Domenico Veneziano
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Domenico Veneziano
Domenico Veneziano (c. 1410 – May 15, 1461) was an Italian painter of the early Renaissance, active mostly in Perugia and Tuscany. Little is known of his birth, though he is thought to have been born in Venice, hence his last name. He then moved to Florence in 1422–23 as a boy, to become a pupil of Gentile da Fabriano. He is said to have worked with Pisanello in Rome around 1423–1430. His work was influenced by the style of Benozzo Gozzoli. In a letter from him to Piero di Cosimo de' Medici, dated from Perugia in 1438, where he likewise resided for many years, he mentions his long connection with the fortunes of the Medici family, and begs to be allowed to paint an altarpiece for the head of that house. He was a contemporary with Fra Angelico and Fra Filippo Lippi, since those two artists and himself are known to have valued the frescoes of Buonfigli at Perugia. Between 1439 and 1441 he painted a masterpiece of the ''Adoration of the Magi'', a round panel which was probably c ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ...
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Stigmata
Stigmata ( grc, στίγματα, plural of , 'mark, spot, brand'), in Roman Catholicism, are bodily wounds, scars and pain which appear in locations corresponding to the crucifixion wounds of Jesus Christ: the hands, wrists, and feet. Stigmata are exclusively associated with Roman Catholicism. Many reported stigmatics are members of Catholic religious orders.Poulain, A. (1912). Mystical Stigmata. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved July 1, 2008 from New Advent: http://www.newadvent.org/cathen/14294b.htm St. Francis of Assisi was the first recorded stigmatic. For over fifty years, St. Padre Pio of Pietrelcina of the Order of Friars Minor Capuchin reported stigmata which were studied by several 20th-century physicians. Stigmata are foreign to the Eastern Orthodox Church, which professes no official view on them; the only stigmatics have been Catholics who lived after the Great Schism of 1054. A high percentage (perhaps over 80%) of all ...
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Martyrdom Of St Lucy (predella 5), Berlino
A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an actor by an alleged oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people killed for a political cause. Most martyrs are consider ...
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Miracle Of Saint Zenobius, Fitzwilliam Museum, Cambridge 2
A miracle is an event that is inexplicable by natural or scientific lawsOne dictionary define"Miracle"as: "A surprising and welcome event that is not explicable by natural or scientific laws and is therefore considered to be the work of a divine agency." and accordingly gets attributed to some supernatural or praeternatural cause. Various religions often attribute a phenomenon characterized as miraculous to the actions of a supernatural being, (especially) a deity, a magician, a miracle worker, a saint, or a religious leader. Informally, English-speakers often use the word ''miracle'' to characterise any beneficial event that is statistically unlikely but not contrary to the laws of nature, such as surviving a natural disaster, or simply a "wonderful" occurrence, regardless of likelihood (e.g. "the miracle of childbirth"). Some coincidences may be seen as miracles. A true miracle would, by definition, be a non-natural phenomenon, leading many writers to dismiss miracles as phy ...
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Annunciation (predella 3), Fitzwilliam Museum, Cambridge
The Annunciation (from the Latin ), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is, according to the Gospel of Luke, the announcement by the archangel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Christian Messiah and Son of God, marking the Incarnation. Gabriel told Mary to name her son Immanuel, meaning "God is with us". Two separate churches, both in Nazareth but around half a mile apart, are venerated as believed locations of the event – the Catholic Basilica of the Annunciation and the Greek Orthodox Church of the Annunciation. According to Luke 1:26, the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, t ...
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Domenico Veneziano 001
Domenico is an Italian given name for males and may refer to: People * Domenico Alfani, Italian painter * Domenico Allegri, Italian composer * Domenico Alvaro, Italian mobster * Domenico Ambrogi, Italian painter * Domenico Auria, Italian architect * Domenico del Barbieri, Florentine artist * Domenico di Bartolo, Italian painter * Domenico Bartolucci, Italian Roman Catholic cardinal * Domenico di Pace Beccafumi, Italian painter * Domenico Pignatelli di Belmonte, Italian Roman Catholic cardinal * Domenico Berardi, Italian footballer * Domenico Bernini, son of Gian Lorenzo Bernini * Domenico Bidognetti, Italian criminal * Domenico Bollani, Venetian diplomat and politician * Domenico Canale, Italian-American distributor * Domenico Caprioli, Italian painter * Domenico Caruso, Italian poet and writer * Domenico Cefalù, Italian-American mobster * Domenico Cimarosa, Italian composer * Domenico Cirillo, Italian physician and patriot * Domenico Colombo, father of Christopher Columbus * D ...
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The Stigmatization Of St Francis (predella 1), Washington
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Bicci Di Lorenzo
Bicci di Lorenzo (1373–1452) was an Italian painter and sculptor, active in Florence. He was born in Florence in 1373, the son of the painter, Lorenzo di Bicci, whose workshop he joined. He married in 1418, and in 1424 was registered in the Guild of Painters at Florence. His son, Neri di Bicci was also a painter and took over the family workshop. Bicci di Lorenzo died in Florence in 1452 and was buried in Santa Maria del Carmine. Following early work – largely frescoes – in collaboration with his father, he received a number of important commissions, including, according to Vasari, from the Medici for a cycle of frescoes of ''Illustrious Men'' for the Palazzo Medici. For the Opera del Duomo, he painted frescoes of the apostles. And he painted a ''Saints Cosmas and Damian'' and frescoes representing the dedication of the church itself for Sant'Egidio in the hospital of Santa Maria Nuova. Among his major works are an ''Enthroned Madonna'' now in the National Gall ...
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Piero Della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to how Lisa Gherardini became kno ...
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Hospital Of Santa Maria Nuova
The Hospital of Santa Maria Nuova (i.e. ''Ospedale di Santa Maria Nuova'' in Italian) is the oldest hospital still active in Florence, Italy. History and artistic profile Origins The hospital was founded in 1288 by Folco Portinari, the father of Beatrice beloved by Dante. Folco was convinced to build the hospital by Monna Tessa, matriarch of the family, whose remains are buried under the tombstone is still visible in the Cloister of the Bones of the Hospital. This is one of the oldest and most important Florentine welfare institutions which became over the centuries very rich and powerful, thanks to the many legacies and donations. Besides the historical perspective, the hospital has a rich artistic legacy due to the profusion of decorations by some of the best Florentine artists over the centuries. Unfortunately, hospital needs have in many instances come into conflict with the need for conservation of artistic works. As such, there are many masterpieces in museums located n ...
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Andrea Del Castagno
Andrea del Castagno () or Andrea di Bartolo di Bargilla (; – 19 August 1457) was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti. Life Early years Frescoes in the San Tarasio Chapel, San Zaccaria. Andrea del Castagno was born at Castagno, a village near Monte Falterona, not far from Florence. During the war between Florence and Milan, he lived in Corella, returning to his home after its end. In 1440 he moved to Florence under the protection of Bernadetto de' Medici. Here he painted the portraits of the citizens hanged after the Battle of Anghiari on the facade of the Palazzo del Podestà, gaining the nickname of ''Andrea degli Impiccati''. Little is known about his formation ...
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