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Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in
Hollywood Hollywood usually refers to: * Hollywood, Los Angeles, a neighborhood in California * Hollywood, a metonym for the cinema of the United States Hollywood may also refer to: Places United States * Hollywood District (disambiguation) * Hollywoo ...
during the Golden Age of Hollywood. Technicolor's three-color process became known and celebrated for its highly saturated color, and was initially most commonly used for filming musicals such as '' The Wizard of Oz'' (1939) and '' Down Argentine Way'' (1940), costume pictures such as ''
The Adventures of Robin Hood ''The Adventures of Robin Hood'' is a 1938 American Technicolor swashbuckler film from Warner Bros. Pictures. It was produced by Hal B. Wallis and Henry Blanke, directed by Michael Curtiz and William Keighley, and stars Errol Flynn, Olivia d ...
'' (1938) and '' Gone with the Wind'' (1939), the film '' Blue Lagoon'' (1949), and
animated Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most ani ...
films such as ''
Snow White and the Seven Dwarfs "Snow White and the Seven Dwarfs" is a 19th-century German fairy tale that is today known widely across the Western world. The Brothers Grimm published it in 1812 in the first edition of their collection '' Grimms' Fairy Tales'' and numbered as ...
'' (1937), ''
Gulliver's Travels ''Gulliver's Travels'', or ''Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships'' is a 1726 prose satire by the Anglo-Irish writer and clergyman Jonathan ...
'' (1939), and ''
Fantasia Fantasia International Film Festival (also known as Fantasia-fest, FanTasia, and Fant-Asia) is a film festival that has been based mainly in Montreal since its founding in 1996. Regularly held in July of each year, it is valued by both hardcor ...
'' (1940). As the technology matured it was also used for less spectacular dramas and comedies. Occasionally, even a
film noir Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American '' ...
such as '' Leave Her to Heaven'' (1945) or '' Niagara'' (1953)was filmed in Technicolor. The "Tech" in the company's name was inspired by the
Massachusetts Institute of Technology The Massachusetts Institute of Technology (MIT) is a private land-grant research university in Cambridge, Massachusetts. Established in 1861, MIT has played a key role in the development of modern technology and science, and is one of th ...
, where
Herbert Kalmus Herbert Thomas Kalmus (November 9, 1881 – July 11, 1963) was an American scientist and engineer who played a significant role in developing color motion picture film. Kalmus was the co-founder and president of the Technicolor Motion Picture C ...
and Daniel Frost Comstock received their undergraduate degrees in 1904 and were later instructors.


Nomenclature

The term "Technicolor" has been used historically for at least five concepts: *Technicolor: an umbrella company encompassing all versions and ancillary services. (1914–present) *Technicolor labs: a group of film laboratories worldwide, owned and run by Technicolor for post-production services including developing, printing, and transferring films in all major color film processes, as well as Technicolor's proprietary ones. (1922–present) *Technicolor process or format: several custom imaging systems used in film production, culminating in the "three-strip" process in 1932. (1917–1955) *Technicolor IB printing ("IB" abbreviates " imbibition", a dye-transfer operation): a process for making color motion picture prints that allows the use of dyes that are more stable and permanent than those formed in ordinary chromogenic color printing. Originally used for printing from color separation negatives photographed on black-and-white film in a special Technicolor camera. (1928–2002, with differing gaps of availability after 1974 depending on the lab) *Prints or Color by Technicolor: used since 1954 when Eastmancolor (and other single-strip color film stocks) supplanted the three-film-strip camera negative method, while the Technicolor IB printing process continued to be used as one method of making the prints. This connotation applies to nearly all films made from 1954 onward in which Technicolor is named in the credits. (1953–present)


History

Both Kalmus and Comstock went to Europe (Switzerland) to earn PhD degrees; Kalmus at
University of Zurich The University of Zürich (UZH, german: Universität Zürich) is a public research university located in the city of Zürich, Switzerland. It is the largest university in Switzerland, with its 28,000 enrolled students. It was founded in 1833 f ...
, and Comstock at
Basel , french: link=no, Bâlois(e), it, Basilese , neighboring_municipalities= Allschwil (BL), Hégenheim (FR-68), Binningen (BL), Birsfelden (BL), Bottmingen (BL), Huningue (FR-68), Münchenstein (BL), Muttenz (BL), Reinach (BL), Riehen (B ...
in 1906. In 1912, Kalmus, Comstock, and mechanic W. Burton Wescott formed Kalmus, Comstock, and Wescott, an industrial research and development firm. Most of the early patents were taken out by Comstock and Wescott, while Kalmus served primarily as the company's president and chief executive officer. When the firm was hired to analyze an inventor's flicker-free motion picture system, they became intrigued with the art and science of filmmaking, particularly color motion picture processes, leading to the founding of Technicolor in Boston in 1914 and incorporation in Maine in 1915. In 1921, Wescott left the company, and Technicolor Inc. was chartered in Delaware.


Two-color Technicolor


Process 1

Technicolor originally existed in a two-color (red and green) system. In Process 1 (1916), a prism
beam-splitter A beam splitter or ''beamsplitter'' is an optical device that splits a beam of light into a transmitted and a reflected beam. It is a crucial part of many optical experimental and measurement systems, such as interferometers, also finding wide ...
behind the camera lens exposed two consecutive frames of a single strip of black-and-white negative film simultaneously, one behind a red filter, the other behind a green filter. Because two frames were being exposed at the same time, the film had to be photographed and projected at twice the normal speed. Exhibition required a special projector with two apertures (one with a red filter and the other with a green filter), two lenses, and an adjustable prism that aligned the two images on the screen. The results were first demonstrated to members of the American Institute of Mining Engineers in New York on February 21, 1917. Technicolor itself produced the only movie made in Process 1, '' The Gulf Between'', which had a limited tour of Eastern cities, beginning with Boston and New York on September 13, 1917, primarily to interest motion picture producers and exhibitors in color. The near-constant need for a technician to adjust the projection alignment doomed this
additive color Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colo ...
process. Only a few frames of ''The Gulf Between'', showing star Grace Darmond, are known to exist today.


