Technicolor is a series of
color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades.
Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5).
Process 4 was the second major color process, after Britain's
Kinemacolor
Kinemacolor was the first successful colour motion picture process, used commercially from 1908 to 1914. It was invented by George Albert Smith in 1906. He was influenced by the work of William Norman Lascelles Davidson and, more directly, Ed ...
(used between 1908 and 1914), and the most widely used color process in
Hollywood
Hollywood usually refers to:
* Hollywood, Los Angeles, a neighborhood in California
* Hollywood, a metonym for the cinema of the United States
Hollywood may also refer to:
Places United States
* Hollywood District (disambiguation)
* Hollywood, ...
during the
Golden Age of Hollywood
Golden means made of, or relating to gold.
Golden may also refer to:
Places United Kingdom
*Golden, in the parish of Probus, Cornwall
*Golden Cap, Dorset
*Golden Square, Soho, London
*Golden Valley, a valley on the River Frome in Gloucestershir ...
. Technicolor's
three-color process became known and celebrated for its highly saturated color, and was initially most commonly used for filming musicals such as ''
The Wizard of Oz'' (1939) and ''
Down Argentine Way
''Down Argentine Way'' is a 1940 American musical film made in Technicolor by Twentieth Century Fox. It made a star of Betty Grable in her first leading role for the studio although she had already appeared in 31 films, and it introduced American ...
'' (1940),
costume pictures such as ''
The Adventures of Robin Hood
''The Adventures of Robin Hood'' is a 1938 American Technicolor swashbuckler film from Warner Bros. Pictures. It was produced by Hal B. Wallis and Henry Blanke, directed by Michael Curtiz and William Keighley, and stars Errol Flynn, Olivia de H ...
'' (1938) and ''
Gone with the Wind
Gone with the Wind most often refers to:
* ''Gone with the Wind'' (novel), a 1936 novel by Margaret Mitchell
* ''Gone with the Wind'' (film), the 1939 adaptation of the novel
Gone with the Wind may also refer to:
Music
* ''Gone with the Wind'' ...
'' (1939), the film ''
Blue Lagoon'' (1949), and
animated
Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most anim ...
films such as ''
Snow White and the Seven Dwarfs
"Snow White and the Seven Dwarfs" is a 19th-century German fairy tale that is today known widely across the Western world. The Brothers Grimm published it in 1812 in the first edition of their collection ''Grimms' Fairy Tales'' and numbered as T ...
'' (1937), ''
Gulliver's Travels
''Gulliver's Travels'', or ''Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships'' is a 1726 prose satire by the Anglo-Irish writer and clergyman Jonathan ...
'' (1939), and ''
Fantasia
Fantasia International Film Festival (also known as Fantasia-fest, FanTasia, and Fant-Asia) is a film festival that has been based mainly in Montreal since its founding in 1996. Regularly held in July of each year, it is valued by both hardcore ...
'' (1940). As the technology matured it was also used for less spectacular dramas and comedies. Occasionally, even a
film noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ' ...
such as ''
Leave Her to Heaven
''Leave Her to Heaven'' is a 1945 American psychological thriller film noir melodrama directed by John M. Stahl and starring Gene Tierney, Cornel Wilde, Jeanne Crain, and Vincent Price. It follows a socialite who marries a prominent novelist, ...
'' (1945) or ''
Niagara'' (1953)was filmed in Technicolor.
The "Tech" in the company's name was inspired by the
Massachusetts Institute of Technology
The Massachusetts Institute of Technology (MIT) is a private land-grant research university in Cambridge, Massachusetts. Established in 1861, MIT has played a key role in the development of modern technology and science, and is one of the ...
, where
Herbert Kalmus
Herbert Thomas Kalmus (November 9, 1881 – July 11, 1963) was an American scientist and engineer who played a significant role in developing color motion picture film. Kalmus was the co-founder and president of the Technicolor Motion Picture Co ...
and
Daniel Frost Comstock
Daniel Frost Comstock ; (August 14, 1883 – March 2, 1970) was an American physicist and engineer.
Biography
Comstock attained a B.S. from the Massachusetts Institute of Technology in 1904. He also studied in Berlin, Zürich, and Basel, where he ...
received their undergraduate degrees in 1904 and were later instructors.
Nomenclature
The term "Technicolor" has been used historically for at least five concepts:
*Technicolor: an umbrella company encompassing all versions and ancillary services. (1914–present)
*Technicolor labs: a group of
film laboratories worldwide, owned and run by Technicolor for post-production services including developing, printing, and transferring films in all major color film processes, as well as Technicolor's proprietary ones. (1922–present)
*Technicolor process or format: several custom imaging systems used in film production, culminating in the "three-strip" process in 1932. (1917–1955)
*Technicolor IB printing ("IB" abbreviates "
imbibition
Imbibition is a special type of diffusion that takes place when liquid is absorbed by solids-colloids causing an increase in volume. Water surface potential movement takes place along a concentration gradient; some dry materials absorb water. A ...
", a
dye-transfer operation): a process for making color motion picture prints that allows the use of dyes that are more stable and permanent than those formed in ordinary
chromogenic
In chemistry, the term chromogen refers to a colourless (or faintly coloured) chemical compound that can be converted by chemical reaction into a compound which can be described as "coloured". There is no universally agreed definition of the term. ...
color printing. Originally used for printing from color separation negatives photographed on black-and-white film in a special Technicolor camera. (1928–2002, with differing gaps of availability after 1974 depending on the lab)
*Prints or Color by Technicolor: used since 1954 when
Eastmancolor
Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production and referring to George Eastman, founder of Kodak.
Eastmancolor, introduced in 1950, was on ...
(and other single-strip color film stocks) supplanted the three-film-strip camera negative method, while the Technicolor IB printing process continued to be used as one method of making the prints.
This connotation applies to nearly all films made from 1954 onward in which Technicolor is named in the credits. (1953–present)
History
Both Kalmus and Comstock went to Europe (Switzerland) to earn PhD degrees; Kalmus at
University of Zurich
The University of Zürich (UZH, german: Universität Zürich) is a public research university located in the city of Zürich, Switzerland. It is the largest university in Switzerland, with its 28,000 enrolled students. It was founded in 1833 f ...
, and Comstock at
Basel
, french: link=no, Bâlois(e), it, Basilese
, neighboring_municipalities= Allschwil (BL), Hégenheim (FR-68), Binningen (BL), Birsfelden (BL), Bottmingen (BL), Huningue (FR-68), Münchenstein (BL), Muttenz (BL), Reinach (BL), Riehen (BS ...
in 1906.
In 1912, Kalmus, Comstock, and mechanic W. Burton Wescott formed Kalmus, Comstock, and Wescott, an industrial research and development firm. Most of the early patents were taken out by Comstock and Wescott, while Kalmus served primarily as the company's president and chief executive officer.
When the firm was hired to analyze an inventor's flicker-free motion picture system, they became intrigued with the art and science of filmmaking, particularly color motion picture processes, leading to the founding of Technicolor in Boston in 1914 and incorporation in Maine in 1915.
In 1921, Wescott left the company, and Technicolor Inc. was chartered in Delaware.
Two-color Technicolor
Process 1
![The-gulf-between-surviving-cell](https://upload.wikimedia.org/wikipedia/commons/1/1e/The-gulf-between-surviving-cell.jpg)
Technicolor originally existed in a
two-color (red and green) system. In Process 1 (1916), a
prism
Prism usually refers to:
* Prism (optics), a transparent optical component with flat surfaces that refract light
* Prism (geometry), a kind of polyhedron
Prism may also refer to:
Science and mathematics
* Prism (geology), a type of sedimentary ...
beam-splitter
A beam splitter or ''beamsplitter'' is an optical device that splits a beam of light into a transmitted and a reflected beam. It is a crucial part of many optical experimental and measurement systems, such as interferometers, also finding wide ...
behind the camera lens exposed two consecutive frames of a single strip of black-and-white negative film simultaneously, one behind a red filter, the other behind a green filter. Because two frames were being exposed at the same time, the film had to be photographed and projected at twice the normal speed. Exhibition required a special projector with two
apertures
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane.
An ...
(one with a red filter and the other with a green filter), two lenses, and an adjustable prism that aligned the two images on the screen.
