|
VistaVision
VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a big area, which yielded the finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format just after seven years, although for 40 more years the format was used by some European and Japanese producers for movies, and by USA movies such as the first three ''Star Wars'' films for high-resolution special effects sequences. In many ways, VistaVision became the testing ground for every cinematography idea that evolved into 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are oriented sideways, like Vist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VistaVision Logo 001
VistaVision is a higher resolution, widescreen variant of the 35 mm movie film, 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a big area, which yielded the finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format just after seven years, although for 40 more years the format was used by some European and Japanese producers for movies, and by USA movies such as the first three ''Star Wars'' films for high-resolution special effects sequences. In many ways, VistaVision became the testing ground for every cinematography idea that evolved into 70 mm film, 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VistaVision 8 Perf 35 Mm Film
VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a big area, which yielded the finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format just after seven years, although for 40 more years the format was used by some European and Japanese producers for movies, and by USA movies such as the first three ''Star Wars'' films for high-resolution special effects sequences. In many ways, VistaVision became the testing ground for every cinematography idea that evolved into 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are oriented sideways, like Vista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35 Mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastman. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Christmas (film)
''White Christmas'' is a 1954 American musical film directed by Michael Curtiz and starring Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen. Filmed in Technicolor, it features the songs of Irving Berlin, including a new version of the title song, " White Christmas", introduced by Crosby in the 1942 film ''Holiday Inn''. Produced and distributed by Paramount Pictures, the film is notable for being the first to be released in VistaVision, a widescreen process developed by Paramount that entailed using twice the surface area of standard 35mm film; this large-area negative was also used to yield finer-grained standard-sized 35mm prints. Plot On Christmas Eve in Europe in 1944, at the height of World War II, former Broadway star Captain Bob Wallace and aspiring performer Private Phil Davis entertain the 151st division with a soldier's show. The men have just received word their beloved Major General Thomas F. Waverly has been relieved of his command. Waverly arrives and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CinemaScope
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. Bausch & Lomb won a 1954 Oscar for its development of the CinemaScope l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as ''16:9'', sixteen-to-nine. For the ''x'':''y'' aspect ratio, the image is ''x'' units wide and ''y'' units high. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television photography, and 3:2 in still photography. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 SMPTE revision used 2.35:1). Two common videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently. In still camera photography, the most common aspect ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard III (1955 Film)
''Richard III'' is a 1955 British Technicolor film adaptation of William Shakespeare's historical play of the same name, also incorporating elements from his ''Henry VI, Part 3''. It was directed and produced by Laurence Olivier, who also played the lead role. Featuring many noted Shakespearean actors, including a quartet of actors who were later knighted, the film depicts Richard plotting and conspiring to grasp the throne from his brother King Edward IV, played by Sir Cedric Hardwicke. In the process, many are killed and betrayed, with Richard's evil leading to his own downfall. The prologue of the film states that history without its legends would be "a dry matter indeed", implicitly admitting to the artistic licence that Shakespeare applied to the events of the time. Of the three Shakespearean films directed by Olivier, ''Richard III'' received the least critical praise at the time, although it was still acclaimed. It was the only one not to be nominated for Best Picture a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Widescreen
Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35 mm film. For television, the original screen ratio for broadcasts was in fullscreen 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different nations, 16:9 (1.78:1) widescreen TV displays came into increasingly common use. They are typically used in conjunction with high-definition television (HDTV) receivers, or Standard-Definition (SD) DVD players and other digital television sources. With computer displays, aspect ratios wider than 4:3 are also referred to as widescreen. Widescreen computer displays were previously made in a 16:10 aspect ratio (e.g. 1680 × 1050), but now are usually 16:9 (e.g. 1920 × 1080). Film History Widescreen was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paramount Pictures
Paramount Pictures Corporation is an American film and television production company, production and Distribution (marketing), distribution company and the main namesake division of Paramount Global (formerly ViacomCBS). It is the fifth-oldest film studio in the world, the second-oldest film studio in the United States (behind Universal Pictures), and the sole member of the Major film studio, "Big Five" film studios located within the city limits of Los Angeles. In 1916, film producer Adolph Zukor put 24 actors and actresses under contract and honored each with a star on the logo. In 1967, the number of stars was reduced to 22 and their hidden meaning was dropped. In 2014, Paramount Pictures became the first major Hollywood studio to distribute all of its films in digital form only. The company's headquarters and studios are located at 5555 Melrose Avenue, Hollywood, California. Paramount Pictures is a member of the Motion Picture Association of America, Motion Picture Associ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
To Catch A Thief (film)
'' To Catch a Thief'' is a 1955 American romantic thriller film directed by Alfred Hitchcock, from a screenplay by John Michael Hayes based on the 1952 novel of the same name by David Dodge. The film stars Cary Grant as a retired cat burglar who has to save his reformed reputation by catching an impostor preying on the wealthy tourists (including the daughter of a wealthy widow, played by Grace Kelly) of the French Riviera. Plot Retired jewel thief John "The Cat" Robie is suspected by the police in a string of burglaries on the French Riviera. When they come to his hilltop villa to question him, he slips their grasp and heads to a restaurant owned by his friend Bertani. The restaurant's staff are members of Robie's old gang, who have been paroled for their work in the French Resistance during World War II. They are angry at Robie because they are all under suspicion as long as the new Cat is active. When the police arrive at the restaurant looking for Robie, Foussard's daugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strategic Air Command (film)
''Strategic Air Command'' is a 1955 American military aviation film starring James Stewart and June Allyson, directed by Anthony Mann, and released by Paramount Pictures. It was the first of four Hollywood films that depicted the role of the Strategic Air Command in the Cold War era. ''Strategic Air Command'' was the second film released in Paramount's new widescreen format, VistaVision, in color by Technicolor and Perspecta pseudo-stereo sound. It would also be Stewart and Mann's eighth and final collaboration and the last of three films that paired Jimmy Stewart and June Allyson, the others being ''The Stratton Story'' and ''The Glenn Miller Story''. Plot In 1951, Robert "Dutch" Holland (James Stewart) is a professional baseball player with the St. Louis Cardinals. A B-29 bomber pilot during World War II, he retains a commission as a lieutenant colonel in the United States Air Force Reserve, but is on inactive, non-drilling status. During spring training at Al Lang Field in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspecta
Perspecta was a directional motion picture sound system, invented by the laboratories at Fine Sound Inc. in 1954. The company was founded by Mercury Records engineer C. Robert (Bob) Fine, husband of producer Wilma Cozart Fine. As opposed to magnetic stereophonic soundtracks available at the time, Perspecta's benefits were that it did not require a new sound head for the projector and thus was a cheaper alternative. Introduced as a "directional sound system" rather than a true stereophonic sound system, Perspecta did not use discretely recorded sound signals. Instead, three sub-audible tones at 30 Hz, 35 Hz, and 40 Hz are mixed appropriately and embedded in a monaural optical soundtrack, in addition to the audible sound. When run through a Perspecta integrator, depending on whenever each tone is present, the audio is fed into a left (30 Hz), center (35 Hz) and right (40 Hz) speaker. Unlike true stereophonic sound, which would be described as discrete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