Process 2

Convinced that there was no future in additive color processes, Comstock, Wescott, and Kalmus focused their attention on subtractive color processes. This culminated in what would eventually be known as Process 2 (1922) (often referred to today by the misnomer "two-strip Technicolor"). As before, the special Technicolor camera used a beam-splitter that simultaneously exposed two consecutive frames of a single strip of black-and-white film, one behind a green filter and one behind a red filter. The difference was that the two-component negative was now used to produce a subtractive color print. Because the colors were physically present in the print, no special projection equipment was required and the correct registration of the two images did not depend on the skill of the projectionist. The frames exposed behind the green filter were printed on one strip of black-and-white film, and the frames exposed behind the red filter were printed on another strip. After development, each print was toned to a color nearly complementary to that of the filter: orange-red for the green-filtered images, cyan-green for the red-filtered ones. Unlike tinting, which adds a uniform veil of color to the entire image, toning chemically replaces the black-and-white silver image with transparent coloring matter, so that the highlights remain clear (or nearly so), dark areas are strongly colored, and intermediate tones are colored proportionally. The two prints, made on film stock half the thickness of regular film, were then cemented together back to back to create a projection print. ''
The Toll of the Sea ''The Toll of the Sea'' is a 1922 American silent drama film directed by Chester M. Franklin, produced by the Technicolor Motion Picture Corporation, released by Metro Pictures, and featuring Anna May Wong in her first leading role. The film w ...
'', which debuted on November 26, 1922, used Process 2 and was the first general-release film in Technicolor. The second all-color feature in Process 2 Technicolor, '' Wanderer of the Wasteland'', was released in 1924. Process 2 was also used for color sequences in such major motion pictures as ''
The Ten Commandments The Ten Commandments (Biblical Hebrew עשרת הדברים \ עֲשֶׂרֶת הַדְּבָרִים, ''aséret ha-dvarím'', lit. The Decalogue, The Ten Words, cf. Mishnaic Hebrew עשרת הדיברות \ עֲשֶׂרֶת הַדִּבְ� ...
'' (1923), '' The Phantom of the Opera'' (1925), and '' Ben-Hur'' (1925).
Douglas Fairbanks Douglas Elton Fairbanks Sr. (born Douglas Elton Thomas Ullman; May 23, 1883 – December 12, 1939) was an American actor, screenwriter, director, and producer. He was best known for his swashbuckling roles in silent films including '' The Thi ...
' '' The Black Pirate'' (1926) was the third all-color Process 2 feature. Although successful commercially, Process 2 was plagued with technical problems. Because the images on the two sides of the print were not in the same plane, both could not be perfectly in focus at the same time. The significance of this depended on the depth of focus of the projection optics. Much more serious was a problem with cupping. Films in general tended to become somewhat cupped after repeated use: every time a film was projected, each frame in turn was heated by the intense light in the projection gate, causing it to bulge slightly; after it had passed through the gate, it cooled and the bulge subsided, but not quite completely. It was found that the cemented prints were not only very prone to cupping, but that the direction of cupping would suddenly and randomly change from back to front or vice versa, so that even the most attentive projectionist could not prevent the image from temporarily popping out of focus whenever the cupping direction changed. Technicolor had to supply new prints so the cupped ones could be shipped to their Boston laboratory for flattening, after which they could be put back into service, at least for a while. The presence of image layers on both surfaces made the prints especially vulnerable to scratching, and because the scratches were vividly colored they were very noticeable. Splicing a Process 2 print without special attention to its unusual laminated construction was apt to result in a weak splice that would fail as it passed through the projector. Even before these problems became apparent, Technicolor regarded this cemented print approach as a stopgap and was already at work developing an improved process.


