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VistaVision 8 Perf 35 Mm Film
VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a big area, which yielded the finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format just after seven years, although for 40 more years the format was used by some European and Japanese producers for movies, and by USA movies such as the first three ''Star Wars'' films for high-resolution special effects sequences. In many ways, VistaVision became the testing ground for every cinematography idea that evolved into 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are oriented sideways, like Vista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VistaVision Logo 001
VistaVision is a higher resolution, widescreen variant of the 35 mm movie film, 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a big area, which yielded the finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format just after seven years, although for 40 more years the format was used by some European and Japanese producers for movies, and by USA movies such as the first three ''Star Wars'' films for high-resolution special effects sequences. In many ways, VistaVision became the testing ground for every cinematography idea that evolved into 70 mm film, 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soft Matte
Open matte is a filming technique that involves matting out the top and bottom of the film frame in the movie projector (known as a ''soft matte'') for the widescreen theatrical release and then scanning the film without a matte (at Academy ratio) for a full screen home video release. Open matte can be used with non-anamorphic films presented in 2.20:1 or 2.39:1, but it isn't used as often, mainly because it adds too much additional headroom, depending upon how well the framing was protected or if the director chooses to create a certain visual aesthetic. Instead, those films will employ either pan and scan or reframing using either the well-protected areas or the areas of interest. Films shot anamorphically use the entire 35 mm frame (except for the soundtrack area), so they must use pan and scan as a result. History The rise of television and home media saw the use of a narrow aspect ratio of 4:3. To avoid letterboxing for broadcast releases, films were therefore re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard III (1955 Film)
''Richard III'' is a 1955 British Technicolor film adaptation of William Shakespeare's historical play of the same name, also incorporating elements from his ''Henry VI, Part 3''. It was directed and produced by Laurence Olivier, who also played the lead role. Featuring many noted Shakespearean actors, including a quartet of actors who were later knighted, the film depicts Richard plotting and conspiring to grasp the throne from his brother King Edward IV, played by Sir Cedric Hardwicke. In the process, many are killed and betrayed, with Richard's evil leading to his own downfall. The prologue of the film states that history without its legends would be "a dry matter indeed", implicitly admitting to the artistic licence that Shakespeare applied to the events of the time. Of the three Shakespearean films directed by Olivier, ''Richard III'' received the least critical praise at the time, although it was still acclaimed. It was the only one not to be nominated for Best Picture a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
To Catch A Thief (film)
'' To Catch a Thief'' is a 1955 American romantic thriller film directed by Alfred Hitchcock, from a screenplay by John Michael Hayes based on the 1952 novel of the same name by David Dodge. The film stars Cary Grant as a retired cat burglar who has to save his reformed reputation by catching an impostor preying on the wealthy tourists (including the daughter of a wealthy widow, played by Grace Kelly) of the French Riviera. Plot Retired jewel thief John "The Cat" Robie is suspected by the police in a string of burglaries on the French Riviera. When they come to his hilltop villa to question him, he slips their grasp and heads to a restaurant owned by his friend Bertani. The restaurant's staff are members of Robie's old gang, who have been paroled for their work in the French Resistance during World War II. They are angry at Robie because they are all under suspicion as long as the new Cat is active. When the police arrive at the restaurant looking for Robie, Foussard's daugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strategic Air Command (film)
''Strategic Air Command'' is a 1955 American military aviation film starring James Stewart and June Allyson, directed by Anthony Mann, and released by Paramount Pictures. It was the first of four Hollywood films that depicted the role of the Strategic Air Command in the Cold War era. ''Strategic Air Command'' was the second film released in Paramount's new widescreen format, VistaVision, in color by Technicolor and Perspecta pseudo-stereo sound. It would also be Stewart and Mann's eighth and final collaboration and the last of three films that paired Jimmy Stewart and June Allyson, the others being ''The Stratton Story'' and ''The Glenn Miller Story''. Plot In 1951, Robert "Dutch" Holland (James Stewart) is a professional baseball player with the St. Louis Cardinals. A B-29 bomber pilot during World War II, he retains a commission as a lieutenant colonel in the United States Air Force Reserve, but is on inactive, non-drilling status. During spring training at Al Lang Field in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Christmas (film)
