High Renaissance
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High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started around 1495 or 1500 and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the army of Charles V, Holy Roman Emperor, or about 1530 (see next section for specific art historians' positions). The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In recent years, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. Origin of term The term ''High Renaissance'' was first used by Jacob ...
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Raffael Stanza Della Segnatura
Raffael may refer to: * Raffael or Raphael, Italian painter * Raffael or Raphael (given name), given name * Raffael (footballer), Brazilian footballer * Joseph Raffael, American contemporary realist painter {{disambig, hndis, surname ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Republic Of Florence
The Republic of Florence, officially the Florentine Republic ( it, Repubblica Fiorentina, , or ), was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda of Tuscany, who controlled vast territories that included Florence. The Florentines formed a commune in her successors' place. The republic was ruled by a council known as the Signoria of Florence. The signoria was chosen by the (titular ruler of the city), who was elected every two months by Florentine guild members. During the Republic's history, Florence was an important cultural, economic, political and artistic force in Europe. Its coin, the florin, became a world monetary standard. During the Republican period, Florence was also the birthplace of the Renaissance, which is considered a fervent period of European cultural, artistic, political and e ...
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Frederick Hartt
Frederick Hartt (1914–1991) was an Italian Renaissance scholar, author and professor of art history. His books include ''History of Italian Renaissance Art'', '' Art: A History of Painting, Sculpture, and Architecture ''(two volumes), ''Michelangelo (Masters of Art Series)'', ''The Sistine Chapel'' and ''The Renaissance in Italy and Spain (Metropolitan Museum of Art Series)''. He was also involved with cataloging and repatriating art work looted and stolen by the Third Reich during World War II. Biography Hartt was born in Boston, Massachusetts on 22 May 1914, the son of Rollin Lynde Hartt and Jessie Clark Knight (Hartt). He graduated from Columbia College in 1935 and received his PhD from New York University's Institute of Fine Arts in 1950; the subject of his dissertation was ''Giulio Romano and the Palazzo del Te''. From 1942 to 1946, during World War II, Hartt was an officer in the Monuments, Fine Arts, and Archives program of the US Army and received a Bronze Star. He ...
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Underpainting
In art, an underpainting is an initial layer of paint applied to a ground, which serves as a base for subsequent layers of paint. Underpaintings are often monochromatic and help to define color values for later painting. Underpainting gets its name because it is painting that is intended to be painted over (see overpainting) in a system of working in layers. There are several different types of underpainting, such as veneda, verdaccio, morellone, imprimatura and grisaille.''Underpaint.'' In: The different types have different colourings. Grisaille is plain grey. Verdaccio is a grey tending towards yellow or green that brings out more luminous tones. While imprimatura uses earth tones. Underpainting has several advantages over working from a plain canvass. The neutral colours of the underpaint will not distract if they are not completely covered. It also aids the painter in getting a correct tone. Comparing colours to a white background is very different from the colouring of the f ...
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Adoration Of The Magi (Leonardo)
''The Adoration of the Magi'' is an unfinished early painting by the Italian Renaissance artist Leonardo da Vinci. Leonardo was given the commission by the Augustinian monks of in Florence in 1481, but he departed for Milan the following year, leaving the painting unfinished. It has been in the Uffizi Gallery in Florence since 1670. Description The Virgin Mary and Child are depicted in the foreground and form a triangular shape with the Magi kneeling in adoration. Behind them is a semicircle of accompanying figures, including what may be a self-portrait of the young Leonardo (on the far right). In the background on the left is the ruin of a pagan building, on which workmen can be seen, apparently repairing it. On the right are men on horseback fighting and a sketch of a rocky landscape. The ruins are a possible reference to the Basilica of Maxentius, which, according to medieval legend, the Romans claimed would stand until a virgin gave birth. It is supposed to have collapsed o ...
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Vatican City
Vatican City (), officially the Vatican City State ( it, Stato della Città del Vaticano; la, Status Civitatis Vaticanae),—' * german: Vatikanstadt, cf. '—' (in Austria: ') * pl, Miasto Watykańskie, cf. '—' * pt, Cidade do Vaticano—' * es, Ciudad del Vaticano—' is an independent city-state, microstate and enclave and exclave, enclave within Rome, Italy. Also known as The Vatican, the state became independent from Italy in 1929 with the Lateran Treaty, and it is a distinct territory under "full ownership, exclusive dominion, and sovereign authority and jurisdiction" of the Holy See, itself a Sovereignty, sovereign entity of international law, which maintains the city state's Temporal power of the Holy See, temporal, Foreign relations of the Holy See, diplomatic, and spiritual Legal status of the Holy See, independence. With an area of and a 2019 population of about 453, it is the smallest state in the world both by area and List of countries and dependencies ...
