Sonatas By Camille Saint-Saëns
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Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a
cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of ...
(Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the
history of music Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The origins of music remain highly contentious; commentators often relate it to the origin of ...
, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the
fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the c ...
—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term
sonatina A sonatina is a small sonata. As a musical term, sonatina has no single strict definition; it is rather a title applied by the composer to a piece that is in basic sonata form, but is shorter and lighter in character, or technically more elementar ...
, pl. ''sonatine'', the
diminutive A diminutive is a root word that has been modified to convey a slighter degree of its root meaning, either to convey the smallness of the object or quality named, or to convey a sense of intimacy or endearment. A (abbreviated ) is a word-formati ...
form of sonata, is often used for a short or technically easy sonata.


Instrumentation

In the Baroque period, a sonata was for one or more instruments almost always with continuo. After the Baroque period most works designated as sonatas specifically are performed by a solo instrument, most often a keyboard instrument, or by a solo instrument accompanied by a keyboard instrument. Sonatas for a solo instrument other than keyboard have been composed, as have sonatas for other combinations of instruments.


History


Baroque

In the works of Arcangelo Corelli and his contemporaries, two broad classes of sonata were established, and were first described by
Sébastien de Brossard Sébastien de Brossard, pronounced e.bɑs.tjẽ də brɔ.saːr (12 September 1655 – 10 August 1730) was a French music theorist, composer and collector. Life Brossard was born in Dompierre, Orne. After studying philosophy and theology a ...
in his ''Dictionaire de musique'' (third edition, Amsterdam, ca. 1710): the sonata da chiesa (that is, suitable for use in church), which was the type "rightly known as ''Sonatas''", and the sonata da camera (proper for use at court), which consists of a prelude followed by a succession of dances, all in the same key. Although the four, five, or six movements of the sonata da chiesa are also most often in one key, one or two of the internal movements are sometimes in a contrasting tonality. The sonata da chiesa, generally for one or more violins and
bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...
, consisted normally of a slow introduction, a loosely fugued allegro, a cantabile slow movement, and a lively finale in some
binary form Binary form is a musical form in 2 related sections, both of which are usually repeated. Binary is also a structure used to choreograph dance. In music this is usually performed as A-A-B-B. Binary form was popular during the Baroque period, of ...
suggesting affinity with the dance-tunes of the
suite Suite may refer to: Arts and entertainment *Suite (music), a set of musical pieces considered as one composition ** Suite (Bach), a list of suites composed by J. S. Bach ** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó ** ''Suite' ...
. This scheme, however, was not very clearly defined, until the works of Arcangelo Corelli when it became the essential sonata and persisted as a tradition of Italian violin music. The sonata da camera consisted almost entirely of idealized dance-tunes. On the other hand, the features of ''sonata da chiesa'' and ''sonata da camera'' then tended to be freely intermixed. Although nearly half of Bach's 1,100 surviving compositions, arrangements, and transcriptions are instrumental works, only about 4% are sonatas. The term ''sonata'' is also applied to the series of over 500 works for
harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
solo, or sometimes for other keyboard instruments, by
Domenico Scarlatti Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685-23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the deve ...
, originally published under the name ''Essercizi per il gravicembalo'' (Exercises for the Harpsichord). Most of these pieces are in one binary-form movement only, with two parts that are in the same tempo and use the same thematic material, though occasionally there will be changes in tempo within the sections. They are frequently virtuosic, and use more distant harmonic transitions and modulations than were common for other works of the time. They were admired for their great variety and invention. Both the solo and trio sonatas of Vivaldi show parallels with the concerti he was writing at the same time. He composed over 70 sonatas, the great majority of which are of the solo type; most of the rest are trio sonatas, and a very small number are of the multivoice type. The sonatas of
Domenico Paradies Pietro Domenico Paradies (also Pietro Domenico Paradisi) (170725 August 1791) was an Italian composer, harpsichordist and music teacher, most prominently known for a composition popularly entitled "''Toccata in A''", which is, in other sources, the ...
are mild and elongated works with a graceful and melodious little second movement included.


