|
Chorale Fantasia
Chorale fantasia is a type of large composition based on a chorale melody, both works for organ, and vocal settings, for example the opening movements of Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantasias first appeared in the 17th century in the works of North German composers such as Jan Pieterszoon Sweelinck (who arguably had the greatest influence on the genre), Heinrich Scheidemann and Franz Tunder (who, however, rarely used the term). Their works would treat each phrase of a chorale differently, thus becoming large, sectional compositions with elaborate development of the chorale melody. By mid-18th century this type of organ composition was practically non-existent. Johann Sebastian Bach used the term first to designate a whole variety of different organ chorale types (during his period in Weimar), and then limited its use to large compositions with the chorale melody presented in the bass. Bach also wrote movements which have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auf Meinen Lieben Gott
"" ("In God, My Faithful God", literally: In my dear God trust is a Lutheran hymn from the 17th century. Several hymns are sung to the same hymn tune, including "", and it was set in compositions. The hymn was translated into English as "In God, My Faithful God". It is part of modern hymnals and songbooks. History In 1607, "" was printed in ''766 Geistliche Psalmen'' in Nürnberg. The publication does not name a text author for the hymn. In a 1611 hymnal, the hymn "Auf Jesum Christ steht all mein Thun" appears as a text written by Sigismund Weingärtner, an author about whom little is known. For the next hymn, "", no author name is given: it has been assumed that Weingärtner wrote this text too. The beginning is "", expressing trust in God even in anxiety and distress. A modified version of Zahn No. 2160, the melody of "Venus du und dein Kind" (Venus, you and your child), a 1574 secular song by Jacob Regnart, appeared in 1609 with the "Auf meinen lieben Gott" text (Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Dank Dir Schon Durch Deinen Sohn
Gottfried Vopelius (28 January 1645 – 3 February 1715), was a German Lutheran academic and hymn-writer, mainly active in Leipzig. He was born in Herwigsdorf, now a district of Rosenbach, Oberlausitz, and died in Leipzig at the age of 70.Robert Eitner. " Vopelius, Gottfried", pp. 298–299 in Vol. 40 of ''Allgemeine Deutsche Biographie''. , 1896. ''Neu Leipziger Gesangbuch'' Vopelius is primarily remembered for the ''Neu Leipziger Gesangbuch'' (New Leipzig Hymnal) which he published in 1682. The subtitle of the publication reads: Or, translated: The ''Neu Leipziger Gesangbuch'' is, to a certain degree, a third edition of Johann Schein's , which originally had been published in 1627, with a new edition in 1645. Over 90 settings in the ''Neu Leipziger Gesangbuch'' were copied or adapted from Schein. All other composers are represented with less than 10 settings in the hymnal. Of these, only Johann Crüger and Andreas Hammerschmidt are mentioned for more than three se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Dank Dir, Lieber Herre
Ich may refer to: * Ich, a German pronoun meaning ''I'', also a Middle English form of ''I'' * The ego, one of the psychic apparatus defined in Sigmund Freud's structural model of the psyche * ''Ich'' (album), an album by German rapper Sido * Ich, Semnan, a village in Semnan Province, Iran * Ich, Zanjan, a village in Zanjan Province, Iran * Ich, alternative name of Ij, Zanjan, a village in Zanjan Province, Iran * ''Ichthyophthirius multifiliis'', often shortened to ich, a disease of freshwater fish ** ''Cryptocaryon'' or marine ich, a similar disease of marine fish * ''Engeyum Kaadhal'', produced under the working title ''Ich'', an upcoming 2011 Tamil film ;As an acronym * I/O Controller Hub, an Intel Southbridge technology * Indian Coffee House, a restaurant chain in India * Intangible cultural heritage, a concept in cultural anthropology * Intelligent Corruption Handling, a corruption-handling method used in eMule * Interagency Council on Homelessness, in the United States * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gelobet Seist Du, Jesu Christ
"" ("Praise be to You, Jesus Christ") is a Lutheran hymn, written by Martin Luther in 1524. It was first published in 1524 in the . For centuries the chorale has been the prominent hymn (Hauptlied) for Christmas Day in German speaking Lutheranism, but has also been used in different translations internationally. It has appeared in hymnals of various denominations including the Catholic Church. Text Luther expanded a pre-Reformation stanza which is attested in Northern Germany in the 15th century, mainly in prayerbooks from the convent of Medingen, based on Grates nunc omnes, the Latin sequence of the midnight mass for Christmas, by six stanzas. Each stanza ends on the acclamation Kyrieleis. The hymn was published in '' Eyn Enchiridion'' in Erfurt in 1524. Tune ''Melody as it appears in the final movement of the cantata by Bach (BWV 91)'' The hymn tune ( Zahn No. 1947) was first printed in , a ''booklet of spiritual song'', collected by Johann Walter but is attes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BuxWV
The Buxtehude-Werke-Verzeichnis ("Buxtehude Works Catalogue", commonly abbreviated to BuxWV) is the catalogue and the numbering system used to identify musical works by the German-Danish Baroque composer Dieterich Buxtehude (c. 1637 – 9 May 1707). It was compiled by Georg Karstädt and published in 1974 as ''Thematisch-Systematisches Verzeichnis der Musikalischen Werke von Dietrich Buxtehude''. The second edition, published in 1985, contains minor additions and corrections. The catalogue is organized thematically, not chronologically, and contains 275 individual pieces. The ''Anhang'' ("Appendix") adds 13 spurious and falsely attributed works. The fourteen trio sonatas (BuxWV 252–265) were the only works published during Buxtehude's lifetime. Originally issued in two volumes, the first seven are now commonly referred to as Buxtehude's opus 1 and the next seven as opus 2. Vocal music Cantatas (1–112) * BuxWV 1 — ''Accedite gentes, accurite populi'' * BuxWV 2 — ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieterich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707) was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Wasserflüssen Babylon
