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Piano Sonata No. 9 (Prokofiev)
The Piano Sonata No. 9 in C major, Op. 103 by Sergei Prokofiev is his final completed piano sonata. It is dedicated to pianist Sviatoslav Richter. Background Prokofiev completed the sonata on September 27, 1947 in the Moscow suburb of , although thematic sketches exist from the mid-1940s. Upon introducing the score to its dedicatee, the composer said that he did not think the music was intended to create an effect, and that it was "not the sort of work to raise the roof of the Grand Hall f the Moscow Conservatory">Moscow_Conservatory.html" ;"title="f the Moscow Conservatory">f the Moscow Conservatory" Prokofiev had anticipated premiering the work in early 1948, but was prevented from doing so by the Zhdanovschina and the resulting censure he endured. The sonata would not be debuted until April 21, 1951 at a concert in Moscow organized by the Union of Soviet Composers in commemoration of Prokofiev's birthday. The composer himself was too ill to attend, but listened to the performa ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Claude Samuel
Claude Samuel (23 June 1931 – 14 June 2020) was a French music critic and radio personality. Biography Born in Paris, after medical studies and graduating as a dental surgeon, Samuel chose to devote himself to classical music journalism. He was a regular contributor to various newspapers of the daily press (''Paris-Presse'', from 1961 to 1970; ''Le Matin de Paris'', from 1977 to 1987), of the weekly press (''L’Express'' in 1959 and 1960; '' Le Nouveau Candide'' from 1961 to 1967; ''Le Point'', from 1974 to 1989), the monthly press (Revue ''Réalités'', and discs collection ''Philips-Réalités'' from 1957 to 1960) and the music press (''Harmonie'', ''Le Panorama de la Musique'', ''Musiques'', '' La Lettre du musicien'', '' Diapason'', where he has been responsible for the "Ce jour-là" column since 2001). He also commented on cultural news since 2007 until November 2018 in a weekly blog. A producer of programs at the R.T.F. then at the O.R.T.F. (more than a thousand bro ...
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Compositions In C Major
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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1947 Compositions
It was the first year of the Cold War, which would last until 1991, ending with the dissolution of the Soviet Union. Events January * January–February – Winter of 1946–47 in the United Kingdom: The worst snowfall in the country in the 20th century causes extensive disruption of travel. Given the low ratio of private vehicle ownership at the time, it is mainly remembered in terms of its effects on the railway network. * January 1 - The Canadian Citizenship Act comes into effect. * January 4 – First issue of weekly magazine ''Der Spiegel'' published in Hanover, Germany, edited by Rudolf Augstein. * January 10 – The United Nations adopts a resolution to take control of the free city of Trieste. * January 15 – Elizabeth Short, an aspiring actress nicknamed the "Black Dahlia", is found brutally murdered in a vacant lot in Los Angeles; the mysterious case is never solved. * January 16 – Vincent Auriol is inaugurated as president of France. * January 19 – Ferry ...
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20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ...
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Piano Sonatas By Sergei Prokofiev
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gre ...
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Compositions By Sergei Prokofiev
This is a list of musical compositions by the 20th-century Russian composer Sergei Prokofiev. By genre Operas *'' The Giant'' (1900) *'' On Desert Islands'' (1900; unfinished) *''A Feast in Time of Plague'' (1903, rev. 1908–09; unfinished) *''Undina'' (1904–07) *'' Maddalena'', Op. 13 (1911–13; unfinished) *'' Igrok'' ''(The Gambler)'', Op. 24 (1915–16, rev. 1927); after Fyodor Dostoevsky *''The Love for Three Oranges'', Op. 33 (1919) *'' The Fiery Angel'', Op. 37 (1919–27) *''Semyon Kotko'', Op. 81 (1939) *''Betrothal in a Monastery'', Op. 86 (1940–41) *''War and Peace'', Op. 91 (1941–52); after Leo Tolstoy *'' Khan Buzay'' (1942; unfinished) *''The Story of a Real Man'', Op. 117 (1947–48) *'' Distant Seas'' (1948; unfinished) Ballets * '' Ala i Lolli'', Op. 20 (1914–15), mostly incorporated into '' Scythian Suite'' (see below) * ''Chout / The Tale of the Buffoon'', Op. 21 (1915, rev. 1920) * ''Trapeze'', Op. 39 (1924), mostly incorporated into Quintet, Op. 39 ...
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Simon Morrison
Simon Morrison is a scholar and writer specializing in 20th-century music, particularly Russian, Soviet, and French music, with special interests in dance, cinema, aesthetics, and historically informed performance based on primary sources. He has conducted archival research in St. Petersburg, Stockholm, Paris, London, New York, Washington D.C., Copenhagen, and (most extensively) in Moscow. He has traveled to Tel Aviv, Beijing, Hong Kong, Montreal, Moscow, Copenhagen, and Bangkok to give invited lectures and graduate seminars, and divides his time between Princeton and Los Angeles. Morrison is the author of ''Mirror in the Sky: The Life and Music of Stevie Nicks'' (California, 2022), ''Roxy Music's Avalon'' (Bloomsbury, 2021), ''Russian Opera and the Symbolist Movement'' (California, 2002, 2019), ''Bolshoi Confidential: Secrets of the Russian Ballet from the Tsars to Today'' (W.W. Norton, 2016), '' The Love and Wars of Lina Prokofiev'' (Houghton, 2013), and ''The People’s Artist ...
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Boris Berman (musician)
Boris Berman (born Moscow, April 3, 1948) is a Russian pianist and pedagogue. Biography Berman was a student of Lev Oborin at the Moscow Conservatory. He made his debut in Moscow in 1965. He joined an early music ensemble, at the time the only one in Russia, as a harpsichordist. At the same time he worked with contemporary composers such as Alfred Schnittke and Edison Denisov. He played in the first Russian performances of works by Arnold Schoenberg, Karlheinz Stockhausen, Luciano Berio and György Ligeti. He also was a guest soloist with several orchestras, including the Moscow Philharmonic and the Moscow Chamber orchestras. In 1973 he was permitted to leave the Soviet Union for Israel. In 1979 he migrated to the United States and has since taught at Boston University, Brandeis University, and Indiana University. He is currently the head of the Piano Department at the Yale School of Music. He was the Founding Director of the Music Spectrum concert series in Israel (1975–8 ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from ''The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and ''Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of the ...
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Mira Mendelson
Mariya-Cecilia Abramovna Mendelson-Prokofieva ( rus, Мари́я-Цеци́лия Абра́мовна Мендельсо́н-Проко́фьева), typically referred to as Mira Mendelson ( rus, Ми́ра Алекса́ндровна Мендельсо́н), ( – June 8, 1968) was a Russian poet, writer, and translator who was the second wife of the composer Sergei Prokofiev. She was the co-librettist of her husband's operas '' Betrothal in a Monastery'', ''The Story of a Real Man'', and ''War and Peace'', as well as the ballet '' The Tale of the Stone Flower''. Early life and education Mendelson was born in Kiev on January 8, 1915; the only child of Abram Solomonovich (1885–1968) and Vera Natanovna Mendelson (1886–1951). Her father was an economist and statistician, while her mother had earned recognition for her work as a CPSU member. As a young woman she began her studies in higher education at the Energy Sector of the Genplan Institute of Moscow, before transferr ...
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