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Rembrandt Harmenszoon van Rijn (1606–1669) is one of the most famous, controversial, and best expertly researched (visual) artists in history. His life and art have long attracted the attention of multidisciplinary scholarship such as
art history Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today ...
, social history,
cultural history Cultural history combines the approaches of anthropology and history to examine popular cultural traditions and cultural interpretations of historical experience. It examines the records and narrative descriptions of past matter, encompassing the ...
,
history of ideas Intellectual history (also the history of ideas) is the study of the history of human thought and of intellectuals, people who conceptualize, discuss, write about, and concern themselves with ideas. The investigative premise of intellectual his ...
,
education Education is a purposeful activity directed at achieving certain aims, such as transmitting knowledge or fostering skills and character traits. These aims may include the development of understanding, rationality, kindness, and honesty ...
,
humanities Humanities are academic disciplines that study aspects of human society and culture. In the Renaissance, the term contrasted with divinity and referred to what is now called classics, the main area of secular study in universities at the t ...
,
aesthetics Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed t ...
, philosophy,
psychology Psychology is the scientific study of mind and behavior. Psychology includes the study of conscious and unconscious phenomena, including feelings and thoughts. It is an academic discipline of immense scope, crossing the boundaries between ...
,
sociology Sociology is a social science that focuses on society, human social behavior, patterns of social relationships, social interaction, and aspects of culture associated with everyday life. It uses various methods of empirical investigation an ...
,
literary studies Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. T ...
,
anatomy Anatomy () is the branch of biology concerned with the study of the structure of organisms and their parts. Anatomy is a branch of natural science that deals with the structural organization of living things. It is an old science, having it ...
,
medicine Medicine is the science and practice of caring for a patient, managing the diagnosis, prognosis, prevention, treatment, palliation of their injury or disease, and promoting their health. Medicine encompasses a variety of health care pr ...
, religious studies,
theology Theology is the systematic study of the nature of the divine and, more broadly, of religious belief. It is taught as an academic discipline, typically in universities and seminaries. It occupies itself with the unique content of analyzing the ...
, Jewish studies, Oriental studies ( Asian studies), globalization studies, and art market research. In Rembrandt scholar Stephanie Dickey's words: For a visual artist in general and an
Old Master In art history, "Old Master" (or "old master")Old Masters De ...
in particular, Rembrandt (i.e. his life, art, and circle) has been the subject of a vast amount of literature that includes both fiction and nonfiction works. The field of Rembrandt studies (study of Rembrandt's life and work, including works by his pupils and followers) — as an academic field in its own right with many noted Rembrandt connoisseurs and scholars — has been one of the most dynamic research areas of
Netherlandish art The asterisk ( ), from Late Latin , from Ancient Greek , ''asteriskos'', "little star", is a typographical symbol. It is so called because it resembles a conventional image of a heraldic star. Computer scientists and mathematicians often voc ...
(or art of the pre-1830 Low Countries) history. Slive, Seymour: ''Rembrandt and his Critics, 1630–1730''. (The Hague: Martinus Nijhoff, 1953) In the history of the reception and interpretation of Rembrandt's art, the great 'rediscovery' of the Dutch master in 19th-century France and Germany decisively helped in establishing his lasting fame in subsequent centuries. The following is a list of works about Rembrandt. A longer bibliography is at


Nonfiction works


Books, dissertations and theses


Biography

* Abbing, Michiel Roscam: ''Rembrandt: Leven en werk van de grootste schilder aller tijden''. (Utrecht: Kosmos-Z&K, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Abbing, Michiel Roscam; Graaff, Arthur: ''Rembrandt voor Dummies''. (Amsterdam: Addison Wesley, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Avermaete, Roger: ''Rembrandt et son temps''. (Paris: Payot, 1952)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Baudiquey, Paul: ''La vie et l'œuvre de Rembrandt''. (Paris: ACR-Vilo, 1984)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bell, Malcolm: ''Rembrandt van Rijn and His Work''. (London: G. Bell, 1899) * Bikker, Jonathan: ''Rembrandt: Biografie van een rebel''. (Rotterdam: Nai010 Uitgevers, 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bikker, Jonathan: ''Rembrandt: Biography of a Rebel''. (Rotterdam: Nai010 Publishers, 2019) * Blankert, Albert (ed.): ''Rembrandt: A Genius and His Impact''. (Melbourne: National Gallery of Victoria, 1997) * Blom, Onno: ''De jonge Rembrandt''. (Amsterdam:
De Bezige Bij De Bezige Bij ("the busy bee") is one of the most important literary publishing companies in the Netherlands. History The company was founded illegally in 1943, during the German occupation of the Netherlands by ; its first publication was a poe ...
, 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Blom, Onno: ''Young Rembrandt''. Translated from the Dutch by Beverley Jackson. (London: Pushkin Press, 2019) * Bockemühl, Michael: ''Rembrandt''. (Cologne: Taschen, 2001) * Bockemühl, Michael: ''Rembrandt basismonografie''. (Kerkdriel: Librero Nederland B.V., 2017)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Boeck, Wilhelm: ''Rembrandt''. (Stuttgart:
Kohlhammer Verlag W. Kohlhammer Verlag GmbH, or Kohlhammer Verlag, is a German publishing house headquartered in Stuttgart. History Kohlhammer Verlag was founded in Stuttgart on 30 April 1866 by . Kohlhammer had taken over the businesses of his late father-in-l ...
, 1962) n German* Bolten, J.; Bolten-Rempt, H.: ''The Hidden Rembrandt''. Translated from the Dutch by Danielle Adkinson. (Chicago, IL: Rand McNally & Co., 1977) * Bonnier, Henry: ''L'univers de Rembrandt''. (Paris: Henri Scrépel, 1969)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bonnier, Henry: ''Rembrandt'' reat Draughtsmen Translated from the French by Victoria Benedict. (New York: George Braziller; London: Pall Mall, 1970) * Brion, Marcel: ''Rembrandt''. (Paris: Éditions Albin Michel, 1946)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Brons, Ingrid S.; Postma, Annemarie (eds.): ''Rembrandt in Leiden. Portret van een schildersjongen en zijn stad'' embrandt in Leiden. A young painter and his city (
's-Hertogenbosch s-Hertogenbosch (), colloquially known as Den Bosch (), is a city and municipality in the Netherlands with a population of 157,486. It is the capital of the province of North Brabant and its fourth largest by population. The city is south of th ...
: Uitgeverij Heinen, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bréal, Auguste: ''Rembrandt: A Critical Essay''. (London: Duckworth, 1902) * Brown, Gerard Baldwin: ''Rembrandt: A Study of His Life and Work''. (London: Duckworth and Co., 1907) * Büttner, Nils: ''Rembrandt, licht und schatten. Eine biographie''. (Stuttgart: Reclam, 2014) n German* Büttner, Nils: ''Rembrandt: De schilder van licht en schaduw''. (Amsterdam: J. M. Meulenhoff, 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Cabanne, Pierre: ''Rembrandt'' rofils de l'art (Paris: Chêne, 1991)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Cassou, Jean: ''Rembrandt'' oll. "Ars Mundi" (Paris: Éditions Aimery Somogy, 1952)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Cassou, Jean: ''Rembrandt ou la peinture de l'infini''. (Paris: Amiot-Dumont, 1954)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Descargues, Pierre: ''Rembrandt''. (Paris: J.-C. Lattès, 1990)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Field, D.M.: ''Rembrandt''. (
Rijswijk Rijswijk (), formerly known as Ryswick ( ) in English, is a city and municipality in the western Netherlands, in the province of South Holland. Its population was in , and it has an area of , of which is water. The municipality also includes t ...
