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Genroku Bunka
is the term used to describe the culture of the early Edo period (1603–1867), in particular the Genroku era of 1688–1704. Genroku culture is known as a period of luxurious display when the arts were increasingly patronized by a growing and powerful merchant class. The Genroku period is associated with two pleasure zones: the brothel district and the theaters. These two areas were often located near each other on the margins of respectable society. These constituted the celebrated in woodblock prints of prostitutes, actors, and pornography. Overview Genroku culture was mainly centered in the Kamigata area, containing both Osaka and Kyoto. Genroku culture was defined by the fashions and lives of everyday townspeople, particularly those of the merchant classes, whose rising monetary wealth led developments in decorative art, theatre and clothing; however, the samurai classes were also involved in the development of Genroku culture. Genroku culture would contribute to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irises Screen 2
Iris most often refers to: *Iris (anatomy), part of the eye * Iris (mythology), a Greek goddess * ''Iris'' (plant), a genus of flowering plants *Iris (color), an ambiguous color term Iris or IRIS may also refer to: Arts and media Fictional entities * Iris (''American Horror Story''), an ''American Horror Story: Hotel'' character * Iris (''Fire Force''), a character in the manga series ''Fire Force'' * Iris (''Mega Man''), a ''Mega Man X4'' character ** Iris, a ''Mega Man Battle Network'' character * Iris (''Pokémon'') ** Iris (''Pokémon'' anime) * Iris, a '' Trolls: The Beat Goes On!'' character * Sorceress Iris, a ''Magicians of Xanth'' character * Iris, a kaiju character in '' Gamera 3: The Revenge of Iris'' * Iris, a '' LoliRock'' character * Iris, a '' Lufia II: Rise of the Sinistrals'' (1995) character * Iris, a '' Phoenix Wright: Ace Attorney − Trials and Tribulations'' character * Iris, a ''Ruby Gloom'' character * Iris, a ''Taxi Driver'' (1976) character * Ir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōruri (music)
is a form of traditional Japanese narrative music in which a sings to the accompaniment of a . accompanies , traditional Japanese puppet theater. As a form of storytelling, emphasizes the lyrics and narration rather than the music itself. According to Asai Ryōi, the first performer to have ever employed the during his storytelling, instead of the , was chanter Sawazumi. The story he narrated was , one of the many existing versions of the , which tells the tale of the tragic love between Minamoto no Yoshitsune was a military commander of the Minamoto clan of Japan in the late Heian and early Kamakura periods. During the Genpei War, he led a series of battles which toppled the Ise-Heishi branch of the Taira clan, helping his half-brother Yoritomo conso ... and Jōruri-hime. Following this event, every tale sung to the accompaniment of a became emblematic of the style. See also * Japanese styles of music Japanese traditional music Japanese words and phrases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santō Kyōden
Santō Kyōden (山東 京伝, 13 September 1761 Edo – 27 October 1816) was a Japanese artist, writer, and the owner of a tobacco shop during the Edo period. His real name was Iwase Samuru (岩瀬 醒), and he was also known popularly as Kyōya Denzō (京屋伝蔵, ''kyōya denzō''). He began his professional career illustrating the works of others before writing his own Kibyōshi and Sharebon. Within his works, Kyōden often included references to his shop to increase sales. Kyōden's works were affected by the shifting publication laws of the Kansei Reforms which aimed to punish writers and their publishers for writings related to the Yoshiwara and other things that were deemed to be "harmful to society" at the time by the Tokugawa Bakufu. As a result of his punishment in 1791, Kyōden shifted his writings to the more didactic Yomihon. During the 1790s, Santō Kyōden became a household name and one of his works could sell as many as 10,000 copies, numbers that were previou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshiwara
was a famous (red-light district) in Edo, present-day Tokyo, Japan. Established in 1617, Yoshiwara was one of three licensed and well-known red-light districts created during the early 17th century by the Tokugawa shogunate, alongside Shimabara in Kyoto in 1640Avery, Anne Louise. ''Flowers of the Floating World: Geisha and Courtesans in Japanese Prints and Photographs, 1772–1926'' xhibition Catalogue(Sanders of Oxford & Mayfield Press: Oxford, 2006) and Shinmachi in Osaka. Created by the shogunate to curtail the tastes of and sequester the nouveau riche (merchant) classes, the entertainment offered in Yoshiwara, alongside other licensed districts, would eventually give rise to the creation of geisha, who would become known as the fashionable companions of the classes and simultaneously cause the demise of , the upper-class courtesans of the red-light districts. History 17th and 18th century The licensed district of Yoshiwara was created in the city of Edo, near to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kibyōshi
is a genre of produced during the middle of the Edo period (1603–1867), from 1775 to the early 19th century. Physically identifiable by their yellow-backed covers, were typically printed in 10 page volumes, many spanning two to three volumes in length, with the average number of total pages being 30. Considered to be the first purely adult comicbook in Japanese literature, a large picture spanned each page, with descriptive prose and dialogue filling the blank spaces in the image. Due to the numerous characters and letters in the Japanese language, moveable type took longer to catch on in Japan; it was easier to carve the text directly onto the same wood block as the illustration. This allowed for a close and harmonious interaction between image and text, with either a balance of both elements, or text dominating the image. used kana-based vernacular language. Known for its satirical view of and commentary on flaws in contemporary society, these books focused primarily on ur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oiran