"An Wasserflüssen Babylon" (By the rivers of Babylon) is a Lutheran hymn by Wolfgang Dachstein, which was first published in Strasbourg in 1525. The text of the hymn is a paraphrase of Psalm 137. Its singing tune, which is the best known part of the hymn and Dachstein's best known melody, was popularised as chorale tune of Paul Gerhardt's 17th-century Passion hymn "Ein Lämmlein geht und trägt die Schuld". With this hymn text, Dachstein's tune is included in the Protestant hymnal '' Evangelisches Gesangbuch''. Several vocal and organ settings of the hymn "An Wasserflüssen Babylon" have been composed in the 17th and 18th century, including short four-part harmonisations by Johann Hermann Schein, Heinrich Schütz and Johann Sebastian Bach. In the second half of the 17th century, Johann Pachelbel, Johann Adam Reincken and Bach's cousin, Johann Christoph, arranged settings for chorale preludes. Reincken's setting of "An Wasserflüssen Babylon" was elaborate and of great length; w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Wasserflüssen Babylon (Reincken)
''An Wasserflüssen Babylon'' is a chorale fantasia for organ by Johann Adam Reincken, based on "An Wasserflüssen Babylon", a 16th-century Lutheran hymn by Wolfgang Dachstein. Reincken likely composed the fantasia in 1663, partly as a tribute to Heinrich Scheidemann, his tutor and predecessor as organist at St. Catherine's Church, Hamburg. With its 327 bars, it is the most extended repertoire piece of this kind. Reincken's setting is a significant representative of the north German style of organ music. History The text of Wolfgang Dachstein's "An Wasserflüssen Babylon" (By the Rivers of Babylon) is a paraphrase of Psalm 137 (), Jews lamenting their Babylonian captivity. Its hymn tune is in bar form: : The hymn was published in 1525, and was adopted in several major German hymnals by 1740. Heinrich Scheidemann can be considered the inventor of the chorale fantasia for organ, and, based on over fifteen attributable compositions, the most prolific contributor to this gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adam Reincken
Johann Adam Reincken (also ''Jan Adams, Jean Adam'', ''Reinken, Reinkinck, Reincke, Reinicke, Reinike''; Baptism, baptized 10 December 1643 – 24 November 1722) was a Dutch/German organist and composer. He was one of the most important composers of the 17th century, a friend of Dieterich Buxtehude and a major influence on Johann Sebastian Bach; however, very few of his works survive to this day. Life The widespread claims about Reincken's exceptional longevity stem from Johann Mattheson, who, writing in 1722, gave his date of birth as 27 April 1623. However, Reincken himself stated (on the title page of ''Hortus musicus'') that his birthplace was Deventer, and no records were found there to support Mattheson's claim. A "Jan Reinse" was baptized in Deventer on 10 December 1643; this is the date currently accepted by most scholars, although it is in many ways as problematic as that given by Mattheson. Reincken received primary music education in Deventer in 1650–1654, from Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Lux Beata Trinitas
The Ambrosian hymns are a collection of early hymns of the Latin liturgical rites, whose core of four hymns were by Ambrose of Milan in the 4th century. The hymns of this core were enriched with another eleven to form the Old Hymnal, which spread from the Ambrosian Rite of Milan throughout Lombard Italy, Visigothic Spain, Anglo-Saxon England and the Frankish Empire during the early medieval period (6th to 8th centuries); in this context, therefore, the term “Ambrosian” does not imply authorship by Ambrose himself, to whom only four hymns are attributed with certainty, but includes all Latin hymns composed in the style of the Old Hymnal. The Frankish Hymnal, and to a lesser extent the “Mozarabic (Spanish) Hymnal” represent a reorganisation of the Old Hymnal undertaken in the 8th century. In the 9th century, the Frankish Hymnal was in turn re-organised and expanded, resulting in the high medieval New Hymnal of the Benedictine order, which spread rapidly throughout Europe in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Beer
Johann Beer (also spelled Bähr, Baer, or Behr, Latinized as Ursus or Ursinus; (28 February 1655, in Sankt Georgen – 6 August 1700, in Weissenfels) was an Austrian author, court official and composer. Biography Beer was born in Austria to Protestant parents. In 1676 he entered the service of Augustus, Duke of Saxe-Weissenfels as a countertenor. In 1700 he died, aged 45, as the result of a hunting accident. His comic writings are reminiscent of Hans Jakob Christoffel von Grimmelshausen Hans Jakob Christoffel von Grimmelshausen (1621/22 – 17 August 1676) was a German author. He is best known for his 1669 picaresque novel ''Simplicius Simplicissimus'' (german: link=no, Der abenteuerliche Simplicissimus) and the accompanyi .... His work of music theory ''Musikalische Discurse'' reveals German baroque performance practice. Works and editions Comic novels * ''Der Simplicianische Welt-Kucker.'' The Simplician World-Observer 4 Vols. Halle and Saale 1677–79 * ''Der Aben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Auf Meinen Lieben Gott")
.jpg "Click for more on -> Gelobet Seist Du, Jesu Christ")
