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Cimabue - Maestà Di Santa Trinita - Google Art Project
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that recoun ...
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Cimabue - Maestà Di Santa Trinita - Google Art Project
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that recoun ...
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Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ...
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Louvre Museum
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement o ...
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San Francesco, Pisa
San Francesco de' Ferri is a church in Pisa, Tuscany, Italy. Mentioned for the first time in a document from 1233, the church was rebuilt starting from 1261 by will of archbishop Federico Visconti. The church was under the patronage of the Pisane noble families, who owned a series of private chapels for their burials; the Franciscan were limited to the administration of the cult. The works, directed by Giovanni di Simone, ended in 1270 and included also the slender bell tower. The marble façade is from 1603. The interior was revamped in the same age, with paintings by Jacopo da Empoli, Domenico Passignano and Santi di Tito. In the transept are frescoes by Taddeo Gaddi (1342-1345), Galileo Chini (20th century) and an altar frontal by Tommaso Pisano (late 14th century). The sacristy has frescoes by Taddeo di Bartolo (1397) with ''Histories of Mary'', while the Capitolium Hall has frescoes by Niccolò di Pietro Gerini with ''Histories of the life of Christ'' (1392). The rectangu ...
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Maestà (Cimabue)
The ''Maestà'' is a painting by the Italian artist Cimabue, executed around 1280 and housed in the Musée du Louvre in Paris. History It was acquired by the Louvre in 1813 as part of the Napoleonic spoliation of artworks in Italy, together with Giotto's '' Saint Francis Receiving the Stigmata'', also from the church of San Francesco in Pisa. Description The work is considered to be from around 1280, thus preceding the ''Santa Trinita Maestà''. It is also stylistically earlier to that work, being painted without pseudo-perspective, and having the angels around the Virgin simply placed one above the other, rather than being spatially arranged. The throne is similar to the ''Maestà'' painted by Cimabue in the Basilica of San Francesco di Assisi (1288–1292). This work established a new canon for the Madonna with Child theme, which was subsequently used by other painters, such as Duccio di Buoninsegna Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, ...
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Nicola Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; c. 1220/1225 – c. 1284) was an Italian sculptor whose work is noted for its classical Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. Early life His birth date or origins are uncertain. He was born in Apulia, as the son of "Petrus de Apulia", as stated in the archives of the Cathedral of Siena. Nicola Pisano was probably trained in the local workshops of the emperor Frederick II, and he attended his coronation. Here he was trained to give to the traditional representations more movement and emotions, intertwining Classical and Christian traditions. His only remaining works from this period are two griffon heads with a soft chiaroscuro effect. Around 1245 he moved to Tuscany to work at the Prato Castle. The lions on the portal of this castle are probably by his hand. "The head of a young girl" (now displayed in the Museo del Palazzo Venez ...
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1966 Arno River Flood
The 1966 flood of the Arno ( it, Alluvione di Firenze del 4 novembre 1966) in Florence killed 101 people and damaged or destroyed millions of masterpieces of art and rare books. It is considered the worst flood in the city's history since 1557. With the combined effort of Italian and foreign volunteers alike, or ''angeli del fango'' ("Mud Angels"), many of these fine works have been restored. New methods in conservation were devised and restoration laboratories established. However, even decades later, much work remains to be done. Overview Located in the Tuscany region of Central Italy, the Arno river is approximately long. It flows from the Mount Falterona hills of the Apennine Mountains to the Ligurian Sea, just west of Pisa. Lush vineyards and olive groves line the river's scenic course to the west, out to sea. Principally utilized for irrigation purposes, only of the river is used for navigation. The highest flows of the river generally occur in spring and autumn of eve ...
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Santa Croce, Florence
The (Italian for 'Basilica of the Holy Cross') is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories (). Building The basilica is the largest Franciscan church in the world. Its most notable features are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself. The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's ...
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Crucifix (Cimabue, Santa Croce)
The Crucifix by Cimabue at Santa Croce () is a very large wooden crucifix, painted in distemper, attributed to the Florentine painter and mosaicist Cimabue, one of two large crucifixes attributed to him. The work was commissioned by the Franciscan friars of Santa Croce and is built from a complex arrangement of five main and eight ancillary timber boards. It is one of the first Italian artworks to break from the late medieval Byzantine style and is renowned for its technical innovations and humanistic iconography. The gilding and monumentality of the cross link it to the Byzantine tradition. Christ's static pose is reflective of this style, while the work overall incorporates newer, more naturalistic aspects. The work presents a lifelike and physically imposing depiction of the passion at Calvary. Christ is shown nearly naked: his eyes are closed, his face lifeless and defeated. His body slumps in a position contorted by prolonged agony. A graphic portrayal of human sufferi ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Coppo Di Marcovaldo
Coppo di Marcovaldo (c. 1225 – c. 1276) was a Florentine painter in the Italo-Byzantine style, active in the middle of the thirteenth century, whose fusion of both the Italian and Byzantine art, Byzantine styles had great influence on generations of Italian artists. Biography Coppo di Marcovaldo is one of the better-known Duecento artists and is the first Florence, Florentine artist whose name and works are well documented. One of the earliest references to Coppo is found in the Book of Montaperti where his name is listed amongst Florentines soldiers for the war with Siena, which ended at the Battle of Montaperti on September 4, 1260. It is speculated by many historians that Coppo was taken prisoner by the Sienese where he was then held at the church of Santa Maria dei Servi (Siena), Santa Maria dei Servi. It was here in 1261 that he painted his most famous work The ''Madonna del Bordone'' for the order of the Servites. Assumed to be a prisoner of war, the question is r ...
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Arezzo
Arezzo ( , , ) , also ; ett, 𐌀𐌓𐌉𐌕𐌉𐌌, Aritim. is a city and ''comune'' in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about southeast of Florence at an elevation of above sea level. As of 2022, the population was about 97,000. Known as the city of gold and of the high fashion, Arezzo was home to artists and poets such as Giorgio Vasari, Guido of Arezzo and Guittone d'Arezzo and in its province to Renaissance artist Michelangelo. In the artistic field, the city is famous for the frescoes by Piero della Francesca inside the Basilica of San Francesco, and the crucifix by Cimabue inside the Basilica of San Domenico. The city is also known for the important Giostra del Saracino, a game of chivalry that dates back to the Middle Ages. History Described by Livy as one of the ''Capita Etruriae'' (Etruscan capitals), Arezzo (''Aritim'' in Etruscan) is believed to have been one of the twelve most important Etruscan cities ...
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