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Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna With The Long Neck
''The Madonna with the Long Neck'' ( it, Madonna dal collo lungo), also known as ''Madonna and Long Child with Angels and St. Jerome'', is an Italian Mannerist oil painting by Parmigianino, dating from c. 1535-1540 and depicting Madonna and Child with angels. The painting was begun in 1534 for the funerary chapel of Francesco Tagliaferri in Parma, but remained incomplete on Parmigianino's death in 1540. Ferdinando de' Medici, Grand Prince of Tuscany, purchased it in 1698 and it has been on display at the Uffizi since 1948. Description The painting depicts the Virgin Mary seated on a high pedestal in luxurious robes, holding a large baby Jesus on her lap. Six angels crowded together on the Madonna's right adore the Christ-child. In the lower right-hand corner of the painting is an enigmatic scene, with a row of marble columns and the emaciated figure of St. Jerome. A depiction of St. Jerome was required by the commissioner because of the saint's connection with the adoration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vision Of Saint Jerome
The ''Vision of Saint Jerome'' is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is now in the National Gallery, London, United Kingdom. History The work was commissioned on 3 January 1526 in Rome, by Maria Bufalini, wife of Antonio Caccialupi, to decorate the family chapel in the church of San Salvatore in Lauro. The contract mentioned "Francesco Mazola de Parma" and one "Pietro" with the same name, perhaps Parmigianino's uncle Piero Ilario Mazzola. The elongated shape derives from its original destination as part of a triptych, whose sides (never painted) should represent the Immaculate Conception (to which the chapel was dedicated) and the saints Joachim and Anna. According to late Renaissance art biographer Giorgio Vasari, Parmigianino was working to this painting during the Sack of Rome, and he had to stop when the city was ravaged by the imperial troops. He was able to escape paying a ransom, while his uncle remained in Rome, being ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-portrait In A Convex Mirror
''Self-portrait in a Convex Mirror'' (c. 1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria. History The work is mentioned by Late Renaissance art biographer Giorgio Vasari, who lists it as one of three small-size paintings that the artist brought to Rome with him in 1525. Vasari relays that the self-portrait was created by Parmigianino as an example to showcase his talent to potential customers. The portrait was donated to pope Clement VII, and later to writer Pietro Aretino, in whose house Vasari himself, then still a child, saw it. It was later acquired by Vicentine sculptor Valerio Belli and, after his death in 1546, by his son Elio. Through the intercession of Andrea Palladio, in 1560 the work went to Venetian sculptor Alessandro Vittoria, who bequeathed it to emperor Rudolf II. It arrived in Prague in 1608, and later it became part of the Habsburg imperial collections in Vienna (1777), al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mystical Marriage Of Saint Catherine (Parmigianino)
The ''Bardi Altarpiece'' ( it, Pala di Bardi), is an Italian Mannerist painting by the Italian painter Parmigianino, dating from c. 1521 and housed in the church of Santa Maria at Bardi, Emilia-Romagna, Italy. History In 1521 Parma was invaded by the imperial-papal troops under Prospero Colonna, in the course of the Italian Wars. The young Parmigianino, then seventeen, was sent by his family to Viadana to his cousin's house. According to Italian late Renaissance art biographer Giorgio Vasari,Giorgio Vasari, ''Lives of the Most Excellent Painters, Sculptors, and Architects'' there Parmigianino painted two tempera panels: ''St. Francis Receiving the Stigmata'' (lost) and the ''Marriage of St. Catherine'', which was placed in the church of San Pietro. The latter was stolen in 1629, during the War of Mantuan Succession, and brought to Parma. Later, in unknown circumstances, it was transferred to the current location in Bardi, a town near Parma: here, in 1860, members of the Academy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Bedoli
Girolamo Mazzola Bedoli (c. 1500–1569) was an Italian painter active in the Mannerist style. Biography Bedoli was born in Parma in a family coming from Viadana in Lombardy. He was a near contemporary of Parmigianino, and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino. For example, he completed works in the apse of Santa Maria della Steccata.European Paintings:Keith Christiansen (1982) Notable Acquisitions (Metropolitan Museum of Art) p.39. He is known to have worked in the studio of the Parmigianino's uncles in the city of Parma. He married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known ''Mazzola'' appellation. He painted along with his father in law the ''Immaculate Conception'' for the ''Oratorio della Concezione'' (now in Parma Gallery). Freedberg describes him in his masterpiece of the ''Annunciation'' as resembling Parmigianino in the same way Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Mazzola Bedoli
Girolamo Mazzola Bedoli (c. 1500–1569) was an Italian painter active in the Mannerist style. Biography Bedoli was born in Parma in a family coming from Viadana in Lombardy. He was a near contemporary of Parmigianino, and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino. For example, he completed works in the apse of Santa Maria della Steccata.European Paintings:Keith Christiansen (1982) Notable Acquisitions (Metropolitan Museum of Art) p.39. He is known to have worked in the studio of the Parmigianino's uncles in the city of Parma. He married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known ''Mazzola'' appellation. He painted along with his father in law the ''Immaculate Conception'' for the ''Oratorio della Concezione'' (now in Parma Gallery). Freedberg describes him in his masterpiece of the ''Annunciation'' as resembling Parmigianino in the same way Bron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giovanni Evangelista (Parma)
San Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery. History Works for the abbey and church were started in the 10th century over a pre-existing oratory associated with St. Colombanus. In 1477 the whole complex was damaged by a fire. The abbey basilica was rebuilt from around 1490, with the present design by Bernardino Zaccagni dating from 1510. The construction ended around 1519. The design included since the beginning a thoroughly painting decoration of the interior, and a contract had been signed with the young Correggio, who a had already worked in another Benedictine monastery, in the Camera della Badessa of San Paolo. Correggio executed five frescoes groups. The first includes the lunette with ''St. John and the Eagle'' (c. 1520), followed by the dome, with the ''Ascension of Christ'' and the drum and the four pendentives decoration. The third work was the decoration of the vault and the apse ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmigiano-Reggiano, cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the Parma (river), stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma (shield), Parma''. The Italian literature, Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, Italy, Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri (painter), Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Mazzola
Filippo Mazzola (1460 - 1505) was an Italian painter of the Renaissance period. He was born in Parma, his father was Bartholomew, and he became a pupil of Francesco Tacconi. He worked mainly in the area between Parma and Piacenza. There is documentation of a trip to Venice, where he is thought to have gone to study his main stylistic references: Antonello da Messina, Giovanni Bellini and Alvise Vivarini. His most notable work is the polyptych kept at the basilica of Cortemaggiore Cortemaggiore ( Piacentino: ) is an Italian ''comune'' located in the Province of Piacenza. Cortemaggiore is located in the northern Italy about from Milan and from Bologna, in the Pianura Padana. The municipality borders with Fiorenzuola d'Ar ..., although it is currently missing a couple of paintings. He was the father of the painter Girolamo Francesco Maria Mazzola. He died at the age of about 45 years, during an epidemic of plague. References * Roberto Lasagni, Biographical Dictionary of Parmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italians
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