''Das Rheingold'' (; ''The Rhinegold''),
WWV 86A, is the first of the four
music drama
is a German word that means a unity of prose and music. Initially coined by Theodor Mundt in 1833, it was most notably used by Richard Wagner, along with Gesamtkunstwerk, to define his operas.
Usage
Mundt formulated his definition explicitly ...
s that constitute
Richard Wagner's ''
Der Ring des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibe ...
'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the
National Theatre Munich
The National Theatre (german: link=no, Nationaltheater) on Max-Joseph-Platz in Munich, Germany, is a historic opera house, home of the Bavarian State Opera, Bavarian State Orchestra and the Bavarian State Ballet.
Building
First theatre ...
on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the
Bayreuth Festspielhaus
The ''Bayreuth Festspielhaus'' or Bayreuth Festival Theatre (german: link=no, Bayreuther Festspielhaus, ) is an opera house north of Bayreuth, Germany, built by the 19th-century German composer Richard Wagner and dedicated solely to the performa ...
, on 13 August 1876.
Wagner wrote the ''Ring''
librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King
Ludwig II of Bavaria
Ludwig II (Ludwig Otto Friedrich Wilhelm; 25 August 1845 – 13 June 1886) was King of Bavaria from 1864 until his death in 1886. He is sometimes called the Swan King or ('the Fairy Tale King'). He also held the titles of Count Palatine of the ...
. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with performances in all the main opera houses, in which it has remained a regular and popular fixture.
In his 1851 essay ''
Opera and Drama
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretti ...
'', Wagner had set out new principles as to how music dramas should be constructed, under which the conventional forms of opera (arias, ensembles, choruses) were rejected. Rather than providing word-settings, the music would interpret the text emotionally, reflecting the feelings and moods behind the work, by using a system of recurring
leitmotifs to represent people, ideas and situations. ''Das Rheingold'' was Wagner's first work that adopted these principles, and his most rigid adherence to them, despite a few deviations – the
Rhinemaidens
The Rhinemaidens are the three water-nymphs (''Rheintöchter'' or "Rhine daughters") who appear in Richard Wagner's opera cycle ''Der Ring des Nibelungen''. Their individual names are Woglinde, Wellgunde and Flosshilde (Floßhilde), although the ...
frequently sing in ensemble.
As the "preliminary evening" within the cycle, ''Das Rheingold'' gives the background to the events that drive the main dramas of the cycle. It recounts
Alberich In German heroic legend, Alberich () is a dwarf. He features most prominently in the poems ''Nibelungenlied'' and ''Ortnit''. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name me ...
's theft of the Rhine gold after his renunciation of love; his fashioning of the all-powerful ring from the gold and his enslavement of the
Nibelung
The term Nibelung (German) or Niflungr (Old Norse) is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root ''nebel'', meaning mist. The te ...
s;
Wotan
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the ''Nibelun ...
's seizure of the gold and the ring, to pay his debt to the giants who have built his fortress
Valhalla
In Norse mythology Valhalla (;) is the anglicised name for non, Valhǫll ("hall of the slain").Orchard (1997:171–172) It is described as a majestic hall located in Asgard and presided over by the god Odin. Half of those who die in combat e ...
; Alberich's curse on the ring and its possessors;
Erda's warning to Wotan to forsake the ring; the early manifestation of the curse's power after Wotan yields the ring to the giants; and the gods' uneasy entry into Valhalla, under the shadow of their impending doom.
Background and context
Having completed his opera ''
Lohengrin
Lohengrin () is a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans to rescue a maiden who can never ask his identity. His story, which first appears in Wolf ...
'' in April 1848,
Richard Wagner chose as his next subject
Siegfried
Siegfried is a German-language male given name, composed from the Germanic elements ''sig'' "victory" and ''frithu'' "protection, peace".
The German name has the Old Norse cognate ''Sigfriðr, Sigfrøðr'', which gives rise to Swedish ''Sigfrid' ...
, the legendary hero of
Germanic myth. In October of that year he prepared a prose outline for ''Siegfried's Death'', which during the following months he developed into a full libretto. After his flight from
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label= Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
and relocation in Switzerland, he continued to develop and expand his Siegfried project, having decided meantime that a single work would not suffice for his purposes; in his enlarged concept, ''Siegfried's Death'' would be the culmination of a series of musical dramas incorporating a network of myths from his sources and imagination, each telling a stage of the story. In 1851 he outlined his purpose in his essay "
A Communication to My Friends "Eine Mitteilung an meine Freunde", usually referred to in English by its translated title (from German language, German) of "A Communication to My Friends", is an extensive autobiography, autobiographical work by Richard Wagner, published in 1851, ...
": "I propose to produce my myth in three complete dramas, preceded by a lengthy prelude (Vorspiel)." Each of these dramas would, he said, constitute an independent whole, but would not be performed separately. "At a specially-appointed Festival, I propose, some future time, to produce those three dramas with their prelude, in the course of three days and a fore-evening.
In accordance with this scheme, ''Siegfried's Death'', much revised from its original form, eventually became ''
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as ...
'' (''The Twilight of the Gods''). It was preceded by the story of Siegfried's youth, ''Young Siegfried'', later renamed ''
Siegfried
Siegfried is a German-language male given name, composed from the Germanic elements ''sig'' "victory" and ''frithu'' "protection, peace".
The German name has the Old Norse cognate ''Sigfriðr, Sigfrøðr'', which gives rise to Swedish ''Sigfrid' ...
'', itself preceded by ''
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on ...
'' (''The Valkyrie''). Finally, to these three works Wagner added a prologue which he named ''Das Rheingold''.