Classical period

The practice of the Classical period would become decisive for the sonata; the term moved from being one of many terms indicating genres or forms, to designating the fundamental form of organization for large-scale works. This evolution stretched over fifty years. The term came to apply both to the structure of individual movements (see Sonata form and History of sonata form) and to the layout of the movements in a multi-movement work. In the transition to the Classical period there were several names given to multimovement works, including divertimento,
serenade In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian w ...
, and partita, many of which are now regarded effectively as sonatas. The usage of ''sonata'' as the standard term for such works began somewhere in the 1770s. Haydn labels his first piano sonata as such in 1771, after which the term ''divertimento'' is used sparingly in his output. The term ''sonata'' was increasingly applied to either a work for keyboard alone (see piano sonata), or for keyboard and one other instrument, often the violin or cello. It was less and less frequently applied to works with more than two instrumentalists; for example, piano trios were not often labelled ''sonata for piano, violin, and cello.'' Initially the most common layout of movements was: # Allegro, which at the time was understood to mean not only a tempo, but also some degree of "working out", or development, of the theme. # A middle movement, most frequently a
slow movement Slow movement may refer to: *Slow movement (music) *Slow movement (culture) *Bradykinesia Hypokinesia is one of the classifications of movement disorders, and refers to decreased bodily movement. Hypokinesia is characterized by a partial or comp ...
: an Andante, an Adagio or a Largo; or less frequently a Minuet or
Theme and Variations In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve ...
form. # A closing movement was generally an Allegro or a Presto, often labeled ''Finale''. The form was often a Rondo or Minuet. However, two-movement layouts also occur, a practice Haydn uses as late as the 1790s. There was also in the early Classical period the possibility of using four movements, with a dance movement inserted before the slow movement, as in Haydn's Piano sonatas No. 6 and No. 8.
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
's sonatas were also primarily in three movements. Of the works that Haydn labelled ''piano sonata'', ''divertimento'', or ''partita'' in Hob XIV, seven are in two movements, thirty-five are in three, and three are in four; and there are several in three or four movements whose authenticity is listed as "doubtful." Composers such as Boccherini would publish sonatas for piano and obbligato instrument with an optional third movement—–in Boccherini's case, 28 cello sonatas. But increasingly instrumental works were laid out in four, not three movements, a practice seen first in
string quartet The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists ...
s and
symphonies A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning com ...
, and reaching the sonata proper in the early sonatas of Beethoven. However, two- and three-movement sonatas continued to be written throughout the Classical period: Beethoven's opus 102 pair has a two-movement C major sonata and a three-movement D major sonata. Nevertheless, works with fewer or more than four movements were increasingly felt to be exceptions; they were labelled as having movements "omitted," or as having "extra" movements. Thus, the four-movement layout was by this point standard for the string quartet, and overwhelmingly the most common for the
symphony A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning com ...
. The usual order of the four movements was: # An allegro, which by this point was in what is called sonata form, complete with exposition, development, and recapitulation. # A
slow movement Slow movement may refer to: *Slow movement (music) *Slow movement (culture) *Bradykinesia Hypokinesia is one of the classifications of movement disorders, and refers to decreased bodily movement. Hypokinesia is characterized by a partial or comp ...
, an Andante, an Adagio or a Largo. # A dance movement, frequently Minuet and trio or—especially later in the classical period—a Scherzo and trio. # A finale in faster tempo, often in a sonata–rondo form. When movements appeared out of this order they would be described as "reversed", such as the scherzo coming before the slow movement in Beethoven's 9th Symphony. This usage would be noted by critics in the early 19th century, and it was codified into teaching soon thereafter. It is difficult to overstate the importance of Beethoven's output of sonatas: 32 piano sonatas, plus sonatas for cello and piano or violin and piano, forming a large body of music that would over time increasingly be thought essential for any serious instrumentalist to master.