Process 3

Based on the same dye-transfer technique first applied to motion pictures in 1916 by Max Handschiegl, Technicolor Process 3 (1928) was developed to eliminate the projection print made of double-cemented prints in favor of a print created by '' dye imbibition''. The Technicolor camera for Process 3 was identical to that for Process 2, simultaneously photographing two consecutive frames of a black-and-white film behind red and green filters. In the lab, skip-frame printing was used to sort the alternating color-record frames on the camera negative into two series of contiguous frames, the red-filtered frames being printed onto one strip of specially prepared "matrix" film and the green-filtered frames onto another. After processing, the gelatin of the matrix film's emulsion was left proportionally hardened, being hardest and least soluble where it had been most strongly exposed to light. The unhardened fraction was then washed away. The result was two strips of relief images consisting of hardened gelatin, thickest in the areas corresponding to the clearest, least-exposed areas of the negative. To make each final color print, the matrix films were soaked in dye baths of colors nominally complementary to those of the camera filters: the strip made from red-filtered frames was dyed cyan-green and the strip made from green-filtered frames was dyed orange-red. The thicker the gelatin in each area of a frame, the more dye it absorbed. Each matrix in turn was pressed into contact with a plain gelatin-coated strip of film known as the "blank" and the gelatin "imbibed" the dye from the matrix. A
mordant A mordant or dye fixative is a substance used to set (i.e. bind) dyes on fabrics by forming a coordination complex with the dye, which then attaches to the fabric (or tissue). It may be used for dyeing fabrics or for intensifying stains in ...
made from deacetylated
chitin Chitin ( C8 H13 O5 N)n ( ) is a long-chain polymer of ''N''-acetylglucosamine, an amide derivative of glucose. Chitin is probably the second most abundant polysaccharide in nature (behind only cellulose); an estimated 1 billion tons of chit ...
was applied to the blank before printing, to prevent the dyes from migrating or "bleeding" after they were absorbed. Dye imbibition was not suitable for printing optical soundtracks, which required very high resolution, so when making prints for
sound-on-film Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog ...
systems the "blank" film was a conventional black-and-white film stock on which the soundtrack, as well as frame lines, had been printed in the ordinary way prior to the dye transfer operation. The first feature made entirely in the Technicolor Process 3 was '' The Viking'' (1928), which had a synchronized score and sound effects. ''
Redskin Redskin is a slang term for Native Americans in the United States and First Nations in Canada. The term ''redskin'' underwent pejoration through the 19th to early 20th centuries and in contemporary dictionaries of American English it is lab ...
'' (1929), with a synchronized score, and '' The Mysterious Island'' (1929), a part-talkie, were photographed almost entirely in this process also but included some sequences in black and white. The following talkies were made entirely – or almost entirely – in Technicolor Process 3: '' On with the Show!'' (1929) (the first all-talking color feature), ''
Gold Diggers of Broadway ''Gold Diggers of Broadway'' is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-lengt ...
'' (1929), ''
The Show of Shows ''The Show of Shows'' is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost $850,000 and was shot almost entirely in Technicolor. ''The Show o ...
'' (1929), '' Sally'' (1929), '' The Vagabond King'' (1930), ''
Follow Thru ''Follow Thru'' is a 1930 American pre-Code musical romantic comedy film photographed entirely in Technicolor. It was the second all-color all-talking feature to be produced by Paramount Pictures. The film was based on the hit 1929 Broadway mu ...
'' (1930), ''
Golden Dawn Golden Dawn or The Golden Dawn may refer to: Organizations * Hermetic Order of the Golden Dawn, a nineteenth century magical order based in Britain ** The Hermetic Order of the Golden Dawn, Inc., a modern revival founded in 1977 ** Open Source ...
'' (1930), '' Hold Everything'' (1930), ''
The Rogue Song ''The Rogue Song'' is a 1930 American pre-Code romantic and musical film that tells the story of a Russian bandit who falls in love with a princess, but takes his revenge on her when her brother rapes and kills his sister. The Metro-Goldwyn-Ma ...
'' (1930), ''
Song of the Flame ''Song of the Flame'' is a 1930 American pre-Code musical film photographed entirely in Technicolor. It was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called ...
'' (1930), '' Song of the West'' (1930), '' The Life of the Party'' (1930), '' Sweet Kitty Bellairs'' (1930), ''
Bride of the Regiment ''Bride of the Regiment'' is a 1930 American Pre-Code musical film directed by John Francis Dillon and filmed entirely in Technicolor. The screenplay by Ray Harris and Humphrey Pearson is based on the book of the 1922 stage musical ''The Lady ...
'' (1930), '' Mamba'' (1930), '' Whoopee!'' (1930), ''
King of Jazz '' King of Jazz'' is a 1930 American Pre-Code Hollywood, pre-Code color musical film starring Paul Whiteman and his orchestra. The film title refers to Whiteman's popular cultural appellation. At the time the film was made, "jazz", to the genera ...
'' (1930), ''
Under a Texas Moon ''Under A Texas Moon'' is a 1930 American pre-Code musical Western film photographed entirely in Technicolor. It was based on the novel ''Two-Gun Man'' (from 1929) which was written by Stewart Edward White. It was the second all-color, all-talk ...
'' (1930), '' Bright Lights'' (1930), ''
Viennese Nights ''Viennese Nights'' is a 1930 American all-talking pre-Code musical operetta film directed by Alan Crosland and starring Alexander Gray, Vivienne Segal, Walter Pidgeon, Jean Hersholt, Bela Lugosi and Louise Fazenda. It was photographed ...
'' (1930), '' Woman Hungry'' (1931), '' Kiss Me Again'' (1931) and ''
Fifty Million Frenchmen ''Fifty Million Frenchmen'' is a musical comedy with a book by Herbert Fields and music and lyrics by Cole Porter. It opened on Broadway in 1929 and was adapted for a film two years later. The title is a reference to the hit 1927 song "Fifty Milli ...
'' (1931). In addition, scores of features were released with Technicolor sequences. Numerous short subjects were also photographed in Technicolor Process 3, including the first color sound cartoons by producers such as Ub Iwerks and Walter Lantz. ''
Song of the Flame ''Song of the Flame'' is a 1930 American pre-Code musical film photographed entirely in Technicolor. It was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called ...
'' became the first color movie to use a
widescreen Widescreen images are displayed within a set of aspect ratio (image), aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ...
process (using a system known as
Vitascope Vitascope was an early film projector first demonstrated in 1895 by Charles Francis Jenkins and Thomas Armat. They had made modifications to Jenkins' patented Phantoscope, which cast images via film and electric light onto a wall or screen. The ...
, which used 65mm film). In 1931, an improvement of Technicolor Process 3 was developed that removed grain from the Technicolor film, resulting in more vivid and vibrant colors. This process was first used on a Radio Picture entitled '' The Runaround'' (1931). The new process not only improved the color but also removed specks (that looked like bugs) from the screen, which had previously blurred outlines and lowered visibility. This new improvement along with a reduction in cost (from 8.85 cents to 7 cents per foot) led to a new color revival. Warner Bros. took the lead once again by producing three features (out of an announced plan for six features): '' Manhattan Parade'' (1932), '' Doctor X'' (1932) and '' Mystery of the Wax Museum'' (1933). Radio Pictures followed by announcing plans to make four more features in the new process. Only one of these, ''
Fanny Foley Herself ''Fanny Foley Herself'' is a 1931 American pre-Code comedy-drama film shot entirely in Technicolor. The film was the second feature to be filmed using a new Technicolor process, which removed grain and resulted in improved color. It was released ...
'' (1931), was actually produced. Although
Paramount Pictures Paramount Pictures Corporation is an American film and television production company, production and Distribution (marketing), distribution company and the main namesake division of Paramount Global (formerly ViacomCBS). It is the fifth-oldes ...
announced plans to make eight features and
Metro-Goldwyn-Mayer Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by amazon (company), Amazon through MGM Holdings, founded o ...
promised two color features, these never materialized. This may have been the result of the lukewarm reception to these new color pictures by the public. Two independently produced features were also made with this improved Technicolor process: '' Legong: Dance of the Virgins'' (1934) and '' Kliou the Tiger'' (1935). Very few of the original camera negatives of movies made in Technicolor Process 2 or 3 survive. In the late 1940s, most were discarded from storage at Technicolor in a space-clearing move, after the studios declined to reclaim the materials. Original Technicolor prints that survived into the 1950s were often used to make black-and-white prints for television and simply discarded thereafter. This explains why so many early color films exist today solely in black and white. Warner Bros., which had vaulted from a minor exhibitor to a major studio with its introduction of the talkies, incorporated Technicolor's printing to enhance its films. Other producers followed Warner Bros.' example by making features in color, with either Technicolor, or one of its competitors, such as Brewster Color and Multicolor (later
Cinecolor Cinecolor was an early subtractive color-model two-color motion picture process that was based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and the 1930s. It was developed by William T. Crispinel and ...
). Consequently, the introduction of color did not increase the number of moviegoers to the point where it was economical. This and the
Great Depression The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagio ...
severely strained the finances of the movie studios and spelled the end of Technicolor's first financial successes.


