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Alberich
In German heroic legend, Alberich () is a dwarf. He features most prominently in the poems ''Nibelungenlied'' and ''Ortnit''. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name means "ruler of supernatural beings (elves)", and is equivalent to Old French ''Auberon'' (English Oberon). The name was later used for a character in Richard Wagner's opera cycle ''Der Ring des Nibelungen''. Mythology Alberich plays a prominent role in the ''Nibelungenlied'', where he is the guardian of the Nibelung's treasure and has the strength of twelve men. Siegfried overpowers him using his cloak of invisibility (Tarnkappe), after which the dwarf serves the hero. Siegfried later pulls his beard in mock combat when he arrives unannounced to claim the treasure. Siegfried seeks to woo the daughter of the heathen king Machorel, Alberich reveals his paternity to Ortnit and aids him in his quest, playing tricks on the heathen king and even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ortnit
Ortnit is the eponymous protagonist of the Middle High German heroic epic ''Ortnit''. First written down in strophic form in around 1230 by an anonymous author, it circulated in a number of distinct versions. In the earliest version, King Ortnit sets out on an expedition to make the daughter of the heathen King Machorel his bride. He is greatly assisted by the cunning of the dwarf Alberich, who can only be seen by the wearer of a magic ring, and by the martial prowess of the Russian king Ilyas, Ortnit's uncle. In the second part of the story, Machorel, enraged by Ortnit's abduction of his daughter, sends him, in a feigned gesture of reconciliation, two dragon eggs. When these hatch, the dragons terrorise the land. After a year's delay, Ortnit sets out to kill the dragons, but falls asleep and is killed by them. In most of the surviving versions, this is followed by the story of Wolfdietrich, who avenges Ortnit's death and marries his widow. Though the two stories have distinct or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period ... refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarnhelm
The Tarnhelm is a magic helmet in Richard Wagner's ''Der Ring des Nibelungen'' (written 1848–1874; first perf. 1876). It was crafted by Mime at the demand of his brother Alberich. It is used as a cloak of invisibility by Alberich in ''Das Rheingold''. It also allows one to change one's form: *Alberich changes to a dragon and then a toad in ''Das Rheingold'', Scene 3. * Fafner changes to a dragon after the end of ''Das Rheingold'' and appears thus in Siegfried Act II. (It is never made clear whether Fafner actually used the Tarnhelm to transform, or simply transformed as many giants and gods did in the myths. There is also no Tarnhelm present in the original Andvari myth from Reginsmál in the Poetic Edda from which Wagner drew inspiration for this scene.) *Siegfried changes to Gunther's form in ''Götterdämmerung'' Act I, Scene 3. Finally, it allows one to travel long distances instantly, as Siegfried does in ''Götterdämmerung'', Act II. The stage directions in ''Das Rhein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon
Oberon () is a king of the fairies in medieval and Renaissance literature. He is best known as a character in William Shakespeare's play ''A Midsummer Night's Dream'', in which he is King of the Fairies and spouse of Titania, Queen of the Fairies. Etymology Oberon is derived from Alberich (from Old High German ''alb-'' "elf" and ''-rîh-'', "ruler", "king"), the name of a dwarf from Germanic mythology. In the ''Nibelungenlied'', a Burgundian poem written around the turn of the 13th century, Alberich guards the treasure of the Nibelungen, but is overcome by Siegfried. In Old French, the name Alberich evolved into ''Alberon'' and then ''Auberon'' and ultimately into ''Aubrey''. French heroic song The name Oberon (as Auberon) is first attested to in the early 13th century entitled , wherein it refers to an elven man of the forest encountered by the eponymous hero. Huon, son of Seguin count of Bordeaux, passed through the forest inhabited by Oberon. He was warned by a hermit no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dwarf (mythology)
A dwarf () is a type of supernatural being in Germanic folklore, including mythology. Accounts of dwarfs vary significantly throughout history however they are commonly, but not exclusively, presented as living in mountains or stones and being skilled craftsmen. In early literary sources, only males are explicitly referred to as dwarfs, although they are described as having sisters and daughters, while both male and female dwarfs feature in later saga literature and folklore. Dwarfs are sometimes described as short, however, scholars have noted that this is neither explicit nor of relevance to their roles in the earliest sources. Dwarfs continue to feature in modern popular culture such as in the works of J.R.R. Tolkien and Terry Pratchett, where they are often, but not exclusively, presented as distinct from elves. Etymology The modern English noun ''dwarf'' descends from ang, dweorg. It has a variety of cognates in other Germanic languages, including non, dvergr and goh, tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloak Of Invisibility
A cloak of invisibility is an item that prevents the wearer from being seen. In folklore, mythology and fairy tales, a cloak of invisibility appears either as a magical item used by duplicitous characters or an item worn by a hero to fulfill a quest. It is a common theme in Welsh and Germanic folklore, and may originate with the cap of invisibility seen in ancient Greek myths. The motif falls under "D1361.12 magic cloak of invisibility" in the Stith Thompson motif index scheme. In folklore Cloaks of invisibility are magical items found in folklore and fairy tales. Such cloaks are common in Welsh mythology; a "Mantle of Invisibility" is described in the tale ''Culhwch and Olwen'' (c. 1100) as one of King Arthur's most prized possessions.Stephens (1998) p. 479 The mantle is described again, and in more detail, in the ''Breuddwyd Rhonabwy,'' and is later listed as one of the Thirteen Treasures of the Island of Britain. A similar mantle appears in the Second Branch of the Mab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nibelung
The term Nibelung (German) or Niflungr (Old Norse) is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root ''nebel'', meaning mist. The term in its various meanings gives its name to the Middle High German heroic epic the ''Nibelungenlied''. The most widespread use of Nibelung is used to denote the Burgundian royal house, also known as the Gibichungs (German) or Gjúkingar (Old Norse). A group of royal brothers led by king Gunther or Gunnar, the Gibichungs are responsible for the death of the hero Siegfried or Sigurd and are later destroyed at the court of Attila the Hun (called Etzel in German and Atli in Old Norse). This is the only use of the term attested in the Old Norse legends. In medieval German, several other uses of the term Nibelung are documented besides the reference to the Gibichungs: it refers to the king and inhabitants of a mythical land inhabited by dw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elves
An elf () is a type of humanoid supernatural being in Germanic mythology and folklore. Elves appear especially in North Germanic mythology. They are subsequently mentioned in Snorri Sturluson's Icelandic Prose Edda. He distinguishes "light elves" and "dark elves". The dark elves create new blond hair for Thor's wife Sif after Loki had shorn off Sif's long hair. In medieval Germanic-speaking cultures, elves generally seem to have been thought of as beings with magical powers and supernatural beauty, ambivalent towards everyday people and capable of either helping or hindering them. However, the details of these beliefs have varied considerably over time and space and have flourished in both pre-Christian and Christian cultures. Sometimes elves are, like dwarfs, associated with craftmanship. Wayland the Smith embodies this feature. He is known under many names, depending on the language in which the stories were distributed. The names include ''Völund'' in Old Norse, ''WÄ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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