Hans Memling
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Hans Memling
Hans Memling (also spelled Memlinc; c. 1430 – 11 August 1494) was a painter active in Flanders, who worked in the tradition of Early Netherlandish painting. He was born in the Middle Rhine region and probably spent his childhood in Mainz. He moved to the Netherlands and spent time in the Brussels workshop of Rogier van der Weyden. He was subsequently made a citizen of Bruges in 1465, where he became one of the leading artists, running a large workshop, which painted religious works that often incorporated donor portraits of his wealthy patrons. Memling's patrons included burghers (bankers, merchants, and politicians), clergymen, and aristocrats. Memling's portraits built upon the styles that he learned in his youth. He became very successful, and in 1480 was listed among the wealthiest citizens in a city tax list. He married Anna de Valkenaere sometime between 1470 and 1480, and they had three children. Memling's art was rediscovered in the 19th century, attaining wide pop ...
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Donor Portrait
A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or (much more rarely) her, family. ''Donor portrait'' usually refers to the portrait or portraits of donors alone, as a section of a larger work, whereas ''votive portrait'' may often refer to a whole work of art intended as an ex-voto, including for example a Madonna, especially if the donor is very prominent. The terms are not used very consistently by art historians, as Angela Marisol Roberts points out, and may also be used for smaller religious subjects that were probably made to be retained by the commissioner rather than donated to a church. Donor portraits are very common in religious works of art, especially paintings, of the Middle Ages and Renaissance, the donor usually shown kneeling to one side, in the foreground of the image. Often, even late into the Renaissance, the donor portraits, especially when of ...
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Hans Memling La Vierge Et L Enfant Entre Saint Jacques Et Saint Dominique 1488 1490
Hans may refer to: __NOTOC__ People * Hans (name), a masculine given name * Hans Raj Hans, Indian singer and politician ** Navraj Hans, Indian singer, actor, entrepreneur, cricket player and performer, son of Hans Raj Hans ** Yuvraj Hans, Punjabi actor and singer, son of Hans Raj Hans * Hans clan, a tribal clan in Punjab, Pakistan Places * Hans, Marne, a commune in France * Hans Island, administrated by Greenland and Canada Arts and entertainment * ''Hans'' (film) a 2006 Italian film directed by Louis Nero * Hans (Frozen), the main antagonist of the 2013 Disney animated film ''Frozen'' * ''Hans'' (magazine), an Indian Hindi literary monthly * ''Hans'', a comic book drawn by Grzegorz Rosiński and later by Zbigniew Kasprzak Other uses * Clever Hans, the "wonder horse" * ''The Hans India'', an English language newspaper in India * HANS device, a racing car safety device *Hans, the ISO 15924 code for Simplified Chinese script See also *Han (other) *Hans im Glück, a Germa ...
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Low Countries
The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in Northwestern Europe forming the lower basin of the Rhine–Meuse–Scheldt delta and consisting of three countries: Belgium, the Netherlands and Luxembourg. Geographically and historically, the area also includes parts of France and Germany such as the French Flanders and the German regions of East Frisia and Cleves. During the Middle Ages, the Low Countries were divided into numerous semi-independent principalities. Historically, the regions without access to the sea linked themselves politically and economically to those with access to form various unions of ports and hinterland, stretching inland as far as parts of the German Rhineland. Because of this, nowadays not only physically low-altitude areas, but also some hilly or elevated regi ...
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Fiesole
Fiesole () is a town and ''comune'' of the Metropolitan City of Florence in the Italian region of Tuscany, on a scenic height above Florence, 5 km (3 miles) northeast of that city. It has structures dating to Etruscan and Roman times. Since the fourteenth century, the city has always been considered a getaway for members of the upper class of Florence and, up to this day, Fiesole remains noted for its very expensive residential properties, just as well as its centuries-old villas and their formal gardens. The city is generally considered to be the wealthiest and most affluent suburb of Florence. In 2016, the city had the highest median family income in the whole of Tuscany. Fiesole is a centre of higher education. The campus of the European University Institute is situated in the suburb and uses several historical buildings including the Badia Faesolina and the Villa Schifanoia. Additionally, the American universities, Harvard, Georgetown, and Saint Mary's of Minnesota a ...
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Medici Bank
The Medici Bank (Italian: ''Banco dei Medici'' ) was a financial institution created by the Medici family in Italy during the 15th century (1397–1494). It was the largest and most respected bank in Europe during its prime. There are some estimates that the Medici family was, for a period of time, the wealthiest family in Europe. Estimating their wealth in today's money is difficult and imprecise, considering that they owned art, land, and gold. With this monetary wealth, the family acquired political power initially in Florence, and later in the wider spheres of Italy and Europe. A notable contribution to the professions of banking and accounting pioneered by the Medici Bank was the improvement of the general ledger system through the development of the double entry system of tracking debits and credits or deposits and withdrawals. Giovanni di Bicci de' Medici was the first Medici to enter banking on his own, and while he became influential in the Florentine government, it was ...