''White Christmas'' is a 1954 American musical film directed by Michael Curtiz and starring Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen. Filmed in Technicolor, it features the songs of Irving Berlin, including a new version of the title song, " White Christmas", introduced by Crosby in the 1942 film ''Holiday Inn''. Produced and distributed by Paramount Pictures, the film is notable for being the first to be released in VistaVision, a widescreen process developed by Paramount that entailed using twice the surface area of standard 35mm film; this large-area negative was also used to yield finer-grained standard-sized 35mm prints. Plot On Christmas Eve in Europe in 1944, at the height of World War II, former Broadway star Captain Bob Wallace and aspiring performer Private Phil Davis entertain the 151st division with a soldier's show. The men have just received word their beloved Major General Thomas F. Waverly has been relieved of his command. Waverly arrives and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio City Music Hall
Radio City Music Hall is an entertainment venue and Theater (structure), theater at 1260 Sixth Avenue (Manhattan), Avenue of the Americas, within Rockefeller Center, in the Midtown Manhattan neighborhood of New York City. Nicknamed "The Showplace of the Nation", it is the headquarters for the Rockettes. Radio City Music Hall was designed by Edward Durell Stone and Donald Deskey in the Art Deco style. Radio City Music Hall was built on a plot of land that was originally intended for a Metropolitan Opera House, although plans for the opera house were canceled in 1929. It opened on December 27, 1932, as part of the construction of Rockefeller Center. The 5,960-seat Music Hall was the larger of two venues built for Rockefeller Center's "Radio City" section, the other being Center Theatre (New York City), Center Theatre; the "Radio City" name later came to apply only to the Music Hall. It was largely successful until the 1970s, when declining patronage nearly drove the theater to bank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspecta
Perspecta was a directional motion picture sound system, invented by the laboratories at Fine Sound Inc. in 1954. The company was founded by Mercury Records engineer C. Robert (Bob) Fine, husband of producer Wilma Cozart Fine. As opposed to magnetic stereophonic soundtracks available at the time, Perspecta's benefits were that it did not require a new sound head for the projector and thus was a cheaper alternative. Introduced as a "directional sound system" rather than a true stereophonic sound system, Perspecta did not use discretely recorded sound signals. Instead, three sub-audible tones at 30 Hz, 35 Hz, and 40 Hz are mixed appropriately and embedded in a monaural optical soundtrack, in addition to the audible sound. When run through a Perspecta integrator, depending on whenever each tone is present, the audio is fed into a left (30 Hz), center (35 Hz) and right (40 Hz) speaker. Unlike true stereophonic sound, which would be described as discrete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as ''16:9'', sixteen-to-nine. For the ''x'':''y'' aspect ratio, the image is ''x'' units wide and ''y'' units high. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television photography, and 3:2 in still photography. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 SMPTE revision used 2.35:1). Two common videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently. In still camera photography, the most common aspect ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
135 Film
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'. The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 828, 126, 110, and APS, it remains the most popular film size today. The size of the 135 film frame with its aspect ratio of 1:1.50 has been adopted by many high-end digital single-lens reflex and digital mirrorless cameras, commonly referred to as " full frame". Eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Perforations
Film perforations, also known as perfs and sprocket holes, are the holes placed in the film stock during manufacturing and used for transporting (by sprockets and claws) and steadying (by pin registration) the film. Films may have different types of perforations depending on film gauge, film format, and intended usage. Perforations are also used as a standard measuring reference within certain camera systems to refer to the size of the frame. Some formats are referred to in terms of the ratio "perforations per frame/gauge size" to provide an easy way of denoting size. For instance, 35mm Academy is also known as 4 perf-35mm; VistaVision is 8 perf-35mm; the long-time standard Todd-AO 70 mm film is 5 perf-70mm; and IMAX is 15 perf-70mm. This description does not indicate whether the film transport is horizontal or vertical, but uncertainty is precluded because there are currently no horizontal systems using the same number of perforations on the same gauge as a vertical one. Pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Raymond Turner
Edward Raymond Turner (1873 – 9 March 1903) was a pioneering British inventor and cinematographer. He produced the earliest known colour motion picture film footage. Biography Turner was born in 1873 in Clevedon, North Somerset, UK. In later life, Raymond and his wife Edith lived near the centre of Hounslow in West London. Some of Turner's colour film experiments were carried out in the back garden of this house in Montague Road and showed his three young children, Alfred, Agnes and Wilfrid. Turner was only 29 when he died suddenly at his workshop on 9 March 1903 of a heart attack. He was buried 3 days later in the churchyard of St Leonard's parish church, Heston, Hounslow. Following his death, film producer, Charles Urban, who had been financing Turner, asked George Albert Smith to continue his work. Lee–Turner colour process Turner is noted for his attempts to develop what is believed to be the first actually implemented colour motion picture system, initially with fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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