Roles
Synopsis
Prelude
Scene 1
At the bottom of the Rhine, the three
Rhinemaidens
The Rhinemaidens are the three water-nymphs (''Rheintöchter'' or "Rhine daughters") who appear in Richard Wagner's opera cycle ''Der Ring des Nibelungen''. Their individual names are Woglinde, Wellgunde and Flosshilde (Floßhilde), although the ...
, Woglinde, Wellgunde, and Floßhilde, play together.
Alberich In German heroic legend, Alberich () is a dwarf. He features most prominently in the poems ''Nibelungenlied'' and ''Ortnit''. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name me ...
, a
Nibelung
The term Nibelung (German) or Niflungr (Old Norse) is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root ''nebel'', meaning mist. The te ...
dwarf
Dwarf or dwarves may refer to:
Common uses
*Dwarf (folklore), a being from Germanic mythology and folklore
* Dwarf, a person or animal with dwarfism
Arts, entertainment, and media Fictional entities
* Dwarf (''Dungeons & Dragons''), a humanoid ...
, appears from a deep chasm and tries to woo them. The maidens mock his advances and he grows angry – he chases them, but they elude, tease and humiliate him. A sudden ray of sunshine pierces the depths, to reveal the Rhinegold. The maidens rejoice in the gold's gleam. Alberich asks what it is. They explain that the gold, which their father has ordered them to guard, can be made into a magic ring which gives power to rule the world, if its bearer first renounces love. The maidens think they have nothing to fear from the lustful dwarf, but Alberich, embittered by their mockery, curses love, seizes the gold and returns to his chasm, leaving them screaming in dismay.
Orchestral interlude
Scene 2
Wotan
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the ''Nibelun ...
, ruler of the gods, is asleep on a mountaintop, with a magnificent castle behind him. His wife,
Fricka, wakes Wotan, who salutes their new home. Fricka reminds him of his promise to the giants Fasolt and
Fafner, who built the castle, that he would give them Fricka's sister
Freia, the goddess of youth and beauty, as payment. Fricka is worried for her sister, but Wotan trusts that
Loge, the cunning demigod of fire, will find an alternative payment.
Freia enters in a panic, followed by Fasolt and Fafner. Fasolt demands that Freia be given up. He points out that Wotan's authority is sustained by the treaties carved into his spear, including his contract with the giants, which Wotan therefore cannot violate.
Donner, god of thunder, and
Froh, god of sunshine, arrive to defend Freia, but Wotan cannot permit the use of force to break the agreement. Hoping that Loge will arrive with the alternative payment he has promised, Wotan tries to stall.
When Loge arrives, his initial report is discouraging: nothing is more valuable to men than love, so there is apparently no possible alternative payment besides Freia. Loge was able to find only one instance where someone willingly gave up love for something else: Alberich the Nibelung has renounced love, stolen the Rhine gold, and made a powerful magic ring out of it. A discussion of the ring and its powers ensues, and everyone finds good reasons for wanting to own it. Fafner makes a counter-offer: the giants will accept the Nibelung's treasure in payment, instead of Freia. When Wotan tries to haggle, the giants depart, taking Freia with them as hostage and threatening to keep her forever unless the gods ransom her by obtaining and giving them the Nibelung's gold by the end of the day.
Freia's
golden apple
The golden apple is an element that appears in various national and ethnic folk legends or fairy tales. Recurring themes depict a hero (for example Hercules or Făt-Frumos) retrieving the golden apples hidden or stolen by a monstrous antagonist. ...
s had kept the gods eternally young, but in her absence they begin to age and weaken. In order to redeem Freia, Wotan resolves to travel with Loge to Alberich's subterranean kingdom to obtain the gold.
Orchestral interlude – ''Abstieg nach Nibelheim'' (''Descent into Nibelheim'')
Scene 3
In Nibelheim, Alberich has enslaved the rest of the Nibelung dwarves with the power of the ring. He has forced his brother Mime, a skillful smith, to create a magic helmet, the
Tarnhelm
The Tarnhelm is a magic helmet in Richard Wagner's ''Der Ring des Nibelungen'' (written 1848–1874; first perf. 1876). It was crafted by Mime at the demand of his brother Alberich. It is used as a cloak of invisibility by Alberich in ''Das Rhe ...
. Alberich demonstrates the Tarnhelm's power by making himself invisible, the better to torment his subjects.
Wotan and Loge arrive and happen upon Mime, who tells them of the dwarves' misery under Alberich's rule. Alberich returns, driving his slaves to pile up a huge mound of gold. He boasts to the visitors about his plans to conquer the world using the power of the ring. Loge asks how he can protect himself against a thief while he sleeps. Alberich replies the Tarnhelm will hide him, by allowing him to turn invisible or change his form. Loge expresses doubt and requests a demonstration. Alberich complies by transforming himself into a giant snake; Loge acts suitably impressed, and then asks whether Alberich can also reduce his size, which would be very useful for hiding. Alberich transforms himself into a toad. Wotan and Loge seize him, tie his hands, and drag him up to the surface.
Orchestral Interlude
Scene 4
Back on the mountaintop, Wotan and Loge force Alberich to exchange his wealth for his freedom. He summons the Nibelungen, who bring up the hoard of gold. He then asks for the return of the Tarnhelm, but Loge says that it is part of his ransom. Alberich still hopes he can keep the ring, but Wotan demands it, and when Alberich refuses, Wotan tears it from Alberich's hand and puts it on his own finger. Crushed by his loss, Alberich lays a curse on the ring: until it returns to him, it will inspire restless
jealousy
Jealousy generally refers to the thoughts or feelings of insecurity, fear, and concern over a relative lack of possessions or safety.
Jealousy can consist of one or more emotions such as anger, resentment, inadequacy, helplessness or disgus ...
in all who possess it, and murderous
envy
Envy is an emotion which occurs when a person lacks another's quality, skill, achievement, or possession and either desires it or wishes that the other lacked it.
