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Max Fleischer
Max Fleischer (born Majer Fleischer ; July 19, 1883 – September 25, 1972) was an American animator, inventor, film director and producer, and studio founder and owner. Born in Kraków, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the " follow the bouncing ball" technique pioneered in the ''Ko-Ko Song Car-Tunes'' films, and the "stereoptical process". Film director Richard Fleischer was his son. Early life Majer Fleischer was born July 19, 1883, to a Jewish family in Kraków, (then part of Austria-Hungary: Austrian Partition). He was the second of six children of a tailor from Dąbrowa Tarnowska, Aaron Fleischer, who later chang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraków
Kraków (), or Cracow, is the second-largest and one of the oldest cities in Poland. Situated on the Vistula River in Lesser Poland Voivodeship, the city dates back to the seventh century. Kraków was the official capital of Poland until 1596 and has traditionally been one of the leading centres of Polish academic, economic, cultural and artistic life. Cited as one of Europe's most beautiful cities, its Old Town with Wawel Royal Castle was declared a UNESCO World Heritage Site in 1978, one of the first 12 sites granted the status. The city has grown from a Stone Age settlement to Poland's second-most-important city. It began as a hamlet on Wawel Hill and was reported by Ibrahim Ibn Yakoub, a merchant from Cordoba, as a busy trading centre of Central Europe in 985. With the establishment of new universities and cultural venues at the emergence of the Second Polish Republic in 1918 and throughout the 20th century, Kraków reaffirmed its role as a major national academic and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popeye The Sailor (film Series)
''Popeye the Sailor'' is an American animated series of short films based on the Popeye comic strip character created by E. C. Segar. In 1933, Max and Dave Fleischer's Fleischer Studios adapted Segar's characters into a series of theatrical cartoon shorts for Paramount Pictures. The plotlines in the animated cartoons tended to be simpler than those presented in the comic strips, and the characters slightly different. A villain, usually Bluto, makes a move on Popeye's "sweetie," Olive Oyl. The villain clobbers Popeye until he eats spinach, giving him superhuman strength. Thus empowered, Popeye the sailor makes short work of the villain. The Fleischer cartoons, based in New York City, proved to be among the most popular of the 1930s, and would remain a staple of Paramount's release schedule for nearly 25 years. Paramount would take control of the studio in 1941 and rename it Famous Studios, ousting the Fleischer brothers and continuing production. The theatrical ''Popeye'' cartoon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Horn
Maurice Horn (born 1931) is a French-American comics historian, author, and editor, considered to be one of the first serious academics to study comics. He is the editor of ''The World Encyclopedia of Comics'', ''The World Encyclopedia of Cartoons'', and ''100 Years of American Newspaper Comics''. Born in France, he is based in New York City. Career Horn grew up in France particularly fascinated by American comics. In the late 1950s, collaborating with countryman (later the editorial director of the French publisher Dargaud) under the joint pen names Karl von Kraft and Franck Sauvage (after Doc Savage), Horn co-wrote a number of French-language pulp mystery and spy novels. From 1956 to 1960, Horn and Moliterni (as Franck Sauvage) wrote the radio mystery show ''Allô... Police!'' for Radio Luxemburg. Looking for more lucrative writing work, Horn emigrated to the United States in 1959. Returning frequently to France, he was a member of the 1960s groups Club Bande Dessinée and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereoptical Process
While the history of animation began much earlier, this article is concerned with the development of the medium after the emergence of celluloid film in 1888, as produced for theatrical screenings, television and (non-interactive) home entertainment. Between 1895 and 1920, during the rise of the cinematic industry, several different animation techniques were re-invented or newly developed, including stop-motion with objects, puppets, clay or cutouts, and drawn or painted animation. Hand-drawn animation, mostly animation painted on cels, was the dominant technique throughout most of the 20th century and became known as traditional animation. Around the turn of the millennium, computer animation became the dominant animation technique in most regions (while Japanese anime and European hand-drawn productions continue to be very popular). Computer animation is mostly associated with a three-dimensional appearance with detailed shading, although many different animation styles h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ko-Ko Song Car-Tunes
'' Ko-Ko Song Car-Tunes'', ''Song Car-Tunes'', or (some sources erroneously say) ''Sound Car-Tunes'', is a series of short three-minute animated films produced by Max Fleischer and Dave Fleischer between May 1924 and September 1927, pioneering the use of the " Follow the Bouncing Ball" device used to lead audiences in theater sing-alongs. The ''Song Car-Tunes'' also pioneered the application of sound film to animation. History 47 ''Song Car-tunes'' were produced and released between 1924 and 1927. The first, ''Come Take a Trip on My Airship'', was released March 9, 1924. Beginning in 1925, an estimated 16 ''Song Car-tunes'' were produced using the Phonofilm sound-on-film process developed by Lee DeForest beginning with ''Come Take a Trip on My Airship''. The remaining 31 titles were released silent, designed to be played with live music in theaters. The Fleischer brothers partnered with DeForest, Edwin Miles Fadiman, and Dr. Hugo Riesenfeld to form Red Seal Pictures Corporation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superman