The results were first demonstrated to members of the
American Institute of Mining Engineers
The American Institute of Mining, Metallurgical, and Petroleum Engineers (AIME) is a professional association for mining and metallurgy, with over 145,000 members. It was founded in 1871 by 22 mining engineers in Wilkes-Barre, Pennsylvania, Uni ...
in New York on February 21, 1917. Technicolor itself produced the only movie made in Process 1, ''
The Gulf Between
''The Gulf Between'' is a 1917 American comedy-drama film that was the first motion picture made in Technicolor, the fourth feature-length color film, and the first feature-length color film produced in the United States. The film was destroyed ...
'', which had a limited tour of Eastern cities, beginning with Boston and New York on September 13, 1917, primarily to interest motion picture producers and exhibitors in color. The near-constant need for a technician to adjust the projection alignment doomed this
additive color
Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colo ...
process. Only a few frames of ''The Gulf Between'', showing star
Grace Darmond
Grace Darmond (born Grace Marie Glionna; November 20, 1893 – October 8, 1963) was a Canadian-American actress.
Early life
Grace Marie Glionna was born in Toronto on November 20, 1893. Her parents were Vincent Baptiste "James" Glionna, an I ...
, are known to exist today.
Process 2
![Anna May Wong holds child in The Toll of the Sea](https://upload.wikimedia.org/wikipedia/commons/0/08/Anna_May_Wong_holds_child_in_The_Toll_of_the_Sea.jpg)
Convinced that there was no future in additive color processes, Comstock, Wescott, and Kalmus focused their attention on subtractive color processes. This culminated in what would eventually be known as Process 2 (1922) (often referred to today by the misnomer "two-strip Technicolor"). As before, the special Technicolor camera used a beam-splitter that simultaneously exposed two consecutive frames of a single strip of black-and-white film, one behind a green filter and one behind a red filter.
The difference was that the two-component negative was now used to produce a
subtractive color
Subtractive color or subtractive color mixing predicts the spectral power distribution of light after it passes through successive layers of partially absorbing media. This idealized model is the essential principle of how dyes and inks are use ...
print. Because the colors were physically present in the print, no special projection equipment was required and the correct registration of the two images did not depend on the skill of the projectionist.
The frames exposed behind the green filter were printed on one strip of black-and-white film, and the frames exposed behind the red filter were printed on another strip. After development, each print was toned to a color nearly
complementary
A complement is something that completes something else.
Complement may refer specifically to:
The arts
* Complement (music), an interval that, when added to another, spans an octave
** Aggregate complementation, the separation of pitch-class ...
to that of the filter: orange-red for the green-filtered images, cyan-green for the red-filtered ones. Unlike tinting, which adds a uniform veil of color to the entire image, toning chemically replaces the black-and-white silver image with transparent coloring matter, so that the highlights remain clear (or nearly so), dark areas are strongly colored, and intermediate tones are colored proportionally.
The two prints, made on film stock half the thickness of regular film, were then cemented together back to back to create a projection print. ''
The Toll of the Sea
''The Toll of the Sea'' is a 1922 American silent drama film directed by Chester M. Franklin, produced by the Technicolor Motion Picture Corporation, released by Metro Pictures, and featuring Anna May Wong in her first leading role. The film w ...
'', which debuted on November 26, 1922, used Process 2 and was the first general-release film in Technicolor.
![Phantomtechnicolor](https://upload.wikimedia.org/wikipedia/commons/f/f3/Phantomtechnicolor.jpg)
The second all-color feature in Process 2 Technicolor, ''
Wanderer of the Wasteland'', was released in 1924. Process 2 was also used for color sequences in such major motion pictures as ''
The Ten Commandments
The Ten Commandments (Biblical Hebrew עשרת הדברים \ עֲשֶׂרֶת הַדְּבָרִים, ''aséret ha-dvarím'', lit. The Decalogue, The Ten Words, cf. Mishnaic Hebrew עשרת הדיברות \ עֲשֶׂרֶת הַדִּבְ ...
'' (1923), ''
The Phantom of the Opera
''The Phantom of the Opera'' (french: Le Fantôme de l'Opéra) is a novel by French author Gaston Leroux. It was first published as a serial in from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierr ...
'' (1925), and ''
Ben-Hur'' (1925).
Douglas Fairbanks
Douglas Elton Fairbanks Sr. (born Douglas Elton Thomas Ullman; May 23, 1883 – December 12, 1939) was an American actor, screenwriter, director, and producer. He was best known for his swashbuckling roles in silent films including '' The Thie ...
' ''
The Black Pirate
''The Black Pirate'' is a 1926 American silent action adventure film shot entirely in two-color Technicolor about an adventurer and a "company" of pirates. Directed by Albert Parker, it stars Douglas Fairbanks, Donald Crisp, Sam De Grasse, an ...
'' (1926) was the third all-color Process 2 feature.
Although successful commercially, Process 2 was plagued with technical problems. Because the images on the two sides of the print were not in the same plane, both could not be perfectly in focus at the same time. The significance of this depended on the
depth of focus
Depth of focus is a lens optics concept that measures the tolerance of placement of the image plane (the film plane in a camera) in relation to the lens. In a camera, depth of focus indicates the tolerance of the film's displacement within the ca ...
of the projection optics. Much more serious was a problem with cupping. Films in general tended to become somewhat cupped after repeated use: every time a film was projected, each frame in turn was heated by the intense light in the projection gate, causing it to bulge slightly; after it had passed through the gate, it cooled and the bulge subsided, but not quite completely.
It was found that the cemented prints were not only very prone to cupping, but that the direction of cupping would suddenly and randomly change from back to front or vice versa, so that even the most attentive projectionist could not prevent the image from temporarily popping out of focus whenever the cupping direction changed. Technicolor had to supply new prints so the cupped ones could be shipped to their Boston laboratory for flattening, after which they could be put back into service, at least for a while.
The presence of image layers on both surfaces made the prints especially vulnerable to scratching, and because the scratches were vividly colored they were very noticeable. Splicing a Process 2 print without special attention to its unusual laminated construction was apt to result in a weak splice that would fail as it passed through the projector. Even before these problems became apparent, Technicolor regarded this cemented print approach as a stopgap and was already at work developing an improved process.
Process 3
Based on the same
dye-transfer technique first applied to motion pictures in 1916 by Max Handschiegl, Technicolor Process 3 (1928) was developed to eliminate the projection print made of double-cemented prints in favor of a print created by ''
dye imbibition''. The Technicolor camera for Process 3 was identical to that for Process 2, simultaneously photographing two consecutive frames of a black-and-white film behind red and green filters.
In the lab, skip-frame printing was used to sort the alternating color-record frames on the camera negative into two series of contiguous frames, the red-filtered frames being printed onto one strip of specially prepared "matrix" film and the green-filtered frames onto another. After processing, the gelatin of the matrix film's emulsion was left proportionally hardened, being hardest and least soluble where it had been most strongly exposed to light. The unhardened fraction was then washed away. The result was two strips of relief images consisting of hardened gelatin, thickest in the areas corresponding to the clearest, least-exposed areas of the negative.
To make each final color print, the matrix films were soaked in dye baths of colors nominally
complementary
A complement is something that completes something else.
Complement may refer specifically to:
The arts
* Complement (music), an interval that, when added to another, spans an octave
** Aggregate complementation, the separation of pitch-class ...
to those of the camera filters: the strip made from red-filtered frames was dyed cyan-green and the strip made from green-filtered frames was dyed orange-red. The thicker the gelatin in each area of a frame, the more dye it absorbed. Each matrix in turn was pressed into contact with a plain gelatin-coated strip of film known as the "blank" and the gelatin "imbibed" the dye from the matrix. A
mordant
A mordant or dye fixative is a substance used to set (i.e. bind) dyes on fabrics by forming a coordination complex with the dye, which then attaches to the fabric (or tissue). It may be used for dyeing fabrics or for intensifying stains in ...
made from deacetylated
chitin
Chitin ( C8 H13 O5 N)n ( ) is a long-chain polymer of ''N''-acetylglucosamine, an amide derivative of glucose. Chitin is probably the second most abundant polysaccharide in nature (behind only cellulose); an estimated 1 billion tons of chit ...
was applied to the blank before printing, to prevent the dyes from migrating or "bleeding" after they were absorbed.