Aristotle defined envy as pain at the sight of another's good fortune, stirred b ...
in those who do not.
The gods reconvene. Fasolt and Fafner return with Freia. Fasolt, reluctant to release her, insists that the gold be piled high enough to hide her from view. Wotan is forced to relinquish the Tarnhelm, to help cover Freia completely. However, Fasolt spots a remaining crack in the gold, through which one of Freia's eyes can be seen. Loge says that there is no more gold, but Fafner, who has noticed the ring on Wotan's finger, demands that Wotan add it to the pile, to block the crack. Loge protests that the ring belongs to the Rheinmaidens, and Wotan angrily declares that he intends to keep it for his own. As the giants seize Freia and start to leave,
Erda, the earth goddess, appears and warns Wotan of impending doom, urging him to give up the cursed ring. Troubled, Wotan calls the giants back and surrenders the ring. The giants release Freia and begin dividing the treasure, but they quarrel over the ring itself. Fafner clubs Fasolt to death. Wotan, horrified, realizes that Alberich's curse has terrible power.
Donner summons a thunderstorm to clear the air, after which Froh creates a rainbow bridge that stretches to the gate of the castle. Wotan leads the gods across the bridge to the castle, which he names
Valhalla
In Norse mythology Valhalla (;) is the anglicised name for non, Valhǫll ("hall of the slain").Orchard (1997:171–172) It is described as a majestic hall located in Asgard and presided over by the god Odin. Half of those who die in combat e ...
. Loge does not follow; he says in an aside that he is tempted to destroy the complacent gods by fire – he will think it over. Far below, the Rhine maidens mourn the loss of their gold and condemn the gods as false and cowardly.
Writing history
Text, sources, characters
Because Wagner developed his ''Ring'' scheme in reverse chronological order, the "poem" (libretto) for ''Das Rheingold'' was the last of the four to be written. He finished his prose plan for the work in March 1852, and on 15 September began writing the full libretto, which he completed on 3 November. In February 1853, at the Hotel Baur au Lac in Zürich, Wagner read the whole ''Ring'' text to an invited audience, after which all four parts were published in a private edition limited to 50 copies. The text was not published commercially until 1863.
![Ed0002](https://upload.wikimedia.org/wikipedia/commons/e/e1/Ed0002.jpg)
Of the principal sources that Wagner used in creating the ''Ring'' cycle, the Scandinavian Eddas – the
Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic med ...
and the
Prose Edda
The ''Prose Edda'', also known as the ''Younger Edda'', ''Snorri's Edda'' ( is, Snorra Edda) or, historically, simply as ''Edda'', is an Old Norse textbook written in Iceland during the early 13th century. The work is often assumed to have been t ...
– provided most of the material for ''Das Rheingold''. These are poems and texts from 12th and 13th-century Iceland, which relate the doings of various Norse gods. Among these stories, a magic ring and a hoard of gold held by the dwarf Andvari (Wagner's Alberich) are stolen by the gods Odin (Wotan) and Loki (Loge) and used to redeem a debt to two brothers. One of these, Fafnir, kills his brother and turns himself into a dragon to guard the gold. The Eddas also introduce the gods Thor (Donner), Frey (Froh) and the goddesses Frigg (Fricka) and Freyja (Freia). The idea of Erda, the earth mother, may have been derived from the character Jord (meaning "Earth"), who appears in the Eddas as the mother of Thor.
A few Rhinegold characters originate from outside the Eddas. Mime appears in the
Thidriks saga, as a human smith rather than as an enslaved Nibelung. The three Rhinemaidens do not appear in any of the sagas and are substantially Wagner's own invention; he also provided their individual names Woglinde, Wellgunde and Floßhilde. In his analysis of ''The Ring''
Deryck Cooke
Deryck Cooke (14 September 1919 – 26 October 1976) was a British musician, musicologist, broadcaster and Gustav Mahler expert.
Life
Cooke was born in Leicester to a poor, working-class family; his father died when he was a child, but his mother ...
suggests the Rhinemaidens' origin may be in the ''Nibelungenlied'', where three
water sprites tease the characters
Hagen and
Gunther. Wagner may also have been influenced by the Rhine-based German legend of
Lorelei
The Lorelei ( ; ), spelled Loreley in German, is a , steep slate rock on the right bank of the River Rhine in the Rhine Gorge (or Middle Rhine) at Sankt Goarshausen in Germany, part of the Upper Middle Rhine Valley UNESCO World Heritage Site. Th ...
, who lures fishermen on to the rocks by her singing, and by the Greek
Hesperides
In Greek mythology, the Hesperides (; , ) are the nymphs of evening and golden light of sunsets, who were the "Daughters of the Evening" or "Nymphs of the West". They were also called the Atlantides () from their reputed father, the Titan At ...
myth in which three maidens guard a golden treasure.
Robert Jacobs, in his biography of the composer, observes that the "Nibelung Myth" on which Wagner based his entire ''Ring'' story was "very much a personal creation", the result of Wagner's "brilliant manipulation" of his sources. In the ''Rheingold'' text, Wagner used his imaginative powers to adapt, change and distort the stories and characters from the sagas. J.K. Holman, in his "Listener's Guide and Concordance" (2001), cites the Alberich character as typifying Wagner's ability to "consolidate selected aspects from diverse stories to create ... vivid, consistent and psychologically compelling portrait
. While some characters' importance is enhanced in Wagner's version, others, such as Donner, Froh, and Freia, who are major figures in the sagas, are reduced by Wagner to roles of largely passive impotence.
Wagner originally conceived the first scene of ''Das Rheingold'' as a prologue to the three scenes that follow it. As such, the structure replicates that of ''Götterdämmerung'', and also that of the full ''Ring'' cycle.
