumes The Year (Yr.) in the second column refers to the volume's date of publication, that is the date of the editor's ('Preface') if different from the date on the title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wie Schön Leuchtet Der Morgenstern, BWV 1
('How beautifully the morning star shines'), 1, is a church cantata for Annunciation by Johann Sebastian Bach. In 1725, when the cantata was composed, the feast of the Annunciation (25 March) coincided with Palm Sunday. Based on Philipp Nicolai's hymn "" (1599), it is one of Bach's chorale cantatas. Bach composed it in his second year as Thomaskantor (cantor at St. Thomas) in Leipzig, where the Marian feast was the only occasion during Lent when music of this kind was permitted. The theme of the hymn suits both the Annunciation and Palm Sunday occasions, in a spirit of longing expectation of an arrival. As usual for Bach's chorale cantata cycle, the hymn was paraphrased by a contemporary poet who retained the hymn's first and last stanzas unchanged, but transformed the themes of the inner stanzas into a sequence of alternating recitatives and arias. is the last chorale cantata of Bach's second cantata cycle, possibly because the librettist who provided the paraphrases for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dörffel
Alfred Dörffel (24 January 1821 – 22 January 1905) was a German pianist, music publisher and librarian. Career Dörffel was born in Waldenburg, Saxony, the son of August Friedrich Dörffel and his wife Christiane Charlotte, née Kröhne. He received his first musical training by the Waldenburg organist Johann Adolf Trube. He later studied in Leipzig with Gottfried Wilhelm Fink, Felix Mendelssohn and Robert Schumann. Dörffel was editor for Breitkopf & Härtel and Edition Peters. He published a ' (Guide to the musical world), translated the ' (Instruction on scoring) by Hector Berlioz, published in 1864. He edited several volumes of the first complete edition of the Works of Johann Sebastian Bach by the ''Bach-Gesellschaft'', known as the ', beginning with cantatas in 1876 and ending with the '' '' (then attributed to Bach) in 1898. He wrote reviews for the ' and the ''Musikalisches Wochenblatt'' (Musical weekly). In 1881, Dörffler wrote the review of 100 years Gewandhaus for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Bach-Ausgabe
The New Bach Edition (NBE) (german: Neue Bach-Ausgabe; NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach (1685–1750): New Edition of the Complete Works (''Johann Sebastian Bach (1685–1750): Neue Ausgabe sämtlicher Werke''). It is a historical-critical edition (German: ''historisch-kritische Ausgabe'') of Bach's complete works by the Johann Sebastian Bach Institute (Johann-Sebastian-Bach-Institut) in Göttingen and the Bach Archive (Bach-Archiv) in Leipzig, When Bach died most of his work was unpublished. The first complete edition of Bach's music was published in the second half of the nineteenth century by the Bach Gesellschaft (Bach-Gesellschaft Ausgabe, BGA). The second complete edition includes some discoveries made since 1900, but there are relatively few such scores. The significance of the NBE lies more in its incorporation of the latest scholarship. Although the NBE is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Society
The Bach Society was a musical organization in London from 1849 to 1870. Its primary goals, as stated in its prospectus, were (1) to collect the works of Johann Sebastian Bach, both printed and in manuscript, and all works related to him, his family, or his music; and (2) the furtherance and promotion of a general acquaintance with his music by its public performance. The original committee of management consisted of William Sterndale Bennett (founder and chairman), R. Barnett, G. Cooper, F. R. Cox, J. H. B. Dando, W. Dorrell, W. H. Holmes, Edward John Hopkins, Charles Edward Horsley, John Hullah, H. J. Lincoln, O. May, and Henry Smart, with Sir George Smart and Cipriani Potter as auditors, and Charles Steggall as honorary secretary. The Society was dissolved on 21 March 1870. Their library of music was passed to the Royal Academy of Music and in 1984 the Committee papers were donated by the Sterndale Bennett family to the library of Royal College of Music. Performances Under t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Editorial Board
