Niagara (1953 Film)
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Niagara (1953 Film)
''Niagara'' is a 1953 American film-noir thriller film directed by Henry Hathaway, produced by Charles Brackett, and written by Brackett, Richard L. Breen and Walter Reisch. The film stars Marilyn Monroe, Joseph Cotten, Jean Peters, and Max Showalter (credited as Casey Adams). It was one of 20th Century Fox's biggest box-office hits that year. Unlike other films noir of the time, which were typically black-and-white, ''Niagara'' was filmed in "three-strip" Technicolor ( one of the last films to be made at Fox in that format, as a few months later Fox began converting to CinemaScope, which had compatibility problems with three-strip but not with Eastmancolor). Monroe was given top billing in ''Niagara'', which elevated her to star status. Her next two films, '' Gentlemen Prefer Blondes'' (1953) and ''How to Marry a Millionaire'' (1953), were even bigger successes. Plot Ray and Polly Cutler, on a delayed honeymoon at Niagara Falls, find their reserved cabin occupied by George an ...
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Henry Hathaway
Henry Hathaway (March 13, 1898 – February 11, 1985) was an American film director and producer. He is best known as a director of Westerns, especially starring Randolph Scott and John Wayne. He directed Gary Cooper in seven films. Background Born Henri Léopold de Fiennes Hathaway in Sacramento, California, *a "Born March 13, 1898 in Sacramento, California." he was the son of an American actor and stage manager, Rhody Hathaway (1868–1944), and a Hungarian-born Belgian aristocrat, the Marquise Lillie de Fiennes (Budapest, 1876–1938), who acted under the name Jean Hathaway. This branch of the De Fiennes family came to America in the 19th century on behalf of King Leopold I of Belgium and was part of the negotiations with the Belgian Prime Minister, Charles Rogier (1800–1885), to secure the 1862 treaty between Belgium and what was then known as the Sandwich Islands and is now called Hawaii. The title Marquis, commissioned by the King of the Belgians, comes from his gr ...
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Variety (magazine)
''Variety'' is an American media company owned by Penske Media Corporation. The company was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville. In 1933 it added ''Daily Variety'', based in Los Angeles, to cover the motion-picture industry. ''Variety.com'' features entertainment news, reviews, box office results, cover stories, videos, photo galleries and features, plus a credits database, production charts and calendar, with archive content dating back to 1905. History Foundation ''Variety'' has been published since December 16, 1905, when it was launched by Sime Silverman as a weekly periodical covering theater and vaudeville with its headquarters in New York City. Silverman had been fired by ''The Morning Telegraph'' in 1905 for panning an act which had taken out an advert for $50. As a result, he decided to start his own publication "that ouldnot be influenced by advertising." With a loan of $1,500 from his father- ...
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Gentlemen Prefer Blondes (1953 Film)
''Gentlemen Prefer Blondes'' is a 1953 American musical comedy film based on the 1949 stage musical of the same name. It was directed by Howard Hawks and stars Jane Russell and Marilyn Monroe, with Charles Coburn, Elliott Reid, Tommy Noonan, George Winslow, Taylor Holmes and Norma Varden in supporting roles. The film is filled with comedic situations and musical numbers, choreographed by Jack Cole, while the music was written by Hoagy Carmichael, Harold Adamson, Jule Styne and Leo Robin. The songs by Styne and Robin are from the Broadway show, while the songs by Carmichael and Adamson were written especially for the film. Despite the film's title, Monroe was paid her usual contract salary of $500 a week, while Russell, the better known actress at the time, earned $200,000. While Russell's down-to-earth, sharp wit has been observed by most critics, it was Monroe's turn as the gold-digging Lorelei Lee for which the film is often remembered. Monroe's rendition of the song "Diamo ...