Three-strip Technicolor


Process 4: Development and introduction

Technicolor envisioned a full-color process as early as 1924, and was actively developing such a process by 1929. Hollywood made so much use of Technicolor in 1929 and 1930 that many believed the feature film industry would soon be turning out color films exclusively. By 1931, however, the
Great Depression The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagio ...
had taken its toll on the film industry, which began to cut back on expenses. The production of color films had decreased dramatically by 1932, when Burton Wescott and Joseph A. Ball completed work on a new three-color movie camera. Technicolor could now promise studios a full range of colors, as opposed to the limited red-green spectrum of previous films. The new camera simultaneously exposed three strips of black-and-white film, each of which recorded a different color of the spectrum. The new process would last until the last Technicolor feature film was produced in 1955. Technicolor's advantage over most early natural-color processes was that it was a subtractive synthesis rather than an additive one: unlike the additive Kinemacolor and Chronochrome processes, Technicolor prints did not require any special projection equipment. Unlike the additive Dufaycolor process, the projected image was not dimmed by a light-absorbing and obtrusive mosaic color filter layer. Very importantly, compared to competing subtractive systems, Technicolor offered the best balance between high image quality and speed of printing. The Technicolor Process 4 camera, manufactured to Technicolor's detailed specifications by
Mitchell Camera Mitchell Camera Corporation was a motion picture camera manufacturing company established in Los Angeles in 1919. It was a primary supplier of newsreel and movie cameras for decades, until its closure in 1979. History The Mitchell Camera Corpo ...
Corporation, contained color
filters Filter, filtering or filters may refer to: Science and technology Computing * Filter (higher-order function), in functional programming * Filter (software), a computer program to process a data stream * Filter (video), a software component that ...
, a
beam splitter A beam splitter or ''beamsplitter'' is an optical device that splits a beam of light into a transmitted and a reflected beam. It is a crucial part of many optical experimental and measurement systems, such as interferometers, also finding wid ...
consisting of a partially reflecting surface inside a split-cube prism, and three separate rolls of black-and-white film (hence the "three-strip" designation). The beam splitter allowed one-third of the light coming through the camera lens to pass through the reflector and a green filter and form an image on one of the strips, which therefore recorded only the green-dominated third of the
spectrum A spectrum (plural ''spectra'' or ''spectrums'') is a condition that is not limited to a specific set of values but can vary, without gaps, across a continuum. The word was first used scientifically in optics to describe the rainbow of colors ...
. The other two-thirds was reflected sideways by the mirror and passed through a magenta filter, which absorbed green light and allowed only the red and blue thirds of the spectrum to pass. Behind this filter were the other two strips of film, their
emulsions An emulsion is a mixture of two or more liquids that are normally immiscible (unmixable or unblendable) owing to liquid-liquid phase separation. Emulsions are part of a more general class of two-phase systems of matter called colloids. Althoug ...
pressed into contact face to face. The front film was a red-blind
orthochromatic In chemistry, orthochromasia is the property of a staining, dye or stain to not change color on binding to a target, as opposed to Metachromasia, metachromatic stains, which change color. The word is derived from the Greek ''wikt:ortho-, orthos'' ...
type that recorded only the blue light. On the surface of its emulsion was a red-orange coating that prevented blue light from continuing on to the red-sensitive
panchromatic Panchromatic emulsion is a type of black-and-white photographic emulsion that is sensitive to all wavelengths of visible light. Description A panchromatic emulsion renders a realistic reproduction of a scene as it appears to the human eye, altho ...
emulsion of the film behind it, which therefore recorded only the red-dominated third of the spectrum. Each of the three resulting negatives was printed onto a special matrix film. After processing, each matrix was a nearly invisible representation of the series of film frames as gelatin reliefs, thickest (and most absorbent) where each image was darkest and thinnest where it was lightest. Each matrix was soaked in a dye complementary to the color of light recorded by the negative printed on it: cyan for red, magenta for green, and yellow for blue (see also:
CMYK color model The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation ''CMYK'' refers ...
for a technical discussion of color printing). A single clear strip of black-and-white film with the soundtrack and
frame line A frame line is the unused space that separates two adjacent images, or film frames, on the release print of a motion picture. They can vary in width; a 35mm film with a 1.85:1 hard matte has a frame line approximately high, whereas both a ...
s printed in advance was first treated with a
mordant A mordant or dye fixative is a substance used to set (i.e. bind) dyes on fabrics by forming a coordination complex with the dye, which then attaches to the fabric (or tissue). It may be used for dyeing fabrics or for intensifying stains in ...
solution and then brought into contact with each of the three dye-loaded matrix films in turn, building up the complete color image. Each dye was absorbed, or imbibed, by the gelatin coating on the receiving strip rather than simply deposited onto its surface, hence the term "dye imbibition". Strictly speaking, this is a mechanical printing process, very loosely comparable to
offset printing Offset printing is a common printing technique in which the inked image is transferred (or "offset") from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithographic process, which is based on ...
or
lithography Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German a ...
, and not a photographic one, as the actual printing does not involve a chemical change caused by exposure to light. During the early years of the process, the receiver film was preprinted with a 50% black-and-white image derived from the green strip, the so-called Key, or K, record. This procedure was used largely to cover up fine edges in the picture where colors would mix unrealistically (also known as fringing). This additional black increased the contrast of the final print and concealed any fringing. However, overall colorfulness was compromised as a result. In 1944, Technicolor had improved the process to make up for these shortcomings and the K record was eliminated.