Romantic period

In the early 19th century, the current usage of the term ''sonata'' was established, both as regards form ''per se'', and in the sense that a fully elaborated sonata serves as a norm for concert music in general, which other forms are seen in relation to. From this point forward, the word ''sonata'' in music theory labels as much the abstract musical form as particular works. Hence there are references to a symphony as a ''sonata for orchestra''. This is referred to by William Newman as the ''sonata idea''. Among works expressly labeled ''sonata'' for the piano, there are the three of
Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leadin ...
, those of
Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include sy ...
, the three of
Robert Schumann Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
,
Franz Liszt Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simpl ...
's Sonata in B minor, and later the sonatas of
Johannes Brahms Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped wit ...
and
Sergei Rachmaninoff Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one o ...
. In the early 19th century, the sonata form was defined, from a combination of previous practice and the works of important Classical composers, particularly Haydn, Mozart, Beethoven, but composers such as Clementi also. It is during this period that the differences between the three- and the four-movement layouts became a subject of commentary, with emphasis on the concerto being laid out in three movements, and the symphony in four. Ernest Newman wrote in the essay "Brahms and the Serpent": :That, perhaps, will be the ideal of the instrumental music of the future; the way to it, indeed, seems at last to be opening out before modern composers in proportion as they discard the last tiresome vestiges of sonata form. This, from being what it was originally, the natural mode of expression of a certain eighteenth century way of thinking in music, became in the nineteenth century a drag upon both individual thinking and the free unfolding of the inner vital force of an idea, and is now simply a shop device by which a bad composer may persuade himself and the innocent reader of textbooks that he is a good one.


After the Romantic period

The role of the sonata as an extremely important form of extended musical argument would inspire composers such as Hindemith, Prokofiev, Shostakovich, Tailleferre, Ustvolskaya, and Williams to compose in sonata form, and works with traditional sonata structures continue to be composed and performed.


Scholarship and musicology


Sonata idea or principle

Research into the practice and meaning of sonata form, style, and structure has been the motivation for important theoretical works by Heinrich Schenker,
Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
, and Charles Rosen among others; and the pedagogy of music continued to rest on an understanding and application of the rules of sonata form as almost two centuries of development in practice and theory had codified it. The development of the classical style and its norms of composition formed the basis for much of the music theory of the 19th and 20th centuries. As an overarching formal principle, sonata was accorded the same central status as Baroque
fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the c ...
; generations of composers, instrumentalists, and audiences were guided by this understanding of sonata as an enduring and dominant principle in Western music. The sonata idea begins before the term had taken on its present importance, along with the evolution of the Classical period's changing norms. The reasons for these changes, and how they relate to the evolving sense of a new formal order in music, is a matter to which research is devoted. Some common factors which were pointed to include: the shift of focus from vocal music to instrumental music; changes in performance practice, including the loss of the continuo. Crucial to most interpretations of the sonata form is the idea of a tonal center; and, as the ''Grove Concise Dictionary of Music'' puts it: "The main form of the group embodying the 'sonata principle', the most important principle of musical structure from the Classical period to the 20th century: that material first stated in a complementary key be restated in the home key".( The sonata idea has been thoroughly explored by William Newman in his monumental three-volume work ''Sonata in the Classic Era (A History of the Sonata Idea)'', begun in the 1950s and published in what has become the standard edition of all three volumes in 1972.


20th-century theory

Heinrich Schenker argued that there was an ''Urlinie'' or basic tonal melody, and a basic bass figuration. He held that when these two were present, there was basic structure, and that the sonata represented this basic structure in a whole work with a process known as ''interruption''. As a practical matter, Schenker applied his ideas to the editing of the piano sonatas of Beethoven, using original manuscripts and his own theories to "correct" the available sources. The basic procedure was the use of tonal theory to infer meaning from available sources as part of the critical process, even to the extent of completing works left unfinished by their composers. While many of these changes were and are controversial, that procedure has a central role today in music theory, and is an essential part of the theory of sonata structure as taught in most music schools.


Notable sonatas


Baroque (c. 1600 – c. 1760)

* Johann Sebastian Bach ** Sonatas for solo violin (BWV 1001, 1003 and 1005) **Sonatas for flute and continuo ( BWV 1034,
1035 Year 1035 ( MXXXV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. Events By place Europe * c. July 3 – 8-year-old William I becomes duke of Normandy after his father Robert ...
) **
Trio sonatas The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic str ...
: for organ (BWV 525–530); for violin and harpsichord (BWV 1014–1019); for viola da gamba and harpsichord (BWV 1027–1029); for flute and harpsichord ( BWV 1030,
1032 Year 1032 ( MXXXII) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. Events By place Byzantine Empire * Spring – Emperor Romanos III (Argyros) sends a Byzantine expeditionary ar ...
); for flute, violin and continuo (''Sonata sopr'il Soggetto Reale'' included in '' The Musical Offering'') * Heinrich Ignaz Franz Biber ** Rosary Sonatas *
George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
** Sonata for Violin and Continuo in D major (HWV 371) * Giuseppe Tartini ** Devil's Trill Sonata *
Domenico Scarlatti Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685-23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the deve ...
** List of solo keyboard sonatas by Domenico Scarlatti