Dye imbibition was not suitable for printing optical soundtracks, which required very high resolution, so when making prints for
sound-on-film
Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog ...
systems the "blank" film was a conventional black-and-white film stock on which the soundtrack, as well as frame lines, had been printed in the ordinary way prior to the dye transfer operation.
The first feature made entirely in the Technicolor Process 3 was ''
The Viking'' (1928), which had a synchronized score and sound effects. ''
Redskin
Redskin is a slang term for Native Americans in the United States and First Nations in Canada. The term ''redskin'' underwent pejoration through the 19th to early 20th centuries and in contemporary dictionaries of American English it is lab ...
'' (1929), with a synchronized score, and ''
The Mysterious Island
''The Mysterious Island'' (french: L'Île mystérieuse) is a novel by Jules Verne, published in 1875. The original edition, published by Hetzel, contains a number of illustrations by Jules Férat. The novel is a crossover sequel to Verne's fam ...
'' (1929), a part-talkie, were photographed almost entirely in this process also but included some sequences in black and white. The following talkies were made entirely – or almost entirely – in Technicolor Process 3: ''
On with the Show!
''On with the Show!'' is a 1929 American pre-Code musical film produced by Warner Bros. Filmed in two-color Technicolor, the film is noted as the first all-talking, all-color feature length film, and the second color film released by Warner B ...
'' (1929) (the first all-talking color feature), ''
Gold Diggers of Broadway
''Gold Diggers of Broadway'' is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length fi ...
'' (1929), ''
The Show of Shows
''The Show of Shows'' is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost $850,000 and was shot almost entirely in Technicolor.
''The Show of Sho ...
'' (1929), ''
Sally
Sally may refer to:
People
*Sally (name), a list of notable people with the name
Military
* Sally (military), an attack by the defenders of a town or fortress under siege against a besieging force; see sally port
*Sally, the Allied reporting na ...
'' (1929), ''
The Vagabond King
''The Vagabond King'' is a 1925 operetta by Rudolf Friml in four acts, with a book and lyrics by Brian Hooker and William H. Post, based upon Justin Huntly McCarthy's 1901 romantic novel and play ''If I Were King''. The story is a fictionali ...
'' (1930), ''
Follow Thru
''Follow Thru'' is a 1930 American pre-Code musical romantic comedy film photographed entirely in Technicolor. It was the second all-color all-talking feature to be produced by Paramount Pictures. The film was based on the hit 1929 Broadway mu ...
'' (1930), ''
Golden Dawn'' (1930), ''
Hold Everything'' (1930), ''
The Rogue Song
''The Rogue Song'' is a 1930 American pre-Code romantic and musical film that tells the story of a Russian bandit who falls in love with a princess, but takes his revenge on her when her brother rapes and kills his sister. The Metro-Goldwyn-Maye ...
'' (1930), ''
Song of the Flame
''Song of the Flame'' is a 1930 American pre-Code musical film photographed entirely in Technicolor. It was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called ...
'' (1930), ''
Song of the West
''Song of the West'' is a 1930 American Pre-Code musical western film produced by Warner Bros., and photographed entirely in Technicolor. It was based on the 1928 Broadway musical ''Rainbow'' by Vincent Youmans (music), Oscar Hammerstein II (ly ...
'' (1930), ''
The Life of the Party'' (1930), ''
Sweet Kitty Bellairs
''Sweet Kitty Bellairs'' is a 1930 American historical musical comedy film directed by Alfred E. Green. The film is based on the 1900 novel, ''The Bath Comedy'' by Agnes Castle and Egerton Castle. Shot entirely in Technicolor, the film stars ...
'' (1930), ''
Bride of the Regiment
''Bride of the Regiment'' is a 1930 American Pre-Code musical film directed by John Francis Dillon and filmed entirely in Technicolor. The screenplay by Ray Harris and Humphrey Pearson is based on the book of the 1922 stage musical ''The Lady i ...
'' (1930), ''
Mamba
Mambas are fast moving highly venomous snakes of the genus ''Dendroaspis'' (which literally means "tree asp") in the family Elapidae. Four extant species are recognised currently; three of those four species are essentially arboreal and green ...
'' (1930), ''
Whoopee!
''Whoopee!'' is a 1928 musical comedy with a book based on Owen Davis's play, ''The Nervous Wreck.'' The musical libretto was written by William Anthony McGuire, with music by Walter Donaldson and lyrics by Gus Kahn. The musical premiered on Bro ...
'' (1930), ''
King of Jazz'' (1930), ''
Under a Texas Moon
''Under A Texas Moon'' is a 1930 American pre-Code musical Western film photographed entirely in Technicolor. It was based on the novel ''Two-Gun Man'' (from 1929) which was written by Stewart Edward White. It was the second all-color, all-tal ...
'' (1930), ''
Bright Lights'' (1930), ''
Viennese Nights
''Viennese Nights'' is a 1930 American all-talking pre-Code musical operetta film directed by Alan Crosland and starring Alexander Gray, Vivienne Segal, Walter Pidgeon, Jean Hersholt, Bela Lugosi and Louise Fazenda. It was photographed entirely ...
'' (1930), ''
Woman Hungry
''Woman Hungry'' is a 1931 American pre-Code Western film with music photographed entirely in Technicolor. The film was based on the play '' The Great Divide'' (from 1906) which was written by William Vaughn Moody. The story was filmed as a sil ...
'' (1931), ''
Kiss Me Again'' (1931) and ''
Fifty Million Frenchmen
''Fifty Million Frenchmen'' is a musical comedy with a book by Herbert Fields and music and lyrics by Cole Porter. It opened on Broadway in 1929 and was adapted for a film two years later. The title is a reference to the hit 1927 song "Fifty Milli ...
'' (1931).
In addition, scores of features were released with Technicolor sequences. Numerous short subjects were also photographed in Technicolor Process 3, including the first color sound cartoons by producers such as
Ub Iwerks
Ubbe Ert Iwwerks (March 24, 1901 – July 7, 1971), known as Ub Iwerks ( ), was an American animator, cartoonist, character designer, inventor, and special effects technician. Born in Kansas City, Missouri, Iwerks grew up with a contentious ...
and
Walter Lantz
Walter Lantz (April 27, 1899 – March 22, 1994) was an American cartoonist, animator, producer and director best known for founding Walter Lantz Productions and creating Woody Woodpecker.
Biography
Early years and start in animation
Lantz ...
. ''
Song of the Flame
''Song of the Flame'' is a 1930 American pre-Code musical film photographed entirely in Technicolor. It was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called ...
'' became the first color movie to use a
widescreen
Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than t ...
process (using a system known as
Vitascope
Vitascope was an early film projector first demonstrated in 1895 by Charles Francis Jenkins and Thomas Armat. They had made modifications to Jenkins' patented Phantoscope, which cast images via film and electric light onto a wall or screen. The ...
, which used 65mm film).
In 1931, an improvement of Technicolor Process 3 was developed that removed grain from the Technicolor film, resulting in more vivid and vibrant colors. This process was first used on a
Radio Picture entitled ''
The Runaround'' (1931). The new process not only improved the color but also removed specks (that looked like bugs) from the screen, which had previously blurred outlines and lowered visibility. This new improvement along with a reduction in cost (from 8.85 cents to 7 cents per foot) led to a new color revival.
Warner Bros.
Warner Bros. Entertainment Inc. (commonly known as Warner Bros. or abbreviated as WB) is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California, and a subsidiary of Warner Bros. D ...
took the lead once again by producing three features (out of an announced plan for six features): ''
Manhattan Parade
''Manhattan Parade '' is a 1931 American pre-Code musical comedy film photographed entirely in Technicolor. It was originally intended to be released, in the United States, early in 1931, but was shelved due to public apathy towards musicals. De ...
'' (1932), ''
Doctor X'' (1932) and ''
Mystery of the Wax Museum
''Mystery of the Wax Museum'' is a 1933 American pre-Code mystery- horror film directed by Michael Curtiz and starring Lionel Atwill, Fay Wray, Glenda Farrell, and Frank McHugh. It was produced and released by Warner Bros. and filmed in two-color ...
