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Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Wilhelmine Von Thun Und Hohenstein
Maria Wilhelmine von Thun und Hohenstein, born Uhlfeldt (Vienna 13 June 1744 – Vienna 18 May 1800) was a Viennese countess. She is remembered as the sponsor of a musically and intellectually outstanding salon and for her patronage of music, notably that of Mozart and Beethoven.Braunbehrens Biography Maria Wilhelmina Ulfeldt was the daughter of Imperial Count Anton Corfiz Ulfeldt (also spelled Uhlfeldt; 1699–1770), who "held several high political and court appointments"Clive 2001, 367 and his second wife Princess Maria Elisabeth von Lobkowitz (1726–1786). At age 17 (30 July 1761) she married Count Franz Josef Anton von Thun und Hohenstein (1734–1801), who later became an Imperial Chamberlain. In the 1750s, the young Countess Uhlfeld studied keyboard with imperial court organist Wenzel Raimund Birck (1718–1763), a respected teacher and composer. A manuscript book of simple keyboard pieces and exercises that he prepared for her survives. Whether, as has been suggested, she a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Vienna
The Battle of Vienna; pl, odsiecz wiedeńska, lit=Relief of Vienna or ''bitwa pod Wiedniem''; ota, Beç Ḳalʿası Muḥāṣarası, lit=siege of Beç; tr, İkinci Viyana Kuşatması, lit=second siege of Vienna took place at Kahlenberg Mountain near Vienna on 1683 after the imperial city had been besieged by the Ottoman Empire for two months. The battle was fought by the Holy Roman Empire (led by the Habsburg monarchy and the Polish–Lithuanian Commonwealth, both under the command of King John III Sobieski) against the Ottomans and their vassal and tributary states. The battle marked the first time the Commonwealth and the Holy Roman Empire had cooperated militarily against the Ottomans, and it is often seen as a turning point in history, after which "the Ottoman Turks ceased to be a menace to the Christian world". In the ensuing war that lasted until 1699, the Ottomans lost almost all of Hungary to the Holy Roman Emperor Leopold I. The battle was won by the combined f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turquerie
Turquerie (anglicized as "Turkery"), "Turquoiserie" was the Turkish fashion in Western Europe from the 16th to 18th centuries for imitating aspects of Ottoman art and culture. Many different Western European countries were fascinated by the exotic and relatively unknown culture of the Ottoman ruling class, which was the center of the Ottoman Empire. This fashionable phenomenon became more popular through trading routes and increased diplomatic relationships between the Ottomans and the European nations, exemplified by the Franco-Ottoman alliance in 1715. Ambassadors and traders often returned home with tales of exotic places and souvenirs of their adventures. The movement was often reflected in the art of the period. Music, paintings, architecture, and artifacts were frequently inspired by the Ottoman styles and methods. Paintings in particular portrayed the Ottomans with bright colours and sharp contrasts, suggesting their interesting peculiarity and exotic nature. History of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spike Hughes
Patrick Cairns "Spike" Hughes (19 October 1908 – 2 February 1987) was a British musician, composer and arranger involved in the worlds of classical music and jazz. He has been called Britain's earliest jazz composer. Later in his career, he became better known as a broadcaster and humorous author. Early career Born in London, England, Hughes was the son of Irish composer, writer and song collector Herbert Hughes and great grandson of the sculptor Samuel Peploe Wood. His childhood, spent mostly with his mother Lilian Meacham (1886–1973), a Harley Street psychiatrist, involved extensive travelling in France and Italy, as well as a more settled period of education at Perse School in Cambridge.Gammond, Peter. 'Hughes, Patrick Cairns pike in ''The Oxford Dictionary of National Biography'' In 1923, at the age of 15 he spent an extended period in Vienna to study composition with Egon Wellesz. While there he claimed to have visited the opera nearly 450 times, always standing at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1782 In Music
Events * March 17 – Violinist Giovanni Battista Viotti makes his début at the Concert Spirituel in Paris. * August 4 – Wolfgang Amadeus Mozart marries Constanze Weber in Vienna. * September 30 – The Royal Swedish Opera in Stockholm is inaugurated with a performance of Johann Gottlieb Naumann's ''Cora och Alonzo''. * William Shield is appointed resident composer to Royal Opera House, Covent Garden. * Antoine Bournonville and his sister Julie Alix de la Fay join the Royal Swedish Ballet at Stockholm. Published popular music *James Aird (compiled and edited) – ''A Selection of Scotch, English, Irish and Foreign Airs'' (including "The Miners of Wicklow", possibly the first published version of "Yankee Doodle") *Robert Burns – ''John Barleycorn'' (original version from 16th century) Classical music *Ludwig van Beethoven **9 Variations on a March by Dressler, WoO 63 **''Schilderung eines Mädchen'', WoO 107 *Friedrich Benda, Friedrich Wilhelm Heinrich Benda – 3 Flut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine The Great
, en, Catherine Alexeievna Romanova, link=yes , house = , father = Christian August, Prince of Anhalt-Zerbst , mother = Joanna Elisabeth of Holstein-Gottorp , birth_date = , birth_name = Princess Sophie of Anhalt-Zerbst , birth_place = Stettin, Pomerania, Prussia, Holy Roman Empire(now Szczecin, Poland) , death_date = (aged 67) , death_place = Winter Palace, Saint Petersburg, Russian Empire , burial_date = , burial_place = Saints Peter and Paul Cathedral, Saint Petersburg , signature = Catherine The Great Signature.svg , religion = Catherine II (born Sophie of Anhalt-Zerbst; 2 May 172917 November 1796), most commonly known as Catherine the Great, was the reigning empress of Russia from 1762 to 1796. She came to power following the overthrow of her husband, Peter III. Under her long reign, inspired by the ideas of the Enlightenment, Russia experienced a renaissance of culture and sciences, which led to the founding of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul I Of Russia
Paul I (russian: Па́вел I Петро́вич ; – ) was Emperor of Russia from 1796 until his assassination. Officially, he was the only son of Peter III of Russia, Peter III and Catherine the Great, although Catherine hinted that he was fathered by her lover Sergei Saltykov.Aleksandr Kamenskii, ''The Russian Empire in the Eighteenth Century: Searching for a Place in the World'' (1997) pp 265–280. Paul remained overshadowed by his mother for most of his life. He adopted the Pauline Laws, laws of succession to the Russian throne—rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He also intervened in the French Revolutionary Wars and, toward the end of his reign, added Kingdom of Kartli-Kakheti, Kartli and Kakheti in Eastern Georgia into the empire, which was confirmed by his son and successor Alexander I of Russia, Alexander I. He was ''de facto'' Grand Master (order), Grand Master of the Knights Hospitaller, Order of Hospitallers from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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