Early adoption by Disney

Kalmus convinced
Walt Disney Walter Elias Disney (; December 5, 1901December 15, 1966) was an American animator, film producer and entrepreneur. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film p ...
to shoot one of his '' Silly Symphony'' cartoons, '' Flowers and Trees'' (1932), in Process 4, the new "three-strip" process. Seeing the potential in full-color Technicolor, Disney negotiated an exclusive contract for the use of the process in animated films that extended to September 1935. Other animation producers, such as the
Fleischer Studios Fleischer Studios () is an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of ...
and the Ub Iwerks studio, were shut out – they had to settle for either the two-color Technicolor systems or use a competing process such as
Cinecolor Cinecolor was an early subtractive color-model two-color motion picture process that was based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and the 1930s. It was developed by William T. Crispinel and ...
. ''Flowers and Trees'' was a success with audiences and critics alike, and won the first Academy Award for Best Animated Short Film. All subsequent ''Silly Symphonies'' from 1933 on were shot with the three-strip process. One ''Silly Symphony'', ''
Three Little Pigs "The Three Little Pigs" is a fable about three pigs who build three houses of different materials. A Big Bad Wolf blows down the first two pigs' houses which made of straw and sticks respectively, but is unable to destroy the third pig's house t ...
'' (1933), engendered such a positive audience response that it overshadowed the feature films with which it was shown.
Hollywood Hollywood usually refers to: * Hollywood, Los Angeles, a neighborhood in California * Hollywood, a metonym for the cinema of the United States Hollywood may also refer to: Places United States * Hollywood District (disambiguation) * Hollywoo ...
was buzzing about color film again. According to ''
Fortune Fortune may refer to: General * Fortuna or Fortune, the Roman goddess of luck * Luck * Wealth * Fortune, a prediction made in fortune-telling * Fortune, in a fortune cookie Arts and entertainment Film and television * ''The Fortune'' (1931 film) ...
'' magazine, " Merian C. Cooper, producer for
RKO Radio Pictures RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, was an American film production and distribution company, one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orph ...
and director of ''
King Kong King Kong is a fictional giant monster resembling a gorilla, who has appeared in various media since 1933. He has been dubbed The Eighth Wonder of the World, a phrase commonly used within the franchise. His first appearance was in the novelizat ...
'' (1933), saw one of the ''Silly Symphonies'' and said he never wanted to make a black-and-white picture again." Although Disney's first 60 or so Technicolor cartoons used the three-strip camera, an improved "successive exposure" ("SE") process was adopted circa 1937. This variation of the three-strip process was designed primarily for cartoon work: the camera would contain one strip of black-and-white negative film, and each animation cel would be photographed three times, on three sequential frames, behind alternating red, green, and blue filters (the so-called "Technicolor Color Wheel", then an option of the Acme, Producers Service and Photo-Sonics animation cameras). Three separate dye transfer printing matrices would be created from the red, green, and blue records in their respective complementary colors, cyan, magenta and yellow. Successive exposure was also employed in Disney's "True Life Adventure" live-action series, wherein the original 16mm low-contrast Kodachrome Commercial
live action Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video ...
footage was first duplicated onto a 35mm fine-grain SE negative element in one pass of the 16mm element, thereby reducing wear of the 16mm original, and also eliminating registration errors between colors. The live-action SE negative thereafter entered other Technicolor processes and were incorporated with SE animation and three-strip studio live-action, as required, thereby producing the combined result.


Convincing Hollywood

The studios were willing to adopt three-color Technicolor for live-action feature production, if it could be proved viable. Shooting three-strip Technicolor required very bright lighting, as the film had an extremely slow
speed In everyday use and in kinematics, the speed (commonly referred to as ''v'') of an object is the magnitude of the change of its position over time or the magnitude of the change of its position per unit of time; it is thus a scalar quant ...
of ASA 5. That, and the bulk of the cameras and a lack of experience with three-color
cinematography Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focu ...
made for skepticism in the studio boardrooms. An October 1934 article in ''
Fortune Fortune may refer to: General * Fortuna or Fortune, the Roman goddess of luck * Luck * Wealth * Fortune, a prediction made in fortune-telling * Fortune, in a fortune cookie Arts and entertainment Film and television * ''The Fortune'' (1931 film) ...
'' magazine stressed that Technicolor, as a corporation, was rather remarkable in that it kept its investors quite happy despite the fact that it had only been in profit twice in all of the years of its existence, during the early boom at the turn of the decade. A well-managed company, half of whose stock was controlled by a clique loyal to Kalmus, Technicolor never had to cede any control to its bankers or unfriendly stockholders. In the mid-'30s, all the major studios except MGM were in the financial doldrums, and a color process that truly reproduced the visual spectrum was seen as a possible shot-in-the-arm for the ailing industry. In November 1933, Technicolor's Herbert Kalmus and RKO announced plans to produce three-strip Technicolor films in 1934, beginning with Ann Harding starring in a projected film ''The World Outside''. Live-action use of three-strip Technicolor was first seen in a musical number of the
Metro-Goldwyn-Mayer Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by amazon (company), Amazon through MGM Holdings, founded o ...
feature '' The Cat and the Fiddle'', released February 16, 1934. On July 1, MGM released '' Hollywood Party'' with a Technicolor cartoon sequence "Hot Choc-late Soldiers" produced by Walt Disney. On July 28 of that year, Warner Bros. released ''Service with a Smile'', followed by ''Good Morning, Eve!'' on September 22, both being comedy
short film A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes ...
s starring Leon Errol and filmed in three-strip Technicolor. Pioneer Pictures, a movie company formed by Technicolor investors, produced the film usually credited as the first live-action short film shot in the three-strip process, '' La Cucaracha'' released August 31, 1934. ''La Cucaracha'' is a two-reel musical comedy that cost $65,000, approximately four times what an equivalent black-and-white two-reeler would cost. Released by RKO, the short was a success in introducing the new Technicolor as a viable medium for live-action films. The three-strip process also was used in some short sequences filmed for several movies made during 1934, including the final sequences of '' The House of Rothschild'' (
Twentieth Century Pictures Twentieth Century Pictures, Inc. was an independent Hollywood motion picture production company created in 1933 by Joseph Schenck (the former president of United Artists) and Darryl F. Zanuck from Warner Bros. Financial backing came from Sche ...
/
United Artists United Artists Corporation (UA), currently doing business as United Artists Digital Studios, is an American digital production company. Founded in 1919 by D. W. Griffith, Charlie Chaplin, Mary Pickford, and Douglas Fairbanks, the stu ...
) with George Arliss and '' Kid Millions'' ( Samuel Goldwyn Studios) with
Eddie Cantor Eddie Cantor (born Isidore Itzkowitz; January 31, 1892 – October 10, 1964) was an American comedian, actor, dancer, singer, songwriter, film producer, screenwriter and author. Familiar to Broadway, radio, movie, and early television audiences ...
. Pioneer/RKO's ''
Becky Sharp Rebecca "Becky" Sharp, later describing herself as Rebecca, Lady Crawley, is the main protagonist of William Makepeace Thackeray's 1847–48 novel '' Vanity Fair''. She is presented as a cynical social climber who uses her charms to fascinate a ...
'' (1935) became the first
feature film A feature film or feature-length film is a narrative film (motion picture or "movie") with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. The term ''feature film'' originall ...
photographed entirely in three-strip Technicolor. Initially, three-strip Technicolor was only used indoors. In 1936, '' The Trail of the Lonesome Pine'' became the first color production to have outdoor sequences, with impressive results. The spectacular success of ''
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'' (1937), which was released in December 1937 and became the top-grossing film of 1938, attracted the attention of the studios.