'' (1933). Radio Pictures followed by announcing plans to make four more features in the new process. Only one of these, ''
Fanny Foley Herself
''Fanny Foley Herself'' is a 1931 American pre-Code comedy-drama film shot entirely in Technicolor. The film was the second feature to be filmed using a new Technicolor process, which removed grain and resulted in improved color. It was released ...
'' (1931), was actually produced. Although
Paramount Pictures
Paramount Pictures Corporation is an American film and television production company, production and Distribution (marketing), distribution company and the main namesake division of Paramount Global (formerly ViacomCBS). It is the fifth-oldes ...
announced plans to make eight features and
Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by amazon (company), Amazon through MGM Holdings, founded o ...
promised two color features, these never materialized. This may have been the result of the lukewarm reception to these new color pictures by the public. Two independently produced features were also made with this improved Technicolor process: ''
Legong: Dance of the Virgins'' (1934) and ''
Kliou the Tiger'' (1935).
Very few of the original camera negatives of movies made in Technicolor Process 2 or 3 survive. In the late 1940s, most were discarded from storage at Technicolor in a space-clearing move, after the studios declined to reclaim the materials. Original Technicolor prints that survived into the 1950s were often used to make black-and-white prints for television and simply discarded thereafter. This explains why so many early color films exist today solely in black and white.
Warner Bros., which had vaulted from a minor exhibitor to a major studio with its introduction of the
talkie
A sound film is a motion picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, percep ...
s, incorporated Technicolor's printing to enhance its films. Other producers followed Warner Bros.' example by making features in color, with either Technicolor, or one of its competitors, such as
Brewster Color
Brewster Color was an early subtractive color-model film process.
A two color process was invented by Percy Douglas Brewster in 1913, based on the earlier work of William Friese-Greene. It attempted to compensate for previous methods' problems ...
and
Multicolor
Multicolor is a subtractive two-color motion picture process. Multicolor, introduced to the motion picture industry in 1929, was based on the earlier Prizma Color process, and was the forerunner of Cinecolor.
For a Multicolor film, a scen ...
(later
Cinecolor
Cinecolor was an early subtractive color-model two-color motion picture process that was based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and the 1930s. It was developed by William T. Crispinel and ...
).
Consequently, the introduction of color did not increase the number of moviegoers to the point where it was economical. This and the
Great Depression
The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagio ...
severely strained the finances of the movie studios and spelled the end of Technicolor's first financial successes.
Three-strip Technicolor
Process 4: Development and introduction
Technicolor envisioned a full-color process as early as 1924, and was actively developing such a process by 1929. Hollywood made so much use of Technicolor in 1929 and 1930 that many believed the feature film industry would soon be turning out color films exclusively. By 1931, however, the
Great Depression
The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagio ...
had taken its toll on the film industry, which began to cut back on expenses. The production of color films had decreased dramatically by 1932, when Burton Wescott and Joseph A. Ball completed work on a new three-color movie camera.
Technicolor could now promise studios a full range of colors, as opposed to the limited red-green spectrum of previous films. The new camera simultaneously exposed three strips of black-and-white film, each of which recorded a different color of the spectrum. The new process would last until the last Technicolor feature film was produced in 1955.
![3-strip Technicolor camera](https://upload.wikimedia.org/wikipedia/commons/e/ef/3-strip_Technicolor_camera.jpg)
Technicolor's advantage over most early natural-color processes was that it was a
subtractive synthesis
Subtractive synthesis is a method of sound synthesis in which partials of an audio signal (often one rich in harmonics) are attenuated by a filter to alter the timbre of the sound. While subtractive synthesis can be applied to any source audio si ...
rather than an
additive
Additive may refer to:
Mathematics
* Additive function, a function in number theory
* Additive map, a function that preserves the addition operation
* Additive set-functionn see Sigma additivity
* Additive category, a preadditive category with f ...
one: unlike the additive
Kinemacolor
Kinemacolor was the first successful colour motion picture process, used commercially from 1908 to 1914. It was invented by George Albert Smith in 1906. He was influenced by the work of William Norman Lascelles Davidson and, more directly, Ed ...
and
Chronochrome processes, Technicolor prints did not require any special projection equipment. Unlike the additive
Dufaycolor
Dufaycolor is an early British additive colour photographic film process, introduced for motion picture use in 1932 and for still photography in 1935. It was derived from Louis Dufay's Dioptichrome plates, a glass-based product for colour sti ...
process, the projected image was not dimmed by a light-absorbing and obtrusive mosaic color filter layer. Very importantly, compared to competing subtractive systems, Technicolor offered the best balance between high image quality and speed of printing.
The Technicolor Process 4 camera, manufactured to Technicolor's detailed specifications by
Mitchell Camera
Mitchell Camera Corporation was a motion picture camera manufacturing company established in Los Angeles in 1919. It was a primary supplier of newsreel and movie cameras for decades, until its closure in 1979.
History
The Mitchell Camera Corpor ...
Corporation, contained color
filters
Filter, filtering or filters may refer to:
Science and technology
Computing
* Filter (higher-order function), in functional programming
* Filter (software), a computer program to process a data stream
* Filter (video), a software component tha ...
, a
beam splitter
A beam splitter or ''beamsplitter'' is an optical device that splits a beam of light into a transmitted and a reflected beam. It is a crucial part of many optical experimental and measurement systems, such as interferometers, also finding wide ...
consisting of a partially reflecting surface inside a split-cube
prism
Prism usually refers to:
* Prism (optics), a transparent optical component with flat surfaces that refract light
* Prism (geometry), a kind of polyhedron
Prism may also refer to:
Science and mathematics
* Prism (geology), a type of sedimentary ...
, and three separate rolls of black-and-white film (hence the "three-strip" designation). The beam splitter allowed one-third of the light coming through the camera lens to pass through the reflector and a green filter and form an image on one of the strips, which therefore recorded only the green-dominated third of the
spectrum
A spectrum (plural ''spectra'' or ''spectrums'') is a condition that is not limited to a specific set of values but can vary, without gaps, across a continuum. The word was first used scientifically in optics to describe the rainbow of colors i ...
.
The other two-thirds was reflected sideways by the mirror and passed through a magenta filter, which absorbed green light and allowed only the red and blue thirds of the spectrum to pass. Behind this filter were the other two strips of film, their
emulsions
An emulsion is a mixture of two or more liquids that are normally immiscible (unmixable or unblendable) owing to liquid-liquid phase separation. Emulsions are part of a more general class of two-phase systems of matter called colloids. Althoug ...
pressed into contact face to face. The front film was a red-blind
orthochromatic type that recorded only the blue light. On the surface of its emulsion was a red-orange coating that prevented blue light from continuing on to the red-sensitive
panchromatic
Panchromatic emulsion is a type of black-and-white photographic emulsion that is sensitive to all wavelengths of visible light.
Description
A panchromatic emulsion renders a realistic reproduction of a scene as it appears to the human eye, altho ...
emulsion of the film behind it, which therefore recorded only the red-dominated third of the spectrum.
Each of the three resulting negatives was printed onto a special matrix film. After processing, each matrix was a nearly invisible representation of the series of film frames as gelatin reliefs, thickest (and most absorbent) where each image was darkest and thinnest where it was lightest. Each matrix was soaked in a dye complementary to the color of light recorded by the negative printed on it: cyan for red, magenta for green, and yellow for blue (see also:
CMYK color model
The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation ''CMYK'' refers ...
for a technical discussion of color printing).
A single clear strip of black-and-white film with the soundtrack and
frame line
A frame line is the unused space that separates two adjacent images, or film frames, on the release print of a motion picture. They can vary in width; a 35mm film with a 1.85:1 hard matte has a frame line approximately high, whereas both a ...
s printed in advance was first treated with a
mordant
A mordant or dye fixative is a substance used to set (i.e. bind) dyes on fabrics by forming a coordination complex with the dye, which then attaches to the fabric (or tissue). It may be used for dyeing fabrics or for intensifying stains in ...
solution and then brought into contact with each of the three dye-loaded matrix films in turn, building up the complete color image. Each dye was absorbed, or imbibed, by the gelatin coating on the receiving strip rather than simply deposited onto its surface, hence the term "dye imbibition". Strictly speaking, this is a mechanical printing process, very loosely comparable to
offset printing
Offset printing is a common printing technique in which the inked image is transferred (or "offset") from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithographic process, which is based on t ...
or
lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German a ...
