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Maria Wilhelmine Von Thun Und Hohenstein
Maria Wilhelmine von Thun und Hohenstein, born Uhlfeldt (Vienna 13 June 1744 – Vienna 18 May 1800) was a Viennese countess. She is remembered as the sponsor of a musically and intellectually outstanding salon and for her patronage of music, notably that of Mozart and Beethoven.Braunbehrens Biography Maria Wilhelmina Ulfeldt was the daughter of Imperial Count Anton Corfiz Ulfeldt (also spelled Uhlfeldt; 1699–1770), who "held several high political and court appointments"Clive 2001, 367 and his second wife Princess Maria Elisabeth von Lobkowitz (1726–1786). At age 17 (30 July 1761) she married Count Franz Josef Anton von Thun und Hohenstein (1734–1801), who later became an Imperial Chamberlain. In the 1750s, the young Countess Uhlfeld studied keyboard with imperial court organist Wenzel Raimund Birck (1718–1763), a respected teacher and composer. A manuscript book of simple keyboard pieces and exercises that he prepared for her survives. Whether, as has been suggested, she a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countess
Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility.L. G. Pine, Pine, L. G. ''Titles: How the King Became His Majesty''. New York: Barnes & Noble, 1992. p. 73. . The etymologically related English term "county" denoted the territories associated with the countship. Definition The word ''count'' came into English from the French language, French ''comte'', itself from Latin ''comes''—in its Accusative case, accusative ''comitem''—meaning “companion”, and later “companion of the emperor, delegate of the emperor”. The adjective form of the word is "Wikt:comital, comital". The Great Britain, British and Ireland, Irish equivalent is an earl (whose wife is a "countess", for lack of an English language, English term). In the late Roman Empire, the Latin title ''comes'' denoted the high rank of various courtiers and provincial officials, either milit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Plantagenet Roll Of The Blood Royal
Melville Amadeus Henry Douglas Heddle de La Caillemotte de Massue de Ruvigné, "9th Marquis of Ruvigny and 15th of Raineval" (25 April 1868 – 6 October 1921) was a British genealogist and author, who was twice president of the Legitimist Jacobite League of Great Britain and Ireland. Biography Ruvigny was born in London to Colonel Charles Henry Theodore Bruce de Massue de Ruvigné, ''soi-disant'' Marquis of Ruvigny and Raineval, a native of Switzerland, by his marriage to Margaret Melville Moodie, a daughter of George Moodie, of Cocklaw and Dunbog in Fife, Scotland. Ruvigny's grandfather, Lieutenant Lloyd Henry de Ruvynes, an Irishman of French origin, changed his name to "de Massue de Ruvigné", because of his descent from a daughter of Henri de Massue, 1st Marquis de Rouvigny. In one of the few sources to discuss the de Massue family, the genealogist and College of Arms herald George Edward Cokayne states that at the death of the 1st Marquis's son, Henri de Massue, 2nd Marquis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grove
Sir George Grove (13 August 182028 May 1900) was an English engineer and writer on music, known as the founding editor of ''Grove's Dictionary of Music and Musicians''. Grove was trained as a civil engineer, and successful in that profession, but his love of music drew him into musical administration. When responsible for the regular orchestral concerts at the Crystal Palace, he wrote a series of programme notes from which eventually grew his musical dictionary. His interest in the music of Franz Schubert, which was neglected in England at that point in the nineteenth century, led him and his friend Arthur Sullivan to go to Vienna in search of undiscovered Schubert manuscripts. Their researches led to their discovery of the lost score of Schubert's ''Rosamunde'' music, several of his symphonies and other music in 1867, leading to a revival of interest in Schubert's work. Grove was the first director of the Royal College of Music, from its foundation in 1883 until his retireme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Alexander Fuller Maitland
John Alexander Fuller Maitland (7 April 1856 – 30 March 1936) was an influential British music critic and scholar from the 1880s to the 1920s. He encouraged the rediscovery of English music of the 16th and 17th centuries, particularly Henry Purcell's music and English virginal music. He also propounded the notion of an English Musical Renaissance in the second half of the 19th century, particularly praising Charles Villiers Stanford and Hubert Parry. Fuller Maitland was criticised for his failure to acknowledge the talents of the English composers Arthur Sullivan, Edward Elgar and Frederick Delius, and later it was shown that he had falsified the facts in a critique of Sullivan. He was also slow to recognise the worth of contemporary composers from mainland Europe such as Claude Debussy and Richard Strauss. Biography Fuller Maitland was born at 90 Gloucester Place, Portman Square, London, the son of John Fuller Maitland and his wife Marianne (''née'' Noble). He attended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Erich Deutsch