The editorial board is a group of experts, usually at a publication, who dictate the tone and direction the publication's editorial policy will take. Mass media At a newspaper, the editorial board usually consists of the editorial page editor, and editorial writers. Some newspapers include other personnel as well. Editorial boards for magazines may include experts in the subject area that the magazine focuses on, and larger magazines may have several editorial boards grouped by subject. An executive editorial board may oversee these subject boards, and usually includes the executive editor and representatives from the subject focus boards. Editorial boards meet on a regular basis to discuss the latest news and opinion trends and discuss what the newspaper should say on a range of issues. They will then decide who will write what editorials and for what day. When such an editorial appears in a newspaper, it is considered the institutional opinion of that newspaper. At some newspap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Library Association
The Music Library Association (MLA) of the United States is the main professional organization for music libraries and librarians (including those whose music materials form only part of their responsibilities and collections). It also serves corporations, institutions, students, composers, scholars and others whose work and interests lie in the music librarianship field. National meetings occur annually. Purpose "The purposes of the Association shall be to promote the establishment, growth, and use of music libraries; to encourage the collection of music and musical literature in libraries; to further studies in musical bibliography; to increase efficiency in music library service and administration; and to promote the profession of music librarianship. The Association is a non-stock, non-profit corporation organized and operated exclusively for said purposes. No part of the net earnings of the Association shall inure to the benefit of any individual. No officer, member, or del ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HighBeam Research
HighBeam Research was a paid search engine and full text online archive owned by Gale, a subsidiary of Cengage, for thousands of newspapers, magazines, academic journals, newswires, trade magazines, and encyclopedias in English. It was headquartered in Chicago, Illinois. In late 2018, the archive was shut down. History The company was established in August 2002 after Patrick Spain, who had just sold Hoover's, which he had co-founded, bought eLibrary and Encyclopedia.com from Tucows. The new company was called Alacritude, LLC (a combination of Alacrity and Attitude). ELibrary had a library of 1,200 newspaper, magazine and radio/TV transcript archives that were generally not freely available. Original investors included Prism Opportunity Fund of Chicago and 1 to 1 Ventures of Stamford, Connecticut. Spain stated, "There was a glaring gap between free search like Google and high-end offerings like LexisNexis and Factiva." Later in 2002, it bought Researchville.com. By 2003, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopædia Britannica Eleventh Edition
The ''Encyclopædia Britannica'' Eleventh Edition (1910–1911) is a 29-volume reference work, an edition of the ''Encyclopædia Britannica''. It was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time. This edition of the encyclopaedia, containing 40,000 entries, has entered the public domain and is easily available on the Internet. Its use in modern scholarship and as a reliable source has been deemed problematic due to the outdated nature of some of its content. Modern scholars have deemed some articles as cultural artifacts of the 19th and early 20th centuries. Background The 1911 eleventh edition was assembled with the management of American publisher Horace Everett Hooper. Hugh Chisholm, who had edited the previous edition, was appointed editor in chief, with Walter Alison Phillips as his principal assistant editor. Originally, Hooper bought the rights to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notes (journal)
''Notes'' is a quarterly journal devoted to "music librarianship, music bibliography and discography, the music trade, and on certain aspects of music history." Published by the Music Library Association, ''Notes'' offers reviews on current music-related books, digital media, and sound recordings as well as inventories of publishers’ catalogs and materials recently received. History First series Debuting in July 1934, the first series of ''Notes'' produced fifteen issues in eight years. The journal's first editor, Eva Judd O'Meara, wrote in the first issue: “The notes were intended for a chorus of voices from all the music libraries in the group, but so far none have joined in, and one drones on alone, lamenting the other parts that were expected to give volume and tone to the performance” Those first 23 pages of mimeographed notes included an article on the need to create subdivisions to the card catalog in order to accommodate the many works from or about Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
%2C_1851.jpg "Click for more on -> Bach-Gesellschaft-Ausgabe")
