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Max Thurn
Max Thurn (27 October 1897 – 22 July 1969) Thurn's tombstone, Ohlsdorf Cemetery, Hamburg – via Wikimedia Commons was a German conductor who was known particularly for his work as a choral conductor. He was the director of the choir of the Hamburg State Opera and of the NDR Chor, and was a co-founder of the boys' choir of the broadcaster Norddeutscher Rundfunk (NDR). Career Thurn was the choral conductor of the Hamburgische Staatsoper from 1946 to 1965. His productions included Mozart's '' Die Entführung aus dem Serail'' in 1954, with Teresa Stich-Randall and Rudolf Schock in leading roles. He founded the choir of the broadcaster Nordwestdeutscher Rundfunk (NWDR, later NDR) on 1 May 1946, after accepting 55 singers from more than 2,000 applications. He conducted the choir in Hamburg while Otto Franze conducted the choir in Cologne, until NDR and WDR split in 1955. From 1953 he conducted for the NDR a series of Bach cantatas, with members of the NDR Chor, members of the N ...
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Hamburg State Opera
The Hamburg State Opera (in German: Staatsoper Hamburg) is a German opera company based in Hamburg. Its theatre is near the square of Gänsemarkt. Since 2015, the current ''Intendant'' of the company is Georges Delnon, and the current ''Generalmusikdirektor'' of the company is Kent Nagano. History Opera in Hamburg dates to 2 January 1678 when the Oper am Gänsemarkt was inaugurated with a performance of a biblical Singspiel by Johann Theile. It was not a court theatre but the first public opera house in Germany established by the art-loving citizens of Hamburg, a prosperous member of the Hanseatic League. The Hamburg ''Bürgeroper'' resisted the dominance of the Italianate style and rapidly became the leading musical center of the German Baroque. In 1703, George Friedrich Handel was engaged as violinist and harpsichordist and performances of his operas were not long in appearing. In 1705, Hamburg gave the world première of his opera ''Nero''. In 1721, Georg Philipp Telem ...
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Ursula Zollenkopf
Ursula Zollenkopf is a German classical contralto singer. A member of the NDR Chor based in Hamburg, she appeared as a soloist in opera and concert, including premieres of contemporary music such as Stravinsky's '' Threni'' and Schoenberg's '' Moses und Aron''. Career Zollenkopf was a member of the choir of the German broadcaster Nordwestdeutscher Rundfunk (NWDR Chor, later the NDR Chor). In the 1950s, she appeared in solo operatic parts with the choir and NWDR orchestra conducted by Wilhelm Schüchter. These included Lady Pamela in Auber's ''Fra Diavolo'' in 1954, alongside Wilma Lipp, Rudolf Schock and James Pease; and in 1955 as Benjamin in Méhul's ''Joseph'', with Libero de Luca in the title role. She performed as the alto soloist in a series of Bach cantatas, with members of the NDR Chor and the Hamburger Rundfunkorchester conducted by Max Thurn, for example the Easter cantata ''Erfreut euch, ihr Herzen'', BWV 66, in 1957. Zollenkopf appeared in the role of the mothe ...
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Nicolai Gedda
Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda (11 July 1925 – 8 January 2017), was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera ''Vanessa'' at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception. Early years Harry Gustaf Nikolai Gädda, who later changed the spelling of his surname to Gedda, was born out of wedlock in Stockholm to a Swedish mother and a half-Russian father. He was raised by his aunt Olga Gädda and his adoptive father Michail Ustinov (a ...
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Requiem (Berlioz)
The ''Grande Messe des morts'' (or Requiem), Op. 5, by Hector Berlioz was composed in 1837. The ''Grande Messe des Morts'' is one of Berlioz's best-known works, with a tremendous orchestration of woodwind and brass instruments, including four antiphonal offstage brass ensembles. The work derives its text from the traditional Latin Requiem Mass. It has a duration of approximately ninety minutes, although there are faster recordings of under seventy-five minutes. History In 1837, Adrien de Gasparin, the Minister of the Interior of France, asked Berlioz to compose a Requiem Mass to remember soldiers who died in the Revolution of July 1830. Berlioz accepted the request, having already wanted to compose a large orchestral work. Meanwhile, the orchestra was growing in size and quality, and the use of woodwinds and brass was expanding due to the increasing ease of intonation afforded by modern instruments. Berlioz later wrote, "if I were threatened with the destruction of the whole of ...
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Cologne
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western States of Germany, state of North Rhine-Westphalia (NRW) and the List of cities in Germany by population, fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 million people in the Cologne Bonn Region, urban region. Centered on the left bank of the Rhine, left (west) bank of the Rhine, Cologne is about southeast of NRW's state capital Düsseldorf and northwest of Bonn, the former capital of West Germany. The city's medieval Catholic Cologne Cathedral (), the third-tallest church and tallest cathedral in the world, constructed to house the Shrine of the Three Kings, is a globally recognized landmark and one of the most visited sights and pilgrimage destinations in Europe. The cityscape is further shaped by the Twelve Romanesque churches of Cologne, and Cologne is famous for Eau de Cologne, that has been produced in the city since 1709, and "col ...
