|
Kyrie–Gloria Masses, BWV 233–236
Apart from the Mass for the Dresden court (Bach), 1733 Mass for the Dresden court (later incorporated in the Mass in B minor), Johann Sebastian Bach wrote four further Kyrie–Gloria Masses, BWV 233–236. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the Kyrie and the Gloria in Excelsis Deo, Gloria), have been indicated as Missa brevis, Missae breves (Latin for "short masses") or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39. Possibly they were written for Count Franz Anton von Sporck or performed by him in Lysá nad Labem, Lysá (German: Lissa). Each of the Kyrie-Gloria Masses is in six movements: the Kyrie is one choral movement (with Kyrie/Christe/Kyrie subdivisions) and the Gloria is in five movements. The first and last movement of the Gloria are also choral, framing three a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zamek V Lyse Nad Labem
Zamek (the Polish word for "castle") may refer to: *Zamek, popular name for the palace called the Imperial Castle in Poznań *Zamek, Pomeranian Voivodeship, a village in northern Poland See also * {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Es Wartet Alles Auf Dich, BWV 187
Johann Sebastian Bach composed the church cantata (Everything waits for You), 187 in Leipzig for the seventh Sunday after Trinity and first performed it on 4 August 1726. The text came from a 1704 libretto cycle published in Meiningen, following a symmetrical pattern in seven movements, which opens with a quotation from the Old Testament, is focused on a central quotation from the New Testament, and ends with a closing chorale. Symmetrical recitatives and arias form the other movements. Bach set the opening as a chorus based on two verses from Psalm 104, set the central movement as a bass solo on a quotation from the Sermon on the Mount, and concluded with two stanzas from Hans Vogel's hymn "" in a four-part setting. The arias and recitatives are performed by three vocal soloist. The cantata is scored for a Baroque instrumental ensemble of two oboes, strings and continuo. Bach later used the music from four movements of this cantata for his Missa in G minor, BWV 235. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 102
Johann Sebastian Bach composed the church cantata (Lord, Your eyes look for faith), 102 in Leipzig for the tenth Sunday after Trinity and it was first performed on 25 August 1726. History and text The cantata of Bach's third annual cycle in Leipzig was written for the Tenth Sunday after Trinity. The prescribed readings for the Sunday were from the First Epistle to the Corinthians, different gifts, but one spirit (), and from the Gospel of Luke, Jesus announcing the destruction of Jerusalem and cleansing of the Temple (). The words of the cantata are only generally connected to the readings, asking the soul to return immediately to God's ways. Two movements are based on Bible words, the opening chorus on , movement 4 on . The cantata is closed by verses 6 and 7 of the hymn "" by Johann Heermann (1630), sung on the melody of Martin Luther's "" based on the Lord's Prayer. The words of the free poetry have been attributed to different authors: C. S. Terry suggests Christian Weiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Basso
Alberto Basso (born Turin, 21 August 1931) is an Italian musicologist and librarian. He started his activity in 1952 with a monograph on Stravinsky. In 1956 he graduated in law at the University of Turin but his activity was then fully devoted to music. From 1961 to 1974 he taught history of music at the Conservatory of Turin, where he was also librarian from 1974 to 1993. From 1973 to 1979 and from 1994 to 1997 he was president of the Italian Society of Musicology. In 1986 Basso founded the Istituto per i Beni Musicali in Piemonte (Institute for Musical Heritage of Piedmont). In 1982 he became a member of the Accademia Nazionale di Santa Cecilia. Basso is also a member of Accademia Filarmonica Romana (from 1986), Accademia Filarmonica di Bologna (from 1996) and honorary member of the Reial Acadèmia Catalana de Belles Arts de Sant Jordi (from 2000). In 2004 he received an honorary degree from the Autonomous University of Barcelona. In 1984 Basso was appointed knight of the Order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV Anh
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagged behind technically and came to noth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Friday
Good Friday is a Christian holiday commemorating the crucifixion of Jesus and his death at Calvary. It is observed during Holy Week as part of the Paschal Triduum. It is also known as Holy Friday, Great Friday, Great and Holy Friday (also Holy and Great Friday), and Black Friday. Members of many Christian denominations, including the Catholic, Eastern Orthodox, Lutheran, Anglican, Methodist, Oriental Orthodox, United Protestant and some Reformed traditions (including certain Continental Reformed, Presbyterian and Congregationalist churches), observe Good Friday with fasting and church services. In many Catholic, Lutheran, Anglican and Methodist churches, the Service of the Great Three Hours' Agony is held from noon until 3 pm, the time duration that the Bible records as darkness covering the land to Jesus' sacrificial death on the cross. Communicants of the Moravian Church have a Good Friday tradition of cleaning gravestones in Moravian cemeteries. The date o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the '' Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dürr
Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Classical philology at the Georg-August-Universität Göttingen from 1945 to 1950. He wrote his thesis about Bach's early cantatas. From 1951 until his retirement in 1983 he was an employee of the Johann Sebastian Bach Institute in Göttingen, West Germany, from 1962 to 1981 its deputy director. His work involved collaboration with colleagues in East Germany. He was a principal editor of the Neue Bach-Ausgabe, a project which was divided between the Johann Sebastian Bach Institute and the Bach-Archiv Leipzig in East Germany. From 1953 to 1974 Dürr was editor of the '' Bach-Jahrbuch'' (Bach almanach), together with Werner Neumann, the founder and director of the Bach-Archiv Leipzig. Dürr received honorary doctorates of music from the Humbo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Schmieder
Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist. Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.org/10.1093/gmo/9781561592630.article.24954. In 1950, he published the BWV, or Bach-Werke-Verzeichnis ("Bach Works Catalogue"), a catalog of musical works by Johann Sebastian Bach. The numbering system used in the BWV has since become a nearly universal standard, used by scholars and musicians around the world. (BWV numbers are sometimes referred to as "Schmieder" numbers; the designations S 971 and BWV 971 therefore refer to the same thing, the ''Italian Concerto''.) Schmieder served as the Special Advisor for Music for the City and University Library at Johann Wolfgang Goethe University of Frankfurt am Main from April 1942 until his retirement in 1963. He lived in Freiburg im Breisgau Freiburg im Breisgau (; abbreviated as Freiburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's '' Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
