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Technirama
__NOTOC__ Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into disuse in the mid-1960s. The process was invented by Technicolor and is an anamorphic process with a screen ratio the same as revised CinemaScope (2.35:1) (which became the standard), but it is actually 2.25:1 on the negative.https://www.widescreen.org/aspect_ratios.shtml Technical The Technirama process used a film frame area twice as large as CinemaScope. This gave the former a sharper image with less photographic grain. Cameras used 35-mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 1:2 ratio). In the laboratory, the 8-perforation horizontal negative would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Technirama 70
Super Technirama 70 was the marketing name for a special type of deluxe film exhibition that was most popular in the 1960s. It was the 70mm version of the Technirama exhibition format. Unlike Super Panavision 70 and Ultra Panavision 70, Super Technirama 70 films were not actually photographed on 65mm film stock, but rather a specialized 35mm film process that was then blown up to 70 mm prints for use on curved Cinerama-type screens. History and Description In the late 1950s, 70mm film exhibitions were very popular, due to the large screen size and thunderous soundtrack. In 1959, Walt Disney was interested in using a prestigious 70mm release of his film '' Sleeping Beauty'', and this was the first use of Super Technirama 70. The same year, the live action "Solomon and Sheba" was released with Super Technirama 70 prints. As the technique was still relatively new, the films only credited it as traditional Technirama, however the promotional materials heavily advertised the new t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technirama 8 Perf 35 Mm Film
__NOTOC__ Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into disuse in the mid-1960s. The process was invented by Technicolor and is an anamorphic process with a screen ratio the same as revised CinemaScope (2.35:1) (which became the standard), but it is actually 2.25:1 on the negative.https://www.widescreen.org/aspect_ratios.shtml Technical The Technirama process used a film frame area twice as large as CinemaScope. This gave the former a sharper image with less photographic grain. Cameras used 35-mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 1:2 ratio). In the laboratory, the 8-perforation horizontal negative woul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Technirama Films
Films made using the Technirama or Super Technirama process are listed below. Note that the only difference between the two is the choice of gauge (35 mm or 70 mm) for the projection print: all Technirama and Super Technirama films are shot using the identical horizontal 35 mm anamorphic process. All Super Technirama films were also released on 35 mm prints and thus can also be considered Technirama films. Films Films exhibited in Super Technirama are shown in bold. *''The Monte Carlo Story'' (1956) *''Davy'' (1957) *''Escapade in Japan'' (1957) *'' It Happened in Rome'' (1957) *''Legend of the Lost'' (1957) *'' Night Passage'' (1957) *''Sayonara'' (1957) *''Anna of Brooklyn'' (1958) *''Auntie Mame'' (1958) *''The Big Country'' (1958) *''Les Misérables'' (1958) *''The Love Specialist'' (1958) *''The Naked Maja'' (1958) *'' Paris Holiday'' (1958) *''Seven Hills of Rome'' (1958) *''Tempest'' (1958) *''This Angry Age'' (1958) *'' The Vikings'' (1958) *'' For the F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Film Formats
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format. To be included in this list, the formats must all have been used in the field or for test shooting, and they must all use photochemical images that are formed or projected on a film base, a transparent substrate which supports the photosensitive emulsion. As well, the formats must have been used to make more than just a few test frames. The camera must be fast enough (in frames per second) to create an illusion of motion consistent with the persistence of vision phenomenon. The format must be significantly unique from other listed formats in regard to its image capture or image projection. The format characteristics should be clearly definable in several listed parameters (e. g., film gauge, aspe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleeping Beauty (1959 Film)
''Sleeping Beauty'' is a 1959 American animated musical fantasy film produced by Walt Disney based on the 1697 story "Sleeping Beauty" by Charles Perrault. The 16th Disney animated feature film, it was released to theaters on January 29, 1959, by Buena Vista Distribution. It features the voices of Mary Costa, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Bill Shirley, Taylor Holmes, and Bill Thompson. The film was directed by Les Clark, Eric Larson, and Wolfgang Reitherman, under the supervision of Clyde Geronimi. The film was written by Erdman Penner with additional story work by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the work of the Graunke Symphony Orchestra under the direction of George Bruns, are arrangements or adaptations of numbers from the 1890 ''Sleeping Beauty'' ballet by Pyotr Ilyich Tchaikovsky. ''Sleeping Beauty'' was the first animated film to be p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anamorphic
