![eyck](https://upload.wikimedia.org/wikipedia/commons/3/3e/Eyck.hubert.lamb.750pix.jpg)
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
, which emerged as a distinct style in
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re ...
in about AD 1400, in parallel with developments which occurred in
philosophy
Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, knowledge, values, mind, and language. Such questions are often posed as problems to be studied or resolved. Some ...
,
literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include ...
,
music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect ...
,
science
Science is a systematic endeavor that builds and organizes knowledge in the form of testable explanations and predictions about the universe.
Science may be as old as the human species, and some of the earliest archeological evidence for ...
, and
technology
Technology is the application of knowledge to reach practical goals in a specifiable and reproducible way. The word ''technology'' may also mean the product of such an endeavor. The use of technology is widely prevalent in medicine, science, ...
. Renaissance art took as its foundation the art of
Classical antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ...
, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with
Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For
art historians
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visu ...
, Renaissance art marks the transition of Europe from the medieval period to the
Early Modern age.
![Sandro Botticelli - La nascita di Venere - Google Art Project - edited](https://upload.wikimedia.org/wikipedia/commons/0/0b/Sandro_Botticelli_-_La_nascita_di_Venere_-_Google_Art_Project_-_edited.jpg)
The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primarily produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. Scholars no longer believe that the Renaissance marked an abrupt break with medieval values, as is suggested by the French word ''renaissance'', literally meaning "rebirth". In many parts of Europe, Early Renaissance art was created in parallel with
Late Medieval art.
Origins
Many influences on the development of Renaissance men and women in the early 15th century have been credited with the emergence of Renaissance art; they are the same as those that affected philosophy, literature, architecture, theology, science, government and other aspects of society. The following list presents a summary of changes to social and cultural conditions which have been identified as factors which contributed to the development of Renaissance art. Each is dealt with more fully in the main articles cited above. The scholars of Renaissance period focused on present life and ways improve human life. They did not pay much attention to medieval philosophy or religion. During this period, scholars and humanists like Erasmus, Dante and Petrarch criticized superstitious beliefs and also questioned them. The concept of education also widened its spectrum and focused more on creating 'an ideal man' who would have a fair understanding of arts, music, poetry and literature and would have the ability to appreciate these aspects of life. During this period, there emerged a scientific outlook which helped people question the needless rituals of the church.
* Classical texts, lost to European scholars for centuries, became available. These included documents of philosophy, prose, poetry, drama, science, a thesis on the arts, and early Christian theology.
* Europe gained access to advanced mathematics, which had its provenance in the works of Islamic scholars.
* The advent of
movable type printing in the 15th century meant that ideas could be disseminated easily, and an increasing number of books were written for a broader public.
* The establishment of the
Medici Bank
The Medici Bank (Italian: ''Banco dei Medici'' ) was a financial institution created by the Medici family in Italy during the 15th century (1397–1494). It was the largest and most respected bank in Europe during its prime. There are some estima ...
and the subsequent trade it generated brought unprecedented wealth to a single Italian city,
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico an ...
.
*
Cosimo de' Medici set a new standard for patronage of the arts, not associated with the church or monarchy.
*
Humanist
Humanism is a philosophical stance that emphasizes the individual and social potential and agency of human beings. It considers human beings the starting point for serious moral and philosophical inquiry.
The meaning of the term "human ...
philosophy meant that man's relationship with humanity, the universe and God was no longer the exclusive province of the church.
* A revived interest in the
Classics
Classics or classical studies is the study of classical antiquity. In the Western world, classics traditionally refers to the study of Classical Greek and Roman literature and their related original languages, Ancient Greek and Latin. Classics ...
brought about the first archaeological study of
Roman
Roman or Romans most often refers to:
*Rome, the capital city of Italy
*Ancient Rome, Roman civilization from 8th century BC to 5th century AD
*Roman people, the people of ancient Rome
*''Epistle to the Romans'', shortened to ''Romans'', a letter ...
remains by the architect
Brunelleschi
Filippo Brunelleschi ( , , also known as Pippo; 1377 – 15 April 1446), considered to be a founding father of Renaissance architecture, was an Italian architect, designer, and sculptor, and is now recognized to be the first modern engineer, p ...
and sculptor
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Florentine sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance s ...
. The revival of a style of architecture based on classical precedents inspired a corresponding classicism in painting and sculpture, which manifested itself as early as the 1420s in the paintings of
Masaccio and
Uccello Uccello () is an Italian surname. Notable people with the surname include:
* Antonina Uccello (born 1922), American politician
* Julian Uccello (born 1986), Canadian soccer player
* Luca Uccello (born 1997), Canadian soccer player
*Paolo Uccello
...
.
* The improvement of
oil paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and va ...
and developments in oil-painting technique by Belgian artists such as
Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish paint ...
,
Jan van Eyck,
Rogier van der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly ...
and
Hugo van der Goes
Hugo van der Goes (c. 1430/1440 – 1482) was one of the most significant and original Early Netherlandish painting, Flemish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduce ...
led to its adoption in Italy from about 1475 and had ultimately lasting effects on painting practices worldwide.
* The
serendipitous
Serendipity is an unplanned fortunate discovery. Serendipity is a common occurrence throughout the history of product invention and scientific discovery.
Etymology
The first noted use of "serendipity" was by Horace Walpole on 28 January 1754. ...
presence within the region of
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico an ...
in the early 15th century of certain individuals of artistic genius, most notably Masaccio, Brunelleschi,
Ghiberti
Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery ...
,
Piero della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca i ...
, Donatello and
Michelozzo formed an ethos out of which sprang the great masters of the
High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians stat ...
, as well as supporting and encouraging many lesser artists to achieve work of extraordinary quality.
[Frederick Hartt, ''A History of Italian Renaissance Art'', (1970)]
* A similar heritage of artistic achievement occurred in
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...
through the talented
Bellini family, their influential in-law
Mantegna,
Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quali ...
,
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, nea ...
and
Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with ...
.
[Michael Baxandall, ''Painting and Experience in Fifteenth Century Italy'', (1974)]
* The publication of two treatises by Leone Battista Alberti
Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. H ...
, '' De pictura'' ("On Painting") in 1435 and '' De re aedificatoria'' ("Ten Books on Architecture") in 1452.
History
Proto-Renaissance in Italy, 1280–1400
In Italy in the late 13th and early 14th centuries, the sculpture of Nicola Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; c. 1220/1225 – c. 1284) was an Italian sculptor whose work is noted for its classical Roman sculptural style. Pisano is sometimes considered to be the ...
and his son Giovanni Pisano
Giovanni Pisano (c. 1250 – c. 1315) was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient ...
