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Andrea Schiavone
Andrea Meldolla ( hr, Andrija Medulić), also known as Andrea Schiavone or Andrea Lo Schiavone (c. 1510/15–1563) was an Italian Renaissance painter and etcher, born in present-day Croatia, active mainly in the city of Venice. His style combined Mannerist elements, a relative rarity in Venice, with much influence from the mainstream of Venetian painting, especially Titian. Biography Meldolla was born in the Venetian-ruled city of Zara in Dalmatia, now Zadar in Croatia, the son of a garrison commander of a post nearby. His family was originally from the small town of Meldola, close to the city of Forlì in Romagna. He trained either in Zara or in Venice. Gian Paolo Lomazzo stated, in a book of 1584, that he was a pupil of Parmigianino, but this has been doubted. There are unproven claims that he trained with Bonifazio de Pitati. He worked in fresco, panel painting, and etching (teaching himself to etch by working initially from drawings by Parmigianino). By 1540, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zadar
Zadar ( , ; historically known as Zara (from Venetian and Italian: ); see also other names), is the oldest continuously inhabited Croatian city. It is situated on the Adriatic Sea, at the northwestern part of Ravni Kotari region. Zadar serves as the seat of Zadar County and of the wider northern Dalmatian region. The city proper covers with a population of 75,082 , making it the second-largest city of the region of Dalmatia and the fifth-largest city in the country. Today, Zadar is a historical center of Dalmatia, Zadar County's principal political, cultural, commercial, industrial, educational, and transportation centre. Zadar is also the episcopal see of the Archdiocese of Zadar. Because of its rich heritage, Zadar is today one of the most popular Croatian tourist destinations, named "entertainment center of the Adriatic" by ''The Times'' and "Croatia's new capital of cool" by ''The Guardian''. UNESCO's World Heritage Site list included the fortified city of Zadar as par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrija Medulić
Andrea Meldolla ( hr, Andrija Medulić), also known as Andrea Schiavone or Andrea Lo Schiavone (c. 1510/15–1563) was an Italian Renaissance painter and etcher, born in present-day Croatia, active mainly in the city of Venice. His style combined Mannerist elements, a relative rarity in Venice, with much influence from the mainstream of Venetian painting, especially Titian. Biography Meldolla was born in the Venetian-ruled city of Zara in Dalmatia, now Zadar in Croatia, the son of a garrison commander of a post nearby. His family was originally from the small town of Meldola, close to the city of Forlì in Romagna. He trained either in Zara or in Venice. Gian Paolo Lomazzo stated, in a book of 1584, that he was a pupil of Parmigianino, but this has been doubted. There are unproven claims that he trained with Bonifazio de Pitati. He worked in fresco, panel painting, and etching (teaching himself to etch by working initially from drawings by Parmigianino). By 1540, he was w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schiavone 1
Schiavone (; feminine ''Schiavona'', plural ''Schiavoni'') is an Italian ethnonym literally meaning " Slavs" in Old Venetian: originally, this term indicated origins in the lands of Dalmatia and Istria (in present-day Slovenia and Croatia), when under the rule of the Republic of Venice. Today it is an Italian surname. History The importance of Schiavoni's role in the Venetian Republic is best shown by the name of one of the main streets in Venice, Riva degli Schiavoni, just in front of the Doge Palace and San Marco Square. A number of artists who worked in Italy who were of Slavic descent were nicknamed ''Schiavone'' by their origin: most famous among them are Giulio Clovio, Francesco Laurana, and Luciano Laurana. Schiavone was also a designation of the Oltremarini, a military unit of the same descent in the Venetian Navy. The basket-hilted sword schiavona was also named after the Schiavone. Surname In Italy, the surname Schiavone mostly occurs in the southernmost region ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Republic Of Venice
The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, links=no), was a sovereign state and maritime republic in parts of present-day Italy (mainly northeastern Italy) that existed for 1100 years from AD 697 until AD 1797. Centered on the lagoon communities of the prosperous city of Venice, it incorporated numerous overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a trading power during the Middle Ages and strengthened this position during the Renaissance. Citizens spoke the still-surviving Venetian language, although publishing in (Florentine) Italian became the norm during the Renaissance. In its early years, it prospered on the salt trade. In subsequent centuries, the city state established a thalassocracy. It dominat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sydney Joseph Freedberg
Sydney Joseph Freedberg (November 11, 1914 – May 6, 1997) was an American art historian and curator, mainly of Italian Renaissance painting. Freedberg was born in Boston and attended the Boston Latin School. He graduated from Harvard College in 1939, and acquired a doctoral degree a year later. One of his mentors was Bernard Berenson. He taught Fine Arts at Harvard from 1954 to 1983. At the time of his retirement in 1983 he was the Arthur Kingsley Porter Professor of Fine Arts at Harvard. He became chief curator from 1983 to 1988 of the National Gallery of Art in Washington, DC in 1983 upon retiring from Harvard. During the Second World War, Freedberg risked disciplinary action by refusing as a matter of conscience to work on intelligence about Rome. Later he would say that "I was worried that the information I might gather might be used in a military operation against that city", and thus lead to irreparable damage to works of art there. Despite his decision, he was made an H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Bassano
Jacopo Bassano (c. 1510 – 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, and took the village as his surname. Trained in the workshop of his father, Francesco the Elder, and studying under Bonifazio Veronese in Venice, he painted mostly religious paintings including landscape and genre scenes. He often treated biblical themes in the manner of rural genre scenes, portraying people who look like local peasants and depicting animals with real interest. Bassano's pictures were very popular in Venice because of their depiction of animals and nocturnal scenes. His four sons: Francesco Bassano the Younger, Giovanni Battista da Ponte, Leandro Bassano, and Girolamo da Ponte, also became artists and followed him closely in style and subject matter. Life He was born around 1510 in the town of Bassano del Grappa, located about 65 km from the city of Venice. His father, Francesco il Vecchio, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term '' Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonifazio Veronese
Bonifacio Veronese, birth name: Bonifacio de' PitatiAlso known as Bonifazio Veneziano (1487 – 19 October 1553) was an Italian Renaissance painter who was active in the Venetian Republic. His work had an important influence on the younger generation of painters in Venice, particularly Andrea Schiavone and Jacopo Tintoretto.Thomas Nichols. "Pitati, Bonifazio de’." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 28 Dec. 2016 Life The artist was born in Verona from which his family moved to Venice around 1505. Here, the young artist reputedly trained under Palma il Vecchio. He was initially a close follower of il Vecchio. He ran a large workshop in Venice, which could execute small devotional works as well as large painting projects. His early work also shows his knowledge of Giorgione and Titian [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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