,
and not a photographic one, as the actual printing does not involve a chemical change caused by exposure to light.
During the early years of the process, the receiver film was preprinted with a 50% black-and-white image derived from the green strip, the so-called Key, or K, record. This procedure was used largely to cover up fine edges in the picture where colors would mix unrealistically (also known as
fringing). This additional black increased the contrast of the final print and concealed any fringing. However, overall colorfulness was compromised as a result. In 1944, Technicolor had improved the process to make up for these shortcomings and the K record was eliminated.
Early adoption by Disney
Kalmus convinced
Walt Disney
Walter Elias Disney (; December 5, 1901December 15, 1966) was an American animator, film producer and entrepreneur. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film p ...
to shoot one of his ''
Silly Symphony
''Silly Symphony'' is an American animated series of 75 musical short films produced by Walt Disney Productions from 1929 to 1939. As the series name implies, the ''Silly Symphonies'' were originally intended as whimsical accompaniments to pieces ...
'' cartoons, ''
Flowers and Trees
''Flowers and Trees'' is a 1932 ''Silly Symphonies'' cartoon produced by Walt Disney, directed by Burt Gillett, and released to theatres by United Artists on July 30, 1932. It was the first commercially released film to be produced in the full-c ...
'' (1932), in Process 4, the new "three-strip" process. Seeing the potential in full-color Technicolor, Disney negotiated an exclusive contract for the use of the process in animated films that extended to September 1935. Other animation producers, such as the
Fleischer Studios
Fleischer Studios () is an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of i ...
and the
Ub Iwerks
Ubbe Ert Iwwerks (March 24, 1901 – July 7, 1971), known as Ub Iwerks ( ), was an American animator, cartoonist, character designer, inventor, and special effects technician. Born in Kansas City, Missouri, Iwerks grew up with a contentious ...
studio, were shut out – they had to settle for either the two-color Technicolor systems or use a competing process such as
Cinecolor
Cinecolor was an early subtractive color-model two-color motion picture process that was based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and the 1930s. It was developed by William T. Crispinel and ...
.
''Flowers and Trees'' was a success with audiences and critics alike, and won the first
Academy Award for Best Animated Short Film
The Academy Award for Best Animated Short Film is an award given by the Academy of Motion Picture Arts and Sciences (AMPAS) as part of the annual Academy Awards, or Oscars, since the 5th Academy Awards (with different names), covering the year ...
. All subsequent ''Silly Symphonies'' from 1933 on were shot with the three-strip process. One ''Silly Symphony'', ''
Three Little Pigs
"The Three Little Pigs" is a fable about three pigs who build three houses of different materials. A Big Bad Wolf blows down the first two pigs' houses which made of straw and sticks respectively, but is unable to destroy the third pig's house ...
'' (1933), engendered such a positive audience response that it overshadowed the feature films with which it was shown.
Hollywood
Hollywood usually refers to:
* Hollywood, Los Angeles, a neighborhood in California
* Hollywood, a metonym for the cinema of the United States
Hollywood may also refer to:
Places United States
* Hollywood District (disambiguation)
* Hollywood, ...
was buzzing about color film again. According to ''
Fortune
Fortune may refer to:
General
* Fortuna or Fortune, the Roman goddess of luck
* Luck
* Wealth
* Fortune, a prediction made in fortune-telling
* Fortune, in a fortune cookie
Arts and entertainment Film and television
* ''The Fortune'' (1931 film) ...
'' magazine, "
Merian C. Cooper
Merian Caldwell Cooper (October 24, 1893 – April 21, 1973) was an American filmmaker and Academy Award winner, as well as a former aviator who served as an officer in the United States Air Force and Polish Air Force. In film, he is credited a ...
, producer for
RKO Radio Pictures
RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, was an American film production and distribution company, one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orphe ...
and director of ''
King Kong
King Kong is a fictional giant monster resembling a gorilla, who has appeared in various media since 1933. He has been dubbed The Eighth Wonder of the World, a phrase commonly used within the franchise. His first appearance was in the novelizat ...
'' (1933), saw one of the ''Silly Symphonies'' and said he never wanted to make a black-and-white picture again."
Although Disney's first 60 or so Technicolor cartoons used the three-strip camera, an improved "successive exposure" ("SE") process was adopted circa 1937. This variation of the three-strip process was designed primarily for cartoon work: the camera would contain one strip of black-and-white negative film, and each animation cel would be photographed three times, on three sequential frames, behind alternating red, green, and blue filters (the so-called "Technicolor Color Wheel", then an option of the Acme, Producers Service and Photo-Sonics animation cameras). Three separate dye transfer printing matrices would be created from the red, green, and blue records in their respective complementary colors, cyan, magenta and yellow.
Successive exposure was also employed in Disney's "True Life Adventure" live-action series, wherein the original 16mm low-contrast
Kodachrome Commercial live action
Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video ga ...
footage was first duplicated onto a 35mm fine-grain SE negative element in one pass of the 16mm element, thereby reducing wear of the 16mm original, and also eliminating registration errors between colors. The live-action SE negative thereafter entered other Technicolor processes and were incorporated with SE animation and three-strip studio live-action, as required, thereby producing the combined result.
Convincing Hollywood
![Technicolor ad - Motion Picture, July 1930](https://upload.wikimedia.org/wikipedia/commons/9/93/Technicolor_ad_-_Motion_Picture%2C_July_1930.jpg)
The studios were willing to adopt three-color Technicolor for live-action feature production, if it could be proved viable. Shooting three-strip Technicolor required very bright lighting, as the film had an extremely slow
speed
In everyday use and in kinematics, the speed (commonly referred to as ''v'') of an object is the magnitude of the change of its position over time or the magnitude of the change of its position per unit of time; it is thus a scalar quanti ...
of ASA 5. That, and the bulk of the cameras and a lack of experience with three-color
cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography.
Cinematographers use a lens to focu ...
made for skepticism in the studio boardrooms.
An October 1934 article in ''
Fortune
Fortune may refer to:
General
* Fortuna or Fortune, the Roman goddess of luck
* Luck
* Wealth
* Fortune, a prediction made in fortune-telling
* Fortune, in a fortune cookie
Arts and entertainment Film and television
* ''The Fortune'' (1931 film) ...
'' magazine stressed that Technicolor, as a corporation, was rather remarkable in that it kept its investors quite happy despite the fact that it had only been in profit twice in all of the years of its existence, during the early boom at the turn of the decade. A well-managed company, half of whose stock was controlled by a clique loyal to Kalmus, Technicolor never had to cede any control to its bankers or unfriendly stockholders. In the mid-'30s, all the major studios except MGM were in the financial doldrums, and a color process that truly reproduced the visual spectrum was seen as a possible shot-in-the-arm for the ailing industry.
In November 1933, Technicolor's Herbert Kalmus and
RKO
RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, was an American film production and distribution company, one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orpheu ...
announced plans to produce three-strip Technicolor films in 1934, beginning with
Ann Harding
Ann Harding (born Dorothy Walton Gatley; August 7, 1902 – September 1, 1981) was an American theatre, motion picture, radio, and television actress. A regular player on Broadway and in regional theater in the 1920s, in the 1930s Harding was ...
starring in a projected film ''The World Outside''.
Live-action use of three-strip Technicolor was first seen in a musical number of the
Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by amazon (company), Amazon through MGM Holdings, founded o ...
feature ''
The Cat and the Fiddle'', released February 16, 1934. On July 1, MGM released ''
Hollywood Party'' with a Technicolor cartoon sequence "Hot Choc-late Soldiers" produced by Walt Disney. On July 28 of that year,
Warner Bros.
Warner Bros. Entertainment Inc. (commonly known as Warner Bros. or abbreviated as WB) is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California, and a subsidiary of Warner Bros. D ...
released ''Service with a Smile'', followed by ''Good Morning, Eve!'' on September 22, both being comedy
short film
A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes ...
s starring
Leon Errol
Leon Errol (born Leonce Errol Sims, July 3, 1881 – October 12, 1951) was an Australian-American comedian and actor in the United States, popular in the first half of the 20th century for his appearances in vaudeville, on Broadway, and in film ...
and filmed in three-strip Technicolor.