Limitations and difficulties

One major drawback of Technicolor's three-strip process was that the cameras required a special, bulky, large volume sound blimp. Film studios could not purchase Technicolor cameras, only rent them for their productions, complete with camera technicians and a "color supervisor" to ensure sets, costumes, and makeup didn't push beyond the limitations of the system. Often on many early productions, the supervisor was Natalie Kalmus, ex-wife of Herbert Kalmus and part owner of the company. Directors had great difficulty with her;
Vincente Minnelli Vincente Minnelli (born Lester Anthony Minnelli; February 28, 1903 – July 25, 1986) was an American stage director and film director. He directed the classic movie musicals '' Meet Me in St. Louis'' (1944), '' An American in Paris'' (1951), ' ...
said, "I couldn't do anything right in Mrs. Kalmus's eyes." Kalmus preferred the title "Technicolor Director", although British licensees generally insisted on "Colour Control" so as not to "dilute" the film director's title. She worked with quite a number of "associates", many of whom went uncredited, and after her retirement, these associates were transferred to the licensees, with, for example, Leonard Doss going to Fox where he performed the same function for Fox's DeLuxe Color. The process of splitting the image reduced the amount of light reaching the film stock. Since the
film speed Film speed is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system. A closely related ISO system is used to describe the relation ...
of the stocks used was fairly slow, early Technicolor productions required a greater amount of lighting than a black-and-white production. It is reported that temperatures from the hot studio lights on the film set of '' The Wizard of Oz'' frequently exceeded 100 °F (38 °C), and some of the more heavily costumed characters required a large water intake. Some actors and actresses claimed to have suffered permanent eye damage from the high levels of carbon arc illumination with its highly actinic ultraviolet. Because of the added lighting, triple amount of film, and the expense of producing dye transfer projection prints, Technicolor demanded high film budgets.


The introduction of Eastmancolor and decline

Color films that recorded the three primary colors in three emulsion layers on one strip of film had been introduced in the mid-1930s by
Eastman Kodak The Eastman Kodak Company (referred to simply as Kodak ) is an American public company that produces various products related to its historic basis in analogue photography. The company is headquartered in Rochester, New York, and is incorpor ...
in the United States ( Kodachrome for 16mm home movies in 1935, then for 8mm home movies and 35mm slides in 1936) and Agfa in Germany ( Agfacolor Neu for both home movies and slides later in 1936). Technicolor introduced ''Monopack'', a single-strip color reversal film (a 35 mm lower-contrast version of Kodachrome) in 1941 for use on location where the bulky three-strip camera was impractical, but the higher grain of the image made it unsuitable for studio work. Eastman Kodak introduced its first 35 mm color motion picture negative film in 1950. The first commercial feature film to use Eastmancolor was the
National Film Board of Canada The National Film Board of Canada (NFB; french: Office national du film du Canada (ONF)) is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary fi ...
documentary ''
Royal Journey ''Royal Journey'' is a National Film Board of Canada documentary film chronicling a five-week Royal visit by The Princess Elizabeth (later Queen Elizabeth II) and her husband, Philip, Duke of Edinburgh, to Canada and the United States in the fa ...
'', released in December 1951. In 1952, Eastman Kodak introduced a high-quality color print film, allowing studios to produce prints through standard photographic processes as opposed to having to send them to Technicolor for the expensive dye imbibition process. That same year, the Technicolor lab adapted its dye transfer process (internally known as 'tri-robo' – Italian for three-strip) to derive triple matrices and imbibition prints directly from Eastmancolor negatives, as well as other stocks such as Ansco and DuPont color stocks. ''
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'' (1955), filmed in 1954 by
Universal Universal is the adjective for universe. Universal may also refer to: Companies * NBCUniversal, a media and entertainment company ** Universal Animation Studios, an American Animation studio, and a subsidiary of NBCUniversal ** Universal TV, a t ...
, starring Jane Russell and Jeff Chandler, was the last American-made feature photographed with a Technicolor three-strip camera. One of the last British films to be shot in Process 4 by
Otto Heller Otto Heller, B.S.C. (8 March 1896 – 19 February 1970) was a Czech cinematographer long resident in the United Kingdom. He worked on more than 250 films, including ''Richard III'' (1955), '' The Ladykillers'' (1955) and '' Peeping Tom'' (1960) ...
was the popular Ealing comedy from 1955 '' The Ladykillers''. In an attempt to capitalize on the Hollywood 3-D craze, Technicolor unveiled its
stereoscopic Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the illusion of depth in an image by means of stereopsis for binocular vision. The word ''stereoscopy'' derives . Any stereoscopic image is ...
camera for
3-D films 3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion pict ...
in March 1953. The rig used two three-strip cameras, running a total of six strips of film at once (three for the left eye and three for the right). Only two films were shot with this camera set-up: ''Flight to Tangier'' (1953) and the
Martin and Lewis Martin and Lewis were an American comedy duo, comprising singer Dean Martin and comedian Jerry Lewis. They met in 1945 and debuted at Atlantic City's 500 Club on July 25, 1946; the team lasted ten years to the day. Before they teamed up, Martin w ...
comedy '' Money From Home'' (1954). A similar, but different system had been used by a different company, using two three-strip cameras side by side for a British short called ''Royal River''. As the end of the Technicolor process became apparent, the company repurposed its three-color cameras for wide-screen photography, and introduced the Technirama process in 1957. Other formats the company ventured into included
VistaVision VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refi ...
, Todd-AO, and
Ultra Panavision 70 Ultra Panavision 70 and MGM Camera 65 were, from 1957 to 1966, the marketing brands that identified motion pictures photographed with Panavision's anamorphic movie camera lenses on 65 mm film. Ultra Panavision 70 and MGM Camera 65 were shot at 24 ...
. All of them were an improvement over the three-strip negatives, since the negative print-downs generated sharper and finer grain dye transfer copies. By the mid-1960s, the dye-transfer process eventually fell out of favor in the United States as being too expensive and too slow in turning out prints. With the growing number of screens in the US, the standard run of 200–250 prints increased. And while dye-transfer printing yielded superior color printing, the number of high speed prints that could be struck in labs all over the country outweighed the fewer, slower number of prints that could only be had in Technicolor's labs. One of the last American films printed by Technicolor was '' The Godfather Part II'' (1974). In 1975, the US dye transfer plant was closed and Technicolor became an Eastman-only processor. In 1977, the final dye-transfer printer left in Rome was used by
Dario Argento Dario Argento (; born 7 September 1940) is an Italian film director, producer, screenwriter, actor and critic. His influential work in the horror genre during the 1970s and 1980s, particularly in the subgenre known as ''giallo'', has led him ...
to make prints for his horror film ''
Suspiria ''Suspiria'' () is a 1977 Italian supernatural horror film directed by Dario Argento, who co-wrote the screenplay with Daria Nicolodi, partially based on Thomas De Quincey's 1845 essay '' Suspiria de Profundis''. The film stars Jessica Harper ...
''. In 1980, the Italian Technicolor plant ceased printing dye transfer. The British line was shut down in 1978 and sold to Beijing Film and Video Lab which shipped the equipment to China. A great many films from China and Hong Kong were made in the Technicolor dye transfer process, including Zhang Yimou's '' Ju Dou'' (1990) and even one American film, '' Space Avenger'' (1989), directed by Richard W. Haines. The Beijing line was shut down in 1993 for a number of reasons, including inferior processing. With Deluxe, Majors private technicolor systems, Hollywood managed to have all film productions in technicolor until year 2000 .


Post-1995 usage


Reintroduction of the dye transfer process

In 1997, Technicolor reintroduced the dye transfer process to general film printing. A refined version of the printing process of the 1960s and 1970s, it was used on a limited basis in the restorations of films such as '' The Wizard of Oz'', '' Gone With the Wind'', ''
Rear Window ''Rear Window'' is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Originally released by Paramount Pictures, the film st ...
'', '' Funny Girl'', and '' Apocalypse Now Redux''. After its reintroduction, the dye transfer process was used in several big-budget, modern
Hollywood Hollywood usually refers to: * Hollywood, Los Angeles, a neighborhood in California * Hollywood, a metonym for the cinema of the United States Hollywood may also refer to: Places United States * Hollywood District (disambiguation) * Hollywoo ...
productions. These included '' Bulworth'', '' The Thin Red Line'', ''
Godzilla is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film '' Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produ ...
'', ''
Toy Story 2 ''Toy Story 2'' is a 1999 American computer-animated film produced by Pixar Animation Studios for Walt Disney Pictures. The second installment in the ''Toy Story'' franchise and the sequel to '' Toy Story'' (1995), it was directed by John ...
'', and ''
Pearl Harbor Pearl Harbor is an American lagoon harbor on the island of Oahu, Hawaii, west of Honolulu. It was often visited by the Naval fleet of the United States, before it was acquired from the Hawaiian Kingdom by the U.S. with the signing of the ...
''. The dye-transfer process was discontinued by Technicolor in 2002 after the company was purchased by Thomson.