, working at Pisa, Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena.
The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuri ...
and Pistoia
Pistoia (, is a city and ''comune'' in the Italian region of Tuscany, the capital of a province of the same name, located about west and north of Florence and is crossed by the Ombrone Pistoiese, a tributary of the River Arno. It is a typi ...
shows markedly classicising tendencies, probably influenced by the familiarity of these artists with ancient Roman sarcophagi
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek ...
. Their masterpieces are the pulpits of the Baptistery and Cathedral of Pisa
Pisa Cathedral ( it, Cattedrale Metropolitana Primaziale di Santa Maria Assunta; Duomo di Pisa) is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli in Pisa, Italy, the oldest of the t ...
.
Contemporary with Giovanni Pisano, the Florentine painter Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giot ...
developed a manner of figurative painting that was unprecedentedly naturalistic, three-dimensional, lifelike and classicist, when compared with that of his contemporaries and teacher Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter ...
. Giotto, whose greatest work is the cycle of the ''Life of Christ'' at the Arena Chapel
The Scrovegni Chapel ( it, Cappella degli Scrovegni ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, region of Veneto, Italy. The chapel and monaster ...
in Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the ...
, was seen by the 16th-century biographer Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp ...
as "rescuing and restoring art" from the "crude, traditional, Byzantine style" prevalent in Italy in the 13th century.
Early Renaissance in Italy, 1400–1495
Although both the Pisanos and Giotto had students and followers, the first truly Renaissance artists were not to emerge in Florence until 1401 with the competition to sculpt a set of bronze doors of the Baptistery of Florence Cathedral, which drew entries from seven young sculptors including Brunelleschi
Filippo Brunelleschi ( , , also known as Pippo; 1377 – 15 April 1446), considered to be a founding father of Renaissance architecture, was an Italian architect, designer, and sculptor, and is now recognized to be the first modern engineer, p ...
, Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Florentine sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance s ...
and the winner, Lorenzo Ghiberti
Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptister ...
. Brunelleschi, most famous as the architect of the dome of Florence Cathedral and the Church of San Lorenzo, created a number of sculptural works, including a life-sized crucifix in Santa Maria Novella
Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church.
The ch ...
, renowned for its naturalism. His studies of perspective are thought to have influenced the painter Masaccio. Donatello became renowned as the greatest sculptor of the Early Renaissance, his masterpieces being his humanist and unusually erotic statue of David
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". w ...
, one of the icons of the Florentine republic, and his great monument to Gattamelata, the first large equestrian bronze to be created since Roman times.
The contemporary of Donatello, Masaccio, was the painterly descendant of Giotto and began the Early Renaissance in Italian painting in 1425, furthering the trend towards solidity of form and naturalism of face and gesture that Giotto had begun a century earlier. From 1425–1428, Masaccio completed several panel paintings but is best known for the fresco cycle that he began in the Brancacci Chapel with the older artist Masolino
, death_date = ''c.'' 1447
, death_place = Florence
, nationality = Italian
, field = Painting, fresco
, training =
, movement = Italian Renaissance
, works = frescoes in the Brancacci Chapel
, patrons ...
and which had profound influence on later painters, including Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...
. Masaccio's developments were carried forward in the paintings of Fra Angelico
Fra Angelico (born Guido di Pietro; February 18, 1455) was an Italian painter of the Early Renaissance, described by Vasari in his '' Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Pengu ...
, particularly in his frescos at the Convent of San Marco in Florence.
The treatment of the elements of perspective and light in painting was of particular concern to 15th-century Florentine painters. Uccello Uccello () is an Italian surname. Notable people with the surname include:
* Antonina Uccello (born 1922), American politician
* Julian Uccello (born 1986), Canadian soccer player
* Luca Uccello (born 1997), Canadian soccer player
*Paolo Uccello
...
was so obsessed with trying to achieve an appearance of perspective that, according to Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp ...
, it disturbed his sleep. His solutions can be seen in his masterpiece set of three paintings, the Battle of San Romano
The Battle of San Romano was fought on 1 June 1432, in San Romano, some 30 miles outside Florence,Private Life of a Masterpiece, BBC TV between the troops of Florence, commanded by Niccolò da Tolentino, and Siena, under Francesco Piccinino. ...
, which is believed to have been completed by 1460. Piero della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca i ...
made systematic and scientific studies of both light and linear perspective, the results of which can be seen in his fresco cycle of ''The History of the True Cross
''The History of the True Cross'' or ''The Legend of the True Cross'' is a sequence of frescoes painted by Piero della Francesca in the Basilica of San Francesco in Arezzo. It is his largest work, and generally considered one of his finest ...
'' in San Francesco, Arezzo.
In Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
, the painter Antonello da Messina
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. ...
began using oil paints for portraits and religious paintings at a date that preceded other Italian painters, possibly about 1450. He carried this technique north and influenced the painters of Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...
. One of the most significant painters of Northern Italy was Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.
Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order ...
, who decorated the interior of a room, the Camera degli Sposi
The Camera degli Sposi ("bridal chamber"), sometimes known as the Camera picta ("painted chamber"), is a room frescoed with illusionistic paintings by Andrea Mantegna in the Ducal Palace, Mantua, Italy.. During the fifteenth century when the Came ...
for his patron Ludovico Gonzaga, setting portraits of the family and court into an illusionistic architectural space.
The end period of the Early Renaissance in Italian art is marked, like its beginning, by a particular commission that drew artists together, this time in cooperation rather than competition. Pope Sixtus IV
Pope Sixtus IV ( it, Sisto IV: 21 July 1414 – 12 August 1484), born Francesco della Rovere, was head of the Catholic Church and ruler of the Papal States from 9 August 1471 to his death in August 1484. His accomplishments as pope include ...
had rebuilt the Papal Chapel, named the Sistine Chapel
The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its nam ...
in his honour, and commissioned a group of artists, Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th cent ...
, Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Ea ...
, Domenico Ghirlandaio and Cosimo Rosselli
Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large ...
to decorate its wall with fresco cycles depicting the Life of Christ and the Life of Moses. In the sixteen large paintings, the artists, although each working in his individual style, agreed on principles of format, and utilised the techniques of lighting, linear and atmospheric perspective, anatomy, foreshortening and characterisation that had been carried to a high point in the large Florentine studios of Ghiberti, Verrocchio, Ghirlandaio and Perugino.
Early Netherlandish art, 1425–1525
The painters of the Low Countries
The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in N ...
in this period included Jan van Eyck, his brother Hubert van Eyck
Hubert van Eyck () or Huybrecht van Eyck ( – 18 September 1426) was an Early Netherlandish painter and older brother of Jan van Eyck, as well as Lambert and Margareta, also painters. The absence of any single work that he can clearly be said to ...
, Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish paint ...
, Hans Memling
Hans Memling (also spelled Memlinc; c. 1430 – 11 August 1494) was a painter active in Flanders, who worked in the tradition of Early Netherlandish painting. He was born in the Middle Rhine region and probably spent his childhood in Mainz. He ...
, Rogier van der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly ...
and Hugo van der Goes
Hugo van der Goes (c. 1430/1440 – 1482) was one of the most significant and original Early Netherlandish painting, Flemish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduce ...
. Their painting developed partly independently of Early Italian Renaissance painting, and without the influence of a deliberate and conscious striving to revive antiquity.
The style of painting grew directly out of medieval painting in tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ...
, on panels and illuminated manuscripts, and other forms such as stained glass; the medium of fresco was less common in northern Europe. The medium used was oil paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and va ...
, which had long been utilised for painting leather ceremonial shields and accoutrements because it was flexible and relatively durable. The earliest Netherlandish oil paintings are meticulous and detailed like tempera paintings. The material lent itself to the depiction of tonal variations and texture, so facilitating the observation of nature in great detail.
The Netherlandish painters did not approach the creation of a picture through a framework of linear perspective
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, ...
and correct proportion. They maintained a medieval view of hierarchical proportion and religious symbolism, while delighting in a realistic treatment of material elements, both natural and man-made. Jan van Eyck, with his brother Hubert, painted '' The Altarpiece of the Mystical Lamb''. It is probable that Antonello da Messina
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. ...
became familiar with Van Eyck's work, while in Naples or Sicily. In 1475, Hugo van der Goes' '' Portinari Altarpiece'' arrived in Florence, where it was to have a profound influence on many painters, most immediately Domenico Ghirlandaio, who painted an altarpiece imitating its elements.
A very significant Netherlandish painter towards the end of the period was Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ; – 9 August 1516) was a Dutch/ Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on o ...
, who employed the type of fanciful forms that were often utilized to decorate borders and letters in illuminated manuscripts, combining plant and animal forms with architectonic ones. When taken from the context of the illumination and peopled with humans, these forms give Bosch's paintings a surreal quality which have no parallel in the work of any other Renaissance painter. His masterpiece is the triptych ''The Garden of Earthly Delights
''The Garden of Earthly Delights'' is the modern title given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. It has b ...
''.
Early Renaissance in France, 1375–1528
The artists of France (including duchies such as Burgundy) were often associated with courts, providing illuminated manuscripts and portraits for the nobility as well as devotional paintings and altarpieces. Among the most famous were the Limbourg brothers
The Limbourg brothers ( nl, Gebroeders van Limburg or Gebroeders Van Lymborch; fl. 1385 – 1416) were famous
Dutch miniature painters (Herman, Paul, and Johan) from the city of Nijmegen. They were active in the early 15th century in France ...
, Flemish
Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; ...
illuminators and creators of the Très Riches Heures du Duc de Berry
The Très Riches Heures du Duc de Berry (; en, The Very Rich Hours of the Duke of Berry) or Très Riches Heures, is the most famous and possibly the best surviving example of manuscript illumination in the late phase of the International Goth ...
manuscript illumination. Jean Fouquet
Jean (or Jehan) Fouquet (ca.1420–1481) was a French painter and miniaturist. A master of panel painting and manuscript illumination, and the apparent inventor of the portrait miniature, he is considered one of the most important painters from ...
, painter of the royal court, visited Italy in 1437 and reflects the influence of Florentine painters such as Paolo Uccello. Although best known for his portraits such as that of Charles VII of France, Fouquet also created illuminations, and is thought to be the inventor of the portrait miniature.
There were a number of artists at this date who painted famed altarpieces, that are stylistically quite distinct from both the Italian and the Flemish. These include two enigmatic figures, Enguerrand Quarton
Enguerrand Quarton (or Charonton) ( 1410 – 1466) was a French painter and manuscript illuminator whose few surviving works are among the first masterpieces of a distinctively French style, very different from either Italian or Early Netherlan ...
, to whom is ascribed the ''Pieta of Villeneuve-lès-Avignon'', and Jean Hey
''The Moulins Triptych'', c. 1498, oil on panel, Moulins Cathedral
Jean Hey (or Jean Hay) ( fl. c. 1475 – c. 1505),Brigstocke 2001, p. 338 now generally identified with the artist formerly known as the Master of Moulins, was an Early Neth ...
, otherwise known as "the Master of Moulins" after his most famous work, the Moulins Altarpiece. In these works, realism and close observation of the human figure, emotions and lighting are combined with a medieval formality, which includes gilt backgrounds.
High Renaissance in Italy, 1495–1520
The "universal genius" Leonardo da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially res ...
was to further perfect the aspects of pictorial art (lighting, linear and atmospheric perspective, anatomy, foreshortening and characterisation) that had preoccupied artists of the Early Renaissance, in a lifetime of studying and meticulously recording his observations of the natural world. His adoption of oil paint as his primary media meant that he could depict light and its effects on the landscape and objects more naturally and with greater dramatic effect than had ever been done before, as demonstrated in the ''Mona Lisa
The ''Mona Lisa'' ( ; it, Gioconda or ; french: Joconde ) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known ...
'' (1503–1506). His dissection of cadavers carried forward the understanding of skeletal and muscular anatomy, as seen in the unfinished '' Saint Jerome in the Wilderness'' (c. 1480). His depiction of human emotion in ''The Last Supper
Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, ...
'', completed 1495–1498, set the benchmark for religious painting.
The art of Leonardo's younger contemporary Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...
took a very different direction. Michelangelo in neither his painting nor his sculpture demonstrates any interest in the observation of any natural object except the human body. He perfected his technique in depicting it, while in his early twenties, by the creation of the enormous marble statue of ''David
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". w ...
'' and the group ''Pietà
The Pietà (; meaning " pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form ...
'', in the St Peter's Basilica
The Papal Basilica of Saint Peter in the Vatican ( it, Basilica Papale di San Pietro in Vaticano), or simply Saint Peter's Basilica ( la, Basilica Sancti Petri), is a Church (building), church built in the Renaissance architecture, Renaissanc ...
, Rome. He then set about an exploration of the expressive possibilities of the human anatomy. His commission by Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or th ...
to paint the Sistine Chapel ceiling
The Sistine Chapel ceiling ( it, Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance Renaissance art, art. The Sistine Chapel is the large papal chapel built with ...
resulted in the supreme masterpiece of figurative composition, which was to have profound effect on every subsequent generation of European artists. His later work, ''The Last Judgement
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, ...
'', painted on the altar wall of the Sistine Chapel
The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its nam ...
between 1534 and 1541, shows a Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Ita ...