Composition
As early as 1840, in his novella "A Pilgrimage to Beethoven", Wagner had anticipated a form of lyric drama in which the standard operatic divisions would disappear. In early 1851 he published his book-length essay ''
Opera and Drama
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretti ...
'', in which he expounded his emerging ideas around the concept of ''
Gesamtkunstwerk
A ''Gesamtkunstwerk'' (, literally 'total artwork', translated as 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of al ...
'' – "total work of art". In the new kind of musical drama, he wrote, the traditional operatic norms of chorus, arias and vocal numbers would have no part. The vocal line would, in Gutman's words, "interpret the text emotionally through artificially calculated juxtapositions of rhythm, accent, pitch and key relationships". The orchestra, as well as providing the instrumental colour appropriate to each stage situation, would use a system of
leitmotifs, each representing musically a person, an idea or a situation. Wagner termed these "motifs of reminiscence and presentiment", which carry intense emotional experience through music rather than words. According to Jacobs, they should "permeate the entire tissue of the music drama". The Rheingold score is structured around many such motifs; analysts have used different principles in determining the total number. Holman counts 42, while
Roger Scruton
Sir Roger Vernon Scruton (; 27 February 194412 January 2020) was an English philosopher and writer who specialised in aesthetics and political philosophy, particularly in the furtherance of traditionalist conservative views.
Editor from 1982 ...
, in his 2017 philosophical analysis of the ''Ring'', numbers them at 53.
Apart from some early sketches in 1850, relating to ''Siegfried's Death'', Wagner composed the ''Ring'' music in its proper sequence. Thus, ''Das Rheingold'' was his first attempt to adopt the principles set out in ''Opera and Drama''. According to his memoirs, Wagner's first inspiration for the music came to him in a half-dream, on 4 September 1853, while he was in
Spezia
La Spezia (, or , ; in the local Spezzino dialect) is the capital city of the province of La Spezia and is located at the head of the Gulf of La Spezia in the southern part of the Liguria region of Italy.
La Spezia is the second largest cit ...
in Italy. He records a feeling of "sinking in swiftly flowing water. The rushing sound formed itself in my brain into a musical sound, the chord of E flat major, which continually re-echoed in broken forms ... I at once recognised that the orchestral overture to the Rheingold, which must long have lain latent within me, though it had been unable to find definite form, had at last been revealed to me". Some authorities (for example Millington et al., 1992) have disputed the validity of this tale, which Nikolaus Bacht refers to as an "acoustic hallucination".
After an extended tour, Wagner was back in Zürich by late October and began writing down the ''Rheingold'' music on 1 November. He finished the first draft in mid-January 1854, and by the end of May had completed the full orchestral score. According to Holman, the result was "a stunning break from Wagner's earlier musical output" In the three years following his completion of the ''Rheingold'' score, Wagner wrote the music for ''Die Walküre'', and for the first two acts of ''Siegfried''. At that point, in 1857, he set ''Siegfried'' aside in order to work on ''
Tristan und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was comp ...
'', and did not return to the ''Ring'' project for 12 years.
Performances
Premiere, Munich, 22 September 1869
Long before ''Das Rheingold'' was ready for performance, Wagner conducted excerpts of the music from scenes 1, 2 and 4, at a concert in Vienna on 26 December 1862. The work remained unstaged, but by 1869 Wagner's principal financial sponsor,
King Ludwig of Bavaria, was pressing for an early performance in
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Ha ...
. Wagner wanted to wait until the cycle was completed, when he would stage the work himself; also, his return to Munich would likely have precipitated a scandal, in view of his, at the time, affair with the married
Cosima von Bülow. Wagner was horrified at the idea of his work being presented in accordance with Ludwig's eccentric tastes.However, Ludwig, who possessed the copyright, was insistent that ''Rheingold'' be produced at the
Munich Hofoper without further delay. Wagner did all he could to sabotage this production, fixed for August 1869, and persuaded the appointed conductor,
Hans Richter to stand down after a troublesome dress rehearsal. Ludwig was unmoved; he denounced Wagner, sacked Richter, appointed another conductor,
Franz Wüllner
Franz Wüllner (28 January 1832 – 7 September 1902) was a German composer and conductor. He led the premieres of Wagner's ''Das Rheingold'' and ''Die Walküre'', but was much criticized by Wagner himself, who greatly preferred the more celebrate ...
, and rescheduled the premiere for 22 September. Wagner was refused admission to the rehearsals at the theatre, and returned, angry and defeated, to his home in
Tribschen
Tribschen (also seen as ''Triebschen'') is a district of the city of Lucerne, in the Canton of Lucerne in central Switzerland.
Tribschen is best known today as the home of the German composer Richard Wagner from 30 March 1866 to 22 April 1872. W ...
.
Accounts differ as to the success or otherwise of the Munich premiere. Osborne maintains that the performance was successful, as does Holman, while Oliver Hilmes in his biography of Cosima describes it as "an artistic disaster". Cosima's diary entries for 24 and 27 September note that the performance was portrayed in the Munich press as a
''succès d'estime'', or otherwise as "a lavishly decorated, boring work". Gutman maintains that much of the adverse comment on the Munich premiere derives from later Bayreuth propaganda, and concludes that, "in many ways, these Munich performances surpassed the level of the first Bayreuth festival". As to the public's reaction, the audience's main interest was in the novel scenery and stage effects; Wagner's new approach to composition largely passed them by.