Dye transfer Technicolor in archival work

By the late 1990s, the dye transfer process still had its advantages in the film archival community. Because the dye transfer process used stable acid dyes, Technicolor prints are considered of archival quality. A Technicolor print from the dye transfer era will retain its original colors virtually unchanged for decades with proper storage, whereas prints printed on Eastmancolor stocks produced prior to 1983 may suffer color fading after exposure to ultraviolet light and hot, humid conditions as a result of less stable photochemical dyes. Fading on some prints is so rapid that in some cases, after as little as five to ten years, the colors of the print have faded to a brownish red. Furthermore, three-strip camera negatives are all on silver-based black-and-white stock, which have stayed unaltered over the course of time with proper handling. This has become of importance in recent years with the large market for films transferred to video formats for home viewing. The best color quality control for video transfer by far is achieved by optically printing from Technicolor negatives, or by recombining the three-strip black and white negatives through digital means and printing, onto low-contrast stock. Director
George Lucas George Walton Lucas Jr. (born May 14, 1944) is an American filmmaker. Lucas is best known for creating the '' Star Wars'' and '' Indiana Jones'' franchises and founding Lucasfilm, LucasArts, Industrial Light & Magic and THX. He served as c ...
had a three-strip archival negative, and one or more imbibition prints made of ''
Star Wars ''Star Wars'' is an American epic space opera multimedia franchise created by George Lucas, which began with the eponymous 1977 film and quickly became a worldwide pop-culture phenomenon. The franchise has been expanded into various film ...
''; this "protection" copy was consulted for color values in putting together the 1997 Special Edition of ''Star Wars''. One problem that has resulted from Technicolor negatives is the rate of shrinkage from one strip to another. Because three-strip negatives are shot on three rolls, they are subject to different rates of shrinkage depending on storage conditions. Today, digital technology allows for a precise re-alignment of the negatives by resizing shrunken negatives digitally to correspond with the other negatives. The G, or Green, record is usually taken as the reference as it is the record with the highest resolution. It is also a record with the correct "wind" (emulsion position with respect to the camera's lens). Shrinkage and re-alignment (resizing) are non-issues with Successive Exposure (single-roll RGB) Technicolor camera negatives. This issue could have been eliminated, for three-strip titles, had the preservation elements (fine-grain positives) been Successive Exposure, but this would have required the preservation elements to be 3,000 feet or 6,000 feet whereas three-strip composited camera and preservation elements are 1,000 feet or 2,000 feet (however, three records of that length are needed). One issue that modern reproduction has had to contend with is that the contrast of the three film strips is not the same. This gives the effect on Technicolor prints that (for example) cinematic fades cause the color balance of the image to change as the image is faded. Transfer to digital media has attempted to correct the differing color balances and is largely successful. However, a few odd artifacts remain such that saturated parts of the image may show a false color. Where the image of a flame is included in shot, it will rarely be of the expected orange/yellow color, often being depicted as green.


Technicolor today

The Technicolor company remained a highly successful film processing firm and later became involved in video and audio duplication ( CD, VHS and DVD manufacturing) and digital video processes. MacAndrews & Forbes acquired Technicolor, Inc. in 1982 for $100 million, then sold it in 1988 to the British firm
Carlton Communications Carlton was a British media company. It was led by Michael P. Green and listed on the London Stock Exchange from 1983 until 2 February 2004, when it was bought by Granada plc in a corporate takeover to form ITV plc. Carlton shareholders gained ...
PLC for $780 million. Technicolor, Inc. acquired the film processing company CFI in 2000. Since 2001, Technicolor has been part of the French-headquartered electronics and media conglomerate Thomson Multimedia SA. The name of Thomson group was changed to “Technicolor SA” , re-branding the entire company after its American film technology subsidiary. In May 2021, Technicolor's post-production unit was acquired by Streamland Media. On September 27, 2022, Technicolor SA, which maintains the IoT, broadband and video solution businesses, rebranded as
Vantiva Vantiva SA, formerly Technicolor SA, Thomson SARL, and Thomson Multimedia, is a French multinational corporation that provides creative services and technology products for the communication, media and entertainment industries. Vantiva's headq ...
, while the VFX, motion graphics and animation businesses now operated by
Technicolor Creative Studios Technicolor Creative Studios SA is a French company that involved in the visual effects, motion graphics and animation services for the entertainment, media and advertising industries. Headquartered in Paris, France, it is a spin-off of Technic ...
; these two were spun-off as the publicly independent companies. The visual aesthetic of dye transfer Technicolor continues to be used in Hollywood, usually in films set in the mid-20th century. Parts of '' The Aviator'' (2004), the
biopic A biographical film or biopic () is a film that dramatizes the life of a non-fictional or historically-based person or people. Such films show the life of a historical person and the central character's real name is used. They differ from docudr ...
of
Howard Hughes Howard Robard Hughes Jr. (December 24, 1905 – April 5, 1976) was an American business magnate, record-setting pilot, engineer, film producer, and philanthropist, known during his lifetime as one of the most influential and richest people in t ...
, were digitally manipulated to imitate color processes that were available during the periods each scene takes place. Mostly, during the credits of a film, the text “Color by Technicolor” or “Prints by Technicolor” is shown.


See also

* List of film formats * List of color film systems * Imbibition * Dye-transfer process *
List of early color feature films This is a list of early feature-length color films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major-studio fa ...
* List of three-strip Technicolor films


References


Further reading

* Fred E. Basten, ''Glorious Technicolor: The Movies' Magic Rainbow''. Easton Studio Press, 2005. * Adrian Cornwell-Clyne, ''Colour Cinematography''. London Champman & Hall, 1951. * Layton, James – Pierce, David: ''The Dawn of Technicolor, 1915–1935.'' George Eastman House, Rochester (N.Y.), 2015. * Richard W. Haines, ''Technicolor Movies: The History of Dye Transfer Printing''. McFarland & Company, 2003. * John Waner, ''Hollywood's Conversion of All Production to Color''. Tobey Publishing, 2000. * Herbert T. Kalmus with Elenaore King Kalmus, ''Mr. Technicolor: The Fascinating Story of the Genius Who Invented Technicolor and Forever Changed the History of Cinema.'' MagicImage Filmbooks, 1993.


External links


Technicolor SA corporate websiteTechnicolor on Timeline of Historical Film Colors
with many written resources and many photographs of Technicolor prints.
Database of 3-strip Technicolor FilmsTechnicolor100: Explore Technicolor's History
{{Webarchive, url=https://web.archive.org/web/20170911073426/http://eastman.org/technicolor , date=2017-09-11 Audiovisual introductions in 1914 Audiovisual introductions in 1916 Broadcasting companies Film and video technology History of film Motion picture film formats Technicolor SA Academy Award for Technical Achievement winners 2020 disestablishments in the United States 2020 disestablishments in Canada