: Atrium, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Focillon, Henri: ''Rembrandt'' ditions d'Histoire et d'art (Paris: Librairie Plon, 1936)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Focillon, Henri: ''Rembrandt: Paintings, Drawings and Etchings''. Translated from the French by Ludwig Goldscheider. (New York: Phaidon, 1960) * Fowkes, Charles: ''The Life of Rembrandt''. (London: The Hamlyn Publishing Group, 1978) * Furió Galí, Vicenç: ''Rembrandt: Genio del grabado''. (Barcelona: Publicacions i Edicions de la Universitat de Barcelona, 2018)
n Catalan N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* García Sánchez, Laura: ''Géniové umění: Rembrandt''. (Praha: SUN, 2008) * Haak, Bob: ''Rembrandt, zijn leven, zijn werk, zijn tijd''. (Amsterdam: Contact, 1968)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Haak, Bob: ''Rembrandt: His Life, His Work, His Times''. Translated from the Dutch by Elizabeth Willems-Treeman. (New York: Harry N. Abrams, 1969) * Hamann, Richard: ''Rembrandt''. (Berlin: Safari-Verlag, 1948) n German* Hunt, Patrick: ''Rembrandt: His Life in Art'' nd ed. (New York: Ariel Books, 2007) * Kitson, Michael: ''Rembrandt'', 3rd ed. (Oxford: Phaidon, 1982) * Knuttel, Gerhardus: ''Rembrandt, de meester en zijn werk''. (Amsterdam: Ploegsma, 1956)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Laneyrie-Dagen, Nadeije: ''Lire la peinture de Rembrandt''. (Paris: Larousse, 2006)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Mee, Charles L.: ''Rembrandt's Portrait: A Biography''. (New York: Simon & Schuster, 1990) * Michel, Émile: ''Rembrandt. Sa vie, son œuvre et son temps''. (Paris: Hachette, 1893)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Michel, Émile: ''Rembrandt, His Life, His Work, and His Time'', 2 vols. Translated from the French by Florence Simmonds. (London: Heinemann, 1894) * Muller, Joseph-Emile: ''Rembrandt''. (Paris: Aimery Somogy; London: Thames & Hudson, 1968) * Muther, Richard: ''Rembrandt. Ein Künstlerleben''. (Berlin: Fleischel, 1904) n German* Muther, Richard: ''Rembrandt''. (Hamburg: SEVERUS Verlag, 2012) n German* Neumann, Carl: ''Rembrandt''. (Berlin: W. Spemann, 1902) n German* Neumann, Carl: ''Rembrandt'' nd ed. (Berlin: W. Spemann, 1905) n German* Neumann, Carl: ''Rembrandt'' rd ed., 2 vols. (Munich: F. Bruckmann, 1922) n German* Nigg, Walter: ''Rembrandt: Maler des Ewigen''. (
Zürich , neighboring_municipalities = Adliswil, Dübendorf, Fällanden, Kilchberg, Maur, Oberengstringen, Opfikon, Regensdorf, Rümlang, Schlieren, Stallikon, Uitikon, Urdorf, Wallisellen, Zollikon , twintowns = Kunming, San Francisco Zürich ...
: Diogenes Verlag, 2006) n German* Ormiston, Rosalind: ''Rembrandt: His Life & Works in 500 Images''. (London: Lorenz Books, 2012) * Partsch, Susanna: ''Rembrandt''. (London: Weidenfeld and Nicolson, 1991) * Pächt, Otto: ''Rembrandt''. (Munich: Prestel Verlag, 1991) n German* Roger-Marx, Claude: ''Rembrandt''. (Paris: Pierre Tisné Éditeur, 1960)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Roger-Marx, Claude: ''Rembrandt''. Translated by W.J. Strachan and Peter Simmons. (New York: Universe Books, 1960) * Schmidt-Degener, F.: ''Rembrandt: Een beschrijving van zijn leven en zijn werk''. (Amsterdam: G. Schreuders, 1906)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schwartz, Gary: ''De Grote Rembrandt''. (Zwolle: Waanders, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schwartz, Gary: ''The Rembrandt Book''. (New York: Harry N. Abrams, 2006) * Schwartz, Gary: ''Rembrandt's Universe: His Art, His Life, His World''. (London: Thames & Hudson, 2006) * Schwartz, Gary: ''Meet Rembrandt: Life and Work of the Master Painter''. (New Haven, CT: Yale University Press, 2010) * Smith, Baige Elise: ''Rembrandt's Anatomy Lessons'', diss., (The University of Western Australia, 2010) * Tümpel, Christian: ''Rembrandt''. Translated by Jacques and Jean Duvernet, Léon Karlson and Patrick Grilli. (Paris: Éditions Albin Michel, 1986) * Tümpel, Christian: ''Rembrandt'' owohlts Monographien (Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag, 2006) n German* Van Loon, Hendrik Willem: ''The Life and Times of Rembrandt van Rijn''. (New York: Garden City Publishing, 1930; New York: Horace Liveright, 1930) * Verhaeren, Émile: ''Rembrandt, biographie critique''. (Paris: H. Laurens, 1905)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Veth, Jan: ''Rembrandts leven en kunst''. (Amsterdam: H. J. W. Becht, 1941)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Von Sandrart, Joachim; Baldinucci, Filippo; Houbraken, Arnold: ''Lives of Rembrandt''
ives of the Artists Ives is both a surname and a given name. Notable people with the name include: Surname: * Alice Emma Ives (1876–1930), American dramatist, journalist * Burl Ives (1909–1995), American singer, author and actor * Charles Ives (1874–1954), Amer ...
Introduced by Charles Ford. (Los Angeles, CA:
J. Paul Getty Museum The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa. The Getty Center is located in the Brentwood neighborhood of Los Angeles and fea ...
, 2018) * Vosmaer, Carel: ''Rembrandt Hannensz van Ryn, sa vie et ses oeuvres''. (The Hague, 1868)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Weisbach, Werner: ''Rembrandt''. (Berlin:
Walter de Gruyter Walter de Gruyter GmbH, known as De Gruyter (), is a German scholarly publishing house specializing in academic literature. History The roots of the company go back to 1749 when Frederick the Great granted the Königliche Realschule in Be ...
, 1926) n German* Westermann, Mariët: ''Rembrandt''. (London: Phaidon, 2000) * White, Christopher: ''Rembrandt and His World''. (London: Thames and Hudson, 1964) * White, Christopher: ''Rembrandt''. (New York: Thames & Hudson, 1984) * Wright, Christopher: ''Rembrandt and His Art''. (London & New York: Hamlyn, 1975) * Wright, Christopher: ''Rembrandt''. rad. de l'anglais par Paul Alexandre (Paris: Citadelles & Mazenod, 2000)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Zuffi, Stefano: ''Rembrandt: Il più importante eretico della pittura''. (
Milano Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city ha ...
: Leonardo Arte, 1998) n Italian


General studies

* Adams, Ann Jensen: ''Public Faces and Private Identities in Seventeenth-Century Holland:
Portraiture A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this r ...
and the Production of Community''. (Cambridge: Cambridge University Press, 2009) * Auerbach, Elissa Anderson: ''Re-forming Mary in Seventeenth-Century Dutch Prints''. (Ph.D. diss,
University of Kansas The University of Kansas (KU) is a public research university with its main campus in Lawrence, Kansas, United States, and several satellite campuses, research and educational centers, medical centers, and classes across the state of Kansas. T ...
, 2009) * Boschloo, Anton W. A.; et al. (eds.): ''Aemulatio: Imitation, Emulation and Invention in Netherlandish Art from 1500 to 1800: Essays in Honor of Eric Jan Sluijter''. (Zwolle: Waanders, 2011) * Carroll, Margaret D.: ''Painting and Politics in Northern Europe:
Van Eyck Van Eyck or Van Eijk () is a Dutch toponymic surname. ''Eijck'', ''Eyck'', ''Eyk'' and ''Eijk'' are all archaic spellings of modern Dutch ("oak") and the surname literally translates as "from/of oak". However, in most cases, the family name refers ...
, Bruegel, Rubens, and Their Contemporaries''. (University Park, PA:
Penn State University Press The Penn State University Press, also known as The Pennsylvania State University Press, was established in 1956 and is a non-profit publisher of scholarly books and journals. It is the independent publishing branch of the Pennsylvania State Un ...
, 2008) * Chambers, Emma: ''An Indolent and Blundering Art? The Etching Revival and the Redefinition of Etching in England, 1838–1892''. (Aldershot: Ashgate, 1999) * Chu, Petra Ten-Doesschate: ''French Realism and the
Dutch Masters Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Repub ...