Classical (c. 1760 – c. 1830)

* Wolfgang Amadeus Mozart ** Piano Sonata No. 8 in A minor (K. 310) ** Piano Sonata No. 11 in A major (K. 331/300i) ** Piano Sonata No. 12 in F major (K. 332) ** Piano Sonata No. 13 in B-flat major (K. 333) ** Piano Sonata No. 14 in C minor (K. 457) ** Piano Sonata No. 15 in F major (K. 533/494) ** Piano Sonata No. 16 in C major (K. 545) ** Sonata in A for Violin and Keyboard (K. 526) * Franz Joseph Haydn **Sonata No. 1 in C major, Hob. XVI:1 – Piano Sonata No. 62, Hob.XVI:52 * Franz Schubert ** Sonata in C minor, D. 958 ** Sonata in A major, D. 959 ** Sonata in B major, D. 960


Romantic (c. 1795 – c. 1900)

* Ludwig van Beethoven ** Piano Sonata No. 8 "Pathétique" ** Piano Sonata No. 14 "Moonlight" (''Sonata quasi una fantasia'') ** Piano Sonata No. 17 "Tempest" ** Piano Sonata No. 19 "Leichte" ** Piano Sonata No. 21 "Waldstein" ** Piano Sonata No. 23 "Appassionata" ** Piano Sonata No. 29 "Hammerklavier" ** Piano Sonata No. 32 in C minor, Op. 111 ** Violin Sonata No. 5 "Spring" ** Violin Sonata No. 9 "Kreutzer" ** Cello Sonata No. 1 in F major Op. 5 ** Cello Sonata No. 2 in G minor Op. 5 ** Cello Sonata No. 3 in A major Op. 69 *
Johannes Brahms Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped wit ...
** Cello Sonata No. 1 ** Cello Sonata No. 2 ** Clarinet Sonatas No. 1 and No.2 ** Violin Sonata No. 1 ** Violin Sonata No. 2 ** Violin Sonata No. 3 *
Johannes Brahms Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped wit ...
,
Albert Dietrich Albert Hermann Dietrich (28 August 182920 November 1908), was a German composer and conductor. In addition to his work, he is remembered for his friendship with Johannes Brahms. Dietrich was born at Golk, near Meissen. From 1851 he studied com ...
, and
Robert Schumann Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
**
'F-A-E' Sonata The ''F-A-E Sonata'', a four-movement work for violin and piano, is a collaborative musical work by three composers: Robert Schumann, the young Johannes Brahms, and Schumann's pupil Albert Dietrich. It was composed in Düsseldorf in October 1853. ...
*
Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leadin ...
** Piano Sonata No. 2 in B minor ** Piano Sonata No. 3 in B minor * Paul Dukas ** Piano Sonata in E-flat minor (1900) * George Enescu **Sonata No. 1 for violin and piano in D major, Op. 2 (1897) ** Sonata No. 2 for violin and piano in F minor, Op. 6 (1899) * Edvard Grieg ** Three sonatas for Violin and Piano *
Franz Liszt Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simpl ...
** Sonata after a Reading of Dante (''Fantasia Quasi Sonata'') ** Sonata in B minor *
Robert Schumann Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
** Violin Sonata No. 1 in A minor, Op. 105


20th-century and contemporary (c. 1910–present)

