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Mer Hahn En Neue Oberkeet, BWV 212
''Mer hahn en neue Oberkeet'' (We have a new governor), 212, is a secular cantata by Johann Sebastian Bach. It was entitled the "Cantate burlesque" (burlesque cantata) by Bach himself, but is now popularly known as the ''Peasant Cantata''. It is the last definitely dated Bach cantata. History and text This cantata's libretto was written by Christian Friedrich Henrici, known as Picander, and was written for performance on 30 August 1742. On that day the Erbherr, Lehnherr and Gerichtsherr Carl Heinrich von Dieskau, Saxon-Crown-Princely Kammerherr to the Rittergut Kleinzschocher near Leipzig, celebrated his thirty-sixth birthday with a huge fireworks display and, as was customary, took homage from the peasants on the same occasion. It is thought that Picander asked Bach to set his poetry to music. The text describes how an unnamed farmer laughs with the farmer's wife Mieke about the tax collector's machinations while praising the economy of Dieskau's wife, ending by especially che ...
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List Of Secular Cantatas By Johann Sebastian Bach
Apart from his hundreds of church cantatas, Johann Sebastian Bach wrote secular cantatas in Weimar, Köthen and Leipzig, for instance for members of the Royal-Polish and Prince-electoral Saxonian family (e.g. '' Trauer-Ode''), or other public or private occasions (e.g. ''Hunting Cantata''). The text of these cantatas was occasionally in dialect (e.g. '' Peasant Cantata'') or in Italian (e.g. ''Amore traditore''). Many of the secular cantatas were lost, but for some of these the text and the occasion are known, for instance when Picander later published their libretto (e.g. BWV Anh. 11– 12). Some of the secular cantatas had a plot carried by mythological figures of Greek antiquity (e.g. ''Der Streit zwischen Phoebus und Pan''), others were almost miniature buffo operas (e.g. ''Coffee Cantata''). Extant secular cantatas are published in the New Bach Edition (Neue Bach-Ausgabe, NBA), Series I, volumes 35 to 40, with the two Italian cantatas included in volume 41. The Bach ...
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La Folia
''La Folía'' (Spanish), or ''Follies'' (English), also known as ''folies d'Espagne'' (French), ''La Follia'' (Italian), and ''Folia'' (Portuguese), is one of the oldest remembered European musical themes, or primary material, generally melodic, of a composition, on record. The theme exists in two versions, referred to as early and late ''folias'', the earlier being faster. History Due to its musical form, style and etymology of the name, it has been suggested that the melody arose as a dance in the mid or late fifteenth century throughout the Iberian Peninsula, either in Portugal or in the area of the old Kingdom of León, or maybe in the Kingdom of Valencia. The epithet "Folia" has several meanings in music. Western classical music features both "early Folia", which can take different shapes, and the better-known "later Folia" (also known as "Follia" with double l in Italy, "Folies d'Espagne" in France, and "'s Ground" in England). Recent research suggests that the orig ...
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David Thomas (singer)
David Thomas (born 1943) is an English classical bass singer, performing mostly in concert. He has performed internationally at notable concert halls and festivals. Life Thomas began his musical career as a chorister at St. Paul's Cathedral in London. He attended King's School, Canterbury, and then as a teenager on a choral scholarship at King's College, Cambridge. He focused on Early music, appearing with ensembles such as Consort of Musicke, conducted by Anthony Rooley, and Academy of Ancient Music, conducted by Christopher Hogwood. As a soloist, he performad Bach's ''Christmas Oratorio'' in Leipzig and Berlin, Handel's ''Messiah'' in Italy, Handel's ''Serse'' at the Göttingen Handel Festival, among others. In the U.S., he performed ''Messiah'' in the Hollywood Bowl with the Los Angeles Philharmonic Orchestra, Schubert's ''Winterreise'' at Cornell University, and Handel's oratorios ''Judas Maccabaeus'', '' Susanna'' and ''Theodora'', conducted by Nicholas McGegan. He sang ...
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Emma Kirkby
Dame Carolyn Emma Kirkby, (; born 26 February 1949) is an English soprano and early music specialist. She has sung on over 100 recordings. Education and early career Kirkby was educated at Hanford School, Sherborne School for Girls in Dorset, and Somerville College, Oxford University. Her father was Geoffrey John Kirkby, a Royal Navy Officer. Kirkby did not originally intend to become a professional singer. In the late 1960s, while she was studying classics at Oxford, she joined the Schola Cantorum of Oxford, a student choir which, at the time, was being conducted by Andrew Parrott. After graduation, Kirkby went to work as a school teacher, but became increasingly involved in singing with the growing number of music ensembles that were being founded during the Early music revival of the early 1970s. She married Parrott, and sang with his Taverner Choir which he founded in 1973. Her vocal career developed throughout the 1970s, and she became noted as a soloist in performan ...
