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Martin Moller
Martin Moller (10 November 1547 – 2 March 1606) was a German poet and mysticism, mystic. Life Moller was born in Ließnitz (now Kropstädt bei Wittenberg, Saxony-Anhalt) in 1547 and became Cantor (church), cantor in Lwówek Śląski, Löwenberg in Lower Silesia in 1568. He was ordained in 1572, despite never having been to university, and served as priest and deacon in Kesseldorf, Löwenberg and Szprotawa, Sprottau. He came to Görlitz in 1600, where Jakob Böhme was in his congregation. Böhme was a keen attendant at the devotional meetings Moller held at his house; only after Moller's death at Görlitz in 1606 did Böhme start coming into conflict with the Görlitz priesthood. Works Moller's works characterise him as a conciliatory theologian rather than one who, like Böhme, looked to provoke conflict. Practical Christianity, not dogma, was important to him. As such, he can be regarded as a forerunner of Johann Arndt. He was suspected of Crypto-Calvinism, Crypto-Ca ...
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Poet
A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator ( thinker, songwriter, writer, or author) who creates (composes) poems (oral or written), or they may also perform their art to an audience. The work of a poet is essentially one of communication, expressing ideas either in a literal sense (such as communicating about a specific event or place) or metaphorically. Poets have existed since prehistory, in nearly all languages, and have produced works that vary greatly in different cultures and periods. Throughout each civilization and language, poets have used various styles that have changed over time, resulting in countless poets as diverse as the literature that (since the advent of writing systems) they have produced. History In Ancient Rome, professional poets were generally sponsored by patrons, wealthy supporters including nobility and military officials. For inst ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ...
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Ach Gott, Wie Manches Herzeleid, BWV 3
(Oh God, how much heartache), 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587. Bach composed the cantata in his second year as ''Thomaskantor'' in Leipzig as part of cantata cycle of chorale cantatas, for the second Sunday after Epiphany. The work is based on a hymn without evident connection to the prescribed readings. It is a meditation on Jesus as a comforter in distress, based on a medieval model. An unknown librettist reworked the ideas of the 18 stanzas in six movements, retaining the words of stanzas 1, 2 and 18 as movements 1, 2 and 6. Similarly, Bach retained the choral melody in three movements, set as a chorale fantasia in the opening chorus with the bass singing the cantus firmus, as a four-part setting with interspersed recitatives in the second movement, and in the closing chorale ...
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Nimm Von Uns, Herr, Du Treuer Gott, BWV 101
Johann Sebastian Bach composed the church cantata (Take away from us, Lord, faithful God), 101 in Leipzig for the tenth Sunday after Trinity and first performed it on 13 August 1724. The chorale cantata is based on the hymn by Martin Moller (1584). History and words Bach composed the cantata in Leipzig for the Tenth Sunday after Trinity as part of his second cantata cycle. The prescribed readings for the Sunday were from the First Epistle to the Corinthians, different gifts, but one spirit (), and from the Gospel of Luke, Jesus announcing the destruction of Jerusalem and cleansing of the Temple (). The text of the cantata is based on the seven stanzas of Martin Moller's chorale (1584), which he had written during a time of plague, as a paraphrase of the Latin poem "" (1541). The chorale is sung on the melody of Martin Luther's "" on the Lord's Prayer. The words are used unchanged in the outer movement. An unknown poet transcribed the ideas of stanzas 2, 4 and 6 to arias. He r ...
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Chorale Cantata (Bach)
There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his chorale cantata cycle. The eldest known cantata by Bach, an early version of ''Christ lag in Todes Banden'', BWV 4, presumably written in 1707, was a chorale cantata. The last chorale cantata he wrote in his second year in Leipzig was ''Wie schön leuchtet der Morgenstern'', BWV 1, first performed on Palm Sunday, 25 March 1725. In the ten years after that he wrote at least a dozen further chorale cantatas and other cantatas that were added to his chorale cantata cycle. Lutheran hymns, also known as chorales, have a prominent place in the liturgy of that denomination. A chorale cantata is a church cantata based on a single hymn, both its text and tune. Bach was not the first to compose them, but for his 1724-25 second Leipzi ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Johann Heermann
Johann Heermann (11 October 158517 February 1647) was a German poet and hymnodist. He is commemorated in the Calendar of Saints of the Lutheran Church on 26 October with Philipp Nicolai and Paul Gerhardt. Life Heermann was born in Raudten (modern day Rudna) in Silesia, the fourth son of a middle-class Protestant family. None of his elder siblings had survived beyond childhood, so when the infant Heermann became very ill, his mother prayed that, if he survived, she would pay for him to study at university. He attended the local school in Raudten, and when his teacher Johannes Baumann left the school to become the local pastor in 1597, Heermann's parents took him to Wohlau, where he lived and studied with Jakob Fuchs, a doctor and apothecary. At school in Wohlau, he was taught by Georg Gigas, son of Johann Gigas, composer of two popular hymns of the time. After a year he became ill yet again, and his parents brought him home. After recovering, he returned to school in Raudten. ...