Pioneer Pictures
Pioneer Pictures, Inc. was a Hollywood motion picture company, most noted for its early commitment to making color films. Pioneer was initially affiliated with RKO Pictures, whose production facilities in Culver City, California were used by Pio ...
, a movie company formed by Technicolor investors, produced the film usually credited as the first live-action short film shot in the three-strip process, ''
La Cucaracha
La Cucaracha ("The Cockroach") is a popular Mexican folk song about a cockroach who cannot walk. The song's origins are unclear, but it dates back at least to the 1910s during the Mexican Revolution. The song belongs to the Mexican genre. The s ...
'' released August 31, 1934.
''La Cucaracha'' is a two-reel musical comedy that cost $65,000, approximately four times what an equivalent black-and-white two-reeler would cost. Released by
RKO
RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, was an American film production and distribution company, one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orpheu ...
, the short was a success in introducing the new Technicolor as a viable medium for live-action films. The three-strip process also was used in some short sequences filmed for several movies made during 1934, including the final sequences of ''
The House of Rothschild
''The House of Rothschild'' is a 1934 American pre-Code historical drama film directed by Alfred L. Werker and starring George Arliss, Loretta Young and Boris Karloff. It was adapted by Nunnally Johnson from the play by George Hembert Westley, ...
'' (
Twentieth Century Pictures
Twentieth Century Pictures, Inc. was an independent Hollywood motion picture production company created in 1933 by Joseph Schenck (the former president of United Artists) and Darryl F. Zanuck from Warner Bros. Financial backing came from Schenc ...
/
United Artists
United Artists Corporation (UA), currently doing business as United Artists Digital Studios, is an American digital production company. Founded in 1919 by D. W. Griffith, Charlie Chaplin, Mary Pickford, and Douglas Fairbanks, the studi ...
) with
George Arliss
George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he ...
and ''
Kid Millions
''Kid Millions'' (1934) is an American musical film directed by Roy Del Ruth, produced by Samuel Goldwyn Productions, and starring Eddie Cantor. Its elaborate "Ice Cream Fantasy Finale" production number was filmed in three-strip Technicolor, one ...
'' (
Samuel Goldwyn Studios
Samuel Goldwyn Studio was the name that Samuel Goldwyn used to refer to the lot located on the corner of Formosa Avenue and Santa Monica Boulevard in West Hollywood, California, as well as the offices and stages that his company, Samuel Goldwyn ...
) with
Eddie Cantor
Eddie Cantor (born Isidore Itzkowitz; January 31, 1892 – October 10, 1964) was an American comedian, actor, dancer, singer, songwriter, film producer, screenwriter and author. Familiar to Broadway, radio, movie, and early television audiences, ...
.
Pioneer/RKO's ''
Becky Sharp
Rebecca "Becky" Sharp, later describing herself as Rebecca, Lady Crawley, is the main protagonist of William Makepeace Thackeray's 1847–48 novel ''Vanity Fair''. She is presented as a cynical social climber who uses her charms to fascinate an ...
'' (1935) became the first
feature film
A feature film or feature-length film is a narrative film (motion picture or "movie") with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. The term ''feature film'' originall ...
photographed entirely in three-strip Technicolor. Initially, three-strip Technicolor was only used indoors. In 1936, ''
The Trail of the Lonesome Pine'' became the first color production to have outdoor sequences, with impressive results. The spectacular success of ''
Snow White and the Seven Dwarfs
"Snow White and the Seven Dwarfs" is a 19th-century German fairy tale that is today known widely across the Western world. The Brothers Grimm published it in 1812 in the first edition of their collection ''Grimms' Fairy Tales'' and numbered as T ...
'' (1937), which was released in December 1937 and became the top-grossing film of 1938, attracted the attention of the studios.
Limitations and difficulties
One major drawback of Technicolor's three-strip process was that the cameras required a special, bulky, large volume sound blimp. Film studios could not purchase Technicolor cameras, only rent them for their productions, complete with camera technicians and a "color supervisor" to ensure sets, costumes, and makeup didn't push beyond the limitations of the system. Often on many early productions, the supervisor was
Natalie Kalmus
Natalie M. Kalmus (née Dunfee, also documented as Dunphy; April 7, 1878November 15, 1965) was the executive head of the Technicolor art department and credited as the director or "color consultant" of all Technicolor films produced from 1934 to 19 ...
, ex-wife of Herbert Kalmus and part owner of the company. Directors had great difficulty with her;
Vincente Minnelli
Vincente Minnelli (born Lester Anthony Minnelli; February 28, 1903 – July 25, 1986) was an American stage director and film director. He directed the classic movie musicals ''Meet Me in St. Louis'' (1944), ''An American in Paris'' (1951), ''Th ...
said, "I couldn't do anything right in Mrs. Kalmus's eyes."
Kalmus preferred the title "Technicolor Director", although British licensees generally insisted on "Colour Control" so as not to "dilute" the film director's title. She worked with quite a number of "associates", many of whom went uncredited, and after her retirement, these associates were transferred to the licensees, with, for example, Leonard Doss going to Fox where he performed the same function for Fox's DeLuxe Color.
The process of splitting the image reduced the amount of light reaching the film stock. Since the
film speed
Film speed is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system. A closely related ISO system is used to describe the relations ...
of the stocks used was fairly slow, early Technicolor productions required a greater amount of lighting than a black-and-white production. It is reported that temperatures from the hot studio lights on the film set of ''
The Wizard of Oz'' frequently exceeded 100 °F (38 °C), and some of the more heavily costumed characters required a large water intake. Some actors and actresses claimed to have suffered permanent eye damage from the high levels of carbon arc illumination with its highly actinic ultraviolet.
Because of the added lighting, triple amount of film, and the expense of producing dye transfer projection prints, Technicolor demanded high film budgets.
The introduction of Eastmancolor and decline
![Gentlemen Prefer Blondes Movie Trailer Screenshot (34)](https://upload.wikimedia.org/wikipedia/commons/b/b6/Gentlemen_Prefer_Blondes_Movie_Trailer_Screenshot_%2834%29.jpg)
Color films that recorded the three primary colors in three emulsion layers on one strip of film had been introduced in the mid-1930s by
Eastman Kodak
The Eastman Kodak Company (referred to simply as Kodak ) is an American public company that produces various products related to its historic basis in analogue photography. The company is headquartered in Rochester, New York, and is incorpor ...
in the United States (
Kodachrome
Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. It was one of the first successful color materials and was used for both cinematography and still photography. For many years Kodachrome was widely used ...
for 16mm home movies in 1935, then for 8mm home movies and 35mm slides in 1936) and
Agfa in Germany (
Agfacolor Neu for both home movies and slides later in 1936). Technicolor introduced ''Monopack'', a single-strip color
reversal film
In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives (abbreviate ...
(a 35 mm lower-contrast version of Kodachrome) in 1941 for use on location where the bulky three-strip camera was impractical, but the higher grain of the image made it unsuitable for studio work.
Eastman Kodak introduced its first 35 mm color motion picture negative film in 1950. The first commercial feature film to use Eastmancolor was the
National Film Board of Canada
The National Film Board of Canada (NFB; french: Office national du film du Canada (ONF)) is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary f ...
documentary ''
Royal Journey
''Royal Journey'' is a National Film Board of Canada documentary film chronicling a five-week Royal tours of Canada, Royal visit by Elizabeth II, The Princess Elizabeth (later Queen Elizabeth II) and her husband, Prince Philip, Duke of Edinburgh, ...
'', released in December 1951.
In 1952, Eastman Kodak introduced a high-quality color print film, allowing studios to produce prints through standard photographic processes as opposed to having to send them to Technicolor for the expensive dye imbibition process.
That same year, the Technicolor lab adapted its dye transfer process (internally known as 'tri-robo' – Italian for three-strip) to derive triple matrices and imbibition prints directly from Eastmancolor negatives, as well as other stocks such as Ansco and DuPont color stocks.