(also called Late Renaissance) style with generally elongated bodies which took over from the High Renaissance style between 1520 and 1530.
Standing alongside Leonardo and Michelangelo as the third great painter of the High Renaissance was the younger Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual a ...
, who in a short lifespan painted a great number of life-like and engaging portraits, including those of Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or th ...
and his successor Pope Leo X
Pope Leo X ( it, Leone X; born Giovanni di Lorenzo de' Medici, 11 December 14751 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death in December 1521.
Born into the prominent political an ...
, and numerous portrayals of the Madonna and Christ Child, including the ''Sistine Madonna
The ''Sistine Madonna'', also called the ''Madonna di San Sisto'', is an oil painting by the Italian artist Raphael. The painting was commissioned in 1512 by Pope Julius II for the church of San Sisto, Piacenza, and probably executed ''c.'' 151 ...
''. His death in 1520 at age 37 is considered by many art historians to be the end of the High Renaissance period, although some individual artists continued working in the High Renaissance style for many years thereafter.
In Northern Italy, the High Renaissance is represented primarily by members of the Venetian school, especially by the latter works of Giovanni Bellini, especially religious paintings, which include several large altarpieces of a type known as "Sacred Conversation
In art, a (; plural: ''sacre conversazioni''), meaning holy (or sacred) conversation, is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child (the Virgin Mary with the infant Jesus) amidst a group of sain ...
", which show a group of saints around the enthroned Madonna. His contemporary Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quali ...
, who died at about the age of 32 in 1510, left a small number of enigmatic works, including '' The Tempest'', the subject of which has remained a matter of speculation. The earliest works of Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, nea ...
date from the era of the High Renaissance, including a massive altarpiece '' The Assumption of the Virgin'' which combines human action and drama with spectacular colour and atmosphere. Titian continued painting in a generally High Renaissance style until near the end of his career in the 1570s, although he increasingly used colour and light over line to define his figures.
German Renaissance art
German Renaissance art falls into the broader category of the Renaissance in Northern Europe, also known as the Northern Renaissance
The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps. From the last years of the 15th century, its Renaissance spread around Europe. Called the Northern Renaissance because it occurred north of the Italian Renais ...
. Renaissance influences began to appear in German art in the 15th century, but this trend was not widespread. Gardner's ''Art Through the Ages'' identifies Michael Pacher
Michael Pacher ( 1435 – August 1498) was a painter and sculptor from Tyrol active during the second half of the fifteenth century. He was one of the earliest artists to introduce the principles of Renaissance painting into Germany. Pacher was a ...
, a painter and sculptor, as the first German artist whose work begins to show Italian Renaissance influences. According to that source, Pacher's painting, ''St. Wolfgang Forces the Devil to Hold His Prayerbook'' (c. 1481), is Late Gothic in style, but also shows the influence of the Italian artist Mantegna.
In the 1500s, Renaissance art in Germany became more common as, according to Gardner, "The art of northern Europe during the sixteenth century is characterized by a sudden awareness of the advances made by the Italian Renaissance and by a desire to assimilate this new style as rapidly as possible." One of the best known practitioners of German Renaissance art was Albrecht Dürer (1471–1528), whose fascination with classical ideas led him to Italy to study art. Both Gardner and Russell recognized the importance of Dürer's contribution to German art in bringing Italian Renaissance styles and ideas to Germany. Russell calls this "Opening the Gothic windows of German art," while Gardner calls it Dürer's "life mission." Importantly, as Gardner points out, Dürer "was the first northern artist who fully understood the basic aims of the southern Renaissance," although his style did not always reflect that. The same source says that Hans Holbein the Younger
Hans Holbein the Younger ( , ; german: Hans Holbein der Jüngere; – between 7 October and 29 November 1543) was a Germans, German-Swiss people, Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered o ...
(1497–1543) successfully assimilated Italian ideas while also keeping "northern traditions of close realism." This is contrasted with Dürer's tendency to work in "his own native German style" instead of combining German and Italian styles. Other important artists of the German Renaissance were Matthias Grünewald
Matthias Grünewald ( – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given ...
, Albrecht Altdorfer
Albrecht Altdorfer (12 February 1538) was a German painter, engraver and architect of the Renaissance working in Regensburg, Bavaria. Along with Lucas Cranach the Elder and Wolf Huber he is regarded to be the main representative of the Danube S ...
and Lucas Cranach the Elder
Lucas Cranach the Elder (german: Lucas Cranach der Ältere ; – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is kno ...
.
Artisans such as engravers became more concerned with aesthetics rather than just perfecting their crafts. Germany had master engravers, such as Martin Schongauer
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important ...
, who did metal engravings in the late 1400s. Gardner relates this mastery of the graphic arts
A category of fine art, graphic art covers a broad range of visual artistic expression, typically two-dimensional, i.e. produced on a flat surface. to advances in printing
Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The ea ...
which occurred in Germany, and says that metal engraving began to replace the woodcut during the Renaissance. However, some artists, such as Albrecht Dürer, continued to do woodcuts. Both Gardner and Russell describe the fine quality of Dürer's woodcuts, with Russell stating in ''The World of Dürer'' that Dürer "elevated them into high works of art."
Britain
Britain was very late to develop a distinct Renaissance style and most artists of the Tudor court were imported foreigners, usually from the Low Countries
The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in N ...
, including Hans Holbein the Younger
Hans Holbein the Younger ( , ; german: Hans Holbein der Jüngere; – between 7 October and 29 November 1543) was a Germans, German-Swiss people, Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered o ...
, who died in England. One exception was the portrait miniature, which artists including Nicholas Hilliard
Nicholas Hilliard () was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, ...
developed into a distinct genre well before it became popular in the rest of Europe. Renaissance art in Scotland was similarly dependent on imported artists, and largely restricted to the court.
Themes and symbolism
Renaissance artists painted a wide variety of themes. Religious altarpieces, fresco cycles, and small works for private devotion were very popular. For inspiration, painters in both Italy and northern Europe frequently turned to Jacobus de Voragine
Jacobus de Voragine (c. 123013/16 July 1298) was an Italian chronicler and archbishop of Genoa. He was the author, or more accurately the compiler, of the '' Golden Legend'', a collection of the legendary lives of the greater saints of the medi ...
's ''Golden Legend
The ''Golden Legend'' (Latin: ''Legenda aurea'' or ''Legenda sanctorum'') is a collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived.Hilary ...
'' (1260), a highly influential source book for the lives of saint
In religious belief, a saint is a person who is recognized as having an exceptional degree of Q-D-Š, holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denominat ...
s that had already had a strong influence on Medieval artists. The rebirth of classical antiquity and Renaissance humanism
Renaissance humanism was a revival in the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. During the period, the term ''humanist'' ( it, umanista) referred to teache ...
also resulted in many mythological and history paintings. Ovidian stories, for example, were very popular. Decorative ornament, often used in painted architectural elements, was especially influenced by classical Roman motifs.
Techniques
* The use of proportion
Proportionality, proportion or proportional may refer to:
Mathematics
* Proportionality (mathematics), the property of two variables being in a multiplicative relation to a constant
* Ratio, of one quantity to another, especially of a part compare ...
– The first major treatment of the painting as a window into space appeared in the work of Giotto di Bondone
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Gi ...
, at the beginning of the 14th century. True linear perspective was formalized later, by Filippo Brunelleschi and Leon Battista Alberti
Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. H ...
. In addition to giving a more realistic presentation of art, it moved Renaissance painters into composing more paintings.
* Foreshortening
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, ...
– The term foreshortening refers to the artistic effect of shortening lines in a drawing so as to create an illusion of depth.
* Sfumato
Sfumato (, ) is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance. Leonardo da V ...
– The term ''sfumato'' was coined by Italian Renaissance artist Leonardo da Vinci and refers to a fine art painting technique of blurring or softening of sharp outlines by subtle and gradual blending of one tone into another through the use of thin glazes to give the illusion of depth or three-dimensionality. This stems from the Italian word ''sfumare'' meaning to evaporate or to fade out. The Latin origin is ''fumare'', to smoke.
* Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achi ...
– The term ''chiaroscuro'' refers to the fine art painting modeling effect of using a strong contrast between light and dark to give the illusion of depth or three-dimensionality. This comes from the Italian words meaning light (''chiaro'') and dark (''scuro''), a technique which came into wide use in the Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
period.
List of Renaissance artists
Italy
* Giotto di Bondone
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Gi ...
(1267–1337)
* Filippo Brunelleschi (1377–1446)
* Masolino
, death_date = ''c.'' 1447
, death_place = Florence
, nationality = Italian
, field = Painting, fresco
, training =
, movement = Italian Renaissance
, works = frescoes in the Brancacci Chapel
, patrons ...
(c. 1383 – c. 1447)
* Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Florentine sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance s ...
(c. 1386 – 1466)
* Pisanello (c. 1395 – c. 1455)
* Fra Angelico
Fra Angelico (born Guido di Pietro; February 18, 1455) was an Italian painter of the Early Renaissance, described by Vasari in his '' Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Pengu ...
(c. 1395 – 1455)
* Paolo Uccello
Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian (Florentine) painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book ''Lives of the Most Excellent Painters, S ...
(1397–1475)
* Masaccio (1401–1428)
* Leone Battista Alberti
Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. H ...
(1404–1472)
* Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest.
Biography
Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orp ...
(c. 1406 – 1469)
* Domenico Veneziano
Domenico Veneziano (c. 1410 – May 15, 1461) was an Italian painter of the early Renaissance, active mostly in Perugia and Tuscany.
Little is known of his birth, though he is thought to have been born in Venice, hence his last name. He then moved ...
(c. 1410 – 1461)
* Piero della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca i ...
(c. 1415 – 1492)
* Andrea del Castagno
Andrea del Castagno () or Andrea di Bartolo di Bargilla (; – 19 August 1457) was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the pain ...
(c. 1421 – 1457)
* Benozzo Gozzoli
Benozzo Gozzoli (4 October 1497) was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions ...
(c. 1421 – 1497)
* Alessio Baldovinetti (1425–1499)
* Antonio del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Rena ...
(1429–1498)
* Antonello da Messina
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. ...
(c. 1430 – 1479)
* Giovanni Bellini (c.1430–1516)
* Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.
Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order ...
(c. 1431 – 1506)
* Andrea del Verrocchio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the ...
(c. 1435 – 1488)
* Giovanni Santi
Giovanni Santi (c. 1435 – 1 August 1494) was an Italian painter, decorator, and the father of Raphael. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenz ...
(1435–1494)
* Carlo Crivelli
Carlo Crivelli (Venice, c. 1430 – Ascoli Piceno, c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivari ...
(c. 1435 – c. 1495)
* Donato Bramante
Donato Bramante ( , , ; 1444 – 11 April 1514), born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari, was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance styl ...
(1444–1514)
* Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th cent ...
(c. 1445 – 1510)
* Luca Signorelli
Luca Signorelli ( – 16 October 1523) was an Italian Renaissance painter from Cortona in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the ''Last Judgment'' (1499–15 ...
(c. 1445 – 1523)
* Biagio d'Antonio
Biagio d’Antonio Tucci (1446 – 1 June 1516) was an Italian Renaissance painter active in Florence, Faenza and Rome.
Biography
Biagio was born in Florence. It is not known with whom he trained, but his early style reflects the influence of ...
(1446–1516)
* Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Ea ...
(1446–1523)
* Domenico Ghirlandaio (1449–1494)
* Leonardo da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially res ...
(1452–1519)
* Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his sma ...
(1454–1513)
* Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Biography
Filippino Lippi was born in Prato, Tusc ...
(1457–1504)
* Andrea Solari (1460–1524)
* Piero di Cosimo
Piero di Cosimo (2 January 1462 – 12 April 1522), also known as Piero di Lorenzo, was an Italian painter of the Renaissance.
He is most famous for the mythological and allegorical subjects he painted in the late Quattrocento; he is said to ...
(1462–1522)
* Vittore Carpaccio
Vittore Carpaccio ( UK: /kɑːrˈpætʃ(i)oʊ/, US: /-ˈpɑːtʃ-/, Italian: itˈtoːre karˈpattʃo c. 1460/66 – 1525/26) was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influence ...
(1465–1526)
* Bernardino de' Conti (1465–1525)
* Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quali ...
(c. 1473–1510)
* Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...
(1475–1564)
* Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religiou ...
(1480–1557)
* Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual a ...
(1483–1520)
* Marco Cardisco
Marco Cardisco, also known as Marco Calabrese, (Born in Tiriolo c.1486 – c.1542) was an Italian painter of the Renaissance period, active mainly in Naples during 1508–1542.
Biography
He was a pupil of the painter and decorator Polidoro da C ...
(c. 1486 – c. 1542)
* Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, nea ...
(c. 1488/1490 – 1576)
* Corregio (c. 1489 – 1534)
* Pietro Negroni (c. 1505 – c. 1565)
* Sofonisba Anguissola
Sofonisba Anguissola ( – 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that i ...
(c. 1532 – 1625)
Low Countries
* Hubert van Eyck
Hubert van Eyck () or Huybrecht van Eyck ( – 18 September 1426) was an Early Netherlandish painter and older brother of Jan van Eyck, as well as Lambert and Margareta, also painters. The absence of any single work that he can clearly be said to ...
(1366?–1426)
* Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish paint ...
(c. 1380 – 1444)
* Limbourg brothers
The Limbourg brothers ( nl, Gebroeders van Limburg or Gebroeders Van Lymborch; fl. 1385 – 1416) were famous
Dutch miniature painters (Herman, Paul, and Johan) from the city of Nijmegen. They were active in the early 15th century in France ...
( 1385–1416)
* Jan van Eyck (1385?–1440?)
* Rogier van der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly ...
(1399/1400–1464)
* Jacques Daret
Jacques Daret (c. 1404 – c. 1470) was an Early Netherlandish painter born in Tournai (Doornik; now in Belgium), where he would spend much of his life. Daret spent 15 years as a pupil in the studio of Robert Campin, alongside Rogier or Rogelet ...
(c. 1404 – c. 1470)
* Petrus Christus
Petrus Christus (; 1410/1420 – 1475/1476) was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck. He was influenced by van Eyck and Rogier v ...
(1410/1420–1472)
* Dirk Bouts
Dieric Bouts (born c. 1415 – 6 May 1475) was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 (or possibly earlie ...
(1415–1475)
* Hugo van der Goes
Hugo van der Goes (c. 1430/1440 – 1482) was one of the most significant and original Early Netherlandish painting, Flemish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduce ...
(c. 1430/1440 – 1482)
* Hans Memling
Hans Memling (also spelled Memlinc; c. 1430 – 11 August 1494) was a painter active in Flanders, who worked in the tradition of Early Netherlandish painting. He was born in the Middle Rhine region and probably spent his childhood in Mainz. He ...
(c. 1430 – 1494)
* Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ; – 9 August 1516) was a Dutch/ Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on o ...
(c. 1450 – 1516)
* Gerard David
Gerard David (c. 1460 – 13 August 1523) was an Early Netherlandish painter and manuscript illuminator known for his brilliant use of color. Only a bare outline of his life survives, although some facts are known. He may have been the Meester ...
(c. 1455 – 1523)
* Geertgen tot Sint Jans
Geertgen tot Sint Jans (c. 1465 – c. 1495), also known as Geertgen van Haarlem, Gerrit van Haarlem, Gerrit Gerritsz, Gheertgen, Geerrit, Gheerrit, or any other diminutive form of Gerald, was an Early Netherlandish painter from the northern Low ...
(c. 1465 – c. 1495)
* Quentin Matsys
Quentin Matsys ( nl, Quinten Matsijs) (1466–1530) was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. There is a tradition alleging that he was trained as an ironsmith before becoming a painter. Matsys was activ ...
(1466–1530)
* Jean Bellegambe (c. 1470 – 1535)
* Joachim Patinir
Joachim Patinir, also called Patenier (c. 1480 – 5 October 1524), was a Flemish Renaissance painter of history and landscape subjects. He was Flemish, from the area of modern Wallonia, but worked in Antwerp, then the centre of the art market ...
(c. 1480 – 1524)
* Adriaen Isenbrant (c. 1490 – 1551)
Germany
* Hans Holbein the Elder
Hans Holbein the Elder ( , ; german: Hans Holbein der Ältere; – 1524) was a German painter.
Life
Holbein was born in free imperial city of Augsburg (Germany), and died in Issenheim, Alsace (now France). He belonged to a celebrated family o ...
(c. 1460 – 1524)
* Matthias Grünewald
Matthias Grünewald ( – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given ...
(c. 1470 – 1528)
* Albrecht Dürer (1471–1528)
* Lucas Cranach the Elder
Lucas Cranach the Elder (german: Lucas Cranach der Ältere ; – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is kno ...
(1472–1553)
* Hans Burgkmair
Hans Burgkmair the Elder (1473–1531) was a German painter and woodcut printmaker.
Background
Hans Burgkmair was born in Augsburg, the son of painter Thomas Burgkmair. His own son, Hans the Younger, later became a painter as well. From 1488, Bu ...
(1473–1531)
* Jerg Ratgeb
Jerg Ratgeb, also Jörg Ratgeb ( 1480–1526), was a German painter during the Renaissance, and a contemporary of Albrecht Dürer.
Life and works
Ratgeb was born in Schwäbisch Gmünd. Around the turn of the 15th to 16th century, he appears ...
(c. 1480 – 1526)
* Albrecht Altdorfer
Albrecht Altdorfer (12 February 1538) was a German painter, engraver and architect of the Renaissance working in Regensburg, Bavaria. Along with Lucas Cranach the Elder and Wolf Huber he is regarded to be the main representative of the Danube S ...
(c. 1480 – 1538)
* Leonhard Beck
Leonhard Beck (c. 1480 – 1542) was a painter and designer of woodcuts in Augsburg, Germany. He was the son of Georg Beck, who was active as a miniaturist in Augsburg c. 1490-1512/15. He worked with his father on two Psalters for the Augsburg mo ...
(c. 1480 – 1542)
* Hans Baldung
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered t ...
(c. 1480 – 1545)
* Wilhelm Stetter
Wilhelm Stetter (1487–1552) was a German Renaissance painter from Alsace. He was born and died in Strasbourg.
Stetter was long known by the notname Master W. S. with the Maltese cross until he was identified in 1952 by the scholar Jean ...
(1487–1552)
* Barthel Bruyn the Elder (1493–1555)
* Ambrosius Holbein
Ambrosius Holbein (c. 1494 – c. 1519) was a German and later a Swiss artist in painting, drawing, and printmaking. He was the elder brother, by about three years, of Hans Holbein the Younger, but he appears to have died in his mid-twenties, ...
(1494–1519)
* Hans Holbein the Younger
Hans Holbein the Younger ( , ; german: Hans Holbein der Jüngere; – between 7 October and 29 November 1543) was a Germans, German-Swiss people, Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered o ...
(c. 1497 – 1543)
* Conrad Faber von Kreuznach
Conrad Faber von Kreuznach (c. 1500 in Kreuznach, Germany – between 10 September 1552 and 15 May 1553 in Frankfurt am Main) was a German painter and woodcuts designer formerly known as Master of Holzhausen-portraits.Brücker, Wolfgang, ...
(c. 1500 – c. 1553)
* Lucas Cranach the Younger
Lucas Cranach the Younger (german: Lucas Cranach der Jüngere ; October 4, 1515 – January 25, 1586) was a German Renaissance painter and portraitist, the son of Lucas Cranach the Elder and brother of Hans Cranach.
Life and career
Lucas Cranach ...