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Pietà (Michelangelo)
The ''Pietà'' (; 1498–1499) is a key work of Italian Renaissance sculpture by Michelangelo Buonarroti, now in St. Peter's Basilica, Vatican City. It is the first of a number of works of the same subject by the artist. The statue was commissioned for the French Cardinal Jean de Bilhères, who was the French ambassador in Rome. The sculpture, in Carrara marble, was made for the cardinal's funeral monument, but was moved to its current location, the first chapel on the north side after the entrance of the basilica, in the 18th century. It is the only piece Michelangelo ever signed. This famous work of art depicts the body of Jesus on the lap of his mother Mary after the Crucifixion. Michelangelo's interpretation of the ''Pietà'' is unprecedented in Italian sculpture. It is an important work as it balances the Renaissance ideals of classical beauty with naturalism. In 2019, a small terracotta figure identified as a model for the final sculpture was displayed in Paris. De ...
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John Fleming (art Historian)
John Fleming (12 June 1919 – 29 May 2001) was a British art historian, known for his writing partnership with Hugh Honour. Their ''A World History of Art'' (aka, ''The Visual Arts: A History''), first published in 1982, is now in its seventh edition. Fleming's ''Robert Adam and His Circle in Edinburgh and Rome'' (1961) won the Bannister Fletcher Prize and the Alice Davis Hitchcock Medal. Biography Fleming was born in Berwick-upon-Tweed, the son of a local Solicitor. He was educated at Rugby School and read English at Trinity College, Cambridge where he met Hugh Honour, who would become Fleming's life partner. He travelled to Italy and during World War II was briefly a conscientious objector before entering the British Army Intelligence Corps in Cairo. There he began to write about art with the encouragement of Nikolaus Pevsner. Living in Asolo near Venice, Honour and Fleming began a productive writing partnership. They were commissioned by publisher Allen Lane to edit t ...
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Hugh Honour
Hugh Honour FRSL (26 September 1927 – 19 May 2016) was a British art historian, known for his writing partnership with John Fleming (art historian), John Fleming. Their ''A World History of Art'' (a.k.a. ''The Visual Arts: A History''), is now in its seventh edition and Honour's ''Chinoiserie: The Vision of Cathay'' (1961) first set the phenomenon of chinoiserie in its European cultural context. Early life Honour was born in Eastbourne, Sussex, to Herbert and Dorothy (Withers) Honour. After The King's School, Canterbury, he read English at St Catharine's College, Cambridge, graduating with a Bachelor of Arts degree. While at Cambridge, Honour met John Fleming (art historian), John Fleming, a solicitor and amateur art historian, who would become Honour's life partner. Honour accepted a position as Assistant director of Leeds City Art Gallery and Temple Newsam House but left after one year to join Fleming in Italy. Life in Italy Living in Asolo near Venice, Honour and Fleming be ...
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David Piper (curator)
Sir David Towry Piper Commander of the Most Excellent Order of the British Empire, CBE Fellow of the Society of Antiquaries of London, FSA Fellow of the Royal Society of Literature, FRSL (21 July 1918 – 29 December 1990) was a British museum curator and author. He was director of the National Portrait Gallery, London, National Portrait Gallery 1964–1967, and of the Fitzwilliam Museum, Cambridge, 1967–1973; and Fellow of Christ's College, Cambridge, 1967–1973, and Director of the Ashmolean Museum, Oxford, 1973–85 and Fellow of Worcester College, Oxford, 1973–1985. He was knighted in 1983. The second of three sons of Stephen Harvey Piper, Professor of Physics at Bristol University, Piper was born at Wimbledon, London, Wimbledon and educated at Clifton College and St Catharine's College, Cambridge (where he took an Master of Arts (Oxford, Cambridge and Dublin), M.A.). Piper was Slade Professor of Fine Art at the University of Oxford for 1966–67. In 1956, Piper prepar ...
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The Last Supper (Leonardo)
''The Last Supper'' ( it, Il Cenacolo or ) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to . The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of Johnspecifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance. The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations: tempera on gesso, ...
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