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Jōruri (music)
is a form of traditional Japanese narrative music in which a sings to the accompaniment of a . accompanies , traditional Japanese puppet theater. As a form of storytelling, emphasizes the lyrics and narration rather than the music itself. History According to Asai Ryōi, the first performer to have ever employed the during his storytelling, instead of the biwa, was chanter Sawazumi. The story he narrated was , one of the many existing versions of the , which tells the tale of the tragic love between Minamoto no Yoshitsune was a commander of the Minamoto clan of Japan in the late Heian period, Heian and early Kamakura period, Kamakura periods. During the Genpei War, he led a series of battles that toppled the Ise-Heishi branch of the Taira clan, helping his half-br ... and Jōruri-hime. Following this event, every tale sung to the accompaniment of a became emblematic of the style. See also * ' References Japanese styles of music Japanese traditional music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narration
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode, which is sometimes also used as synonym for narrative technique, encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamisen
The , also known as or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular rendaku, sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany Bunraku, puppet plays and Min'yo, folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The nec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century puppeteer from Awaji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asai Ryōi
was a Japanese writer in the early Edo period. A Shin Buddhist priest who was at one time head of a Kyoto temple, he is held to be one of the finest writers of Kanazōshi. Kanazōshi was a form of popular literature that was written with little or no kanji, thus accessible to many. Though it spanned many genres, a common theme in Kanazōshi works was the celebration of contemporary urban life. Asai Ryōi's work in particular turned traditional Buddhist teaching on its head in an expression of urban ideals. ''Ukiyo Monogatari'' is widely considered the first work to revel in the difference between Buddhist ''ukiyo'' and Edo period ''ukiyo''. ''Ukiyo'' was the concept that life is transitory and nothing worldly lasts forever. While the earlier Buddhist teaching concluded that one must therefore put one's energy into lasting spiritual matters that would continue to benefit one in the next life, urban Edo period ideals were more epicurean, and encouraged one to enjoy the plea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biwa
The is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794). Typically to in length, the instrument is constructed of a water drop–shaped body with a short neck, typically with four (though sometimes five) strings. In Japan, the is generally played with a instead of the fingers, and is often used to play . One of the 's most famous uses is for reciting The Tale of the Heike, ''The Tale of the'' , from the Kamakura period (1185–1333). In previous centuries, the predominant musicians would have been , who used the as musical accompaniment when reading scriptural texts. The 's Chinese predecessor was the (), which arrived in Japan in two forms; following its introduction to Japan, varieties of the quadrupled. Guilds supporting players, particularly the , h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minamoto No Yoshitsune
was a commander of the Minamoto clan of Japan in the late Heian period, Heian and early Kamakura period, Kamakura periods. During the Genpei War, he led a series of battles that toppled the Ise-Heishi branch of the Taira clan, helping his half-brother Minamoto no Yoritomo, Yoritomo consolidate power. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai in the history of Japan. Yoshitsune perished after being betrayed by the son of a trusted ally and was labelled as a tragic hero. Early life Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older half-brother Minamoto no Yoritomo (the third son of Yoshitomo) would go on to establish the Kamakura shogunate. Yoshitsune's name in childhood was or ''young bull'' (). He was born just before the Heiji Rebellion in 1160 in which his father and two oldest brothers were kil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century puppeteer from Awaji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Styles Of Music
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japanese studies , sometimes known as Japanology in Europe, is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese language, history, culture, litera ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
