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Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that recou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimabue - Maestà Di Santa Trinita - Google Art Project
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that recoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimabue (attr
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that recoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifix (Cimabue, Santa Croce)
The Crucifix by Cimabue at Santa Croce () is a very large wooden crucifix, painted in distemper, attributed to the Florentine painter and mosaicist Cimabue, one of two large crucifixes attributed to him. The work was commissioned by the Franciscan friars of Santa Croce and is built from a complex arrangement of five main and eight ancillary timber boards. It is one of the first Italian artworks to break from the late medieval Byzantine style and is renowned for its technical innovations and humanistic iconography. The gilding and monumentality of the cross link it to the Byzantine tradition. Christ's static pose is reflective of this style, while the work overall incorporates newer, more naturalistic aspects. The work presents a lifelike and physically imposing depiction of the passion at Calvary. Christ is shown nearly naked: his eyes are closed, his face lifeless and defeated. His body slumps in a position contorted by prolonged agony. A graphic portrayal of human sufferi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifix (Cimabue, Arezzo)
The Crucifix by Cimabue at Arezzo is a large wooden crucifix painted in distemper, with gold leaf, by the Florentine painter and mosaicist Cimabue, dated to c. 1267–71. It is the earliest of two large crucifixes attributed to him. It shows a painted representation of the near dead body of Christ on the cross, with Mary, mother of Jesus and John the Evangelist at either end of the cross beams. Its importance lies, in part, in the stylistic innovations and departure from some of the prevailing Byzantine conventions of the time, towards greater expressionism (especially in its portrayal of the agonies of death by crucifixion), empathy and humanism. In this, the work seeks to appeal to the viewer's heart rather than mind, and perhaps attempt to break the barrier between viewer and deity.Chiellini, 10 The dating is based on stylistic advancements. The crucifix has been in situ at Arezzo since its completion. Art historians have established it as probably one of Cimabue's earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, (196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maestà (Cimabue)
The ''Maestà'' is a painting by the Italian artist Cimabue, executed around 1280 and housed in the Musée du Louvre in Paris. History It was acquired by the Louvre in 1813 as part of the Napoleonic spoliation of artworks in Italy, together with Giotto's '' Saint Francis Receiving the Stigmata'', also from the church of San Francesco in Pisa. Description The work is considered to be from around 1280, thus preceding the ''Santa Trinita Maestà''. It is also stylistically earlier to that work, being painted without pseudo-perspective, and having the angels around the Virgin simply placed one above the other, rather than being spatially arranged. The throne is similar to the ''Maestà'' painted by Cimabue in the Basilica of San Francesco di Assisi (1288–1292). This work established a new canon for the Madonna with Child theme, which was subsequently used by other painters, such as Duccio di Buoninsegna Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1966 Arno River Flood
The 1966 flood of the Arno ( it, Alluvione di Firenze del 4 novembre 1966) in Florence killed 101 people and damaged or destroyed millions of masterpieces of art and rare books. It is considered the worst flood in the city's history since 1557. With the combined effort of Italian and foreign volunteers alike, or ''angeli del fango'' ("Mud Angels"), many of these fine works have been restored. New methods in conservation were devised and restoration laboratories established. However, even decades later, much work remains to be done. Overview Located in the Tuscany region of Central Italy, the Arno river is approximately long. It flows from the Mount Falterona hills of the Apennine Mountains to the Ligurian Sea, just west of Pisa. Lush vineyards and olive groves line the river's scenic course to the west, out to sea. Principally utilized for irrigation purposes, only of the river is used for navigation. The highest flows of the river generally occur in spring and autumn of eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Renaissance
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas. The city of Florence in Tuscany is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting, although later in the era Rome and Venice assumed increasing importance in painting. A detailed background is given in the companion articles Renaissance art and Renaissance architecture. Italian Renaissance painting is most often divided into four periods: the Proto-Renaissance (1300–1425), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Domenico, Arezzo
The Basilica of San Domenico is a Gothic-style church in Arezzo, Tuscany, Italy, dedicated to St Dominic. It is especially renowned for housing a painted crucifix (1265) by Cimabue. History and Description The construction began in 1275 and was completed in the 14th century. The exterior is a sober Tuscan Gothic style. Above the exterior portal entrance is a much dilapidated fresco painted by Agnolo di Lorentino. On the interior wall of the facade, are late 14th-century frescoes depicting ''Life of Saints Phillip, James the Minor, and Catherine'' (1395-1400) by Spinello Aretino. Also on this wall, Spinello's son, Parri di Spinello painted the ''Crucifixion and Three Saints''. The Dragomanni chapel, built from the 14th century, has an altar by Giovanni di Francesco (1368) and frescoes of ‘’Jesus among the Doctors" by Gregorio and Donato di Arezzo. The triptych of ‘’St Michael archangel and Domenic and Paul’’ is attributed to the ''Maestro del Vescovado''. A stone sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arezzo
Arezzo ( , , ) , also ; ett, 𐌀𐌓𐌉𐌕𐌉𐌌, Aritim. is a city and ''comune'' in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about southeast of Florence at an elevation of above sea level. As of 2022, the population was about 97,000. Known as the city of gold and of the high fashion, Arezzo was home to artists and poets such as Giorgio Vasari, Guido of Arezzo and Guittone d'Arezzo and in its province to Renaissance artist Michelangelo. In the artistic field, the city is famous for the frescoes by Piero della Francesca inside the Basilica of San Francesco, and the crucifix by Cimabue inside the Basilica of San Domenico. The city is also known for the important Giostra del Saracino, a game of chivalry that dates back to the Middle Ages. History Described by Livy as one of the ''Capita Etruriae'' (Etruscan capitals), Arezzo (''Aritim'' in Etruscan) is believed to have been one of the twelve most important Etruscan cities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lives Of The Artists
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur'' translated by , in Art Documentation Vol 11 # 1, 1992 "some of the 's most influential writing on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur'' translated by , in Art Documentation Vol 11 # 1, 1992 "some of the 's most influential writing on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