Bayreuth premiere, 13 August 1876
![1876Rhinemaidens](https://upload.wikimedia.org/wikipedia/commons/d/d6/1876Rhinemaidens.jpg)
In 1876, with the
Bayreuth Festspielhaus
The ''Bayreuth Festspielhaus'' or Bayreuth Festival Theatre (german: link=no, Bayreuther Festspielhaus, ) is an opera house north of Bayreuth, Germany, built by the 19th-century German composer Richard Wagner and dedicated solely to the performa ...
built, Wagner was ready to stage the first
Bayreuth Festival with his own production of the now complete ''Ring'' cycle, beginning with a performance of ''Das Rheingold'' on 13 August. This event was preceded by months of preparation in which Wagner was deeply engaged; according to witnesses, he was "director, producer, coach, conductor, singer, actor, stage manager, stage hand and prompter". He searched Europe for the finest orchestral players, and selected a largely new cast of singers – of the Munich cast, only
Heinrich Vogl (Loge) was engaged, although Richter, deposed as conductor in Munich, was given the baton in Bayreuth.
The 13 August premiere was an event of international importance, and attracted a distinguished audience which included
Kaiser Wilhelm I
William I or Wilhelm I (german: Wilhelm Friedrich Ludwig; 22 March 1797 – 9 March 1888) was King of Prussia from 2 January 1861 and German Emperor from 18 January 1871 until his death in 1888. A member of the House of Hohenzollern, he was the f ...
,
Emperor Pedro II of Brazil and numerous representatives of the various European royal houses. King Ludwig, unwilling to face contact with his fellow-royals or the assembled crowd, attended the dress rehearsals incognito, but left Bayreuth before the opening night. Most of Europe's leading composers were also present, including
Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...
,
Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...
,
Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-Germa ...
,
Grieg,
Saint-Saëns and Wagner's father-in law
Franz Liszt, together with a large corps of music critics and opera house managers. The huge influx of visitors overwhelmed the resources of the modest-sized town and caused considerable discomfort to some of the most distinguished of the guests; Tchaikovsky later described his sojourn at Bayreuth as a "struggle for existence".
Despite the careful preparation, the first Bayreuth performance of ''Das Rheingold'' was punctuated by several mishaps. Some scene changes were mishandled; at one point a backdrop was prematurely lifted to reveal a number of stagehands and stage machinery; early in scene 4,
Franz Betz
Franz Betz (19 March 1835 – 11 August 1900) was a German bass-baritone opera singer who sang at the Berlin State Opera from 1859 to 1897. He was particularly known for his performances in operas by Richard Wagner and created the role of Hans S ...
(as Wotan) mislaid the ring and had to go backstage to look for it; the gas lighting failed repeatedly, plunging the auditorium into darkness. Some innovations worked well – the wheeled machinery used by the Rhinemaidens to simulate swimming was successful, and the quality of the singing pleased even Wagner, who was otherwise in despair and refused to present himself to the audience despite their clamouring for him. The critics made much of the technical shortcomings, which were largely overcome during the course of the festival, although, to Wagner's fury, they failed to acknowledge this fact.
Revivals
Traditional productions
![FischerRheingold](https://upload.wikimedia.org/wikipedia/commons/d/d5/FischerRheingold.jpg)
After the 1876 festival, ''Das Rheingold'' was not seen again at Bayreuth for 20 years, until Cosima revived the ''Ring'' cycle for the 1896 festival. Meanwhile, opera houses across Europe sought to mount their own productions, the first to do so being the
Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August ...
, which staged ''Das Rheingold'' on 24 January 1878. In April 1878 ''Das Rheingold'' was produced in
Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...
, as part of the first full ''Ring'' cycle to be staged outside Bayreuth. London followed suit in May 1882, when ''Rheingold'' began a cycle at
Her Majesty's Theatre, Haymarket, under the baton of
Anton Seidl
Anton Seidl (7 May 185028 March 1898) was a famous Hungarian Wagner conductor, best known for his association with the Metropolitan Opera in New York City and the New York Philharmonic.
Biography
He was born in Pest, Austria-Hungary, where ...
. In the years following the London premiere, ''Ring'' cycles were staged in many European capitals. In
Budapest
Budapest (, ; ) is the capital and most populous city of Hungary. It is the ninth-largest city in the European Union by population within city limits and the second-largest city on the Danube river; the city has an estimated population ...
on 26 January 1889, the first Hungarian performance of ''Das Rheingold'', conducted by the young
Gustav Mahler, was briefly interrupted when the prompt-box caught fire and a number of patrons fled the theatre.
The American premiere of ''Das Rheingold'' was given by the New York
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is oper ...
in January 1889, as a single opera, with Seidl conducting. The production used
Carl Emil Doepler
Carl Emil Doepler (1824–1905) was a German painter, illustrator and costume designer.Simek (2007:62). He created the costumes for Richard Wagner's opera ''Der Ring des Nibelungen'' at the Bayreuther Festspiele in 1876. These costumes included ...
's original Bayreuth costume designs, and scenery was imported from Germany.
According to ''
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...
'', "
e scenery, costumes and effects were all designed and executed with great art and caused admirable results."
[ Of particular note was the performance of Joseph Beck who sang Alberich: "a fine example of Wagnerian declamatory singing, His delivery of the famous curse of the ring was notably excellent in its distinctness and dramatic force".][ On 4 March 1889, with largely the January cast, Seidl conducted ''Das Rheingold'' to begin the first American ''Ring'' cycle. Thereafter, ''Das Rheingold'', either alone or as part of the ''Ring'', became a regular feature of the international opera repertory, being seen in Saint Petersburg (1889), Paris (1901), Buenos Aires (1910), Melbourne (1913),, and Rio de Janeiro (1921), as well many other major venues.]
After the 1896 revival, ''Das Rheingold'' was being performed regularly at the Bayreuth Festival, although not every year, within a variety of ''Ring'' productions. Until the Second World War
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposi ...
, under the successive artistic control of Cosima (from 1896 to 1907), her son Siegfried
Siegfried is a German-language male given name, composed from the Germanic elements ''sig'' "victory" and ''frithu'' "protection, peace".