''
Foxfire
Foxfire, also called fairy fire and chimpanzee fire, is the bioluminescence created by some species of fungi present in decaying wood. The bluish-green glow is attributed to a luciferase, an oxidative enzyme, which emits light as it reacts with ...
'' (1955), filmed in 1954 by
Universal
Universal is the adjective for universe.
Universal may also refer to:
Companies
* NBCUniversal, a media and entertainment company
** Universal Animation Studios, an American Animation studio, and a subsidiary of NBCUniversal
** Universal TV, a ...
, starring
Jane Russell
Ernestine Jane Geraldine Russell (June 21, 1921 – February 28, 2011) was an American actress, singer, and model. She was one of Hollywood's leading sex symbols in the 1940s and 1950s. She starred in more than 20 films.
Russell moved from th ...
and
Jeff Chandler
Jeff Chandler (born Ira Grossel; yi, יראַ גראָססעל; December 15, 1918 – June 17, 1961) was an American actor, film producer, and singer, best remembered for playing Cochise in '' Broken Arrow'' (1950), for which he was no ...
, was the last American-made feature photographed with a Technicolor three-strip camera.
One of the last British films to be shot in Process 4 by
Otto Heller
Otto Heller, B.S.C. (8 March 1896 – 19 February 1970) was a Czech cinematographer long resident in the United Kingdom. He worked on more than 250 films, including '' Richard III'' (1955), '' The Ladykillers'' (1955) and ''Peeping Tom'' (1960 ...
was the popular Ealing comedy from 1955 ''
The Ladykillers''.
In an attempt to capitalize on the Hollywood 3-D craze, Technicolor unveiled its
stereoscopic
Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the depth perception, illusion of depth in an image by means of stereopsis for binocular vision. The word ''stereoscopy'' derives . Any stere ...
camera for
3-D films in March 1953. The rig used two three-strip cameras, running a total of six strips of film at once (three for the left eye and three for the right). Only two films were shot with this camera set-up: ''Flight to Tangier'' (1953) and the
Martin and Lewis
Martin and Lewis were an American comedy duo, comprising singer Dean Martin and comedian Jerry Lewis. They met in 1945 and debuted at Atlantic City's 500 Club on July 25, 1946; the team lasted ten years to the day. Before they teamed up, Martin w ...
comedy ''
Money From Home
''Money From Home'' is a 1953 American comedy film starring Dean Martin and Jerry Lewis. The comedy was the first for the Martin and Lewis team to be shot in color and was their only film in 3-D. The picture was premiered as a special previe ...
'' (1954). A similar, but different system had been used by a different company, using two three-strip cameras side by side for a British short called ''Royal River''.
As the end of the Technicolor process became apparent, the company repurposed its three-color cameras for wide-screen photography, and introduced the
Technirama
__NOTOC__
Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into disuse in the mid-1960s. The process was invented by Technicolor and is an anamo ...
process in 1957.
Other formats the company ventured into included
VistaVision
VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954.
Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refi ...
,
Todd-AO
Todd-AO is an American post-production company founded in 1953 by Mike Todd and Robert Naify, providing sound-related services to the motion picture and television industries. For more than five decades, it was the worldwide leader in theater sou ...
, and
Ultra Panavision 70
Ultra Panavision 70 and MGM Camera 65 were, from 1957 to 1966, the marketing brands that identified motion pictures photographed with Panavision's anamorphic movie camera lenses on 65 mm film. Ultra Panavision 70 and MGM Camera 65 were shot at 24 f ...
. All of them were an improvement over the three-strip negatives, since the negative print-downs generated sharper and finer grain dye transfer copies.
By the mid-1960s, the dye-transfer process eventually fell out of favor in the United States as being too expensive and too slow in turning out prints. With the growing number of screens in the US, the standard run of 200–250 prints increased. And while dye-transfer printing yielded superior color printing, the number of high speed prints that could be struck in labs all over the country outweighed the fewer, slower number of prints that could only be had in Technicolor's labs. One of the last American films printed by Technicolor was ''
The Godfather Part II
''The Godfather Part II'' is a 1974 American epic crime film produced and directed by Francis Ford Coppola. The film is partially based on the 1969 novel ''The Godfather'' by Mario Puzo, who co-wrote the screenplay with Coppola. ''Part II'' s ...
'' (1974).
In 1975, the US dye transfer plant was closed and Technicolor became an Eastman-only processor. In 1977, the final dye-transfer printer left in Rome was used by
Dario Argento
Dario Argento (; born 7 September 1940) is an Italian film director, producer, screenwriter, actor and film critic, critic. His influential work in the horror film, horror genre during the 1970s and 1980s, particularly in the subgenre known as ...
to make prints for his horror film ''
Suspiria
''Suspiria'' () is a 1977 Italian supernatural horror film directed by Dario Argento, who co-wrote the screenplay with Daria Nicolodi, partially based on Thomas De Quincey's 1845 essay ''Suspiria de Profundis''. The film stars Jessica Harper as ...
''. In 1980, the Italian Technicolor plant ceased printing dye transfer.
The British line was shut down in 1978 and sold to Beijing Film and Video Lab which shipped the equipment to China. A great many films from China and Hong Kong were made in the Technicolor dye transfer process,
including
Zhang Yimou's ''
Ju Dou
''Ju Dou'' () is a 1990 film directed by Zhang Yimou and Yang Fengliang and starring Gong Li as the title character. It is notable for being printed in vivid Technicolor long after the process had been abandoned in the United States. It was also ...
'' (1990) and even one American film, ''
Space Avenger
Space is the boundless three-dimensional extent in which objects and events have relative position and direction. In classical physics, physical space is often conceived in three linear dimensions, although modern physicists usually conside ...
'' (1989), directed by
Richard W. Haines
Richard W. Haines (born 1957) is an American independent genre filmmaker and film historian best known for his cult movies ''Space Avenger'', ''Run for Cover'' in 3-D, and ''Splatter University'', and the book ''Technicolor Movies''.
Appearances ...
. The Beijing line was shut down in 1993 for a number of reasons, including inferior processing.
With Deluxe, Majors private technicolor systems, Hollywood managed to have all film productions in technicolor until year 2000 .
Post-1995 usage
Reintroduction of the dye transfer process
In 1997, Technicolor reintroduced the dye transfer process to general film printing. A refined version of the printing process of the 1960s and 1970s, it was used on a limited basis in the restorations of films such as ''
The Wizard of Oz'', ''
Gone With the Wind
Gone with the Wind most often refers to:
* ''Gone with the Wind'' (novel), a 1936 novel by Margaret Mitchell
* ''Gone with the Wind'' (film), the 1939 adaptation of the novel
Gone with the Wind may also refer to:
Music
* ''Gone with the Wind'' ...
'', ''
Rear Window
''Rear Window'' is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Originally released by Paramount Pictures, the film st ...
'', ''
Funny Girl'', and ''
Apocalypse Now Redux
''Apocalypse Now Redux'' is a 2001 American extended version of Francis Ford Coppola's epic 1979 war film ''Apocalypse Now''. Coppola, along with editor/longtime collaborator Walter Murch, added 49 minutes of material that had been removed fr ...
''.
After its reintroduction, the dye transfer process was used in several big-budget, modern
Hollywood
Hollywood usually refers to:
* Hollywood, Los Angeles, a neighborhood in California
* Hollywood, a metonym for the cinema of the United States
Hollywood may also refer to:
Places United States
* Hollywood District (disambiguation)
* Hollywood, ...
productions. These included ''
Bulworth
''Bulworth'' is a 1998 American political satire black comedy film co-written, co-produced, directed by, and starring Warren Beatty. It co-stars Halle Berry, Oliver Platt, Don Cheadle, Paul Sorvino, Jack Warden, and Isaiah Washington. The film f ...
'', ''
The Thin Red Line'', ''
Godzilla
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produc ...
'', ''
Toy Story 2
''Toy Story 2'' is a 1999 American computer-animated film produced by Pixar Animation Studios for Walt Disney Pictures. The second installment in the Toy Story (franchise), ''Toy Story'' franchise and the sequel to ''Toy Story'' (1995), it wa ...
'', and ''
Pearl Harbor
Pearl Harbor is an American lagoon harbor on the island of Oahu, Hawaii, west of Honolulu. It was often visited by the Naval fleet of the United States, before it was acquired from the Hawaiian Kingdom by the U.S. with the signing of the Re ...