*
Samuel Barber Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Proba ...
** Cello Sonata Op. 6 ** Piano Sonata Op. 26 (1949) * Jean Barraqué ** Piano Sonata (1950–52) *
Béla Bartók Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as H ...
** Sonata for Two Pianos and Percussion ** Sonata for Piano (1926) ** Sonata for Solo Violin **Sonata No. 1 for Violin and Piano **Sonata No. 2 for Violin and Piano *
Alban Berg Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sma ...
** Sonata for Piano, Op. 1 *
Leonard Bernstein Leonard Bernstein ( ; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was the first America ...
** Sonata for Clarinet and Piano *
Pierre Boulez Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Mont ...
** Piano Sonata No. 1 ** Piano Sonata No. 2 ** Piano Sonata No. 3 * Benjamin Britten ** Sonata for Cello and Piano, Op. 65 *
John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading fi ...
** Sonata for Unaccompanied Clarinet **
Sonatas and Interludes for Prepared Piano ''Sonatas and Interludes'' is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art his ...
(1946–48) *
Claude Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the ...
** Sonata No. 1, for cello and piano (1915) ** Sonata No. 2, for flute, viola and harp (1915) ** Sonata No. 3, for violin and piano (1916–1917) * George Enescu ** Sonata No. 3 for violin and piano, in A minor, ''dans le caractère populaire roumain'' Op. 25 (1926) ** Sonata No. 2 for cello and piano in C major, Op. 26, No. 2 (1935) ** Piano Sonata No. 1 in F minor, Op. 24, No. 1 (1924) ** Piano Sonata No. 3 in D major, Op. 24, No. 3 (1933–1935) * Karel Goeyvaerts ** Sonata for Two Pianos, Op. 1 * Hans Werner Henze **''
Royal Winter Music ''Royal Winter Music'' is the name given to two solo works for classical guitar by the German composer Hans Werner Henze. Both works are inspired by characters from Shakespeare. The first work (described as a sonata) was completed in 1976, and is ...
'', Guitar Sonatas No. 1 and 2 * Paul Hindemith ** Sonata for Viola and Piano, Op. 11, No. 4 (1919) *
Charles Ives Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed f ...
** Piano Sonata No. 2, Concord, Mass., 1840–60 * Leoš Janáček **
1. X. 1905 ''1. X. 1905'', also known as Piano Sonata ''1.X.1905'', is a two-movement (originally three-movement) piano sonata in E-flat minor composed by Leoš Janáček in 1905. It is also known as ''From the Street''. Background Janáček intended the com ...
(Janáček's Sonata for Piano) * Ben Johnston **
Sonata for Microtonal Piano ''Sonata for Microtonal Piano'' is a sonata for specifically microtonally tuned piano by Ben Johnston written in 1964 (see also just intonation). When the movements are played in an alternate order the piece is titled ''Grindlemusic''. The piece ...
* György Ligeti ** Sonata, for solo cello (1948/1953) *
Nikolai Medtner Nikolai Karlovich Medtner (russian: Никола́й Ка́рлович Ме́тнер, ''Nikoláj Kárlovič Métner''; 13 November 1951) was a Russian composer and virtuoso pianist. After a period of comparative obscurity in the 25 years immedi ...
**Piano Sonata No. 1 in F minor, Op. 5 (1901-3) **Piano Sonata No. 2 in A, Op. 11 (1904-7) **Piano Sonata No. 3 in D minor, ''Sonate-Elegie'', Op. 11 (1904-7) **Piano Sonata No. 4 in C, Op. 11 (1904-7) **Piano Sonata No. 5 in G minor, Op. 22 (1909-10) **Piano Sonata No. 6 in C minor, ''Sonata-Skazka'', Op. 22 (1910-11) **Piano Sonata No. 7 in E minor, ''Night Wind'', Op. 22 (1910-11) **Piano Sonata No. 8 in F, ''Sonata-Ballade'', Op. 27 (1912-14) **Piano Sonata No. 9 in A minor, ''War Sonata'' , Op. 30 (1914-17) **Piano Sonata No. 10 in A minor, ''Sonata-reminiscenza'', Op. 38 No. 1 (1920) **Piano Sonata No. 11 in C minor, ''Sonata Tragica'', Op. 39, No. 5 (1920) **Piano Sonata No. 12 in B minor, ''Romantica'', Op. 53 No. 1 (1930) **Piano Sonata No. 13 in F minor, ''Minacciosa'', Op. 53, No. 2 (1930) **Piano Sonata No. 14 in G, ''Sonata-Idyll'', Op. 56 (1937) * Darius Milhaud ** Sonata for flute, oboe, clarinet, and piano, Op. 47 (1918) * Sergei Prokofiev ** Piano Sonatas—six juvenile (1904, 1907, 1907, 1907–08, 1908, 1908–09) ** Piano Sonata No. 1 in F minor, Op. 1 (1907–09) ** Piano Sonata No. 2 in D minor, Op. 14 (1912) ** Piano Sonata No. 3 in A minor, Op. 28 (1907–17) ** Piano Sonata No. 4 in C minor, Op. 29 (1917) ** Piano Sonata No. 5 in C major (original version), Op. 38 (1923) ** Violin Sonata No. 1 in F minor, Op. 80 (1938–46) ** Piano Sonata No. 6 in A major, Op. 82 (1939–40) ** Piano Sonata No. 7 in B-flat major, ''Stalingrad'', Op. 83 (1939–42) ** Piano Sonata No. 8 in B-flat major, Op. 84 (1939–44) **
Flute Sonata A flute sonata is a sonata usually for flute and piano, though occasionally other accompanying instruments may be used. Flute sonatas in the Baroque period were very often accompanied in the form of basso continuo. List of flute sonatas *George ...
in D major, Op. 94 (1943) ** Violin Sonata No. 2 in D major, Op. 94 bis (1943) ** Piano Sonata No. 9 in C major, Op. 103 (1947) ** Sonata for Solo Violin (Unison Violins) in D major, Op. 115 ** Cello Sonata in C major, Op. 119 ** Sonata for Solo Cello in C-sharp minor, Op. 133 ** Piano Sonata No. 5 in C major (revised version), Op. 135 (1952–53) *
Sergei Rachmaninoff Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one o ...
** Piano Sonata No. 2 in B-flat minor, Op. 36 (1913, revised in 1931) **
Sonata for Cello and Piano A cello sonata is usually a sonata written for solo cello with piano accompaniment. The most famous Romantic-era cello sonatas are those written by Johannes Brahms and Ludwig van Beethoven. Some of the earliest cello sonatas were written in the 1 ...
in G minor, Op. 19 (1901) *
Alexander Scriabin Alexander Nikolayevich Scriabin (; russian: Александр Николаевич Скрябин ; – ) was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed ...
** Piano Sonata No. 2 (Sonata-Fantasy) ** Piano Sonata No. 3 ** Piano Sonata No. 4 ** Piano Sonata No. 5 ** Piano Sonata No. 6 ** Piano Sonata No. 7 "White Mass" ** Piano Sonata No. 8 ** Piano Sonata No. 9 "Black Mass" ** Piano Sonata No. 10 * Kaikhosru Shapurji Sorabji **Piano Sonata No. 0 **Piano Sonata No. 1 **Piano Sonata No. 2 **Piano Sonata No. 3 **Piano Sonata No. 4 **Piano Sonata No. 5 "Opus Archimagicum" *
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...
** Sonata for Two Pianos (1943) * Eugène Ysaÿe ** Six Sonatas for solo violin (1923)


