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Cinecolor
Cinecolor was an early subtractive color-model two-color motion picture process that was based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and the 1930s. It was developed by William T. Crispinel and Alan M. Gundelfinger, and its various formats were in use from 1932 to 1955. Method As a bipack color process, the photographer loaded a standard camera with two film stocks: an orthochromatic strip dyed red and a panchromatic strip behind it. The ortho film stock recorded only blue and green, and its red filtration passed red light to the panchromatic film stock. In the laboratory, the negatives were processed on duplitized film, and each emulsion was toned red or cyan. Cinecolor could produce vibrant reds, oranges, blues, browns and flesh tones, but its renderings of other colors such as bright greens (rendered dark green) and purples (rendered a sort of dark magenta) were muted. History The Cinecolor process was invented in 1932 ...
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Ub Iwerks
Ubbe Ert Iwwerks (March 24, 1901 – July 7, 1971), known as Ub Iwerks ( ), was an American animator, cartoonist, character designer, inventor, and special effects technician. Born in Kansas City, Missouri, Iwerks grew up with a contentious relationship with his father, who abandoned him as a child. Iwerks met fellow artist Walt Disney while working at a Kansas City art studio in 1919. After briefly working as illustrators for a local newspaper company, Disney and Iwerks ventured into animation together. Iwerks joined Disney as chief animator on the Laugh-O-Gram shorts series beginning in 1922, but a studio bankruptcy would cause Disney to relocate to Los Angeles in 1923. In the new studio, Iwerks continued to work with Disney on the Alice Comedies as well as the creation of the Oswald the Lucky Rabbit character. Following the first ''Oswald'' short, both Universal Pictures and the Winkler Pictures production company insisted that the Oswald character be redesigned. At th ...
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Multicolor
Multicolor is a subtractive two-color motion picture process. Multicolor, introduced to the motion picture industry in 1929, was based on the earlier Prizma Color process, and was the forerunner of Cinecolor. For a Multicolor film, a scene is shot with a normal camera capable of bipacking film. Two black-and-white 35mm film negatives are threaded bipack in the camera. One records the color red (via a dyed panchromatic film), and the other, blue ( orthochromatic). In printing, duplitized stock is exposed and processed with one record on each side. In a tank of toning solution, the film is floated upon the top of the solution with the appropriate chemical. The cyan record is toned a complementary red with a copper ferrocyanide solution, and the red being toned blue/cyan with ferric ferrocyanide solution. Multicolor enjoyed brief success in early sound pictures. The following features included sequences in Multicolor: '' This Thing Called Love'' (1929), ''His First ...
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William Thomas Crespinel
William Thomas Crespinel (9 July 1890 – 19 June 1987) was the inventor of a bipack process, which allowed any cinematic camera to shoot color film. In 1932 he developed Cinecolor. Biography He was born in Weymouth, England on 9 July 1890. He experimented with early color photography as a teenager. In 1906 he joined Kinemacolor. In 1932 he developed Cinecolor and started a company to sell the process, making himself president. He retired as president of Cinecolor in 1948. He died in 1987 in Laguna Beach, California Laguna Beach (; ''Laguna'', Spanish for "Lagoon") is a seaside resort city located in southern Orange County, California, in the United States. It is known for its mild year-round climate, scenic coves, environmental preservation efforts, and a .... References {{DEFAULTSORT:Crespinel, William Thomas 1890 births 1987 deaths People from Weymouth, Dorset 20th-century British inventors ...
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Poor Cinderella
''Poor Cinderella'' (original title as ''Betty Boop in Poor Cinderella'') is a 1934 Fleischer Studios animated short film featuring Betty Boop. ''Poor Cinderella'' was Fleischer Studios' first color film, and the only appearance of Betty Boop in color during the Fleischer era. It is the final animated short presented by Max Fleischer and at Fleischer Studios, and the first Paramount Pictures animated short in color. Plot Cinderella (portrayed by Betty Boop) is a poor young woman forced to be the virtual slave of her two ugly stepsisters, who demand she prepare them for the prince's ball while she is left at home to lament her spinsterdom, singing that no one loves her and that her only respite is her dreams, but she holds out hope of being a real princess someday. Cinderella is visited by her fairy godmother, who grants her wish to attend the prince's ball, giving her beautiful clothes, a carriage, and the traditional glass slippers, with the warning that she must leave by midnigh ...