Superman is a superhero who appears in American comic books published by DC Comics. The character was created by writer Jerry Siegel and artist Joe Shuster, and debuted in the comic book ''Action Comics'' #1 (cover-dated June 1938 and published April 18, 1938).The copyright date of ''Action Comics'' #1 was registered as April 18, 1938.See Superman has been adapted to a number of other media, which includes radio serials, novels, films, television shows, theater, and video games. Superman was born on the fictional planet Krypton and was named Kal-El. As a baby, his parents sent him to Earth in a small spaceship moments before Krypton was destroyed in a natural cataclysm. His ship landed in the American countryside, near the fictional town of Smallville. He was found and adopted by farmers Jonathan and Martha Kent, who named him Clark Kent. Clark developed various superhuman abilities, such as incredible strength and impervious skin. His adoptive parents advised him to use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popeye
Popeye the Sailor Man is a fictional cartoon character created by E. C. Segar, Elzie Crisler Segar.Segar, Elzie (Crisler) – Encyclopædia Britannica Article Britannica.com. Retrieved on March 29, 2013.Goulart, Ron, "Popeye", ''St. James Encyclopedia of Popular Culture''. Detroit: St. James Press, 2000. (Volume 4, pp. 87-8).Walker, Brian. ''The Comics: The Complete Collection''. New York: Abrams ComicArts, 2011. (pp. 188-9,191, 238-243) The character first appeared in the daily King Features Syndicate, King Features comic strip ''Thimble Theatre'' on January 17, 1929, and ''Popeye'' became the strip's title in later years. The character has also appeared in theatrical and television animated cartoons. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koko The Clown
Koko the Clown is an animated character created by Max Fleischer. He first appeared as the main protagonist in ''Out of the Inkwell'' (1918-1929), a major animated series of the silent era. Throughout the series, he goes on many adventures with his canine companion “Fitz the Dog”, who would later evolve into Bimbo in the Betty Boop cartoons. History The character originated when Max Fleischer invented the rotoscope, a device that allowed for animation to be more lifelike by tracing motion picture footage of human movement. The use of the clown character came after two previous tests and a search for an original character. Fleischer filmed his brother Dave in a clown costume. After tracing the film footage amounting to some 2,500 drawings and a year's work, the character that would eventually become Koko the Clown was born, although he did not have a name until 1924. "The Clown"'s appearance owes much to The Yama Yama Man. Dave's clown costume was clearly inspired by one worn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleischer Studios
Fleischer Studios () is an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s. Today, the company is again family owned and oversees the licensing and merchandising for its characters. Fleischer Studios characters included Koko the Clown, Betty Boop, Bimbo, Popeye the Sailor, and Superman. Unlike other studios, whose characters were anthropomorphic animals, the Fleischers' most successful characters were humans (with the exception of Bimbo, a black-and-white cartoon dog). The cartoons of the Fleischer Studio were very different from those of Disney, both in concept and in execution. As a result, they were rough rather than refined and consciously ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animated Cartoon
Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed 3D animation, while 2D computer animation (which may have the look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures. A cartoon is an animated film, usually a short film, featuring an exaggerated visual style. The style takes inspiration from comic strips, often featuring anthropomorphic animals, superheroes, or the adventures of human protagonists. Especially with animals that form a natural predator/prey relationship (e.g. cats and mice, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superman (1940s Animated Film Series)
The Fleischer ''Superman'' cartoons are a series of seventeen animated short films released in Technicolor by Paramount Pictures and based upon the comic book character Superman, making them his first animated appearance. They were originally produced by Fleischer Studios, which completed the initial short and eight further cartoons in 1941 and 1942. Production was resumed in May 1942 by Famous Studios, a successor company to Fleischer, which produced eight more cartoons in 1942 and 1943. ''Superman'' was the final animated series initiated by Fleischer Studios, before Famous Studios officially took over production.Barrier, Michael (1999). ''Hollywood Cartoons''. New York: Oxford University Press, pp. 303-305. . Although all entries are in the public domain, ancillary rights, such as merchandising contract rights, as well as the original 35mm master elements, are owned today by Warner Bros. Entertainment, which has also owned Superman's publisher, DC Comics, since 1967. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stone Age Cartoons
''Stone Age Cartoons'' is a 1940 American series of twelve animated short films from Fleischer Studios. The films are set in the stone-age era, much like the 1960s series ''The Flintstones''. When they did not get the anticipated reception, Fleischer turned their attention to the '' Gabby'' cartoon series. Filmography References External links ''Stone Age Cartoons'' theatrical seriesat the Big Cartoon DataBase The Big Cartoon DataBase (or BCDB for short) is an online database of information about animated cartoons, Feature film, animated feature films, Animated television series, animated television shows, and cartoon Short film, shorts. The BCDB proj ... Film series introduced in 1940 Fleischer Studios short films Animated film series Animated films about dinosaurs {{short-animation-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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