: The Influence of Dutch Seventeenth-Century Painting on the Development of French Painting between 1830 and 1870''. (
Utrecht Utrecht ( , , ) is the fourth-largest city and a municipality of the Netherlands, capital and most populous city of the province of Utrecht. It is located in the eastern corner of the Randstad conurbation, in the very centre of mainland Net ...
: Haentjens Dekker & Gumbert, 1974) * Corrigan, Karina H.; van Campen, Jan; Diercks, Femke; Blyberg, Janet C. (eds.): ''Asia in Amsterdam: The Culture of Luxury in the Golden Age''. (Yale University Press, 2015) * Cumming, Laura: ''A Face to the World: On Self-Portraits''. (London: HarperPress, 2009) * Dickey, Stephanie S.; Roodenburg, H. (eds.): ''The Passions in the Arts of the Early Modern Netherlands''. (Zwolle: Waanders, 2010) * Falkenburg, R. L.; de Jong, J.; Roodenburg, H.; Scholten, F. (eds.): ''Beeld en zelfbeeld in de Nederlandse kunst, 1550–1750 / Image and Self-Image in Netherlandish Art, 1550–1750'' ederlands kunsthistorisch jaarboek, vol. 46 (Zwolle: Waanders, 1995) * Fleischer, Roland E.; Munshower, Susan Scott (eds.): ''The Age of Rembrandt: Studies in Seventeenth-Century Dutch Painting''. (University Park, PA: University of Pennsylvania Press, 1988) * Franits, Wayne (ed.): ''Looking at Seventeenth-Century Dutch Art:
Realism Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *Classical Realism *Literary realism, a move ...
Reconsidered''. (Cambridge: Cambridge University Press, 1997) * Franits, Wayne (ed.): ''The Ashgate Research Companion to Dutch Art of the Seventeenth Century''. (Burlington, VT: Ashgate, 2016) * Freedberg, David; de Vries, Jan (eds.): ''Art in History, History in Art: Studies in Seventeenth-century Dutch Culture''. (Santa Monica: Getty Center for the History of Art and the Humanities, 1991) * Fromentin, Eugène: ''Les maîtres d'autrefois''. (Paris: Éditions Garnier Frères, 1972)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Fromentin, Eugène: ''Rubens et Rembrandt. Les Maîtres d'autrefois''. Préface d'Albert Thibaudet, rééd. (Tournai: Éditions Complexe, 1991)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Fromentin, Eugène: ''The Masters of Past Time: Dutch and Flemish Painting from Van Eyck to Rembrandt''. Translated from the French by Andrew Boyle, edited by H. Gerson. (London: Phaidon Press, 1948; Ithaca, N.Y.: Cornell University Press, 1981) * Gasser, Manuel: ''Self-Portraits from the Fifteenth Century to the Present Day''. Translated from the German by Angus Malcolm. (New York: Appleton-Century, 1963) * Grijzenhout, Frans; van Veen, Henk (eds.): ''The Golden Age of Dutch Painting in Historical Perspective''. (Cambridge, U.K.: Cambridge University Press, 1999) * Hall, James: ''The Self-Portrait: A Cultural History''. (London: Thames & Hudson, 2014) * Hammer-Tugendhat, Daniela: ''Das Sichtbare und das Unsichtbare. Zur holländischen Malerei des 17. Jahrhunderts''. (Cologne/Weimar/Vienna: Böhlau, 2009) n German* Hammer-Tugendhat, Daniela: ''The Visible and the Invisible: on Seventeenth-century Dutch Painting''. Translated from German by Margarethe Clausen. (Berlin: De Gruyter, 2015) * Hedquist, Valerie Lind: ''The Passion of Christ in Seventeenth-Century Dutch Painting''. (Ph.D. diss.,
University of Kansas The University of Kansas (KU) is a public research university with its main campus in Lawrence, Kansas, United States, and several satellite campuses, research and educational centers, medical centers, and classes across the state of Kansas. T ...
, 1990) * Helmers, Helmer J.; Janssen, Geert H. (eds.): ''The Cambridge Companion to the Dutch Golden Age'' ambridge Companions to Culture (Cambridge University Press, 2018) * Helsinger, Elizabeth; et al. (eds.): ''The "Writing" of Modern Life: The
Etching Revival The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as ...
in France, Britain, and the U.S., 1850–1940''. (Chicago: Smart Museum of Art, University of Chicago, 2008) * Hirschfelder, Dagmar: '' Tronie und Porträt in der niederländischen Malerei des 17. Jahrhunderts''. (Berlin: Gebr. Mann Verlag, 2008) n German* Hirschfelder, Dagmar; Krempel, León (eds.): ''Tronies. Das Gesicht in der Frühen Neuzeit''. (Berlin: Gebr. Mann Verlag, 2014) n German* Houbraken, Arnold: ''De Groote Schouburgh der Nederlantsche Konstschilders en Schilderessen'', 3 vols. in 1. The Hague, 1753 (Reprint: Amsterdam, 1976)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Larsen, Erik; Davidson, Jane P.: ''Calvinistic Economy and 17th Century Dutch Art''. (Lawrence: University of Kansas Publications, 1979) * Montias, John Michael: ''Art at Auction in 17th Century Amsterdam''. (Amsterdam: Amsterdam University Press, 2002) * Morgenstein, Susan W.; Levine, Ruth L.: ''The Jews in the Age of Rembrandt''. (Rockville, MD: The Judaic Museum of the Jewish Community Center of Greater Washington, 1981) * Muller, Sheila D. (ed.): ''Dutch Art: An Encyclopedia''. (New York: Garland Pub., 1997) * Nevitt, Jr., H. Rodney: ''Art and the Culture of Love in Seventeenth-Century Holland'' tudies in Netherlandish Visual Culture, 2 (Cambridge/New York: Cambridge UP, 2002) * Peaster, Sarah Grafton: ''A Calvinist View of Visual Art in Seventeenth-Century Holland: the Iconography of Esther in Post-Reformation Dutch Painting''. (M.A. thesis, Louisiana State University and Agricultural and Mechanical College, 2013) * Pescio, Claudio: ''Rembrandt and Seventeenth-Century Holland''. Translated by Simon Knight. (New York: Peter Bedrick Books, 1995) * Quodbach, Esmée (ed.): ''Holland's Golden Age in America: Celebrating the Art of Rembrandt,
Vermeer Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately succe ...
, and Hals''. (University Park, PA: Pennsylvania State University Press, 2014) * Riegl, Alois: ''The Group Portraiture of Holland''. Introduction by Wolfgang Kemp, translated from the German by Evelyn M. Kain and David Britt. (Los Angeles, CA: Getty Research Institute for the History of Art and the Humanities, 1999) * Rosales-Rodríguez, Agnieszka: ''Śladami dawnych mistrzów. Mit Holandii złotego wieku w dziewiętnastowiecznej kulturze artystycznej'' n the footsteps of old masters. The myth of Golden-Age Holland in nineteenth-century artistic culture (
Warszawa Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officiall ...
: Wydawnictwa Uniwersytetu Warszawskiego, 2008) n Polish* Rosales-Rodríguez, Agnieszka: ''In the Footsteps of the Old Masters: The Myth of Golden Age Holland in 19th Century Art and Art Criticism''. Translated from the Polish by Klaudyna Michałowicz. (Peter Lang GmbH, 2016) * Silver, Larry: ''Rembrandt's Holland'' enaissance Lives (London: Reaktion Books, 2018) * Sitt, Martina; et al.: ''
Pieter Lastman Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid careful attention to t ...
. In Rembrandts Schatten?'' xh. cat. (
Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal ...
:
Hamburger Kunsthalle The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaa ...
; Munich: Hirmer Verlag, 2006) n German* Sluijter, Eric Jan; et al.: '' Leidse fijnschilders: van
Gerrit Dou Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ...
tot Frans van Mieris de Jonge, 1630–1760''. (Leiden:
Stedelijk Museum De Lakenhal Museum De Lakenhal is the city museum of fine art and history in Leiden, Netherlands. One highlight is its collection of fijnschilder paintings from the Dutch Golden Age. Just like the city, the museum combines a classical appearance with a contemp ...