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Billing (filmmaking)
Billing is a performing arts term used in referring to the order and other aspects of how credits are presented for plays, films, television, or other creative works. Information given in billing usually consists of the companies, actors, directors, producers, and other crew members. Films History From the beginning of motion pictures in the 1900s to the early 1920s, the moguls that owned or managed big film studios did not want to bill the actors appearing in their films because they did not want to recreate the star system that was prevalent on Broadway at that time. They also feared that, once actors were billed on film, they would be more popular and would seek large salaries. Actors themselves did not want to reveal their film careers to their stage counterparts via billing on film, because at that time working in the movies was unacceptable to stage actors. As late as the 1910s, stars as famous as Mary Pickford and Charlie Chaplin were not known by name to moviegoers. Acco ...
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Eastmancolor
Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production and referring to George Eastman, founder of Kodak. Eastmancolor, introduced in 1950, was one of the first widely successful "single-strip colour" processes, and eventually displaced the more cumbersome Technicolor. Eastmancolor was known by a variety of names such as DeLuxe Color, Warnercolor, Metrocolor, Pathécolor, Columbiacolor, and others. For more information on Eastmancolor, see * Eastman Color Negative (ECN, ECN-1 and ECN-2), the photographic processing systems associated with Eastmancolor negative motion picture stock, and intermediate motion picture stocks (including interpositive and internegative stocks) * Eastman Color Positive (ECP, ECP-1 and ECP-2), the photographic processing systems associated with Eastmancolor positive print motion picture stock for direct projection * Color motion picture film, for background ...
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CinemaScope
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. Bausch & Lomb won a 1954 Oscar for its development of the CinemaScope l ...
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List Of Three-strip Technicolor Films
The table lists some of the movies produced in Technicolor Process 4 between 1932 and 1955. Most were filmed using three-strip Technicolor cameras though a few had sequences, or even their entirely, filmed using other techniques. These included: Successive Frame (SF) Camera (or Successive Exposure Camera) The first full-color animations were photographed using three-strip cameras. From 1934, animations were filmed using modified black and white cameras taking successive exposures through three color filters on a single panchromatic film, being simpler to operate and far less expensive. The technique lasted until 1973 (Robin Hood, Disney). Kodachrome and Technicolor Monopack These were the same positive cine stock marketed as 'Kodachrome Commercial' in 16mm and, by an agreement between Eastman Kodak and Technicolor, as ‘Technicolor Monopack’ in 35mm. When all in lowercase, 'monopack' is a generic term. When using a leading capital letter, 'Monopack' is a trade-mark of Tech ...
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Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ...
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Black And White
Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey. Media The history of various visual media began with black and white, and as technology improved, altered to color. However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Photography Contemporary use Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white. Computing In computing terminology, ''black-and-white'' is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white ones; what would normally be called a black-and-white image, that is, an image containing shades of ...
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Box Office
A box office or ticket office is a place where ticket (admission), tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a Wicket gate, wicket. By extension, the term is frequently used, especially in the context of the film industry, as a synonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium. ''Box office'' business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales (revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry. To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movi ...
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National Gallery Of Victoria
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum. The NGV houses an encyclopedic art collection across two sites: NGV International, located on St Kilda Road in the Melbourne Arts Precinct of Southbank, and the Ian Potter Centre: NGV Australia, located nearby at Federation Square. The NGV International building, designed by Sir Roy Grounds, opened in 1968, and was redeveloped by Mario Bellini before reopening in 2003. It houses the gallery's international art collection and is on the Victorian Heritage Register. The Ian Potter Centre: NGV Australia, designed by Lab Architecture Studio, opened in 2002 and houses the gallery's Australian art collection. A third site, The Fox: NGV Contemporary, is planned to open in 2028, and will be Australia's largest contemporary gallery. History 19th century In 1850, the Port Phillip District of New S ...
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Thriller Film
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible. The cover-up of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in a thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a mission, or a mystery. Screenwriter and scholar Eric R. Williams identifies thriller films as one of eleven super-genres in his screenwriters' taxonomy, claiming that ...
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