BWV 149
(: One sings with joy about victory), 149, is a church cantata by Johann Sebastian Bach. He composed the work in Leipzig for Michaelmas and first performed it on 29 September 1729. It is the last of his three extant cantatas for the feast. Picander wrote the cantata's libretto, and published it in a 1728/29 cycle of cantata texts. The libretto opens with two verses from Psalm 118 and closes with the third stanza of Martin Schalling's "". The topic of the libretto aligns with the prescribed readings for the day from the Book of Revelation, Michael fighting the dragon. The closing Lutheran hymn stanza writes about a "sweet little angel", accompanying a soul in anticipation of the Last Judgment. The cantata has seven movements, and is scored festively with four vocal parts and a Baroque orchestra of three trumpets, timpani, three oboes, bassoon, strings and continuo. Bach derived the music of the opening chorus from his ''Hunting Cantata'', composed already in 1713. Histor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Book Of Revelation
The Book of Revelation is the final book of the New Testament (and consequently the final book of the Christian Bible). Its title is derived from the first word of the Koine Greek text: , meaning "unveiling" or "revelation". The Book of Revelation is the only apocalyptic book in the New Testament canon. It occupies a central place in Christian eschatology. The author names himself as simply "John" in the text, but his precise identity remains a point of academic debate. Second-century Christian writers such as Papias of Hierapolis, Justin Martyr, Irenaeus, Melito of Sardis, Clement of Alexandria, and the author of the Muratorian fragment identify John the Apostle as the "John" of Revelation. Modern scholarship generally takes a different view, with many considering that nothing can be known about the author except that he was a Christian prophet. Modern theological scholars characterize the Book of Revelation's author as "John of Patmos". The bulk of traditional sources ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Isaiah
Isaiah ( or ; he, , ''Yəšaʿyāhū'', "God is Salvation"), also known as Isaias, was the 8th-century BC Israelite prophet after whom the Book of Isaiah is named. Within the text of the Book of Isaiah, Isaiah himself is referred to as "the prophet", but the exact relationship between the Book of Isaiah and the actual prophet Isaiah is complicated. The traditional view is that all 66 chapters of the book of Isaiah were written by one man, Isaiah, possibly in two periods between 740 BC and c. 686 BC, separated by approximately 15 years, and that the book includes dramatic prophetic declarations of Cyrus the Great in the Bible, acting to restore the nation of Israel from Babylonian captivity. Another widely held view is that parts of the first half of the book (chapters 1–39) originated with the historical prophet, interspersed with prose commentaries written in the time of King Josiah a hundred years later, and that the remainder of the book dates from immediately before an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mass In B Minor Structure
The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the . Towards the end of his life, mainly in 1748 and 1749, he finished composing new sections and compiling it into a complex, unified structure. Bach structured the work in four parts: # # # # The four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = ) is found at the end of the . Some parts of the mass were used in Latin even in Lutheran Leipzig, and Bach had composed them: five settings of the Missa, containing the and the , and several additional individual settings of the and the . To achieve the , a setting of the complete text of the mass, he combined his most elaborate Missa, the Missa in B minor, written in 1733 for the court in Dresden, and a written for Christmas of 1724. He added a few new compositions, but mostly derived movements from cantata movements, in a technique known as parody. The Mass is a compendium of many different styles i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bach Cantata Pilgrimage
The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the Renaissance period to Classical music of the 20th century. They often appear with John Eliot Gardiner's orchestras, the English Baroque Soloists and Orchestre Révolutionnaire et Romantique. In 2000, the 250th anniversary of Johann Sebastian Bach's death, the choir undertook the Bach Cantata Pilgrimage, performing and recording most of his church cantatas in more than 60 historic churches throughout Europe, and some in the U.S. On 5 March 2014 the Choir celebrated its 50th anniversary with a repeat performance of the Monteverdi Vespers from King's College Chapel, in a live broadcast live by BBC Radio 3. Bach Cantata Pilgrimage In 2000 the Choir, with the English Baroque So ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Archangel
Archangels () are the second lowest rank of angel in the hierarchy of angels. The word ''archangel'' itself is usually associated with the Abrahamic religions, but beings that are very similar to archangels are found in a number of other religious traditions. Archangels also appear in the religious texts of Gnosticism. The English word ''archangel'' is derived from Greek ἀρχάγγελος (arkhángelos), the Greek prefix " arch-" meaning "chief". A common misconception is that archangels are the highest rank of angel, this misconception stems from John Milton's '' Paradise Lost'' and likely confusion over the "arch-" prefix. Description Michael and Gabriel are recognized as archangels in Judaism, Islam, and by most Christians. Some Protestants consider Michael to be the only archangel. Raphael—mentioned in the deuterocanonical Book of Tobit—is also recognized as a chief angel in the Catholic and Eastern Orthodox churches. Gabriel, Michael, and Raphael are venerated ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gospel Of Matthew
The Gospel of Matthew), or simply Matthew. It is most commonly abbreviated as "Matt." is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells how Israel's Messiah, Jesus, comes to his people and forms a community of disciples, of how he taught the people through such events as the Sermon on the Mount and its Beatitudes, and how Israel becomes divided and how Jesus condemns this hostile Israel. This culminates in his departure from the Temple and his execution. At this point many people reject Jesus, and on his resurrection he sends the disciples to the gentiles. Matthew seems to emphasize that the Jewish tradition should not be lost in a church that was increasingly becoming gentile. The gospel reflects the struggles and conflicts between the evangelist's community and the other Jews, particularly with its sharp criticism of the scribes and Pharisees with the position that through their rejection of Christ, the Kingdom of God h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Erato Records
Erato Records is a record label founded in 1953 as Disques Erato by Philippe Loury to promote French classical music. Loury was head of éditions musicales Costallat. His first releases in France were licensed from the Haydn Society of Boston, and he made Erato's first recording in January 1953: Marc-Antoine Charpentier's Te Deum with Les Jeunesses Muslcales. Michel Garcin became the label's artistic director and producer and built up the catalogue with contemporary French composers such as Henri Dutilleux and French artists: Jean-François Paillard (234 records), Marie-Claire Alain (234 records), Maurice André (198 records), Jean-Pierre Rampal (127 records), and Lily Laskine. Notable recordings Erato released first recordings of *J S Bach's complete organ works, played by Marie-Claire Alain, in 1968 * J M Leclair's works, played by Jean-François Paillard, in 1978 * D Scarlatti's complete keyboard sonatas, played by Scott Ross, in 1988. *The world premiere of John Coriglian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208
''Was mir behagt, ist nur die muntre Jagd'' (The lively hunt is all my heart's desire), 208.1, BWV 208, also known as the ''Hunting Cantata'', is a secular cantata composed by Johann Sebastian Bach for the 31st birthday of Duke Christian of Saxe-Weissenfels on 23 February 1713. A performance lasts about forty minutes. The aria "Schafe können sicher weiden" (" Sheep May Safely Graze") is the most familiar part of this cantata. History and text It is Bach's earliest surviving secular cantata, composed while he was employed as court organist in Weimar. The work may have been intended as a gift from Bach's employer, William Ernest, Duke of Saxe-Weimar, for his neighbouring ruler, Duke Christian, who was a keen hunter. Bach is known to have stayed in Weißenfels in 1713 for the birthday celebrations. He went on to earn more commissions from Saxe-Weissenfels, and in 1729, Bach was appointed Royal Kapellmeister, but this position as court composer did not require ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period is based on string instruments (violin, viola) and continuo. A continuous bass is the rule in Baroque music; its absence is worth mentioning and has a reason, such as describi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |