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Piano Sonata (Berg)
Alban Berg's Piano Sonata (german: Klaviersonate), Op. 1, was published in 1910, but the exact date of composition is unknown; sources suggest that it was written in 1909. The Sonata is Berg's only piano work to which he gave an opus number. History Berg first studied under Arnold Schoenberg in the autumn of 1904, taking lessons in harmony and counterpoint. Later, in autumn 1907, he returned to begin studies in composition, which ended with the study of sonata movements. Several draft sketches of sonata movements date from this period and it is thought that Op. 1 followed from these drafts. The exact date of composition is unknown; although the second reissue of the score bears the date 1908, sources suggest that the Sonata was not composed until the spring or summer of 1909 (Scheideler, 2006). The premiere of the Piano Sonata, Op. 1 was given in Vienna on 24 April 1911 by Etta Werndorff. Other works by Berg and Anton Webern were also played at that concert. Pianist Léo-Pol Morin n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alban Berg
Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose only at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas ''Wozzeck'' (1924) and ''Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ('' lieder''). He is said to have brought more "human values" to the twelve-tone system, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole-tone Scale
In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales, both six-note or ''hexatonic'' scales. A single whole-tone scale can also be thought of as a "six-tone equal temperament". : : The whole-tone scale has no leading tone and because all tones are the same distance apart, "no single tone stands out, ndthe scale creates a blurred, indistinct effect". This effect is especially emphasised by the fact that triads built on such scale tones are all augmented triads. Indeed, all six tones of a whole-tone scale can be played simply with two augmented triads whose roots are a major second apart. Since they are symmetrical, whole-tone scales do not give a strong impression of the tonic or tonality. The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Alban Berg
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Concertgebouw Orchestra
The Royal Concertgebouw Orchestra ( nl, Koninklijk Concertgebouworkest, ) is a Dutch symphony orchestra, based at the Amsterdam Royal Concertgebouw (concert hall). Considered one of the world's leading orchestras, Queen Beatrix conferred the "Royal" title upon the orchestra in 1988. History The Concertgebouw opened on 11 April 1888. The Concertgebouw Orchestra was established several months later and gave its first concert in the Concertgebouw on 3 November 1888. This performance was conducted by the orchestra's first chief conductor, Willem Kes. 1888–1945: Kes and Mengelberg Kes served as the orchestra's chief conductor from its 1888 founding to 1895. In 1895, Willem Mengelberg became chief conductor and remained in this position for fifty years, an unusually long tenure for a music director. He is generally regarded as having brought the orchestra to a level of major international significance, with a particular championing of such then-contemporary composers as Gustav Mah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Chailly
Riccardo Chailly (, ; born 20 February 1953) is an Italian conductor. He is currently music director of the Lucerne Festival Orchestra, since 2016, and music director of La Scala, since 2017. Prior to this, he held chief conducting positions at the Gewandhausorchester (2005–2016); the Royal Concertgebouw Orchestra (1988–2004); the Berlin Radio Symphony Orchestra (1982–1988); and the Teatro Comunale of Bologna (1986–1993). He was also the first musical director of the Orchestra Sinfonica di Milano Giuseppe Verdi (1999–2005) and principal guest conductor of the London Philharmonic Orchestra (1983–1986). Among the world's leading conductors, in a 2015 '' Bachtrack'' poll, he was ranked by music critics as the world's best living conductor. Born in Milan, Chailly first studied composition with his father, Luciano Chailly, in his youth. He continued with composition at the conservatories in Milan and Perugia, but later shifted to conducting under and Franco Ferrara. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theo Verbey
Theo Verbey (5 July 1959 – 13 October 2019) was a Dutch composer. Biography Theo Verbey was a Dutch contemporary classical composer whose music is performed by orchestras and ensembles throughout the world. His style could be considered to be associated with Postmodern music. Verbey was also a skilled arranger who first achieved recognition for his orchestral instrumentation of Alban Berg's Piano Sonata, Op. 1, a piece he orchestrated in 1984 while still a student. He studied at the Royal Conservatory of The Hague where he graduated in 1986. His principal composition teachers were Peter Schat and Jan van Vlijmen. Upon completing his studies Verbey rapidly became one of the most performed of living Dutch composers."Composer in the Spotlight: Theo Verbey" , Music Center The Netherlands, Retrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Biss
Jonathan Biss (born September 18, 1980) is an American pianist, teacher, and writer based in Philadelphia. He is the co-artistic director (with Mitsuko Uchida) of the Marlboro Music Festival. Early life and education Biss was born into a family of musicians in Bloomington, Indiana. His paternal step-grandmother was one of the first well-known female cellists, the Russian cellist Raya Garbousova, for whom Samuel Barber wrote his cello concerto. His parents, Miriam Fried and Paul Biss, are both violinists. His older brother Daniel, is a politician serving as the mayor of Evanston, Illinois. After studying at Indiana University, where both of his parents taught, Biss entered the Curtis Institute of Music at the age of 17 to study with Leon Fleisher. Interviewed by ''The New York Times'' in 2011 in the run-up to Biss' Carnegie Hall debut recital, Leon Fleisher said of his pupil: His ability and interest go for things of transcendence and sublimeness. That made a great impressio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Developing Variation
In musical composition, developing variation is a formal technique in which the concepts of development and variation are united in that variations are produced through the development of existing material. The term was coined by Arnold Schoenberg, twentieth-century composer and inventor of the twelve-tone technique, who believed it was one of the most important compositional principles since around 1750:Haimo, Ethan. 1990. ''Schoenberg's Serial Odyssey: The Evolution of his Twelve-Tone Method, 1914–1928'', p.73n8. Oxford ngland: Clarendon Press ; New York : Oxford University Press . Schoenberg distinguished this from the "unravelling" procedures of contrapuntal tonal music but developing variation may be related to other textures and to Schoenberg's own freely atonal pieces which employ a "method of atonal developing variation each chord, line, and harmony results from the subtle alteration and recombination of musical ideas from earlier in the piece" and Schoenberg descr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key, so in the key of C major, the note C is both the tonic of the scale and the root of the tonic chord (which is C–E–G). Simple folk music songs often start and end with the tonic note. The most common use of the term "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910". Contemporary classical music from 1910 to the 2000s may practice or avoid any sort of tonality—but harmony in almost all Western popular music remains tonal. Harmony in jazz includes many but not all tonal characteristics of the European common practice period, usually known as "classical music". "All harmonic idioms in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic scale, diatonic pitch (music), pitches and chord (music), chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonic and chromatic, diatonicism and modality (music), modality (the major scale, major and minor scale, minor, or "white key", scales). Chromatic elements are considered, "elaborations of or substitutions for diatonic scale members".Matthew Brown; Schenker, "The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations", ''Journal of Music Theory'', Vol. 30, No. 1 (Spring 1986), pp. 1–33, citation on p. 1. Development of chromaticism Chromaticism began to develop in the late Renaissance music, Renaissance p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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