The German name has the Old Norse cognate ''Sigfriðr, Sigfrøðr'', which gives rise to Swedish ''Sigfrid' ...
(1908 to 1930) and Siegfried's widow Winifred (1931 to 1943), these productions did not deviate greatly from the stagings devised by Wagner for the 1876 premiere. With few exceptions, this generally conservative, even reverential approach – which extended to all Wagner's operas – tended to be mirrored in performances outside Bayreuth.
New Bayreuth and experimentation
The Bayreuth Festival, suspended after the Second World War, resumed in 1951 under Wieland Wagner
Wieland Wagner (5 January 1917 – 17 October 1966) was a German opera director, grandson of Richard Wagner. As co-director of the Bayreuth Festival when it re-opened after World War II, he was noted for innovative new stagings of the operas, depa ...
, Siegfried's son, who introduced his first ''Ring'' cycle in the "New Bayreuth" style. This was the antithesis of all that had been seen at Bayreuth before, as scenery, costumes and traditional gestures were abandoned and replaced by a bare disc, with evocative lighting effects to signify changes of scene or mood. The stark New Bayreuth style dominated most ''Rheingold'' and ''Ring'' productions worldwide until the 1970s, when a reaction to its bleak austerity produced a number of fresh approaches. The Bayreuth centenary ''Ring'' production of 1976, directed by Patrice Chéreau
Patrice Chéreau (; 2 November 1944 – 7 October 2013) was a French opera and theatre director, filmmaker, actor and producer. In France he is best known for his work for the theatre, internationally for his films '' La Reine Margot'' and ...
provided a significant landmark in the history of Wagner stagings: "Chéreau's demythologization of the tetralogy entailed an anti-heroic view of the work ... his setting of the action in an industrialized society ... along with occasional 20th century costumes and props, suggested a continuity between Wagner's time and our own". Many of this production's features were highly controversial: the opening of ''Das Rheingold'' revealed a vast hydro-electric dam in which the gold is stored, guarded by the Rhinemaidens who were portrayed, in Spotts's words, as "three voluptuous tarts" – a depiction, he says, which "caused a shock from which no one quite recovered". According to ''The Observer
''The Observer'' is a British newspaper published on Sundays. It is a sister paper to ''The Guardian'' and '' The Guardian Weekly'', whose parent company Guardian Media Group Limited acquired it in 1993. First published in 1791, it is the ...
''s critic, "I had not experienced in the theatre protest as furious as that which greeted ''Das Rheingold''." Eventually this hostility was overcome; the final performance of this production, in 1980, was followed by an ovation that lasted ninety minutes.
Post-1980s
The iconoclastic centenary ''Ring'' was followed by numerous original interpretations, at Bayreuth and elsewhere, in the late 20th and early 21st centuries. The 1988 festival opened with Harry Kupfer
Harry Alfred Robert Kupfer (12 August 1935 – 30 December 2019) was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Fels ...
's grim interpretation of ''Das Rheingold'', in which Wotan and the other gods were represented as gangsters in mafioso sunglasses. This entire ''Ring'', says Spotts, was "a parable of how the power-hungry cheat, lie, bully, terrorise and kill to get what they want". In August Everding
August Everding (; 31 October 1928; Bottrop, Germany – 26 January 1999; Munich) was a German opera director and administrator.
He studied at the Universities of Bonn and Munich, where launching his career in the 1950s. He was a member of the R ...
's Chicago ''Reingold'' (which would become part of a full ''Ring'' cycle four years later), the Rhinemaidens were attached to elasticated ropes manipulated from the wings, which enabled them to cavort freely through the air, using lip sync
Lip sync or lip synch (pronounced , the same as the word ''sink'', short for lip synchronization) is a technical term for matching a speaking or singing person's lip movements with sung or spoken vocals.
Audio for lip syncing is generated th ...
to co-ordinate with off-stage singers. Edward Rothstein
Edward Benjamin Rothstein (born October 16, 1952) is an American critic. Rothstein wrote music criticism early in his career, but is best known for his critical analysis of museums and museum exhibitions.
Rothstein holds a B.A. from Yale Universi ...
, writing in ''The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...
'', found the production "a puzzle ... cluttered with contraptions and conceits" which, he imagined, were visual motifs which would be clarified in later operas. Keith Warner, in his 2004 production for Covent Garden, portrayed, according to Barry Millington's analysis, "the shift from a deistic universe to one controlled by human beings". The dangers of subverted scientific progress were demonstrated in the third ''Rheingold'' scene, where Nibelheim was represented as a medical chamber of horrors, replete with vivisections and "unspeakable" genetic experiments.
From the late 1980s a backlash against the tendency towards ever more outlandish interpretations of the ''Ring'' cycle led to several new productions in the more traditional manner. Otto Schenk
Otto Schenk (born 12 June 1930, in Vienna) is an Austrian actor, and theater and opera director.
Life and career
Schenk was born to Catholic parents. His father, a lawyer, had Jewish roots and therefore lost his job after the Anschluss in 1938. ...
's staging of ''Das Rheingold'', first seen at the New York Met in 1987 and forming the prelude to his full ''Ring'' cycle two years later, was described by ''The New York Times'' as "charmingly old fashioned", and as "a relief to many beleaguered Wagnerites".[ James Morris, who sang Wotan in the 1987 production, and ]James Levine
James Lawrence Levine (; June 23, 1943 – March 9, 2021) was an American conductor and pianist. He was music director of the Metropolitan Opera from 1976 to 2016. He was terminated from all his positions and affiliations with the Met on March 1 ...