, 1988)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Smith, John: ''A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters'' olume VII, Rembrandt van Rhyn; Volume IX, Supplement (London: Smith & Son, 1836–42) * Spicer, Joaneath; et al. (eds.): ''Masters of Light: Dutch Painters in Utrecht during the Golden Age''. (New Haven, CT: Yale University Press, 1997) * Tilkes, Olga (Kirillovna, Oljga): ''Istorii strany Rembrandta''. ( Moskva: Novoe literaturnoe obozrenie, 2018) n Russian* Turner, Jane: ''Rembrandt to Vermeer: 17th-Century Dutch Artists'' rove Dictionary of Art (New York: St. Martin's Press, 2000) * Von Bode, Wilhelm: ''Studien zur Geschichte der holländischen Malerei'' tudies in the history of Dutch painting (Brunswick: Friedrich Viewege, 1883) n German* Weisberg, Gabriel P.: ''The Etching Renaissance in France, 1850–1880'' xh. cat. (
Salt Lake City Salt Lake City (often shortened to Salt Lake and abbreviated as SLC) is the capital and most populous city of Utah, United States. It is the seat of Salt Lake County, the most populous county in Utah. With a population of 200,133 in 2020, th ...
:
Utah Museum of Fine Arts The Utah Museum of Fine Arts (UMFA) is the region's primary resource for culture and visual arts. It is located in the Marcia and John Price Museum Building in Salt Lake City, Utah on the University of Utah campus near Rice-Eccles Stadium. Works ...
, 1971) * Weststeijn, Thijs; van den Doel, Marieke; van Eck, Natasja; Korevaar, Gerbrand; Tummers, Anna (eds.): ''The Learned Eye: Regarding Art, Theory, and the Artist's Reputation. Essays for Ernst van de Wetering''. (Amsterdam: Amsterdam University Press, 2005) * Weststeijn, Thijs; Jorink, Eric; Scholten, Frits (eds.): ''Netherlandish Art in its Global Context'' ederlands Kunsthistorisch Jaarboek / Netherlands Yearbook for History of Art, 66 (Leiden: Brill, 2016) * Wheelock, Arthur K. Jr.; Baer, Ronni (eds.): ''
Gerard Dou Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ' ...
, 1613–1675: Master Painter in the Age of Rembrandt''. (New Haven, CT:
Yale University Press Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale Universi ...
, 2002) * Yeazell, Ruth Bernard: ''Art of the Everyday: Dutch Painting and the Realist Novel''. (Princeton, NJ: Princeton University Press, 2008) * Ziemba, Antoni: ''Iluzja a realizm. Gra z widzem w sztuce holenderskiej, 1580–1660''. (
Warszawa Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officiall ...
: Wydawnictwa Uniwersytetu Warszawskiego, 2005) n Polish* Ziemba, Antoni: ''Illusion and Realism: The Game with the Spectator in Dutch Art, 1580–1660''. Translated from the Polish by Krzysztof Kościuczuk. (Warsaw: Peter Lang, 2017) * Zumthor, Paul: ''La vie quotidienne en Hollande au temps de Rembrandt''. (Paris: Hachette, 1959)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Zumthor, Paul: ''Daily Life in Rembrandt's Holland''. Translated from the French by Simon Watson Taylor. (London: Weidenfeld and Nicolson, 1962)


Including

exhibition catalogue There are two types of exhibition catalogue (or exhibition catalog): a printed list of exhibits at an art exhibition; and a directory of exhibitors at a trade fair or business-to-business event. Art or museum exhibition catalogues Catalogues for ...
s (exh. cat.)

* Aartomaa, Ulla; et al. (eds.): ''Rembrandt: Master of the Copper Plate''. (Helsinki:
Sinebrychoff Art Museum The Sinebrychoff Art Museum is an art museum located on Bulevardi in Helsinki, Finland. The museum exhibits the old European art collections (dating between the 14th and 19th centuries) of the Finnish National Gallery. In addition, half of the mu ...
, 2012) * Abbing, Michiel Roscam: ''The Treasures of Rembrandt''. (London: Carlton Publishing Group, 2006) * Adhémar, Jean; et al. (eds.): ''Rembrandt, graveur: 350e anniversaire de sa naissance''. (Paris: Bibliothèque Nationale, Galerie Mansart, 1956)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Aldovini, Laura: ''Rembrandt. Incidere la luce. I capolavori della grafica''. (Milano: Silvana Editoriale, 2012) n Italian* Alexander-Knotter, Mirjam; Hillegers, Jasper; van Voolen, Edward: ''The ‘Jewish’ Rembrandt. The Myth Unravelled''. at. exh.; Joods Historisch Museum, Amsterdam, 10 November 2006 – 4 February 2007 (Zwolle: Waanders; Amsterdam: Jewish Historical Museum, 2006) * Althaus, Karin: ''Rembrandt. Die Radierungen aus der Sammlung Eberhard W. Kornfeld''. (Basel: Kunstmuseum Basel, 2005) n German* Bacou, Roseline: ''Rembrandt et son temps. Dessins des collections publiques et privées conservées en France'' at. exp. (Paris: Musée du Louvre, Éditions de la Réunion des musées nationaux, 1970)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Baer, Ronni: ''Class Distinctions: Dutch Painting in the Age of Rembrandt and
Vermeer Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately succe ...
''. With essays by Henk van Nierop, Herman Roodenburg, Eric Jan Sluijter, Marieke de Winkel, and Sanny de Zoete. Translated by Diane Webb. (Boston: Museum of Fine Arts, 2015) * Bahre, Kristin; et al. (eds.): ''Rembrandt. Genie auf der Suche''. (Cologne: DuMont Literatur und Kunst, 2006) n German* Berg, Lars; Joch, Peter (eds.): ''Von Rembrandt bis Baselitz. Meisterwerke der Druckgrafik aus der Sammlung des Städtischen Museums Braunschweig''. (Petersberg: Michael Imhof Verlag, 2020) n German* Bevers, Holm: ''Rembrandt: Die Zeichnungen im Berliner Kupferstichkabinett'' ritischer Katalog (Ostfildern: Hatje Cantz, 2006) n German* Bevers, Holm; Kettner, Jasper; Metze, Gudula (eds.): ''Rembrandt. Ein Virtuose der Druckgraphik''. (Kupferstichkabinett,
Staatliche Museen zu Berlin The Berlin State Museums (german: Staatliche Museen zu Berlin) are a group of institutions in Berlin, Germany, comprising seventeen museums in five clusters, several research institutes, libraries, and supporting facilities. They are overseen ...
, 2006) n German* Bevers, Holm: ''Rembrandt: Drawings from the Berlin Kupferstichkabinett''. (Ostfildern: Hatje Cantz, 2007) * Bevers, Holm; Rumberg, Per: ''Rembrandt's First Masterpiece'' xh. cat. (New York: Morgan Library and Museum, 2016) * Bialostocki, Jan; et al.: ''
Jan Lievens Jan Lievens (24 October 1607 – 4 June 1674) was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter La ...
. Ein Maler im Schatten Rembrandts''. (
Braunschweig Braunschweig () or Brunswick ( , from Low German ''Brunswiek'' , Braunschweig dialect: ''Bronswiek'') is a city in Lower Saxony, Germany, north of the Harz Mountains at the farthest navigable point of the river Oker, which connects it to the ...
:
Herzog Anton Ulrich Museum The Herzog Anton Ulrich Museum (HAUM) is an art museum in the German city of Braunschweig, Lower Saxony. History Founded in 1754, the Herzog Anton Ulrich Museum is one of the oldest museums in Europe. The museum has its origins in the art and nat ...
, 1979) n German* Bikker, Jonathan; Weber, Gregor J. M.; et al.: ''Rembrandt: The Late Works'' ational Gallery London (London:
The National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of ...