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Church Fathers
The Church Fathers, Early Church Fathers, Christian Fathers, or Fathers of the Church were ancient and influential Christian theologians and writers who established the intellectual and doctrinal foundations of Christianity. The historical period in which they worked became known as the Patristic Era and spans approximately from the late 1st to mid-8th centuries, flourishing in particular during the 4th and 5th centuries, when Christianity was in the process of establishing itself as the state church of the Roman Empire. In traditional dogmatic theology, authors considered Church Fathers are treated as authoritative, and a somewhat restrictive definition is used. The academic field of patristics, the study of the Church Fathers, has extended the scope of the term, and there is no definitive list. Some, such as Origen and Tertullian, made major contributions to the development of later Christian theology, but certain elements of their teaching were later condemned. Great Fathe ...
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Pseudo-Augustinian
Pseudo-Augustine is the name given by scholars to the authors, collectively, of works falsely attributed to Augustine of Hippo. Augustine himself in his ''Retractiones'' lists many of his works, while his disciple Possidius tried to provide a complete list in his ''Indiculus''. Despite this check, false attributions to Augustine abound.Allan D. Fitzgerald (ed.), ''Augustine Through the Ages: An Encyclopedia'' (William B. Eerdmans, 1999), p. 530. The ''Sermones ad fratres in eremo'' is a collection of pseudo-Augustinian sermons.The Latin text is found in Migne's ''Patrologia Latina'' 40:1233–1358. It is by far the most prominent. It was printed along with Augustine's other sermons at Basel in 1494 by Johann Amerbach. Their authenticity was rejected by the Maurists in the 17th century. Once thought to be the work of Geoffroy Babion in the 12th century, it is now accepted that the ''Sermones'' were composed by an anonymous Belgian in the 14th century. They were forged with an appare ...
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Anselm Of Canterbury
Anselm of Canterbury, OSB (; 1033/4–1109), also called ( it, Anselmo d'Aosta, link=no) after his birthplace and (french: Anselme du Bec, link=no) after his monastery, was an Italian Benedictine monk, abbot, philosopher and theologian of the Catholic Church, who held the office of Archbishop of Canterbury from 1093 to 1109. After his death, he was canonized as a saint; his feast day is 21 April. As archbishop, he defended the church's interests in England amid the Investiture Controversy. For his resistance to the English kings William II and Henry I, he was exiled twice: once from 1097 to 1100 and then from 1105 to 1107. While in exile, he helped guide the Greek bishops of southern Italy to adopt Roman rites at the Council of Bari. He worked for the primacy of Canterbury over the bishops of York and Wales but, though at his death he appeared to have been successful, Pope Paschal II later reversed himself and restored York's independence. Beginning at Be ...
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Bernard Of Clairvaux
Bernard of Clairvaux, O. Cist. ( la, Bernardus Claraevallensis; 109020 August 1153), venerated as Saint Bernard, was an abbot, mystic, co-founder of the Knights Templars, and a major leader in the reformation of the Benedictine Order through the nascent Cistercian Order. He was sent to found Clairvaux Abbey at an isolated clearing in a glen known as the ''Val d'Absinthe'', about southeast of Bar-sur-Aube. In the year 1128, Bernard attended the Council of Troyes, at which he traced the outlines of the Rule of the Knights Templar, which soon became an ideal of Christian nobility. On the death of Pope Honorius II in 1130, a schism arose in the church. Bernard was a major proponent of Pope Innocent II, arguing effectively for his legitimacy over the Antipope Anacletus II. In 1139, Bernard attended the Second Council of the Lateran and criticized Peter Abelard vocally. Bernard advocated crusades in general and convinced many to participate in the unsuccessful Second Crusade, ...
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