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Katholikentag
''Katholikentag'' () is a festival-like gathering in German-speaking countries organized by laity of the Catholic Church. ''Katholikentag'' festivals occur approximately every 2–4 years in Germany, Switzerland, and Austria. ''Katholikentag'' in Germany History The first official Katholikentag festival was organized by Adam Franz Lennig and held in Mainz from 3 to 6 October 1848. The idea was a "general assembly of Catholic society in Germany" (''Generalversammlung des katholischen Vereins Deutschlands''), originally intended for delegates of the Catholic Church in Germany. The 87 delegates and about 100 visitors met with the aim of improving relations between the Catholic Church in Germany and the German government. During the ensuing decades the Katholikentags increased in popularity and fame. They became an opportunity for Catholics to discuss and celebrate their faith. Since then, the Roman Catholic Church in Germany has become one of a set of state religions. Katholikentag ...
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Wilhelm Schüchter
Wilhelm Schüchter (15 December 1911 – 27 May 1974) was a German conductor. He was Generalmusikdirektor in Dortmund and left a legacy of opera recordings. Career Born in Bonn, Schüchter studied piano at the Hochschule für Musik Köln, composition with Philipp Jarnach, and orchestral conducting with Hermann Abendroth. His debut was at the Landestheater Coburg Mascagni's ''Cavalleria rusticana'' and Leoncavallo's ''Pagliacci''. In 1940, he was at the Mainfranken Theater Würzburg, a year later he worked at the Stadttheater Aachen under Herbert von Karajan. In 1943, he was first Kapellmeister of the Theater am Nollendorfplatz in Berlin. From 1945 to 1957, he was second conductor under Hans Schmidt-Isserstedt of the Sinfonieorchester von Radio Hamburg, in 1956 named NDR Sinfonieorchester. From 1953 to 1955, he was also principal conductor of the Nordwestdeutsche Philharmonie in Herford. Since 1959 he conducted the NHK Symphony Orchestra. His last position was in 1962 Generalmu ...
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Gottlob Frick
Gottlob Frick (28 July 1906 in Ölbronn-Dürrn – 18 August 1994 in Muhlacker) was a German operatic bass. He was known for his wide repertory including Wagner and Mozart roles, as well as those of Nicolai and Lortzing. Career Frick's teachers included Fritz Windgassen (father and teacher of Frick’s contemporary, the tenor Wolfgang Windgassen). He was a member of the chorus at the Stuttgart State Opera from 1927 to 1934. His first solo role was in Coburg in 1934–35,Opera. June 1954, p339 followed by Freiburg (1936–40) and Königsberg (1938) where Karl Böhm discovered him and engaged him for the Dresden State Opera in 1941, which was his base for the following decade. In 1950 he moved to the Deutsche Oper Berlin, but his international career took him to all the leading houses in Europe. His voice was instantly recognizable by its dark timbre, and was aptly described by Wilhelm Furtwängler as 'the blackest bass in Germany' (''der schwärzeste Bass in Deutschland''): ...
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Josef Metternich
Josef Metternich (2 June 1915, in Cologne – 21 February 2005, in Feldafing) was a German operatic baritone. Metternich also appeared at the Royal Opera House in London, La Scala in Milan, and made his debut at the Metropolitan Opera in New York, in ''La forza del destino'', in 1953. He joined the Munich State Opera in 1954, where he created the role of Johannes Kepler in Hindemith's ''Die Harmonie der Welt'' (1957). Metternich was a powerful singer and charismatic performer. He retired in 1971 after performing for more than three decades. Sources * ''Grove Music Online'', Noël Goodwin Trevor Noël Goodwin (25 December 1927 – 27 March 2013) was an English music critic, dance critic and author who specialized in classical music and ballet. Described as having a "rare ability to write about music and dance with equal distincti ..., May 2008. External linksObituary from Deutsche Presse-Agentur
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Margarete Klose
Margarete Klose (6 August 1899 or 1902 – 14 December 1968) was a German operatic mezzo-soprano. Life Klose was born (as Frida Klose) and died in Berlin. She lost her father early in life and had to earn her living as a secretary, until a colleague recommended her to the Klindworth-Scharwenka conservatory, where she got a thorough musical education. Klose made her début in 1926 at the Theater Ulm in a supporting role of Emmerich Kálmán's operetta ''Countess Maritza''. Her next role was Azucena in Giuseppe Verdi's ''Il trovatore''. For the next three years Klose sang in Ulm and Kassel, before joining the Mannheim National Theatre in 1929. In 1932, Klose went back to Berlin where she was engaged alternately at Berlin State Opera (1932 to 1949 and 1955 to 1961) and Deutsche Oper Berlin (1949 to 1958). In addition she was a celebrated guest e.g. at Vienna State Opera, the Royal Opera House Covent Garden, La Scala in Milan, Sächsische Staatsoper Dresden, National Theatre Mun ...
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Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ...
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Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ...
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