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen (not to be confused with anamorphic widescreen, a different video encoding concept that uses similar principles but different means). The word '' anamorphic'' and its derivatives stem from the Greek ''anamorphoun'' ("to transform"), compound of ''morphé'' ("form, shape") with the prefix ''aná'' ("back, against"). In the late 1990s and 2000s, anamorphic lost popularity in comparison to "flat" (or "spherical") formats such as Super 35 with the advent of digital intermediates; however, in the years since digital cinema cameras and projectors have become commonplace, anamorphic has experienced a considerable resurgence of popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anamorphic Format
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen (not to be confused with anamorphic widescreen, a different video encoding concept that uses similar principles but different means). The word ''anamorphic'' and its derivatives stem from the Greek ''anamorphoun'' ("to transform"), compound of ''morphé'' ("form, shape") with the prefix ''aná'' ("back, against"). In the late 1990s and 2000s, anamorphic lost popularity in comparison to "flat" (or "spherical") formats such as Super 35 with the advent of digital intermediates; however, in the years since digital cinema cameras and projectors have become commonplace, anamorphic has experienced a considerable resurgence of populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VistaVision
VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a big area, which yielded the finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format just after seven years, although for 40 more years the format was used by some European and Japanese producers for movies, and by USA movies such as the first three ''Star Wars'' films for high-resolution special effects sequences. In many ways, VistaVision became the testing ground for every cinematography idea that evolved into 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are oriented sideways, like Vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todd-AO
Todd-AO is an American post-production company founded in 1953 by Mike Todd and Robert Naify, providing sound-related services to the motion picture and television industries. For more than five decades, it was the worldwide leader in theater sound. The company now operates one facility in the Los Angeles area. Todd-AO is also the name of the widescreen, 70 mm film format that was developed by Mike Todd and the Naify brothers, owners of United Artists Theaters in partnership with the American Optical Company in the mid-1950s. Todd-AO had been founded to promote and distribute this system. History Todd-AO began as a high resolution widescreen film format. It was co-developed in the early 1950s by Mike Todd, a Broadway producer, and United Artists Theaters in partnership with the American Optical Company in Buffalo, New York. It was developed to provide a high definition single camera widescreen process to compete with Cinerama, or as characterized by its creator, "Cinera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Black Cauldron (film)
''The Black Cauldron'' is a 1985 American animated dark fantasy adventure film directed by Ted Berman and Richard Rich. It was produced by Walt Disney Productions in association with Silver Screen Partners II and released by Walt Disney Pictures. The 25th Disney animated feature film, it is loosely based on the first two books in ''The Chronicles of Prydain'' by Lloyd Alexander, a series of five novels that are, in turn, based on Welsh mythology. Set in the mythical land of Prydain during the Early Middle Ages, the film centers on a wicked emperor known as the Horned King, who hopes to secure an ancient magical cauldron that will aid him in his desire to conquer the world. He is opposed by young swineherder Taran, the young Princess Eilonwy, the harp-playing bard Fflewddur Fflam, and a friendly wild creature named Gurgi, who seek to destroy the cauldron to prevent the Horned King from ruling the world. The film is directed by Ted Berman and Richard Rich, who had directe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Panavision
Super Panavision 70 is the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. Ultra Panavision 70 was similar to Super Panavision 70, though Ultra Panavision lenses were anamorphic, which allowed for a significantly wider aspect ratio. However, Ultra Panavision 70 was extremely rare and has only been used on a handful of films since its inception. History During the late 1950s, the Hollywood filmmaking community decided that changing from filming in the commonly accepted 35 mm format to 65 mm film would provide viewing audiences with an enhanced visual experience, compared to an anamorphic widescreen image. To this end, cameras began to be designed to handle 65 mm film stock. The first camera system to be released using this format was Todd-AO, in 1955. The second was MGM Camera 65, a system designed by Panavision, which was introduced in 1956. In 1959, Panavision introduced Super Panavision 70 to compete with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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