, 2014) * Bikker, Jonathan; Weber, Gregor J. M.; et al.: ''Rembrandt: Les années de plénitude''. (Bruxelles: Fonds Mercator, 2014)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bikker, Jonathan; Weber, Gregor J. M.; et al.: ''Der späte Rembrandt''. (München: Hirmer Verlag, 2014) n German* Bisanz-Prakken, Marian: ''Drawings from the Albertina: Landscape in the Age of Rembrandt''. (Alexandria, VA: Art Services International, 1995) * Bisanz-Prakken, Marian: ''Rembrandt and his Time: Masterworks from the Albertina, Vienna'' at. exh. Milwaukee Art Museum, 8 October 2005 – 8 January 2006 (New York: Hudson Hills Press, 2005) * Bisanz-Prakken, Marian; Schröder, Klaus Albrecht: ''Das Zeitalter Rembrandts'' xh. cat. (Vienna: Graphische Sammlung Albertina; Ostfildern: Hatje Cantz, 2009) n German* Black, Peter; Hermens, Erma: ''Rembrandt and the Passion''. (Munich: Prestel, 2012) * Blanc, Jan; et al.: ''Rembrandt et son entourage''. (Paris: Éditions de l'École nationale supérieure des Beaux-arts, 2012)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Blankert, Albert (ed.): ''Gods, Saints and Heroes: Dutch Painting in the Age of Rembrandt'' xh.cat. (Washington: National Gallery of Art, 1980) * Blühm, Andreas; Hohn, Maike: ''Het geheim van Dresden: van Rembrandt tot
Canaletto Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ...
'' he Secret of Dresden: from Rembrandt to Canaletto (Dresden:
Staatliche Kunstsammlungen Dresden Staatliche Kunstsammlungen Dresden (, ''Dresden State Art Collections'') is a cultural institution in Dresden, Germany, owned by the State of Saxony. It is one of the most renowned and oldest museum institutions in the world, originating from the ...
; Groningen:
Groninger Museum The Groninger Museum () is an art museum in the city of Groningen in the Netherlands. The museum exhibits modern and contemporary art of local, national, and international artists. The museum opened in 1874. The current post-modernist building co ...
, 2015)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bomford, D.; Brown, C.; Roy, A.: ''Art in the Making: Rembrandt''. (London: National Gallery, 1988) * Broos, B.P.J.: ''Oude tekeningen in het bezit van de Gemeentemusea van Amsterdam waaronder de collectie Fodor eel 3 Rembrandt en tekenaars uit zijn omgeving''. (Amsterdam: Amsterdams Historisch Museum, 1981)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Broos, B.P.J.: ''Rembrandt en zijn voorbeelden'' embrandt and his sources (Amsterdam: Museum Het Rembrandthuis, 1985)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bruno, Silvia: ''Rembrandt nel Seicento olandese''. (Milano: Il Sole, 2008) n Italian* Bull, Duncan; Dibbits, Taco; et al.: ''Rembrandt— Caravaggio'' xh. cat. (Amsterdam: Rijksmuseum, 2006) * Cassinelli, Paola; Gramatica, Francesca de: ''Rembrandt e i capolavori della grafica europea nelle collezioni del Castello del Buonconsiglio''. (Trento: Castello del Buonconsiglio, 2008) n Italian* Cavalli-Björkman, Görel (ed.): ''Rembrandt och hans tid. Människan i centrum. En utställning ingående i Nationalmuseums 200-årsjubileum''. (Stockholm: Nationalmuseum, 1992) n Swedish* Clark, Kenneth; Ilchman, Frederick; Rosand, David: ''Rembrandt and the Venetian Influence''. (New York: Salander-O'Reilly Galleries, 2000) * Cohen, Janie: ''Rembrandt - Picasso: Prenten en tekeningen van Picasso geïnspireerd door werken van Rembrandt'' / ''Rembrandt - Picasso: Prints and drawings by Picasso inspired by works of Rembrandt''. (Amsterdam: Museum Het Rembrandthuis, 1990)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Cooper, Tarnya; Bolland, Charlotte: ''The Encounter: Drawings from Leonardo to Rembrandt''. (London: National Portrait Gallery, 2017) * Crenshaw, Paul; Herndon-Consagra, Francesca: ''Rembrandt: Master Etchings from St. Louis Collections'' xh. cat. (
St. Louis, Missouri St. Louis () is the second-largest city in Missouri, United States. It sits near the confluence of the Mississippi and the Missouri Rivers. In 2020, the city proper had a population of 301,578, while the bi-state metropolitan area, which e ...
:
St. Louis Art Museum The Saint Louis Art Museum (SLAM) is one of the principal U.S. art museums, with paintings, sculptures, cultural objects, and ancient masterpieces from all corners of the world. Its three-story building stands in Forest Park in St. Louis, M ...
, 2006) * Czobor, Ágnes: ''Rembrandt und sein Kreis''. (Budapest: Corvina Verlag, 1969) n German* Cuzin, Jean-Pierre; Schmidt, Katharina; Raux, Sophie: ''
Jean-Honoré Fragonard Jean-Honoré Fragonard (; 5 April 1732 (birth/baptism certificate) – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific art ...
(1732–1806): Orígenes e influencias. De Rembrandt al siglo XXI''. (Barcelona: Fundació Caixa de Pensions, 2006) n Spanish* De Jongh, Eddy; Mireille, Cornelis; van Sloten, Leonore (eds.): ''In de ban van
Hercules Segers Hercules Pieterszoon Seghers or Segers ( 1589 – 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equall ...
: Rembrandt en de Modernen / Under the Spell of Hercules Segers: Rembrandt and the Moderns'' xh. cat. (Zwolle: W Books; Amsterdam: Hercules Segers Stichting/Hercules Segers Foundation, 2016) * De Viejo, Isadora Rose: ''Goya/Rembrandt: la mémoire de l'oeil'' xposition au Cabinet des estampes du Musée d'art et d'histoire, Genève, 18 mai-12 septembre, 1993. (
Genève , neighboring_municipalities= Carouge, Chêne-Bougeries, Cologny, Lancy, Grand-Saconnex, Pregny-Chambésy, Vernier, Veyrier , website = https://www.geneve.ch/ Geneva ( ; french: Genève ) frp, Genèva ; german: link=no, Genf ; it, Ginevr ...
: Musée d’Art et d'Histoire, 1993)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* De Viejo, Isadora Rose: ''Rembrandt en la memoria de
Goya Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and e ...
y Picasso'', Obra gráfica. (Madrid: Fundación Carlos de Amberes / Fundación Bancaja / Ibercaja, 1999–2000) n Spanish* De Viejo, Isadora Rose; Cohen, Janie: ''Etched on the Memory: The Presence of Rembrandt in the Prints of Goya and Picasso''. (Blaricum: V KPub./Inmerc, 2000) * De Viejo, Isadora Rose; Di Martino, Enzo: ''Rembrandt, ispirazioni per Goya'' embrandt, an inspiration for Goya (Milano: Gabriele Mazzotta, 2001) n Italian* De Witt, David; van Sloten, Leonore; van der Veen, Jaap: ''Rembrandts late leerlingen. In de leer bij een genie'' / ''Rembrandt's late pupils. Studying under a genius''. at. exh.; Museum Het Rembrandthuis Amsterdam, 12 February – 17 May 2015 (Amsterdam: Museum Het Rembrandthuis; Houten: Terra Publishers, 2015)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* De Witt, David; Noorman, Judith (eds.): ''Rembrandt's Naked Truth: Drawing Nude Models in the Golden Age'' xh._cat.,_Rembrandt_House_Museum,_Amsterdam.html" ;"title="Rembrandt_House_Museum.html" ;"title="xh. cat., Rembrandt House Museum">xh. cat., Rembrandt House Museum, Amsterdam">Rembrandt_House_Museum.html" ;"title="xh. cat., Rembrandt House Museum">xh. cat., Rembrandt House Museum, Amsterdam (Zwolle, 2016) * DeWitt, Lloyd; et al. (eds.): ''Rembrandt and the Face of Jesus''. With a preface by Seymour Slive and contributions by Lloyd DeWitt, Blaise Ducos, Franziska Gottwald, George S. Keyes, Shelley Perlove, Larry Silver, Ken Sutherland and Mark Tucker. [Cat. exh.: Musée du Louvre, Paris, 21 April – 18 July 2011; Philadelphia Museum of Art, 3 August – 30 October 2011; Detroit Institute of Arts, 20 November 2011 – 12 February 2012.]. (Philadelphia: Philadelphia Museum of Art, 2011) * Dickey, Stephanie: ''Dutch Painting in the Age of Rembrandt from the Metropolitan Museum of Art''. Introduction by Susan D. Kuretsky xh. cat. (Hamilton, N.Y.: Picker Art Gallery, Colgate University, 1983) * Dickey, Stephanie; Coutré, Jacquelyn N.; Brooke, Janet M.; Bakker, Piet: ''Leiden circa 1630: Rembrandt Emerges''. (Kingston, Ontario:
Agnes Etherington Art Centre The Agnes Etherington Art Centre is located in Kingston, Ontario, in the heart of the historic campus of Queen's University. Situated on traditional Anishinaabe and Haudenosaunee Territory, the gallery has received a number of awards for its exhib ...
