Cristóvão De Morais
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Cristóvão De Morais
Cristóvão de Morais was a 16th-century Portuguese court painter for the kings John III of Portugal and Sebastian I of Portugal. He painted numerous portraits for the kings, queens, and princes of Portugal. Life When he was young, Morais studied in Antwerp. In 1554, he was appointed examiner of painters, an indicator of the degree of esteem in which he was taken by the court. In 1551, he decorated a bed for the queen's chamber D. Catherine, wife of D. John III, which was lost. In 1567 he painted the altarpiece of the church of the Convent of the Conception of Beja, also lost. His best known works are the two portraits of King Sebastian, one located in Madrid and the other, very similar to the first, now located in the National Museum of Ancient Art, Lisbon. The portrait of Madrid, full-body, is signed and dated "1565 Christoforus Morales faciebat", while Lisbon was probably performed in 1571 at the request of D. Catherine, grandmother of Sebastian. In these works the young ki ...
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Portuguese People
The Portuguese people () are a Romance nation and ethnic group indigenous to Portugal who share a common culture, ancestry and language. The Portuguese people's heritage largely derives from the pre-Celts, Proto-Celts (Lusitanians, Conii) and Celts (Gallaecians, Turduli and Celtici), who were Romanized after the conquest of the region by the ancient Romans. A small number of male lineages descend from Germanic tribes who arrived after the Roman period as ruling elites, including the Suebi, Buri, Hasdingi Vandals, Visigoths with the highest incidence occurring in northern and central Portugal. The pastoral Caucasus' Alans left small traces in a few central-southern areas. Finally, the Umayyad conquest of Iberia also left Jewish, Moorish and Saqaliba genetic contributions, particularly in the south of the country. The Roman Republic conquered the Iberian Peninsula during the 2nd and 1st centuries B.C. from the extensive maritime empire of Carthage during the series o ...
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Renaissance Art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ...
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Portuguese Renaissance
The Portuguese Renaissance refers to the cultural and artistic movement in Portugal during the 15th and 16th centuries. Though the movement coincided with the Spanish and Italian Renaissances, the Portuguese Renaissance was largely separate from other European Renaissances and instead was extremely important in opening Europe to the unknown and bringing a more worldly view to those European Renaissances, as at the time the Portuguese Empire spanned the globe. As the pioneer of the Age of Discoveries, Portugal flourished in the 15th, 16th, and 17th centuries, with voyages to India, the Orient, the Americas, and Africa. This immense trade network would create an extremely wealthy Portuguese nobility and monarchy, that would become patrons for an immense flourishing of culture, arts, and technology in Portugal and all over the world. Context Diplomats, merchants, students, humanists, scholars, and artists, from all over Europe, were drawn to Portugal during its Renaissance. The ma ...
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John III Of Portugal
John III ( pt, João III ; 7 June 1502 – 11 June 1557), nicknamed The Pious (Portuguese: ''o Piedoso''), was the King of Portugal and the Algarves from 1521 until his death in 1557. He was the son of King Manuel I and Maria of Aragon, the third daughter of King Ferdinand II of Aragon and Queen Isabella I of Castile. John succeeded his father in 1521 at the age of nineteen. During his rule Portuguese possessions were extended in Asia and in the New World through the Portuguese colonization of Brazil. John III's policy of reinforcing Portugal's bases in India (such as Goa) secured Portugal's monopoly over the spice trade of cloves and nutmeg from the Maluku Islands. On the eve of his death in 1557, the Portuguese empire had a global dimension and spanned almost . During his reign, the Portuguese became the first Europeans to make contact with Japan (during the Muromachi period). He abandoned the Muslim territories in North Africa in favor of the trade with India and investme ...