(1515–1586)
France
* Enguerrand Quarton
Enguerrand Quarton (or Charonton) ( 1410 – 1466) was a French painter and manuscript illuminator whose few surviving works are among the first masterpieces of a distinctively French style, very different from either Italian or Early Netherlan ...
(c. 1410 – c. 1466)
* Barthélemy d'Eyck
Barthélemy d'Eyck, van Eyck or d' Eyck ( 1420 – after 1470), was an Early Netherlandish artist who worked in France and probably in Duchy of Burgundy, Burgundy as a painter and manuscript illuminator. He was active between about 1440 to about ...
(c. 1420 – after 1470)
* Jean Fouquet
Jean (or Jehan) Fouquet (ca.1420–1481) was a French painter and miniaturist. A master of panel painting and manuscript illumination, and the apparent inventor of the portrait miniature, he is considered one of the most important painters from ...
(1420–1481)
* Simon Marmion
Simon Marmion (c. 1425 – 24 or 25 December 1489) was a French and Burgundian Early Netherlandish painter of panels and illuminated manuscripts. Marmion lived and worked in what is now France but for most of his lifetime was part of the Duchy ...
(c. 1425 – 1489)
* Nicolas Froment
Nicolas Froment (c. 1435, Uzès, Gard – c. 1486 in Avignon) was a French painter of the Early Renaissance.
Nicolas Froment is one of the most notable representatives of the Second School of Avignon, (''École d'Avignon''), a group of arti ...
(c. 1435 – c. 1486)
* Jean Hey
''The Moulins Triptych'', c. 1498, oil on panel, Moulins Cathedral
Jean Hey (or Jean Hay) ( fl. c. 1475 – c. 1505),Brigstocke 2001, p. 338 now generally identified with the artist formerly known as the Master of Moulins, was an Early Neth ...
( c. 1475 – c. 1505)
* Jean Clouet
Jean (or Janet) Clouet (1480–1541) was a miniaturist and painter who worked in France during the High Renaissance. He was the father of François Clouet.
Biography
The authentic presence of this artist at the French court is first mentione ...
(1480–1541)
* François Clouet
François Clouet (c. 1510 – 22 December 1572), son of Jean Clouet, was a French Renaissance miniaturist and painter, particularly known for his detailed portraits of the French ruling family.
Historical references
François Clouet was born ...
(c. 1510 – 1572)
Portugal
* Grão Vasco (1475–1542)
* Gregório Lopes (1490–1550)
* Francisco de Holanda
Francisco de Holanda (originally ''Francisco d'Olanda;'' 6 September 1517 – 19 June 1585) was a Portuguese court painter and sculptor for King John III of Portugal, and later for Sebastian of Portugal. He wrote what is regarded as the first tr ...
(1517–1585)
* Cristóvão Lopes (1516–1594)
* Cristóvão de Figueiredo
Cristóvão de Figueiredo (died ) was a Portuguese Renaissance painter.
Like many other important painters of the time, Cristóvão de Figueiredo was a pupil of Master Jorge Afonso, in Lisbon, in the early 16th century. He later worked together wi ...
(?-c.1543)
* Jorge Afonso
Jorge Afonso (''c.'' 1470 – 1540) was an important Portugal, Portuguese Renaissance painter.
Jorge Afonso was nominated royal painter in 1508 by Manuel I of Portugal, King Manuel I and again in 1529 by John III of Portugal, John III. He was mai ...
(1470–1540)
* António de Holanda (1480–1571)
* Cristóvão de Morais
Cristóvão de Morais was a 16th-century Portuguese court painter for the kings John III of Portugal and Sebastian I of Portugal. He painted numerous portraits for the kings, queens, and princes of Portugal.
Life
When he was young, Morais stu ...
* Nuno Gonçalves
Nuno Gonçalves (c. 1425 – c. 1491, ''fl.'' 1450–71) was a Portuguese artist whose work initiated the Portuguese Renaissance in painting. He was court painter for Afonso V of Portugal from 1450 to 1471, and in 1471 he was appointed the offici ...
(c. 1425 – c. 1491)
* Francisco Henriques (?–1518)
* Frei Carlos (?–1540)
Spain
* Jaume Huguet (1412–1492)
* Bartolomé Bermejo
Bartolomé Bermejo ( 1440 – c.1501) was a Spanish painter who adopted Flemish painting techniques and conventions. Born in Cordoba, he is known for his work in the Crown of Aragon, including the Principality of Catalonia and the Kingdom of ...
(c. 1440 – c. 1501)
* Paolo da San Leocadio (1447 – c. 1520)
* Pedro Berruguete
Pedro Berruguete (c. 1450 – 1504) was a Spanish painter whose art is regarded as a transitional style between gothic and Renaissance art. Berruguete most famously created paintings of the first few years of the Inquisition and of religious i ...
(c. 1450 – 1504)
* Ayne Bru
* Juan de Flandes
Juan de Flandes ("John of Flanders"; c. 1460 – by 1519) was a Flemish painter active in Spain from 1496 to 1519. His actual name is unknown, although an inscription ''Juan Astrat'' on the back of one work suggests a name such as "Jan van d ...
(c. 1460 – c. 1519)
* Luis de Morales
Luis de Morales (1509 – 9 May 1586) was a Spanish painter active during the Spanish Renaissance in the 16th century. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and ...
(1512–1586)
* Alonso Sánchez Coello
Alonso Sánchez Coello ( 1531 – 8 August 1588) was an Iberian portrait painter of the Spanish Renaissance, Spanish and Portuguese Renaissance. He is mainly known for his portrait paintings executed in a style which combines the objectivity of t ...
(1531–1588)
* El Greco (1541–1614)
Venetian Dalmatia (modern Croatia)
* Giorgio da Sebenico
Giorgio da Sebenico () or Giorgio Orsini or Juraj Dalmatinac (; c. 1410 – 10 October 1473) was a Venetian sculptor and architect from Dalmatia, who worked mainly in Sebenico (now Šibenik, Croatia), and in the city of Ancona, then a maritime ...
(c. 1410 – 1475)
* Niccolò di Giovanni Fiorentino
Niccolò di Giovanni Fiorentino (Croatian: ''Nikola Firentinac'') called Nicolas of Florence (1418 in Bagno a Ripoli – 1506 in Šibenik), was an Italian Renaissance sculptor and architect, active in Venice and Dalmatia.
He is best known by hi ...
(1418–1506)
* Andrea Alessi (1425–1505)
* Francesco Laurana
Francesco Laurana, also known as Francesco de la Vrana ( hr, Frane Vranjanin; c. 1430 – before 12 March 1502) was a Dalmatian sculptor and medallist. He is considered both a Croatian and an Italian sculptor. Though born in the territory of th ...