, 2019) * Diederen, Roger; Lange, Christiane (eds.): ''Das ewige Auge. Von Rembrandt bis Picasso. Meisterwerke der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski'' usstellungskatalog (München: Hirmer, 2007) n German* Diederen, Roger; Maaz, Bernhard; Koch, Ute Christina (eds.): ''Rembrandt -
Tizian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian ( Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, ne ...
- Bellotto: Geist und Glanz der Dresdner Gemäldegalerie'' embrandt_–_Titian_–_Bellotto:_Spirit_and_Splendour_of_the_Dresden_Picture_Gallery.html" ;"title="Titian.html" ;"title="embrandt – Titian">embrandt – Titian – Bellotto: Spirit and Splendour of the Dresden Picture Gallery">Titian.html" ;"title="embrandt – Titian">embrandt – Titian – Bellotto: Spirit and Splendour of the Dresden Picture Gallery (München: Hirmer, 2014) n German* Dittrich, Christian; Ketelsen, Thomas; et al. (eds.): ''Rembrandt: Die Dresdener Zeichnungen'' [Cat. exh. Kupferstich-Kabinett, Dresden, 7 August – 3 October 2004; Institut Néerlandais, Paris, 30 March – 21 May 2006]. (Cologne: Verlag der Buchhandlung Walther König, 2004) n German* Döring, Thomas; Bungarten, Gisela; Page, Christiane: ''Aus Rembrandts Kreis. Die Zeichnungen des Braunschweiger Kupferstichkabinetts'' rom Rembrandt's Circle: Drawings from the Brunswick-Printroom (Petersberg: Michael Imhof Verlag, 2006) n German* Ducos, Blaise; Surh, Dominique (eds.): ''Masterpieces of The Leiden Collection: The Age of Rembrandt'' xh. cat. (Paris: Musée du Louvre, 2017) * Dumas, Charles; Endedijk, Leo: ''Meesters en molens. Van Rembrandt tot Mondriaan''. (Zwolle: Waanders, 2007)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Duparc, Frederik J.: '' Landscape in Perspective: Drawings by Rembrandt and His Contemporaries''. (Cambridge, Mass.: Arthur M. Sackler Museum, 1988) * Eissenhauer, Michael (ed.): ''Rembrandt-Bilder. Die historische Sammlung der Kasseler Gemäldegalerie''. (München: Hirmer, 2006) n German* Elen, Albert J.: ''Rembrandt in Rotterdam: Tekeningen van Rembrandt en zijn kring in het Museum Boijmans Van Beuningen'' / ''Rembrandt in Rotterdam: Drawings of Rembrandt and his circle in the Museum Boijmans Van Beuningen''. (Rotterdam:
Museum Boijmans van Beuningen Municipal Museum Boijmans Van Beuningen () is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from the two most important collectors of Frans Jacob Otto Boijmans and Daniël George van Beuningen. It is located a ...
, 2005)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Faietti, Marzia: ''I grandi maestri dell'incisione. Dürer, Rembrandt, Castiglione Genovese''. (Bologna: Palazzo Pepoli Campogrande, 1983) n Italian* Faietti, Marzia: ''Rembrandt e Morandi: mutevoli danze di segni incisi''. (Bologna: Museo Morandi, 2006) n Italian* Foucart, Jacques; Lacambre, Jean; et al. (eds.): ''Le Siècle de Rembrandt: Tableaux hollandais des collections publiques françaises'' xposition (Paris:
Musée du Petit Palais The Petit Palais (; en, Small Palace) is an art museum in the 8th arrondissement of Paris, France. Built for the 1900 Exposition Universelle ("universal exhibition"), it now houses the City of Paris Museum of Fine Arts (''Musée des beaux-arts ...
, 1970)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Ganz, James A.: ''Rembrandt's Century''. (Munich: Prestel, 2013) * Garton, Robin; Grimm, Gerard Volker; van der Grinten, Gerhard: ''Rembrandt und die englischen Malerradierer des 19. Jahrhunderts'' embrandt and the English Painter-Etchers of the 19th Century (Bedburg-Hau: Stiftung Museum Schloss Moyland, 2005) n German* Gilles, Matthieu; et al.: ''Rembrandt et les peintres-graveurs italiens de Castiglione à Tiepolo''. (Épinal: Musée Départemental d'Art Ancient et Contemporain, 2003)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Giltaij, Jeroen: ''The Drawings by Rembrandt and His School in the Museum Boymans-van Beuningen''. (
Rotterdam Rotterdam ( , , , lit. ''The Dam on the River Rotte'') is the second largest city and municipality in the Netherlands. It is in the province of South Holland, part of the North Sea mouth of the Rhine–Meuse–Scheldt delta, via the ''"Ne ...
:
Museum Boymans-van Beuningen Municipal Museum Boijmans Van Beuningen () is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from the two most important collectors of Frans Jacob Otto Boijmans and Daniël George van Beuningen. It is located at ...
, 1988) * Grigsby, Thea: ''Rembrandt: Master Etcher''. (Austin, TX: The Art Museum, The University of Texas at Austin, 1979) * Groschner, Gabriele; Huber, Markus T.; Uhlir, Katharina: ''Rembrandt: unter der Farbe'' / ''Rembrandt: beneath the paint''. (Salzburg: Residenzgalerie Salzburg, DomQuartier, 2016) n German* Guégan, Stéphane; Madeline, Laurence; Schlesser, Thomas: ''L' autoportrait dans l'histoire de l'art: de Rembrandt à
Warhol Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the Art movement, visual art movement known as pop art. His works explore th ...
, l'intimité révélée de 50 artistes''. ( Boulogne-Billancourt: Beaux-arts éditions, 2009)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Hall, James; Vaisse, Pierre; Ullrich, Wolfgang; et al. (eds.): ''Facing the World: Self-portraits from Rembrandt to
Ai Weiwei Ai Weiwei (, ; born 28 August 1957) is a Chinese contemporary artist, documentarian, and activist. Ai grew up in the far northwest of China, where he lived under harsh conditions due to his father's exile. As an activist, he has been openly c ...
''. (Edinburgh: Scottish National Galleries; Cologne: Snoeck, 2016) * Hautekeete, Stefaan; et al. (eds.): ''Tekeningen van Rembrandt en zijn leerlingen in de verzameling van Jean de Grez''. (Brussels: Koninkijke Musea voor Schone Kunsten, 2005)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Haverkamp-Begemann, Egbert; Judson, J. Richard; Logan, Anne-Marie: ''Rembrandt after Three Hundred Years: An Exhibition of Rembrandt and His Followers''. (Chicago: Art Institute of Chicago, 1969) * Hess, Daniel: ''In Rembrandts Werkstatt: der Meister in Original, Kopie und Studie'' n Rembrandt's studio: the master in the original, copy and study ( Nürnberg:
Germanisches Nationalmuseum The Germanisches National Museum is a museum in Nuremberg, Germany. Founded in 1852, it houses a large collection of items relating to German culture and art extending from prehistoric times through to the present day. The Germanisches National ...
, 2001) n German* Hinterding, Erik; Manuth, Volker; et al.: ''Rembrandt en
Jan Six Jan Six (14 January 1618, Amsterdam – 28 May 1700, Amsterdam) was an important cultural figure in the Dutch Golden Age. Biography From a well-to-do cloth merchant family Six, Jan Six was the son of Jean Six (1575–1617) and his wife Anna Wijm ...
