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Vitascope
Vitascope was an early film projector first demonstrated in 1895 by Charles Francis Jenkins and Thomas Armat. They had made modifications to Jenkins' patented Phantoscope, which cast images via film and electric light onto a wall or screen. The Vitascope is a large electrically-powered projector that uses light to cast images. The images being cast are originally taken by a kinetoscope mechanism onto gelatin film. Using an intermittent mechanism, the film negatives produced up to fifty frames per second. The shutter opens and closes to reveal new images. This device can produce up to 3,000 negatives per minute. With the original Phantoscope and before he partnered with Armat, Jenkins displayed the earliest documented projection of a filmed motion picture in June 1894 in Richmond, Indiana. Armat independently sold the Phantoscope to The Kinetoscope Company. The company realized that their Kinetoscope would soon be a thing of the past with the rapidly advancing proliferation of ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinetoscope
The Kinetoscope is an precursors of film, early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of film perforations, perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative movie camera, motion picture camera with rapid intermittent movement, intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Armat
Thomas J. Armat (October 25, 1866 – September 30, 1948) was an American mechanic and inventor, a pioneer of film, cinema best known through the co-invention of the Edison Vitascope. Biography Armat studied at the Mechanics Institute in Richmond, Virginia and then in 1894 at the Bliss Electrical School in Washington, D.C., where he met Charles Francis Jenkins. The two classmates teamed up to develop a movie projector using a new kind of intermittent motion mechanism, a "beater mechanism" similar to the one patented 1893 by Georges Demeny, Georges Demenÿ in France. It was one of the first projectors using what is known as the Latham loop (an extra loop of the film before the transport mechanism to reduce the tension on the film and avoid film breakage, developed independently at the same time by Woodville Latham and his sons). They made their first public projection using their invention, named ''Phantoscope'' after an earlier model designed by Jenkins alone, in September 1895 at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raff & Gammon
Norman C. Raff and Frank R. Gammon were two American businessmen who were known for distributing and promoting some of the Edison Studio films, and founding their own business, which was called The Kinetoscope Company. History Kinetoscope company In August 1894, Raff & Gammon earned rights to start selling Kinetoscopes. One of their employees, Alfred Clark, made the company more popular by making new movies. In 1895, the Kinetoscope started to fade and became less popular with new film technology being created. In 1896, C. Francis Jenkins and Thomas Armat invented the Phantoscope. They showed the Phantoscope to Raff & Gammon, who were interested in it, so they agreed for the rights to the Phantoscope. They later showed this to the Thomas Edison Manufacturing Company, who started manufacturing the machine with permission. They then renamed the machine "The Edison Vitascope". They founded the Kinetoscope company (which was later renamed "Raff & Gammon") for exclusive rights fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Cinema
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked neither the quality, financial backing, stamina, or the luck to find the momentum that propelled the cinématographe Lumière into worldwide success. Those earliest films were in black and white, under a minute long, without recorded sound and consisted of a single shot from a steady camera. The first decade of motion pictures saw film mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Film Formats
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century Film format, formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format. To be included in this list, the formats must all have been used in the field or for test shooting, and they must all use photochemical images that are formed or projected on a film base, a transparent substrate which supports the photosensitive emulsion. As well, the formats must have been used to make more than just a few test frames. The camera must be fast enough (in frames per second) to create an illusion of motion consistent with the persistence of vision phenomenon. The format must be significantly unique from other listed formats in regard to its image capture or movie projector, image projection. The format characteristics should be clearly definable in several listed parameter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Widescreen
Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35 mm film. For television, the original screen ratio for broadcasts was in fullscreen 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different nations, 16:9 (1.78:1) widescreen TV displays came into increasingly common use. They are typically used in conjunction with high-definition television (HDTV) receivers, or Standard-Definition (SD) DVD players and other digital television sources. With computer displays, aspect ratios wider than 4:3 are also referred to as widescreen. Widescreen computer displays were previously made in a 16:10 aspect ratio (e.g. 1680 × 1050), but now are usually 16:9 (e.g. 1920 × 1080). Film History Widescreen was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Of The Flame (film)
''Song of the Flame'' is a 1930 American Pre-Code Hollywood, pre-Code musical film photographed entirely in Technicolor. It was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called Vitascope, the trademark name for Warner Bros.' widescreen process. The film, based on the 1925 Broadway theatre, Broadway musical of the same name, was nominated for an Academy Award for Academy Award for Best Sound, Sound Recording (George Groves (sound engineer), George Groves). It is part of the tradition of operetta films, popular at the time. Plot Aniuta (Bernice Claire), known as ''The Flame'', is a peasant girl who incites the people against the Czarist regime and the aristocracy through singing. Prince Volodya (Alexander Gray) is the leader of a group of Cossack troops who falls in love with the girl, even though she is part of a revolution that is opposed to his social class. Konstantin (Noah Beery) is a re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Francis Jenkins
Charles Francis Jenkins (August 22, 1867 – June 6, 1934) was an American engineer who was a pioneer of early cinema and one of the inventors of television, though he used mechanical rather than electronic technologies. His businesses included Charles Jenkins Laboratories and Jenkins Television Corporation (the corporation being founded in 1928, the year the Laboratories were granted the first commercial television license in the United States). Over 400 patents were issued to Jenkins, many for his inventions related to motion pictures and television . Jenkins was born in Dayton, Ohio, grew up near Richmond, Indiana, where he went to school and went to Washington, D.C. in 1890, where he worked as a stenographer. Motion pictures Jenkins started experimenting with motion pictures in 1891, and eventually quit his job and concentrated fully on the development of his own movie projector, the Phantoscope. As the ''Richmond Telegram'' reported on June 6, 1894, about his endeavo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Edison
Thomas Alva Edison (February 11, 1847October 18, 1931) was an American inventor and businessman. He developed many devices in fields such as electric power generation, mass communication, sound recording, and motion pictures. These inventions, which include the phonograph, the motion picture camera, and early versions of the electric light bulb, have had a widespread impact on the modern industrialized world. He was one of the first inventors to apply the principles of organized science and teamwork to the process of invention, working with many researchers and employees. He established the first industrial research laboratory. Edison was raised in the American Midwest. Early in his career he worked as a telegraph operator, which inspired some of his earliest inventions. In 1876, he established his first laboratory facility in Menlo Park, New Jersey, where many of his early inventions were developed. He later established a botanical laboratory in Fort Myers, Florida, in co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audiovisual Introductions In 1895
Audiovisual (AV) is electronic media possessing both a sound and a visual component, such as slide-tape presentations, films, television programs, corporate conferencing, church services, and live theater productions. Audiovisual service providers frequently offer web streaming, video conferencing, and live broadcast services. Computer-based audiovisual equipment is often used in education, with many schools and universities installing projection equipment and using interactive whiteboard technology. Components Aside from equipment installation, two significant elements of audiovisual are wiring and system control. If either of these components are faulty or missing, the system may not demonstrate optimal performance. Wiring is a skill that not only requires proper cable rating selection based on a number of factors, including distance to the main rack, frequency and fire codes, but wires should also be out of sight, behind the walls and in the ceiling, when possible. Sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste And Louis Lumière
The Lumière brothers (, ; ), Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their ''Cinématographe'' motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. Their screening of a single film on 22 March 1895 for around 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. History The Lumière brothers were born in Besançon, France, to Charles-Antoine Lumière (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