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Hans-Martin Linde
Hans-Martin Linde (born 24 May 1930 in Werne, Germany) is a German noted virtuoso flute and recorder (musical instrument), recorder player of (mainly) baroque and early music. He authored a number of original and highly instructive books on the flute and recorder respectively. * ''Recorder Player Handbook'' (Handbuch des Blockflötenspiels, 1997) * ''Complete F recorder method'' * ''Complete C recorder method'' * ''Studies in the French clef for recorder'' * ''History of fipple-flutes'' He then set up the Linde Consort (a baroque orchestra) and has made numerous recordings. External linksShort biography with some photos
1930 births Living people People from Iserlohn German classical flautists Academic staff of Schola Cantorum Basiliensis German recorder players German male writers {{germany-classical-musician-stub ...
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Gregory Reinhadt
Gregory may refer to: People and fictional characters * Gregory (given name), including a list of people and fictional characters with the given name * Gregory (surname), a surname Places Australia *Gregory, Queensland, a town in the Shire of Burke **Electoral district of Gregory, Queensland, Australia *Gregory, Western Australia. United States *Gregory, South Dakota *Gregory, Tennessee *Gregory, Texas Outer space *Gregory (lunar crater) *Gregory (crater on Venus) Other uses * "Gregory" (''The Americans''), the third episode of the first season of the television series ''The Americans'' See also * Greg (other) * Greggory * Gregoire (other) * Gregor (other) * Gregores (other) * Gregorian (other) * Gregory County (other) * Gregory Highway, Queensland * Gregory National Park, Northern Territory * Gregory River in the Shire of Burke, Queensland * Justice Gregory (other) Justice Gregory may refer to: * George G ...
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Kammerorchester Berlin
The Kammerorchester Berlin has been in existence since 1945 and its first director was the conductor Helmut Koch (conductor), Helmut Koch. Already in the 1950s, the orchestra succeeded in making a name for itself. Among other awards it received the ''Japanese Record Prize'' and the Grand Prix du Disque für Vivaldi's ''Juditha triumphans'', ''L’Orfeo'' by Claudio Monteverdi and Mozart's ''La Betulia liberata, Betulia liberata'' as well as the . In the 1970s, 1980s and early 1990s, the Berlin Chamber Orchestra was associated with the tenor and conductor Peter Schreier, with whom it toured extensively; several CD and television productions were made. Among other things, all of Johann Sebastian Bach's secular cantatas have been produced for German television. During this time, the orchestra worked with the trumpeter Ludwig Güttler, with Vittorio Negri and the conductors Kurt Masur, Heinz Schunk and Jeffrey Tate. From 1995 to the present day, the Berlin Chamber Orchestra has worke ...
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Peter Schreier
Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conducted by Rudolf Mauersberger, performing as an alto soloist. He became a tenor, focused on concert and lieder singing, well known internationally for the Evangelist parts in Bach's ''Christmas Oratorio'' and Passion. A member of the Berlin State Opera from 1963, he appeared in Mozart roles such as Belmonte in ''Die Entführung aus dem Serail'' and Tamino in ''Die Zauberflöte'', and in the title role of Pfitzner's ''Palestrina'', among others. He appeared at the Vienna State Opera and the Metropolitan Opera, among others, as one of few singers from the German Democratic Republic to perform internationally. Schreier made many recordings, especially of Bach's works as both a singer and a conductor, even simultaneously. He recorded many lieder i ...
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Telefunken
Telefunken was a German radio and television apparatus company, founded in Berlin in 1903, as a joint venture of Siemens & Halske and the ''Allgemeine Elektrizitäts-Gesellschaft'' (AEG) ('General electricity company'). The name "Telefunken" appears in: * the product brand name "Telefunken"; * ''Gesellschaft für drahtlose Telegraphie m.b.H., System Telefunken'', founded 1903 in Berlin as a subsidiary of AEG and Siemens & Halske; * ''Telefunken, Gesellschaft für drahtlose Telegraphie m.b.H.'' (from 1923 to 1955 – since 1941 subsidiary of the AEG only); * ''Telefunken GmbH'' in 1955; * ''Telefunken Aktiengesellschaft (AG)'' in 1963; * Merger of AEG and Telefunken to form ''Allgemeine Elektrizitäts-Gesellschaft AEG-Telefunken'' (from 1967 to 1979); * AEG-TELEFUNKEN AG (from 1979 to 1985); * ''TELEFUNKEN Fernseh und Rundfunk GmbH'', Hanover (1972, subsidiary of AEG-TELEFUNKEN); * Telefunken electronic GmbH (a spin-off of AEG-Telefunken and DASA * the company (since 1992 ...
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Concentus Musicus Wien
Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement. History Nikolaus Harnoncourt and Alice Harnoncourt co-founded the CMW in 1953, along with several musicians from the Vienna Symphony Orchestra. The CMW did research and rehearsal for 4 years before their first official concert; although the ensemble made its 'unofficial' debut at the Konzerthaus, Vienna in 1954 with a production of Claudio Monteverdi's ''Orfeo'', the CMW's first public concert was in May 1957 at the Schwarzenberg Palace in Vienna. The CMW gave a regular concert series at the Schwarzenberg Palace from 1958 to 1962. The CMW made its formal debut in the ''Mozart-Saal'' of the Vienna ''Konzerthaus'' in February 1962, and performed concerts regularly there until 1971. The CMW staged its first opera at the 1971 Wiener Festwochen with Monteverdi's ''Il ritorno d'Ulisse in patria''. The CMW's first concer ...
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