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Sebastian Of Portugal
Sebastian ( pt, Sebastião I ; 20 January 1554 – 4 August 1578) was King of Portugal from 11 June 1557 to 4 August 1578 and the penultimate Portuguese monarch of the House of Aviz. He was the son of João Manuel, Prince of Portugal, and his wife, Joanna of Austria. He was the grandson of King John III of Portugal and Holy Roman Emperor Charles V. He disappeared (presumably killed in action) in the battle of Alcácer Quibir, against the Saadians of Morocco. Sebastian I is often referred to as ''the Desired'' (Portuguese: ''o Desejado'') or ''the Hidden'' (Portuguese: ''o Encoberto''), as the Portuguese people longed for his return to end the decline of Portugal that began after his death. He is considered to be the Portuguese example of the King asleep in mountain legend as Portuguese tradition states his return, in a foggy dawn, in Portugal's greatest hour of need. Early life Sebastian was born shortly after eight in the morning of 20 January 1554 (the feast of Saint Seba ...
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Portugal
Portugal, officially the Portuguese Republic ( pt, República Portuguesa, links=yes ), is a country whose mainland is located on the Iberian Peninsula of Southwestern Europe, and whose territory also includes the Atlantic archipelagos of the Azores and Madeira. It features the westernmost point in continental Europe, and its Iberian portion is bordered to the west and south by the Atlantic Ocean and to the north and east by Spain, the sole country to have a land border with Portugal. Its two archipelagos form two autonomous regions with their own regional governments. Lisbon is the capital and largest city by population. Portugal is the oldest continuously existing nation state on the Iberian Peninsula and one of the oldest in Europe, its territory having been continuously settled, invaded and fought over since prehistoric times. It was inhabited by pre-Celtic and Celtic peoples who had contact with Phoenicians and Ancient Greek traders, it was ruled by the Ro ...
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Court Painter
A court painter was an artist who painted for the members of a royal or princely family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Painters were the most common, but the court artist might also be a court sculptor. In Western Europe, the role began to emerge in the mid-13th century. By the Renaissance, portraits, mainly of the family, made up an increasingly large part of their commissions, and in the Early Modern period one person might be appointed solely to do portraits, and another for other work, such as decorating new buildings. Especially in the Late Middle Ages, they were often given the office of valet de chambre. Usually they were given a salary and formal title, and often a pension for life, though arrangements were highly variable. But often the artist was paid only a retainer, and paid additionally for works he or, less often, she produced for the monarch. For the artist, a court appointment ...
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National Museum Of Ancient Art
The Museu Nacional de Arte Antiga (; MNAA), also known in English as the National Museum of Ancient Art, is a Portuguese national art museum located in Lisbon. With over 40,000 items spanning a vast collection of painting, sculpture, goldware, furniture, textiles, ceramics, and prints, MNAA is one of the most visited museums in Portugal. The MNAA was founded in 1884 to display the collections of the Portuguese royal family and the National Academy of Fine Arts. It is housed in the ''Palácio Alvor-Pombal'', a former residence of the 1st Marquis of Pombal which was expanded when it was converted into a museum. The museum's collection spans more than a millennium of art from Europe, Asia, Africa, and the Americas and includes notable artworks by Hieronymus Bosch, Raphael, Hans Holbein the Elder, Francisco de Zurbarán, Albrecht Dürer, Domingos Sequeira, and Giambattista Tiepolo, among numerous others. History Origins The museum has its roots in the 1833 abolition of religiou ...
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Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Joanna Of Austria, Princess Of Portugal
Joanna of Austria (in Castilian, ''Doña Juana de Austria''; in Portuguese, ''Dona Joana de Áustria'', 24 June 1535 – 7 September 1573) was Princess of Portugal by marriage to João Manuel, Prince of Portugal. She served as regent of Spain to her brother Philip II of Spain during his trips to England to marry Mary I from 1554 to 1556, and 1556 to 1559. She was the mother of King Sebastian of Portugal. Married at 16 to her even younger husband, she was widowed after two years, giving birth in the same month. Later that year she returned to Spain at her father's request, leaving her son in the care of her mother in law, who was also her aunt. She never saw him again, but corresponded and had portraits sent. In later life she was active in religious affairs. Life Early years Born in Madrid, Joanna was the daughter of Charles V, Holy Roman Emperor, who was the first king of united Spain, officially King of Aragon and King of Castile and his wife, Isabella of Portugal. ...
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Painters At The Portuguese Royal Court
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Renaissance Painters
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ...
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