(c. 1430 – 1502)
* Giovanni Dalmata
Giovanni Dalmata ( hr, Ivan Duknović; c. 1440 – c. 1514), born Ioannes Stephani Duknovich de Tragurio, also known as Giovanni Duknovich di Traù in Italy and Ivan Stjepanov Duknović in Croatia, was a sculptor from Trogir, Dalmatia, who was mai ...
(c. 1440 – c. 1514)
* Nicholas of Ragusa (1460? – 1517)
* Andrea Schiavone
Andrea Meldolla ( hr, Andrija Medulić), also known as Andrea Schiavone or Andrea Lo Schiavone (c. 1510/15–1563) was an Italian Renaissance painter and etcher, born in present-day Croatia, active mainly in the city of Venice. His style co ...
(c. 1510/1515 – 1563)
Works
* ''Ghent Altarpiece
The ''Adoration of the Mystic Lamb'', also called the ''Ghent Altarpiece'' ( nl, De aanbidding van het Lam Gods), is a large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around the mid-1420 ...
'', by Hubert and Jan van Eyck
* ''The Arnolfini Portrait
''The Arnolfini Portrait'' (or ''The Arnolfini Wedding'', ''The Arnolfini Marriage'', the ''Portrait of Giovanni Arnolfini and his Wife'', or other titles) is a 1434 oil painting on oak panel by the Early Netherlandish painter Jan van Eyck. It f ...
'', by Jan van Eyck
* The Werl Triptych, by Robert Campin
* The Portinari Triptych
The Portinari Altarpiece or Portinari Triptych (c. 1475) is an oil on wood triptych painting by the Flanders, Flemish painter Hugo van der Goes, commissioned by Tommaso Portinari, representing the Adoration of the Shepherds. It measures 253 x 30 ...
, by Hugo van der Goes
* '' The Descent from the Cross'', by Rogier van der Weyden
* ''Flagellation of Christ
The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the '' Life of C ...
'', by Piero della Francesca
* ''Spring
Spring(s) may refer to:
Common uses
* Spring (season)
Spring, also known as springtime, is one of the four temperate seasons, succeeding winter and preceding summer. There are various technical definitions of spring, but local usage of ...
'', by Sandro Botticelli
* ''Lamentation of Christ
The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by m ...
'', by Mantegna
* ''The Last Supper
Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, ...
'', by Leonardo da Vinci
* ''The School of Athens
''The School of Athens'' ( it, Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael. The fresco was painted between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the , in the Apostolic Pala ...
'', by Raphael
* Sistine Chapel ceiling
The Sistine Chapel ceiling ( it, Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance Renaissance art, art. The Sistine Chapel is the large papal chapel built with ...
, by Michelangelo
* ''Equestrian Portrait of Charles V
''Equestrian Portrait of Charles V'' (also ''Emperor Charles V on Horseback'' or ''Charles V at Mühlberg'') is an oil-on-canvas painting by the Italian Renaissance artist Titian. Created between April and September 1548 while Titian was at the i ...
'', by Titian
* Isenheim Altarpiece
The ''Isenheim Altarpiece'' is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewal ...
, by Matthias Grünewald
* ''Melencolia I
''Melencolia I'' is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. The print's central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy. Holding her h ...
'', by Albrecht Dürer
* ''The Ambassadors
''The Ambassadors'' is a 1903 novel by Henry James, originally published as a serial in the ''North American Review'' (NAR). The novel is a dark comedy which follows the trip of protagonist Lewis Lambert Strether to Europe to bring the son o ...
'', by Hans Holbein the Younger
* Melun Diptych
The Melun Diptych is a two-panel oil painting by the French court painter Jean Fouquet (c. 1420–1481) created around 1452. The name of this diptych came from its original home in the Collegiate Church of Notre-Dame in Melun. The left panel dep ...
, by Jean Fouquet
* Saint Vincent Panels
The ''Saint Vincent Panels'', or the ''Adoration of Saint Vincent'' panels, are a polyptych consisting of six panels that were perhaps painted in the 1450s. They are attributed to the Portuguese painter Nuno Gonçalves, who was active from 1450 t ...
, by Nuno Gonçalves
Major collections
* National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director ...
, London, UK
* Museo del Prado, Madrid
Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and ...
, Spain
* Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums ...
, Florence, Italy
* Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
, Paris, France
* National Gallery of Art
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of char ...
, Washington, USA
* Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in ...
, Germany
*Rijksmuseum
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the St ...
, Amsterdam
* Metropolitan Museum of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
, New York City, USA
* Royal Museums of Fine Arts of Belgium, Belgium, Brussels
* Groeningemuseum
The Groeningemuseum is a municipal museum in Bruges, Belgium, built on the site of the medieval Eekhout Abbey.
It houses a collection of Flemish and Belgian painting covering six centuries, from Jan van Eyck to Marcel Broodthaers. The museum ...
, Bruges, Belgium
* Old St. John's Hospital
The Hospital of St. John (''Oud Sint-Janshospitaal'') was a medieval hospital in Bruges. It was founded in the mid-12th century.
Located next to the Church of Our Lady, the premises contain some of Europe's oldest surviving hospital buildings. ...
, Bruges, Belgium
*Bargello
The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), was a former barracks and prison, now an art museum, in Florence, Italy.
Terminology
The word ''bargello'' appears ...
, Florence, Italy
* Château d'Écouen
The Château d'Écouen is an historic château in the commune of Écouen, some 20 km north of Paris, France, and a notable example of French Renaissance architecture. Since 1975, it has housed the collections of the Musée national de la Renaissan ...
(National museum of the Renaissance), Écouen, France
*Vatican museums
The Vatican Museums ( it, Musei Vaticani; la, Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of ...
, Vatican city
* Pinacoteca di Brera, Milan, Italy
See also
* Danube school
* Forlivese school of art
* History of painting
The history of painting reaches back in time to artifacts and artwork created by pre-historic artists, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, continents, and ...
* I Modi
''I Modi'' (''The Ways''), also known as ''The Sixteen Pleasures'' or under the Latin title ''De omnibus Veneris Schematibus'', is a famous erotic book of the Italian Renaissance in which a series of sexual positions were explicitly depicted i ...
* Mughal art
Mughal painting is a style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature paint ...
* Oriental carpets in Renaissance painting
Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Azerbaijan, the Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. Mo ...
* '' Lives of the Most Excellent Painters, Sculptors, and Architects''
References
External links
The Early Renaissance
"Limited Freedom"
Marica Hall,
Berfrois
', 2 March 2011.
{{DEFAULTSORT:Renaissance Art
Art
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas.
There is no generally agreed definition of wha ...
Western art
Catholic art by period