. De ets, de vriendschap''. (Amsterdam: Six Art Promotion, 2017)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Hoetink, H.R.; et al.: ''Rembrandt en zijn tijd'' xhib. cat. ( Brussels: Palais des Beaux Arts, 1971)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Kaiser, Franz Wilhelm; North, Michael (eds.): ''Die Geburt des Kunstmarktes. Rembrandt, Ruisdael, van Goyen und die Künstler des Goldenen Zeitalters''. (München: Hirmer Verlag, 2017) n German* Kann, Anne-Röver: ''In Rembrandts Manier: Kopie, Nachahmung und Aneignung in den graphischen Künsten des 18. Jahrhunderts'', Ausst.-Kat. ( Bremen: Kunsthalle Bremen, 1986) n German* Ketelsen, Thomas; Röver-Kann, Anne: ''Rembrandt, oder nicht?'' [Katalog zur Ausstellung in der
Hamburger Kunsthalle The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaa ...
, 15. Oktober 2000 bis 21. Januar 2001]. (Ostfildern: Hatje Cantz, 2000) n German* Kloek, Wouter; Jansen, Guido: ''Rembrandt in a New Light: Presentation of Seven Restored Paintings by Rembrandt''. (Amsterdam: Rijksmuseum, 1993) * Kofuku, Akira; et al. (eds.): ''Rembrandt: The Quest for
Chiaroscuro Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achi ...
''. (Tokyo: Nippon Television Network Corporation, 2011) * Kolfin, Elmer; Runia, Epco (eds.): ''Black in Rembrandt's Time''. xh. cat., The Rembrandt House Museum, Amsterdam, March 5 – May 31, 2020, extended to September 10, 2020 (Zwolle: Uitgeverij WBooks, 2020) * Kuretsky, Susan Donahue; et al.: ''Etchings by Rembrandt from the S. William Pelletier Collection''. (Ithaca, NY: Herbert F. Johnson Museum of Art, 2004) * Lambert, Gisèle; Santiago Páez, Elena María: ''Rembrandt, la luz de la sombra'' embrandt, the light of the shade (Barcelona: Fundació Caixa de Catalunya, 2005) n Spanish* Lammertse, F.; van der Veen, J.: ''Uylenburgh & Zoon: Kunst en commercie van Rembrandt tot De Lairesse, 1625–1675'' ylenburgh & Son: Art and commerce from Rembrandt to De Lairesse, 1625–1675 at. exh. Dulwich Picture Gallery, London, 7 June – 3 September 2007; Museum Het Rembrandthuis, Amsterdam, 14 September – 10 December 2006 (Zwolle: Waanders, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Leca, Benedict; et al.: ''Rembrandt: Three Faces of the Master''. (
Cincinnati Cincinnati ( ) is a city in the U.S. state of Ohio and the county seat of Hamilton County. Settled in 1788, the city is located at the northern side of the confluence of the Licking and Ohio rivers, the latter of which marks the state line wit ...
:
Cincinnati Art Museum The Cincinnati Art Museum is an art museum in the Eden Park neighborhood of Cincinnati, Ohio. Founded in 1881, it was the first purpose-built art museum west of the Alleghenies, and is one of the oldest in the United States. Its collection of ov ...
, 2008) * Lecoq-Ramond, Sylvie; Paccoud, Stéphane; Schäfer, Dorit (eds.): ''Autoportraits: de Rembrandt au
selfie A selfie () is a self-portrait photograph, typically taken with a digital camera or smartphone, which may be held in the hand or supported by a selfie stick. Selfies are often shared on social media, via social networking services such as ...
'' rojet réalisé en collaboration par la Staatliche Kunsthalle Karlsruhe, le Musée des Beaux-Arts de Lyon et les National Galleries of Scotland d'Èdimbourg]. (Cologne: Snoeck, 2015)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Lecoq-Ramond, Sylvie; Paccoud, Stéphane; Schäfer, Dorit; Müller-Tamm, Pia; Clarke, Michael; Hall, James; et al. (eds.): ''Ich bin hier! Von Rembrandt zum Selfie'' at. Staatliche Kunsthalle Karlsruhe, 2015–2016 (Cologne: Snoeck, 2015) n German* Liedtke, Walter; von Sonnenburg, Hubert; Logan, Carolyn; Orenstein, Nadine M.; Dickey, Stephanie S.: ''Rembrandt/Not Rembrandt in the Metropolitan Museum of Art: Aspects of Connoisseurship'', 2 vols. (New York:
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
, 1995) * Lindemann, Bernd Wolfgang (ed.): ''Da Rembrandt a Vermeer. Valori civili nella pittura fiamminga e olandese del '600'' / ''From Rembrandt to Vermeer. Civil values in 17th-century Flemish and Dutch painting''. (Milan: Motta, 2008) n Italian* McQueen, Alison; de Witt, David; Maciesza, Nathalie; Reynaerts, Jenny: ''Rembrandt in Parijs : Manet, Méryon, Degas en de herontdekking van de etskunst (1830–1890)'' embrandt in Paris: Manet, Méryon, Degas and the Rediscovery of Etching (1830–1890) (Amsterdam: Uitgeverij JEA, 2018)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Middelkoop, Norbert; et al.: ''Rembrandt under the Scalpel:
The Anatomy Lesson of Dr. Nicolaes Tulp ''The Anatomy Lesson of Dr. Nicolaes Tulp'' is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. The painting is regarded as one of Rembrandt's early masterpieces. In the work, Nicolaes Tu ...
Dissected'' xh. cat. (
The Hague The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital o ...
: Mauritshuis, 1998) * Minder, Nicole (ed.): ''Gravures de Dürer et Rembrandt: Collection Pierre Decker''. (Vevey : Cabinet cantonal des estampes, Musée Jenisch, 1991)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Minder, Nicole; et al. (eds.): ''Rembrandt: Les collections du Cabinet des estampes de Vevey''. (Musée Jenisch Vevey, Cabinet cantonal des estampes, Fonds Pierre Decker, 1997)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Müller, Jürgen; Mentzel, Jan-David; et al.: ''Rembrandt: von der Macht und Ohnmacht des Leibes: 100 Radierungen'' [Katalog zur Ausstellung des Augustinermuseums: Haus der Graphischen Sammlung, Augustinermuseum, Freiburg i. Br., 28. Oktober 2017 - 28. Januar 2018; Kunstsammlungen der Veste Coburg, 21. Juni 2018 - 9. September 2018]. (Freiburg: Städtische Museen Freiburg; Petersberg, Hesse, Petersberg:
Michael Imhof Verlag Michael Imhof Verlag is a German publishing company in Petersberg, Hesse. They are known especially for publishing books with a local interest, on art, on history, politics, religion, nature, and culture Culture () is an umbrella term which ...
, 2017) n German * Müller, Jürgen; Buck, Stephanie; et al.: ''Rembrandts Strich'' [''Rembrandt's Mark'']. (Dresden: Staatliche Kunstsammlungen & Paul Holberton Publishing, 2019) * Occhipinti, Carlo: ''Maestri incisori europei, 1450–1750: dall'arte di Raffaello a Rembrandt e Goya''. (Arona: Fondazione Art Museo, 2008) n Italian* Ordovas, Pilar; et al. (eds.): ''Irrational Marks: Francis Bacon (artist), Bacon and Rembrandt''. (London: Ordovas, 2011) * Ordovas, Pilar; et al. (eds.): ''Raw Truth: Auerbach—Rembrandt''. (London: Ordovas, 2013) * Paarlberg, Sander; Schoon, Peter; et al.: ''Greek Gods and Heroes in the Age of Rubens and Rembrandt''. (Athens: National Gallery/Alexandros Soutzos Museum; Dordrecht: Dordrechts Museum, 2000) * Robinson, William W.; et al.: '' Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection'' xh. cat. (
Cambridge, MA Cambridge ( ) is a city in Middlesex County, Massachusetts, United States. As part of the Boston metropolitan area, the cities population of the 2020 U.S. census was 118,403, making it the fourth most populous city in the state, behind Boston ...
:
Harvard University Art Museums The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum (established in 1895), the Busch-Reisinger Museum (established in 1903), and the Arthur M. Sackler Museum (established in 1985), and four research ...