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Prizma
The Prizma Color system was a color motion picture process, invented in 1913 by William Van Doren Kelley and Charles Raleigh. Initially, it was a two-color additive color system, similar to its predecessor, Kinemacolor. However, Kelley eventually transformed Prizma into a bi-pack color system that itself became the predecessor for future color processes such as Multicolor and Cinecolor. Experimental Prizma gave a demonstration of color motion pictures in 1917 that used an additive four-color process, using a disk of four filters acting on a single strip of panchromatic film in the camera. The colors were red, yellow, green, and blue, with overlapping wavelengths to prevent pulsating effects on the screen with vivid colors. The film was photographed at 26 to 32 frames per second, and projected at 32 frame/s. The disk used in projection consisted mainly of two colors, red-orange and blue-green, adapted to the four-color process by the superimposition of two small magenta filters ...
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Max Fleischer
Max Fleischer (born Majer Fleischer ; July 19, 1883 – September 25, 1972) was an American animator, inventor, film director and producer, and studio founder and owner. Born in Kraków, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the " follow the bouncing ball" technique pioneered in the ''Ko-Ko Song Car-Tunes'' films, and the " stereoptical process". Film director Richard Fleischer was his son. Early life Majer Fleischer was born July 19, 1883, to a Jewish family in Kraków, (then part of Austria-Hungary: Austrian Partition). He was the second of six children of a tailor from Dąbrowa Tarnowska, Aaron Fleischer, who later c ...
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Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ...
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ComiColor Cartoons
The ComiColor Cartoon series is a series of 25 animated short subjects produced by Ub Iwerks from 1933 to 1936. The series was the last produced by Iwerks Studio; after losing distributor Metro-Goldwyn-Mayer in 1934, the Iwerks studio's senior company Celebrity Pictures (run by Pat Powers) had to distribute the films itself. The series was shot exclusively in Cinecolor. Most of the ComiColor entries were based upon popular fairy tales and other familiar stories, including ''Jack and the Beanstalk'', ''Old Mother Hubbard'', ''The Bremen Town Musicians'', and ''The Headless Horseman''. Production Grim Natwick, Al Eugster, and Shamus Culhane were among the series' lead animators/directors, and a number of the shorts were filmed using Iwerks' multiplane camera, which he built himself from the remains of a Chevrolet automobile. Filmography Copyright status Home media All of the ComiColor cartoons are now available in the 2004 Region 2 ComiColor DVD set released by Mk2/Lo ...
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Merrie Melodies
''Merrie Melodies'' is an American animated series of comedy short films produced by Warner Bros. starting in 1931, during the golden age of American animation, and ending in 1969. Then some new cartoons were produced from the late 1970s to the late 1990s, as well as other made productions beginning in 1972. As with its sister series, ''Looney Tunes'', it featured cartoon characters such as Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Between 1934 and 1943, the ''Merrie Melodies'' series were distinguished from the black-and-white, Buddy or Porky Pig–starring ''Looney Tunes'' shorts by an emphasis on one-shot stories in color featuring Warner Bros.–owned musical selections. After Bugs Bunny became the breakout recurring star of ''Merrie Melodies'', and ''Looney Tunes'' went to color in the early 1940s, the two series gradually lost their distinctions and shorts were assigned to each series more randomly. ''Merrie Melodies'' was originally produced by Harman–Ising ...
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Color Motion Picture Film
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was successfully commercialized in 1909 as Kinemacolor. These early systems used black-and-white film to photograph and project two or more component images through different color filters. During 1930s the first practical subtractive color processes were introduced. These also used black-and-white film to photograph multiple color-filtered source images, but the final product was a multicolored print that did not require special projection equipment. Before 1932, when three-strip Technicolor was introduced, commercialized subtractive processes used only two color components and could ...
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Fleischer Studios
Fleischer Studios () is an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s. Today, the company is again family owned and oversees the licensing and merchandising for its characters. Fleischer Studios characters included Koko the Clown, Betty Boop, Bimbo, Popeye the Sailor, and Superman. Unlike other studios, whose characters were anthropomorphic animals, the Fleischers' most successful characters were humans (with the exception of Bimbo, a black-and-white cartoon dog). The cartoons of the Fleischer Studio were very different from those of Disney, both in concept and in execution. As a result, they were rough rather than refined and consciousl ...
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Duplitized Film
Duplitized film was a type of motion picture print film stock used for some two-color natural color processes. It was introduced by Eastman Kodak around 1913. The stock was of standard gauge and thickness, but it had a photographic emulsion coated on both sides of the film base instead of on one surface only. In color film processes such as Cinecolor and Prizma, two black-and-white negatives photographed through red and blue-green filters, or by an equivalent bipack method, were photographically printed onto opposite sides of the duplitized film. Because its emulsion was sensitive only to blue light, a temporary yellow dye incorporated into the film prevented each printing light from also exposing the emulsion on the other side. The exposed film was developed like ordinary black-and-white film, producing a series of black-and-white silver images on each side. These were then chemically converted into single-color images of a color roughly complementary to that being used for ...
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