, the original conductor, both returned in 2009 when Schenk brought his ''Ring'' cycle back to the Met for a final performance.[ ]
Music
''Das Rheingold'' was Wagner's first attempt to write dramatic music in accordance with the principles he had enunciated in ''Opera and Drama'', hence the general absence in the score of conventional operatic "numbers" in the form of arias, ensembles and choruses. Rather than acting as the accompanist to the voices, the orchestra combines with them on equal terms to propel the drama forward. According to Barry Millington's analysis, ''Das Rheingold'' represents Wagner's purest application of the ''Opera and Drama'' principles, a rigorous stance that he would eventually modify. Even in ''Rheingold'', as Jacobs indicates, Wagner was flexible when the dramatic occasion warranted it; thus, the Rhinemaidens sing in the disavowed ensembles, and there are several instances in which characters sing melodies that appear to be musically independent from the general flow. The music is continuous, with instrumental entr'acte
(or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''inte ...
s linking the actions of the four discrete scenes.
Prelude
The prelude to ''Das Rheingold'' consists of an extended (136-bar) chord in E major, which begins almost inaudibly in the lowest register of eight double-basses. The note of B is added by the bassoons and the chord is further embellished as the horns enter with a rising arpeggio to announce the "Nature" motif, outlining the lower partials of an harmonic series with an E fundamental. This is further elaborated in the strings; the lower-register instruments sustain the E note throughout the prelude, while the chord is increasingly enhanced by the orchestra. The "Rhine" motif emerges, representing what Osborne describes as "the calm, majestic course of the river's character The composer Robert Erickson
Robert Erickson (March 7, 1917 – April 24, 1997) was an American composer.
Education
Erickson was born in Marquette, Michigan. He studied with Ernst Krenek from 1936 to 1947: "I had already studied—and abandoned—the twelve tone sys ...
describes the prelude as drone music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harm ...
– "the only well-known drone piece in the concert repertory". Millington suggests that the protracted chord does not simply represent the depths of the Rhine, rather "the birth of the world, the act of creation itself".
First scene
When the prelude reaches its climax the curtain rises and the key shifts to A as Woglinde sings a "greeting to the waters". The first two and last two notes of this short, lilting passage form a falling musical step which, in different guises, will recur throughout the opera, signifying variously the Rhinemaidens' innocence, their joy in the gold and conversely, in the minor key, Alberich's woe at his rejection by the maidens, and his enslavement of the Nibelungs. The first appearance of the gold is signified by a muted horn call in the lower register, played under a shimmer of undulating strings, conveying, says Holman, "the shining, innocent beauty of the Rhinegold in its unfashioned state." The motif for the ring itself first appears in the woodwind, as Wellgunde reveals that a ring fashioned from the gold would confer on its owner the power to win the wealth of the world. This is followed by what is sometimes known as the "renunciation" motif, when Woglinde sings that to fashion such a ring, the owner must first renounce love. Confusion arises because this same motif is used later in the ''Ring'' cycle to represent affirmation rather than rejection of love; Roger Scruton
Sir Roger Vernon Scruton (; 27 February 194412 January 2020) was an English philosopher and writer who specialised in aesthetics and political philosophy, particularly in the furtherance of traditionalist conservative views.
Editor from 1982 ...
suggests the motif would be more appropriately labelled "existential choice". Alberich duly curses love, seizes the gold and departs, to the sounds of the despairing shrieks of the Rhinemaidens.
Second scene
During the first entr'acte, the Ring motif is transformed into the multipart and oft-reiterated "Valhalla" music – four intertwined motifs which represent the majesty of the gods and the extent of Wotan's power. Scene two begins on the mountaintop, in sight of the newly-completed castle, where Fricka and Wotan bicker over Wotan's contract with the giants. This duologue is characterised by Fricka's "Love's longing" motif, in which she sighs for a home that will satisfy Wotan and halt his infidelities. Freia's distressed entrance is illustrated by "Love", a fragment that will recur and develop as the ''Ring'' cycle unfolds. The Giants' entrance is signified by heavy, stamping music that reflects both their simple nature and their brute strength. The "Golden Apples" motif, of "remarkable beauty" according to Scruton, is sung by Fafner as a threatening reminder to the gods that the loss of Freia means the loss of their youth and vigour; it is later used by Loge to mock the gods for their weakness after Freia's departure with the giants. The "Spear" motif, a rapidly descending scale, represents the moral basis of Wotan's power and the sanctity of the treaties engraved on it. The phrase of five descending notes known as "Woman's Worth", first sung by Loge, is described by Holman as one of the most pervasive and appealing motifs in the entire ''Ring'' cycle – he lists 43 occurrences of the motif throughout the cycle. Many of the ''Ring''s characters – Wotan, Froh, Alberich, Fasolt and Erda in ''Das Rheingold'' – either sing this phrase or are orchestrally referenced by it.
Third scene
The descent of Wotan and Loge into Nibelheim is represented musically in the second entr'acte, which begins with the "renunciation" and "spear" motifs but is quickly overwhelmed with the insistent, rhythmic 9/8 beat of the Nibelung motif in B, briefly foreshadowed in Loge's scene 2 soliloquy. In the climax to the entr'acte this rhythm is hammered out on eighteen anvils. This motif is thereafter used, not just to represent the Nibelungs but also their enslavement in a state of relentless misery. During the scene's opening interaction between Alberich and Mime, the soft, mysterious "Tarnhelm" motif is heard on muted horns; this is later combined with the "serpent" motif as, at Loge's behest, Alberich uses the Tarnhelm to transform himself into a giant snake. The transition back to the mountaintop, following Alberich's entrapment, references a number of motifs, among them Alberich's woe, the ring, renunciation and the Nibelungs' enslavement.
