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Robert Lloyd (singer)
Robert Andrew Lloyd (born 2 March 1940) is an English operatic bass. Early life and education Born in Southend-on-Sea, Essex, Lloyd was educated at Keble College, Oxford, and studied in London with the baritone Otakar Kraus. Career He made his debut with University College Opera in 1969 as Don Fernando in ''Leonore'', the early version of Fidelio. From 1969 to 1972 he was Principal Bass with the Sadler's Wells Opera Company (now English National Opera), and from 1972 to 1982 was a member of the Royal Opera, Covent Garden. He made 195 appearances with the Metropolitan Opera, New York City, during the period 1988-2008. He has sung leading roles at Glyndebourne and with other British opera companies, and has appeared in major opera houses throughout the world. He sings roles in British, German, Italian, French and Russian works (Claggart and Superintendent Budd in Benjamin Britten's ''Billy Budd'' and '' Albert Herring'', the Priest and Angel of Agony in Edward Elgar's ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyndebourne Festival Opera
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Boccanegra
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Coronation Of Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dream Of Gerontius
''The Dream of Gerontius'', Op. 38, is a work for voices and orchestra in two parts composed by Edward Elgar in 1900, to text from the poem by John Henry Newman. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory. Elgar disapproved of the use of the term "oratorio" for the work (and the term occurs nowhere in the score), though his wishes are not always followed. The piece is widely regarded as Elgar's finest choral work, and some consider it his masterpiece. The work was composed for the Birmingham Music Festival of 1900; the first performance took place on 3 October 1900, in Birmingham Town Hall. It was badly performed at the premiere, but later performances in Germany revealed its stature. In the first decade after its premiere, the Roman Catholic theology in Newman's poem caused difficulties in getting the work performed in Anglican cathedrals, and a revised text was used for performances at the Three Choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for Violin Concerto (Elgar), violin and Cello Concerto (Elgar), cello, and two symphony, symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-consci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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