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The Ambassadors (Holbein)
''The Ambassadors'' is a 1533 painting by Hans Holbein the Younger. Also known as '' Jean de Dinteville and Georges de Selve'', after the two people it portrays, it was created in the Tudor period, in the same year Elizabeth I was born. Franny Moyle speculates that Elizabeth's mother, Anne Boleyn, then Queen of England, might have commissioned the painting as a gift for Jean de Dinteville, the ambassador portrayed on the left in the painting. As well as being a double portrait, the painting contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate. It also incorporates one of the best-known examples of anamorphosis in painting. ''The Ambassadors'' has been part of London's National Gallery collection since its purchase in 1890. Description Although a German-born artist who spent much of his time in England, Holbein here displays the influence of Early Netherlandish painting. He used oils which for panel paintings had been dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Holbein The Younger
Hans Holbein the Younger ( , ; german: Hans Holbein der Jüngere; – between 7 October and 29 November 1543) was a Germans, German-Swiss people, Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Protestant Reformation, Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the International Gothic, Late Gothic school. Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first, he painted murals and religious works, and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam. When the Reformation reach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of Flémalle
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish painting. While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades. Campbell, Lorne. "Robert Campin, the Master of Flémalle and the Master of Mérode". ''The Burlington Magazine'', Volume 116, No. 860, Nov. 1974. 634-646 A corpus of work is attached to the unidentified "Master of Flémalle,"Fragments remain probably from som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Map Ambassadors
A map is a symbolic depiction emphasizing relationships between elements of some space, such as Physical body, objects, regions, or themes. Many maps are static, fixed to paper or some other durable medium, while others are dynamic or interactive. Although most commonly used to depict geography, maps may represent any space, real or fictional, without regard to Context (language use), context or Scale (map), scale, such as in brain mapping, DNA mapping, or computer network topology mapping. The space being mapped may be two dimensional, such as the surface of the earth, three dimensional, such as the interior of the earth, or even more abstract spaces of any dimension, such as arise in modeling phenomena having many independent variables. Although the earliest maps known are of the heavens, geographic maps of territory have a very long tradition and exist from ancient times. The word "map" comes from the , wherein ''mappa'' meant 'napkin' or 'cloth' and ''mundi'' 'the world'. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifix
A crucifix (from Latin ''cruci fixus'' meaning "(one) fixed to a cross") is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the ''corpus'' (Latin for "body"). The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Roman Rite of the Roman Catholic Church, but is also used in the Eastern Orthodox Church, most Oriental Orthodox Churches (except the Armenian & Syriac Church), and the Eastern Catholic Churches, as well as by the Lutheran, Moravian and Anglican Churches. The symbol is less common in churches of other Protestant denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to use a cross without the figure of Jesus (the ''corpus''). The crucifix emphasizes Jesus' sacrifice—his death by crucifixion, which Christians beli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary, The Mother Of Jesus
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jews, Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under titles of Mary, various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Holy Bible, Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God in Christianity, God to annunciation, conceive Jesus through the Holy Spirit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oriental Carpets In Renaissance Painting
Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Azerbaijan, the Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. More depictions of Oriental carpets in Renaissance painting survive than actual carpets contemporary with these paintings. Few Middle-Eastern carpets produced before the 17th century remain, though the number of these known has increased in recent decades. Therefore, comparative art-historical research has from its onset in the late 19th century relied on carpets represented in datable European paintings. Art historical background Activities of scientists and collectors beginning in the late 19th century have substantially increased the corpus of surviving Oriental carpets, allowing for more detailed comparison of existing carpets with their painted counterparts. Western comparative research resulted in an ever more detailed cultural history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmati
The Cosmati were a Roman family, seven members of which, for four generations, were skilful architects, sculptors and workers in decorative geometric mosaic, mostly for church floors. Their name is commemorated in the genre of Cosmatesque work, often just called "Cosmati", a technique of ''opus sectile'' ("cut work") formed of elaborate inlays of small triangles and rectangles of colored stones and glass mosaics set into stone matrices or encrusted upon stone surfaces. Bands, panels and shaped reserves of intricate mosaic alternate with contrasting bands, guilloches and simple geometric shapes of plain white marble. Pavements and revetments were executed in Cosmatesque technique, columns were inlaid with fillets and bands, and immovable church furnishings like cathedras and '' ambones'' were similarly treated. In addition, members of the Cosmati engaged in commerce in ancient sculptures, some unearthed in the course of excavating for marbles for reuse. More than one ancient Roma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westminster Abbey
Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, is an historic, mainly Gothic church in the City of Westminster, London, England, just to the west of the Palace of Westminster. It is one of the United Kingdom's most notable religious buildings and since Edward the Confessor, a burial site for English and, later, British monarchs. Since the coronation of William the Conqueror in 1066, all coronations of English and British monarchs have occurred in Westminster Abbey. Sixteen royal weddings have occurred at the abbey since 1100. According to a tradition first reported by Sulcard in about 1080, a church was founded at the site (then known as Thorney Island) in the seventh century, at the time of Mellitus, Bishop of London. Construction of the present church began in 1245 on the orders of Henry III. The church was originally part of a Catholic Benedictine abbey, which was dissolved in 1539. It then served as the cathedral of the Dioce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundial
A sundial is a horological device that tells the time of day (referred to as civil time in modern usage) when direct sunlight shines by the apparent position of the Sun in the sky. In the narrowest sense of the word, it consists of a flat plate (the ''dial'') and a gnomon, which casts a shadow onto the dial. As the Sun appears to move through the sky, the shadow aligns with different hour-lines, which are marked on the dial to indicate the time of day. The ''style'' is the time-telling edge of the gnomon, though a single point or ''nodus'' may be used. The gnomon casts a broad shadow; the shadow of the style shows the time. The gnomon may be a rod, wire, or elaborately decorated metal casting. The style must be parallel to the axis of the Earth's rotation for the sundial to be accurate throughout the year. The style's angle from horizontal is equal to the sundial's geographical latitude. The term ''sundial'' can refer to any device that uses the Sun's altitude or azimut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torquetum
The ''torquetum'' or turquet is a medieval astronomical instrument designed to take and convert measurements made in three sets of coordinates: Horizon, equatorial, and ecliptic. It is said to be a combination of Ptolemy's astrolabon and the plane astrolabe. In a sense, the ''torquetum'' is an analog computer. Invention The origins of the ''torquetum'' are unclear. The earliest account of the ''torquetum'' appear in the writings of Bernard of Verdun and Franco of Poland. Franco of Poland's work was published in 1284; however, Bernard of Verdun's work does not contain a date. Therefore, it is impossible to know which work was written first. Franco's work was more widely known and is credited with the distribution of knowledge about the ''torquetum''. The first ''torquetum'' is thought to have been built by Jabir ibn Aflah (more commonly known as Geber). However, there is conflicting evidence that suggests that Jabir simply inspired the invention of the torquetum. One of the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrant (instrument)
A quadrant is an instrument used to measure angles up to 90°. Different versions of this instrument could be used to calculate various readings, such as longitude, latitude, and time of day. Its earliest recorded usage was in ancient India in Rigvedic times by Rishi Atri to observe a solar eclipse. It was then proposed by Ptolemy as a better kind of astrolabe. Several different variations of the instrument were later produced by medieval Muslim astronomers. Mural quadrants were important astronomical instruments in 18th-century European observatories, establishing a use for positional astronomy. Etymology The term ''quadrant'', meaning one fourth, refers to the fact that early versions of the instrument were derived from astrolabes. The quadrant condensed the workings of the astrolabe into an area one fourth the size of the astrolabe face; it was essentially a quarter of an astrolabe. History During Rigvedic times in ancient India, quadrants called 'Tureeyam's were used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
