Lorenzo Lotto
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ...
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Thyssen-Bornemisza Museum
The Thyssen-Bornemisza National Museum (in Spanish, the Museo Nacional Thyssen-Bornemisza (), named after its founder), or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofia it concerns Impressionists, Expressionists, and European and American paintings from the 20th century. With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection.Jonathan Kandell"Baron Thyssen-Bornemisza, Industrialist Who Built Fabled Art Collection, Dies at 81,"New York ''Times'', 28 April 2002. A competition was held to house t ...
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Allegory Of Virtue And Vice (Lotto)
The ''Allegory of Virtue and Vice'' is an oil-on-panel painting by the Italian High Renaissance painter Lorenzo Lotto, dating to 1505. It is housed in the National Gallery of Art in Washington, DC, United States. History The painting originally formed the protective cover of the Portrait of Bernardo de' Rossi, the bishop of Treviso who was Lotto's patron at the time. When it was opened to display the portrait, the inscription (on the reverse of the ''Allegory'') would have been revealed: The painting was brought to Parma when de' Rossi fled Treviso, and there it became part of the Farnese collection, from which it was bought in 1803; after a series of different possessors, it arrived in the United States in 1935, and was donated to the current museum four years later. Description The painting is an allegoric scene with the bishop's coat of arms lying on a tree in the center of the composition. The tree divides the latter in two parts corresponding to its two branches, one gr ...
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National Museum Of Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand House of Bourbon, Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the list of largest art museums, largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Kingdom of the Two Sicilies, Naples and Sicily (later Charles III of Spain, Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous House of Farnese, Farnese art collection which he had in ...
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Portrait Of Bishop Bernardo De Rossi
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Bernardo De' Rossi
Bernardo de' Rossi (26 August 1468 – 28 June 1527) was an Italian bishop and patron of the arts. Biography Rossi was the son of a feudal family of the area of Parma, at a young age he received the archdeaconate of Padua and the Abbey of St. Crisogonus in Zadar. On 4 Apr 1487, thanks to the support of the Republic of Venice, he was appointed Bishop of Belluno. On 16 Aug 1499, he was appointed as bishop of Treviso. Here he held a small court, featuring artists such as Lorenzo Lotto, who painted a portrait of him around 1505. In 1503, de' Rossi entered into conflict with the Venetian podestà of Treviso, Girolamo Contarini. In September of that year a plot set against him by the Onigo family failed as it was discovered before its application. In 1509, after further controversies with the Venetian authorities, he was forced to leave the diocese, and moved to Rome (1510). In 1522 he returned to the ancestral field of San Secondo Parmense, fighting against members of his fami ...
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Republic Of Venice
The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, links=no), was a sovereign state and Maritime republics, maritime republic in parts of present-day Italy (mainly Northern Italy, northeastern Italy) that existed for 1100 years from AD 697 until AD 1797. Centered on the Venetian Lagoon, lagoon communities of the prosperous city of Venice, it incorporated numerous Stato da Màr, overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a Economic history of Venice, trading power during the Middle Ages and strengthened this position during the Renaissance. Citizens spoke the still-surviving Venetian language, although publishing in (Florentine) Italian became the norm during the Renaissance. In its early years, it prospered on the salt ...
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Vite
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by , in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Palma The Elder
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione, and the removal from Venice of ...
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Lorenzo Lotto 057
Lorenzo may refer to: People * Lorenzo (name) Places Peru * San Lorenzo Island (Peru), sometimes referred to as the island of Lorenzo United States * Lorenzo, Illinois * Lorenzo, Texas * San Lorenzo, California, formerly Lorenzo * Lorenzo State Historic Site, house in New York State listed on the National Register of Historic Places Art, entertainment, and media ;Films and television * ''Lorenzo'' (film), an animated short film * ''Lorenzo's Oil'', a film based on a true story about a boy suffering from Adrenoleukodystrophy and his parents' journey to find a treatment. * ''Lorenzo's Time'', a 2012 Philippine TV series that aired on ABS-CBN ;Music *Lorenzo (rapper), French rapper * "Lorenzo", a 1996 song by Phil Collins Other uses * List of storms named Lorenzo * Lorenzo patient record systems, a type of electronic health record in the United Kingdom See also * San Lorenzo (other) * De Lorenzo * di Lorenzo * Lorenzen (other) Lorenzen may refer to People * Lo ...
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Antonio Da Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the ...
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