References

Sources * * * * * *


Further reading

* Mangsen, Sandra, John Irving, John Rink, and Paul Griffiths. 2001. "Sonata". '' The New Grove Dictionary of Music and Musicians'', second edition, edited by
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
and John Tyrrell. London: Macmillan. * Newman, William S. 1966. ''The Sonata in the Baroque Era'', revised ed. Chapel Hill: The University of North Carolina Press. LCCN 66-19475. * Newman, William S. 1972b. ''The Sonata in the Classic Era: The Second Volume of a History of the Sonata Idea'', second edition. A History of the Sonata Idea 2; The Norton Library N623. New York: W. W. Norton. . * Newman, William S. 1983a. ''The Sonata in the Baroque Era'', fourth edition. A History of the Sonata Idea 1. New York: W. W. Norton. . * Newman, William S. 1983b. ''The Sonata in the Classic Era'', third edition. A History of the Sonata Idea 2. New York: W. W. Norton. . * Newman, William S. 1983c. ''The Sonata since Beethoven'', third edition. A History of the Sonata Idea 3. New York: W. W. Norton. . * Newman, William S. 1988. ''Beethoven on Beethoven: Playing His Piano Music His Way''. New York: W. W. Norton. (cloth) (pbk). * Rosen, Charles. 1995. ''The Romantic Generation''. Cambridge: Harvard University Press. (pbk). * Salzer, Felix. 1962. ''Structural Hearing: Tonal Coherence in Music''. New York: Dover Publications. * Schoenberg, Arnold. 1966. ''Harmonielehre'', 7th edition. Vienna: Universal-Edition. . {{Authority control Classical music styles