Otto Erich Deutsch (5 September 1883 – 23 November 1967) was an Austrian musicologist. He is known for compiling the first comprehensive catalogue of Franz Schubert's compositions, first published in 1951 in English, with a revised edition published in 1978 in German. It is from this catalogue that the ''D'' numbers used to identify Schubert's works derive. Life Deutsch was born in Vienna on 5 September 1883 in a Jewish family."Otto Deutsch" profile at the Following his studies of art history and literature in Vienna and , he worked as an assistant at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volkmar Braunbehrens
Volkmar von Braunbehrens (born 22 March 1941 in Freiburg im Breisgau) is a German musicologist, specialising in research about Wolfgang Amadeus Mozart. Braunbehrens studied history of literature, musicology, and art history in Munich, Heidelberg and Berlin; he received his PhD from the Free University of Berlin in 1974. He is Privatdozent (associate professor) since 1981. In 1976, he co-founded, and until 1981 co-edited, the journal ''Berliner Hefte – Zeitschrift für Kultur und Politik''; for many years, he was director of an art gallery in Berlin. Braunbehrens is a former board member of the Humanist Union. Humanistische Union He lives as a author in Freib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Abert
Hermann Abert (; 25 March 1871 – 13 August 1927) was a German historian of music. Life Abert was born in Stuttgart, the son of Johann Josef Abert (1832–1915), the ''Hofkapellmeister'' of that city. From 1890 to 1896 he studied classical philology at the Universities of Tübingen, Berlin and Leipzig. While at Tübingen he joined the '' Akademische Gesellschaft Stuttgardia'', a student fraternity which shaped the political views of the liberalism in southern Germany. His philological studies ended in 1896 at Halle, where he had done work on Ancient Greek music. For the next three years he studied music theory at Berlin. In 1902 he qualified as lecturer by presenting his thesis on music of the Middle Ages at the University of Halle. Abert stayed on at Halle as a lecturer, becoming a senior lecturer (or associate professor) in 1910 and a full professor in 1918. In this capacity he moved the next year to the University of Heidelberg. But after just one year, Abert took up a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trio No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Van Swieten
Gottfried Freiherr van Swieten (29 October 1733 – 29 March 1803) was a Dutch-born Austrian diplomat, librarian, and government official who served the Holy Roman Empire during the 18th century. He was an enthusiastic amateur musician and is best remembered today as the patron of several great composers of the Classical era, including Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. Life and career Van Swieten was born Godefridus Bernardus "Godfried" van Swieten in Leiden and grew up in the Dutch Republic to the age of 11. His father, Gerard van Swieten, was a physician who achieved a high reputation for raising standards of scientific research and instruction in the field of medicine. In 1745, the elder Van Swieten agreed to become personal physician to the Holy Roman Empress Maria Theresa and moved with his family to Vienna, where he also became the director of the court library and served in other government posts. The young Van Swieten was educated for nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orsini-Rosenberg
The House of Orsini-Rosenberg (also Ursin-Rosenberg) is the name of an old Austrian noble family. The family is mediatized and as such belongs to the high nobility. It originally sprang out from the Graben family (an apparent or illegitimate branch of the House of Meinhardin) from Castle Alt-Grabenhofen near the city of Graz. History The earliest known member of the Orsini-Rosenberg family, Konrad (von Graben) ab dem Roesenperg, lived around 1322. He was a member of the low nobility who lived at Schloss Alt-Grabenhofen, between ''Reinerkogel'' and ''Rosenberg''. During the 17th and 18th centuries, the success of the family arose from the steady accumulation of land, and loyalty to the Habsburg Emperor. On 2 August 1633, Johann Andreas von Rosenberg, ''Herr von Rosenberg'', was elevated to the ''Reichsfreiherrenstand'' with the title of ''Freiherr of the Holy Roman Empire, Freiherr of Lerchenau, Herr of Magereckh and Grafenstein'', and in 1648 to the Austrian ''Grafenstand'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1927_©_Georg_Fayer_(1892–1950)_OeNB_10453403.jpg "Click for more on -> Hermann Abert")
.jpg "Click for more on -> Gottfried Van Swieten")