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National Museum, Gdańsk
The National Museum in Gdańsk ( pl, Muzeum Narodowe w Gdańsku), established in 1972 in Gdańsk (although the history goes back the third quarter of 19th century), is one of the main branches of Poland's national museum system. History Its main location is in the old late-Gothic Franciscan monastery, which has been used to house exhibits since the end of the 19th century. During that period it was known as ''Danziger Stadtmuseum'', which held a sizeable collection of historical works of art. In 1884, the collection was enlarged with exhibits from the ''Danziger Kunstgewerbemuseum'' when the two institutions merged. The core of the Museum's collection constitutes the collection of Jacob Kabrun, which includes several thousand pictures, drawings and prints by European masters from the end of the fifteenth to the beginning of the nineteenth centuries. After the end of the Second World War, 65% of the main building of the museum was destroyed and much of the museum's collections we ...
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Gdańsk
Gdańsk ( , also ; ; csb, Gduńsk;Stefan Ramułt, ''Słownik języka pomorskiego, czyli kaszubskiego'', Kraków 1893, Gdańsk 2003, ISBN 83-87408-64-6. , Johann Georg Theodor Grässe, ''Orbis latinus oder Verzeichniss der lateinischen Benennungen der bekanntesten Städte etc., Meere, Seen, Berge und Flüsse in allen Theilen der Erde nebst einem deutsch-lateinischen Register derselben''. T. Ein Supplement zu jedem lateinischen und geographischen Wörterbuche. Dresden: G. Schönfeld’s Buchhandlung (C. A. Werner), 1861, p. 71, 237.); Stefan Ramułt, ''Słownik języka pomorskiego, czyli kaszubskiego'', Kraków 1893, Gdańsk 2003, ISBN 83-87408-64-6. * , )Johann Georg Theodor Grässe, ''Orbis latinus oder Verzeichniss der lateinischen Benennungen der bekanntesten Städte etc., Meere, Seen, Berge und Flüsse in allen Theilen der Erde nebst einem deutsch-lateinischen Register derselben''. T. Ein Supplement zu jedem lateinischen und geographischen Wörterbuche. Dresden: G. Schönf ...
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The Last Judgment (Memling)
''The Last Judgment'' is a triptych attributed to Flemish painter Hans Memling and painted between 1467 and 1471. It is now in the National Museum in Gdańsk in Poland. It was commissioned by Angelo Tani,When thtriptych is closed Tani and his wife are shown kneeling in prayer. an agent of the Medici at Bruges, but was captured at sea by Paul Beneke, a privateer from Danzig. A lengthy lawsuit against the Hanseatic League demanded its return to Italy. It was placed in the Basilica of the Assumption but in the 20th century it was moved to its present location. The triptych depicts the Last Judgment during the second coming of Jesus Christ, the central panel showing Jesus sitting in judgment on the world, while St Michael the Archangel is weighing souls and driving the damned towards Hell (the sinner in St. Michael's right-hand scale pan is a donor portrait of Tommaso Portinari); the left hand panel showing the saved being guided into heaven by St Peter ) (Simeon, Simon) , b ...
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Turin
Turin ( , Piedmontese language, Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. The city is mainly on the western bank of the Po (river), Po River, below its Susa Valley, and is surrounded by the western Alps, Alpine arch and Superga Hill. The population of the city proper is 847,287 (31 January 2022) while the population of the urban area is estimated by Larger Urban Zones, Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the Organisation for Economic Co-operation and Development, OECD to have a population of 2.2 million. The city used to be a major European political centre. From 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia ruled by the House of Savoy, and the first capital of the Kingdom of Italy from 1861 to 1865. T ...
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Galleria Sabauda
The Galleria Sabauda is an art collection in the Italian city of Turin, which contains the royal art collections amassed by the House of Savoy over the centuries. It is located on Via XX Settembre, 86. The museum, whose first directors were Roberto and Massimo d'Azeglio, unites the art collection of Eugene of Savoy, acquired after his death by his cousin, the king of Sardinia, with the works from the Royal Palace of Turin, the picture gallery of the Savoy-Carignano, and the artworks from the Palazzo Durazzo in Genoa, acquired in 1824. On October 2, 1832 (his birthday), King Charles Albert of Savoy inaugurated the royal gallery at the Palazzo Madama, containing 365 paintings. In 1865, Massimo d'Azeglio had the collection transferred to Guarino Guarini's Palazzo dell'Accademia delle Scienze (1679) where it stood until 2012, before it was moved to the current location. On December 4, 2014, in the presence of the Italian Minister of Culture, the "Manica Nuova" of Palazzo Reale (N ...
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Scenes Of The Passion Of Christ
''Scenes from the Passion of Christ'' is an oil painting on a panel of Baltic oak, painted c.1470 by German-born Early Netherlandish painter Hans Memling. The painting shows 23 vignettes of the ''Life of Christ'' combined in one narrative composition without a central dominating scene: 19 episodes from the Passion of Christ, the Resurrection, and three later appearances of the risen Christ (to Mary Magdalene, on the road to Emmaus, and at the Sea of Galilee). The painting was commissioned by Tommaso Portinari, an Italian banker based in Bruges, who is depicted in a donor portrait kneeling and praying in the lower left corner, with his wife, Maria Baroncelli, in a similar attitude in the lower right corner. The painting is relatively small, 56.7 × 92.2 cm, and is unlikely to have been an altarpiece. It may have been intended for Portinari's chapel in the church of St Jacob in Bruges. It was not catalogued in Portinari's belongings when he died in 1501, and is thought t ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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