is a collective term for the highest-ranking courtesans in Japanese history, who were considered to be above common prostitution, prostitutes (known as ) for their more refined entertainment skills and training in the traditional arts. Divided into a number of ranks within this category, the highest rank of were the , who were considered to be set apart from other due to their intensive training in the traditional arts. Though by definition also engaged in prostitution, higher-ranking had a degree of choice in which customers they took; , in contrast, did not engage in sex work at all. The term originated in Yoshiwara, the Yūkaku, red light district of Edo in the 1750s, and is applied to all ranks of high level courtesans in historical Japan. The services of were well known for being exclusive and expensive, with typically only entertaining the upper classes of society, gaining the nickname for their perceived ability to steal the hearts and match the wits of upper-cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manga
Manga (Japanese: 漫画 ) are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, and the form has a long prehistory in earlier Japanese art. The term ''manga'' is used in Japan to refer to both comics and cartooning. Outside of Japan, the word is typically used to refer to comics originally published in the country. In Japan, people of all ages and walks of life read manga. The medium includes works in a broad range of genres: action, adventure, business and commerce, comedy, detective, drama, historical, horror, mystery, romance, science fiction and fantasy, erotica ('' hentai'' and ''ecchi''), sports and games, and suspense, among others. Many manga are translated into other languages. Since the 1950s, manga has become an increasingly major part of the Japanese publishing industry. By 1995, the manga market in Japan was valued at (), with annual sales of 1.9billion manga books and manga magazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyonobu I
Torii Kiyonobu I ( ja, 鳥居 清信; – 22 August 1729) was a Japanese painter and printmaker in the ukiyo-e style, who is renowned for his work on kabuki signboards and related materials. Along with his father Torii Kiyomoto, he is said to have been one of the founders of the Torii school of painting. Known in childhood as Shōbei, young Kiyonobu was the second son of the established Osaka kabuki actor and painter Torii Kiyomoto, born in 1664. He moved, with his father, to Edo (modern Tokyo) when he was twenty-four, and emerged there as a major artist with a unique style. Kiyonobu's work is regarded as being highly influenced by that of Hishikawa Moronobu (d. 1694), the father of ukiyo-e; Kiyonobu would also have been well-versed, as most major artists were at the time, in the styles of the Kanō and Tosa schools. Kiyonobu focused almost exclusively on producing billboards and other promotional material for Edo's kabuki theaters; the relationship betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hishikawa Moronobu
Hishikawa Moronobu ( ja, 菱川 師宣; 1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. He consolidated the works of scattered Japanese art styles and forged the early development of ukiyo-e. Early life Born in Hoda at the distant end of Edo Bay, Moronobu was the son of a well-respected embroiderer of rich tapestries who produced it for the use of temples and wealthy patrons. After moving to Edo in the 1660s, Moronobu, who had likely learned skills from his father's craft, and studied both Tosa and Kanō-style painting. He thus had a solid grounding in both decorative crafts and academic painting, which served him well when he then turned to ukiyo-e, which he studied with his mentor, the Kanbun Master. Work The earliest known illustration of Moronobu that can be dated comes from his work titled ''One Hundred Warrior Poets'' from 1672, although earlier works are yet possibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogata Kōrin
Ogata Kōrin ( ja, 尾形光琳; 1658 – June 2, 1716) was a Japanese landscape illustrator, lacquerer, painter, and textile designer of the Rinpa School. Kōrin is best known for his ''byōbu'' folding screens, such as '' Irises'' and '' Red and White Plum Blossoms'' (both registered National Treasures), and his paintings on ceramics and lacquerware produced by his brother Kenzan (1663–1743). Also a prolific designer, he worked with a variety of decorative and practical objects, such as round fans, ''makie'' writing boxes or ''inrō'' medicine cases. He is also credited with reviving and consolidating the Rinpa school of Japanese painting, fifty years after its foundation by Hon'ami Kōetsu (1558–1637) and Tawaraya Sōtatsu (c. 1570 – c. 1640). In fact the term "Rinpa", coined in the Meiji period, means "school of ōin". In particular he had a lasting influence on Sakai Hōitsu (1761–1828), who replicated many of his paintings and popularized his work, organi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rimpa School
is one of the major historical schools of Japanese painting. It was created in 17th century Kyoto by Hon'ami Kōetsu (1558–1637) and Tawaraya Sōtatsu (d. c.1643). Roughly fifty years later, the style was consolidated by brothers Ogata Kōrin (1658–1716) and Ogata Kenzan (1663–1743). The term "Rinpa" is an abbreviation consisting of the last syllable from "Kōrin" with the word for (with rendaku changing this to "pa"), coined in the Meiji period. Previously, the style was referred to variously as the , or , or the . History Hon'ami Kōetsu founded an artistic community of craftsmen supported by wealthy merchant patrons of the Nichiren Buddhist sect at Takagamine in northeastern Kyoto in 1615. Both the affluent merchant town elite and the old Kyoto aristocratic families favored arts which followed classical traditions, and Kōetsu obliged by producing numerous works of ceramics, calligraphy and lacquerware. His collaborator, Tawaraya Sōtatsu, maintained an atelier in K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