''.
The dye-transfer process was discontinued by Technicolor in 2002 after the company was purchased by
Thomson Thomson may refer to:
Names
* Thomson (surname), a list of people with this name and a description of its origin
* Thomson baronets, four baronetcies created for persons with the surname Thomson
Businesses and organizations
* SGS-Thomson Mic ...
.
Dye transfer Technicolor in archival work
By the late 1990s, the dye transfer process still had its advantages in the film archival community. Because the dye transfer process used stable
acid dye
Acid dyes are anionic, soluble in water and are essentially applied from acidic bath. These dyes possess acidic groups, such as SO3H and COOH and are applied on wool, silk and nylon when ionic bond is established between protonated –NH2 group of ...
s, Technicolor prints are considered of archival quality. A Technicolor print from the dye transfer era will retain its original colors virtually unchanged for decades with proper storage, whereas prints printed on Eastmancolor stocks produced prior to 1983 may suffer color fading after exposure to ultraviolet light and hot, humid conditions as a result of less stable photochemical dyes. Fading on some prints is so rapid that in some cases, after as little as five to ten years, the colors of the print have faded to a brownish red.
Furthermore, three-strip camera negatives are all on silver-based black-and-white stock, which have stayed unaltered over the course of time with proper handling. This has become of importance in recent years with the large market for films transferred to video formats for home viewing. The best color quality control for video transfer by far is achieved by optically printing from Technicolor negatives, or by recombining the three-strip black and white negatives through digital means and printing, onto low-contrast stock. Director
George Lucas
George Walton Lucas Jr. (born May 14, 1944) is an American filmmaker. Lucas is best known for creating the ''Star Wars'' and ''Indiana Jones'' franchises and founding Lucasfilm, LucasArts, Industrial Light & Magic and THX. He served as chairm ...
had a three-strip archival negative, and one or more imbibition prints made of ''
Star Wars
''Star Wars'' is an American epic film, epic space opera multimedia franchise created by George Lucas, which began with the Star Wars (film), eponymous 1977 film and quickly became a worldwide popular culture, pop-culture Cultural impact of S ...
''; this "protection" copy was consulted for color values in putting together the 1997 Special Edition of ''Star Wars''.
One problem that has resulted from Technicolor negatives is the rate of shrinkage from one strip to another. Because three-strip negatives are shot on three rolls, they are subject to different rates of shrinkage depending on storage conditions. Today, digital technology allows for a precise re-alignment of the negatives by resizing shrunken negatives digitally to correspond with the other negatives. The G, or Green, record is usually taken as the reference as it is the record with the highest resolution.
It is also a record with the correct "wind" (emulsion position with respect to the camera's lens). Shrinkage and re-alignment (resizing) are non-issues with Successive Exposure (single-roll RGB) Technicolor camera negatives. This issue could have been eliminated, for three-strip titles, had the preservation elements (fine-grain positives) been Successive Exposure, but this would have required the preservation elements to be 3,000 feet or 6,000 feet whereas three-strip composited camera and preservation elements are 1,000 feet or 2,000 feet (however, three records of that length are needed).
One issue that modern reproduction has had to contend with is that the contrast of the three film strips is not the same. This gives the effect on Technicolor prints that (for example)
cinematic fades cause the color balance of the image to change as the image is faded. Transfer to digital media has attempted to correct the differing color balances and is largely successful. However, a few odd artifacts remain such that saturated parts of the image may show a false color. Where the image of a flame is included in shot, it will rarely be of the expected orange/yellow color, often being depicted as green.
Technicolor today
The Technicolor company remained a highly successful film processing firm and later became involved in video and audio duplication (
CD,
VHS and
DVD
The DVD (common abbreviation for Digital Video Disc or Digital Versatile Disc) is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any kind ...
manufacturing) and digital video processes.
MacAndrews & Forbes
MacAndrews & Forbes Incorporated is an American diversified holding company wholly owned by billionaire investor Ronald Perelman.
Current investments include leading participants across a wide range of industries, from cosmetics and entertainme ...
acquired Technicolor, Inc. in 1982 for $100 million, then sold it in 1988 to the British firm
Carlton Communications
Carlton was a British media company. It was led by Michael P. Green and listed on the London Stock Exchange from 1983 until 2 February 2004, when it was bought by Granada plc in a corporate takeover to form ITV plc. Carlton shareholders gained ap ...
PLC for $780 million. Technicolor, Inc. acquired the film processing company
CFI in 2000. Since 2001, Technicolor has been part of the French-headquartered electronics and media conglomerate Thomson Multimedia SA. The name of Thomson group was changed to “Technicolor SA” , re-branding the entire company after its American film technology subsidiary. In May 2021, Technicolor's post-production unit was acquired by Streamland Media. On September 27, 2022, Technicolor SA, which maintains the IoT, broadband and video solution businesses, rebranded as
Vantiva, while the VFX, motion graphics and animation businesses now operated by
Technicolor Creative Studios
Technicolor Creative Studios SA is a French company that involved in the visual effects, motion graphics and animation services for the entertainment, media and advertising industries. Headquartered in Paris, France, it is a spin-off of Technic ...
; these two were
spun-off as the publicly independent companies.
The visual aesthetic of dye transfer Technicolor continues to be used in Hollywood, usually in films set in the mid-20th century.
Parts of ''
The Aviator'' (2004), the
biopic
A biographical film or biopic () is a film that dramatizes the life of a non-fictional or historically-based person or people. Such films show the life of a historical person and the central character's real name is used. They differ from docudra ...
of
Howard Hughes
Howard Robard Hughes Jr. (December 24, 1905 – April 5, 1976) was an American business magnate, record-setting pilot, engineer, film producer, and philanthropist, known during his lifetime as one of the most influential and richest people in th ...
, were digitally manipulated to imitate color processes that were available during the periods each scene takes place.
Mostly, during the credits of a film, the text “Color by Technicolor” or “Prints by Technicolor” is shown.
See also
*
List of film formats
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century Film format, formats such as the 1953 CinemaScope format, to m ...
*
List of color film systems This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which ...
*
Imbibition
Imbibition is a special type of diffusion that takes place when liquid is absorbed by solids-colloids causing an increase in volume. Water surface potential movement takes place along a concentration gradient; some dry materials absorb water. A ...
*
Dye-transfer process
Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.
History
The use of dye imbibition ...
*
List of early color feature films
This is a list of early feature-length color films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major-studio fa ...
*
List of three-strip Technicolor films
The table lists some of the movies produced in Technicolor Process 4 between 1932 and 1955. Most were filmed using three-strip Technicolor cameras though a few had sequences, or even their entirely, filmed using other techniques. These included ...
References
Further reading
* Fred E. Basten, ''Glorious Technicolor: The Movies' Magic Rainbow''. Easton Studio Press, 2005.
* Adrian Cornwell-Clyne, ''Colour Cinematography''. London Champman & Hall, 1951.
* Layton, James – Pierce, David: ''The Dawn of Technicolor, 1915–1935.'' George Eastman House, Rochester (N.Y.), 2015.
* Richard W. Haines, ''Technicolor Movies: The History of Dye Transfer Printing''. McFarland & Company, 2003.
* John Waner, ''Hollywood's Conversion of All Production to Color''. Tobey Publishing, 2000.
* Herbert T. Kalmus with Elenaore King Kalmus, ''Mr. Technicolor: The Fascinating Story of the Genius Who Invented Technicolor and Forever Changed the History of Cinema.'' MagicImage Filmbooks, 1993.
External links
Technicolor SA corporate websiteTechnicolor on Timeline of Historical Film Colorswith many written resources and many photographs of Technicolor prints.
Database of 3-strip Technicolor FilmsTechnicolor100: Explore Technicolor's History{{Webarchive, url=https://web.archive.org/web/20170911073426/http://eastman.org/technicolor , date=2017-09-11
Audiovisual introductions in 1914
Audiovisual introductions in 1916
Broadcasting companies
Film and video technology
History of film
Motion picture film formats
Technicolor SA
Academy Award for Technical Achievement winners
2020 disestablishments in the United States
2020 disestablishments in Canada