Fourth scene
After Wotan seizes the ring from the captive Alberich, the dwarf's agonised, self-pitying monologue ("Am I now free?") ends with his declamation of the "Curse" motif – "one of the most sinister musical ideas ever to have entered the operatic repertoire", according to Scruton's analysis: "It rises through a half-diminished chord
In music theory, the half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note, together with a minor third, a diminished fifth, and a minor seventh (1,&nbs ...
, and then falls through an octave to settle on a murky C major triad, with clarinets in their lowest register over a timpani pedal in F sharp". This motif will recur throughout the cycle; it will be heard later in this scene, when Fafner clubs Fasolt to death over possession of the ring. Tranquil, ascending harmonies introduce the reconvention of the gods and giants. The subsequent dispute over Wotan's reluctance to part with the ring ends with Erda's appearance; her motif is a minor-key variation of the "Nature" motif from the prelude. After her warning she departs to the sounds of the "Downfall" motif, an inversion of Erda's entry that resembles "Woman's Worth". The scene ends with a rapid succession of motifs: "Donner's Call", a horn fanfare by which he summons the thunderstorm; Froh's "Rainbow Bridge" which provides a path for the gods into Valhalla; the "Sword" motif, a C major arpeggio that will become highly significant in later ''Ring'' operas, and the haunting "Rhinemaidens' Lament", developed from the falling step which earlier signified the maidens' joy in the gold. Scruton writes of this lament: "And yet, ever sounding in the depths, is the lament of the Rhine-daughters, singing of a natural order that preceded the conscious will that has usurped it. This lament sounds in the unconsciousness of us all, as we pursue our paths to personality, sovereignty and freedom...". These are the last voices that are heard in the opera, "piercing our hearts with sudden longing, melting our bones with nostalgic desire", before the gods, "marching in empty triumph to their doom", enter Valhalla to a thunderous orchestral conclusion, made up from several motifs including "Valhalla", "Rainbow Bridge" and the "Sword".
Orchestral forces
''Das Rheingold'' is scored for the following instrumental forces:
* Woodwind: Piccolo; 3 flutes; 3 oboes; cor anglais; 3 clarinets; bass clarinet; 3 bassoons
* Brass: 8 horns; 2 tenor tubas in B flat; 2 bass tubas (" Wagner tubas") in F; 3 trumpets; bass trumpet in E flat; 4 tenor-bass trombones; contrabass trombone; contrabass tuba
* Percussion: 2 sets of timpani; cymbals; triangle; gong
* Strings: 16 first violins; 16 second violins; 12 violas; 12 cellos; 8 double basses; 6 harps (plus a seventh on-stage)
* Off-stage: 18 anvils of varying sizes (tuned to 3 octaves of F#); hammer
Critical assessment
Although it is sometimes performed independently, ''Das Rheingold'' is not generally considered outside the structure of the ''Ring'' cycle. However, as Millington points out, it is a substantial work in its own right, and has several characteristics not shared by the other works in the tetralogy. It is comparatively short, with continuous music; no interludes or breaks. The action moves forward relatively swiftly, unencumbered, as Arnold Whittall
Arnold Whittall (born 1935, Shrewsbury, Shropshire, England) is a British musicologist and writer. He is Professor Emeritus at King's College London. Between 1975 and 1996 he was Professor at King's. Previously he lectured at Cambridge, Nottingha ...
observes, by the "retarding explanations" – pauses in the action to clarify the context of what is going on – that permeate the later, much longer works. Its lack of the conventional operatic devices (arias, choruses, ensembles) further enable the story to progress briskly.
Since it was written as a prelude to the main events, ''Das Rheingold'' is in itself inconclusive, leaving numerous loose ends to be picked up later; its function, as Jacobs says, is "to expound, not to draw conclusions". The fact that most of its characters display decidedly human emotions makes it seem, according to a recent writer, "much more a present-day drama than a remote fable". Nevertheless, Philip Kennicott, writing in ''The Washington Post
''The Washington Post'' (also known as the ''Post'' and, informally, ''WaPo'') is an American daily newspaper published in Washington, D.C. It is the most widely circulated newspaper within the Washington metropolitan area and has a large nati ...
'' describes it as "the hardest of the four installments to love, with its family squabbles, extensive exposition, and the odd, hybrid world Wagner creates, not always comfortably balanced between the mythic and the recognizably human." Certain presumptions are challenged or overturned; John Louis Gaetani, in a 2006 essay, notes that, in Loge's view, the gods are far more culpable than the Nibelungs, and that Wotan, for all his prestige as the ruler of the gods, "does much more evil than Alberich ever dreams of".
Recording
Live performances of ''Das Rheingold'' from Bayreuth and elsewhere were recorded from 1937 onwards, but were not issued for many years. The first studio recording, and the first to be issued commercially, was Georg Solti's 1958 Decca version, part of his complete ''Ring'' cycle, 1958–1966, which marked the beginning of a new era in recorded opera. Since then ''Das Rheingold'' has been recorded, as part of the cycle, on many occasions, with regular new issues.
Notes and references
Notes
Citations
Sources
*
*
*
*
*
*
*
*
*
*
*
*
* (First published 1935, revised 1965, 1974 and 1980)
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
External links
Richard Wagner – ''Das Rheingold''
gallery of historic postcards with motifs from Richard Wagner's operas
Complete libretto of the opera, in German
*
''L'Or du Rhin''
1880 piano–vocal score
A vocal score or piano–vocal score is a music score of an opera, or a vocal or choral composition written for orchestral accompaniment, such as an oratorio
An oratorio () is a large musical composition for orchestra, choir, and solo ...
, French by Victor Wilder, via Internet Archive
The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, including websites, software applications/games, music, ...
{{DEFAULTSORT:Rheingold, Das
1869 operas
One-act operas
Operas
Rhineland
Fiction about shapeshifting
Der Ring des Nibelungen
Libretti by Richard Wagner