, 2002) * Robinson, William W.; et al.: ''Drawings from the Age of Bruegel, Rubens, and Rembrandt: Highlights from the Collection of the Harvard Art Museums'' xh. cat. (Cambridge, MA: Harvard University Art Museums; New Haven, CT: Yale University Press, 2016) * Robinson, William W.: ''Rembrandt's “Indian Drawings” and His Later Work''. (New York: Morgan Library & Museum, 2018) * Runia, Epco; de Witt, David (eds.): ''Rembrandt's Social Network: Family, Friends and Acquaintances'' xh. cat. (Zwolle: Uitgeverij WBooks, 2019) * Rutgers, Jaco; Garnier-Pelle, Nicole: ''Rembrandt au musée Condé de Chantilly''. (Dijon: Éditions Faton, 2018)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Rutgers, Jaco; Standring, Timothy: ''Rembrandt: Painter as Printmaker'' xh. cat. (New Haven, CT: Yale University Press, 2018) * Schatborn, Peter; van Sloten, Leonore: ''Oude tekeningen, nieuwe namen. Rembrandt en zijn tijdgenoten'' ld drawings, new names. Rembrandt and his contemporaries ( Varik: Uitgeverij de Weideblik, 2014)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schrader, Stephanie; et al. (eds.): ''Rembrandt and the Inspiration of India''. (Los Angeles, CA: J. Paul Getty Museum, 2018) * Schulze, Sabine (ed.). ''Leselust: Niederländische Malerei von Rembrandt bis Vermeer''. (Stuttgart: Gerd Hatje, für die Schirn Kunsthalle Frankfurt, 1993) n German* Schwartz, Gary (ed.): ''Sordid and Sacred: The Beggars in Rembrandt's Etchings. Selections from the John Villarino Collection'' xh. cat. (Los Angeles: Landau Traveling Exhibitions, 2006) * Schwartz, Gary (ed.): ''Emotions: Pain and Pleasure in Dutch Painting of the Golden Age'' xh. cat. Frans Hals Museum, Haarlem, 11 October – 15 February 2015 (Rotterdam: naiO10 Publishers, 2014) * Sciolla, Gianni Carlo: ''Da Leonardo a Rembrandt: Disegni della Biblioteca Reale di Torino'' / ''From Leonardo to Rembrandt: Drawings of the Royal Library of Turin''. (Torino: Umberto Allemandi 1989) n Italian* Seifert, Christian Tico; Dickey, Stephanie S.; et al.: ''Rembrandt: Britain's Discovery of the Master''. (
Edinburgh Edinburgh ( ; gd, Dùn Èideann ) is the capital city of Scotland and one of its 32 council areas. Historically part of the county of Midlothian (interchangeably Edinburghshire before 1921), it is located in Lothian on the southern shore of t ...
: National Galleries of Scotland, 2018) * Sigal-Klagsbald, Laurence; du Bourg, Alexis Merle: ''Rembrandt et la Nouvelle Jérusalem. Juifs et Chrétiens à Amsterdam au Siècle D'Or''. at. exh. Musée d'Art et d'Histoire du Judaïsme, Paris, 28 March – 1 July 2007 (Paris: Éditions du Panama, 2007)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Stampfle, Felice; et al. (eds.): ''Rembrandt: Experimental Etcher'' xh. cat. (Boston: Museum of Fine Arts; New York: The Pierpont Morgan Library, 1969) * Starcky, Emmanuel: ''Rembrandt et son école, dessins du
Musée du Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
''. (Paris: Musée du Louvre, 1988–89)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Starcky, Emmanuel: ''Rembrandt et son école. Collections du musée de l'Ermitage de Saint- Pétersbourg'' xh. cat. (Paris : Réunion des Musées Nationaux, 2003)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Stefes, Annemarie; van Sloten, Leonore; van Oosterzee, Leonoor: ''Tekenen in Rembrandts tijd: Meesterwerken uit de
Hamburger Kunsthalle The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaa ...
'' / ''Drawing in Rembrandt's Day: Masterpieces from the Hamburger Kunsthalle''. (Amsterdam: Museum Het Rembrandthuis, 2012)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Sutton, Peter C.; Robinson, William W.: ''Drawings by Rembrandt, His Students, and Circle from the Maida and George Abrams Collection'' xh. cat. (
Greenwich, CT Greenwich (, ) is a New England town, town in southwestern Fairfield County, Connecticut, United States. At the 2020 United States Census, 2020 census, the town had a total population of 63,518. The largest town on Connecticut's Gold Coast (Conne ...
: Bruce Museum of Arts and Science; New Haven, CT:
Yale University Press Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale Universi ...
, 2011) * The Bridgestone Painting Research Group: ''In Darkness and Light, A Rembrandt in Tokyo Reconsidered''. (Tokyo: Bridgestone Museum of Art, Ishibashi Foundation, 1989) * Tümpel, Christian; Tümpel, Astrid: ''The Pre-Rembrandtists'' xh. cat. (
Sacramento, CA ) , image_map = Sacramento County California Incorporated and Unincorporated areas Sacramento Highlighted.svg , mapsize = 250x200px , map_caption = Location within Sacramento ...
: E. B. Crocker Art Gallery, 1974) * Tümpel, Astrid; Schatborn, Peter; et al.: ''
Pieter Lastman Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid careful attention to t ...
, Leermeester van Rembrandt / Pieter Lastman, The Man Who Taught Rembrandt''. (Amsterdam: Museum Het Rembrandthuis, 1991) * Tummers, Anna; et al.: '' Frans Hals: Eye to Eye with Rembrandt, Rubens, and Titian'' xh. cat. ( Haarlem:
Frans Hals Museum The Frans Hals Museum is a museum located in Haarlem, the Netherlands. The museum was established in 1862. In 1950, the museum was split in two locations when the collection of modern art was moved to the '' Museum De Hallen'' (since 2018 called ...
; Rotterdam: NAI010 Publishers, 2013) * Turner, Jane Shoaf; et al.: ''Rembrandt's World: Dutch Drawings from the Clement C. Moore Collection''. (New York: Morgan Library & Museum, 2012) * Van Berge-Gerbaud, Mària: ''Rembrandt et son école. Dessins de la collection
Frits Lugt Frederik Johannes "Frits" Lugt (Amsterdam 4 May 1884 – 15 July 1970 Paris), was a self-taught collector and connoisseur of Dutch drawings and prints and a selfless and tireless compiler of essential reference tools documenting Northern Europe ...
''. (Paris: Fondation Custodia, 1997)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Van den Boogert, B.; et al.: ''Rembrandts schatkamer''. (Amsterdam: Museum Het Rembrandthuis, 1999)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Van den Boogert, B.; et al.: ''Goethe en Rembrandt. Tekeningen uit Weimar. Uit de grafische bestanden van de Kunstsammlungen zu Weimar, aangevuld met werken uit het Goethe-Nationalmuseum''. (Amsterdam: Amsterdam University Press, 1999)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Van der Coelen, Peter; Tümpel, Christian; et al.: ''Patriarchs, Angels and Prophets: The Old Testament in Netherlandish Printmaking from Lucas van Leyden to Rembrandt'' xh. cat. (Amsterdam: Museum Het Rembrandthuis, 1996) * Vergara, Alejandro; Posada Kubissa, Teresa; Westermann, Mariët: ''Rembrandt, pintor de historias''. (Madrid: Museo Nacional del Prado & Ediciones El Viso, 2008) n Spanish* Vignau-Wilberg, Thea: ''Rembrandt auf Papier. Werk und Wirkung'' embrandt and his Followers. Drawings from Munich Mit einem Beitrag von Peter Schatborn. Katalog zur Ausstellung der Staatlichen Graphischen Sammlung München; München Alte Pinakothek, 5 December 2001 – 10 February 2002; Amsterdam Museum het Rembrandt. (München: Hirmer, 2001) n German* Waiboer, Adriaan E.: ''Northern Nocturnes: Nightscapes in the Age of Rembrandt''. With an essay by Michiel Franken. at. exh. (
Dublin Dublin (; , or ) is the capital and largest city of Ireland. On a bay at the mouth of the River Liffey, it is in the province of Leinster, bordered on the south by the Dublin Mountains, a part of the Wicklow Mountains range. At the 2016 c ...
:
National Gallery of Ireland The National Gallery of Ireland ( ga, Gailearaí Náisiúnta na hÉireann) houses the national collection of Irish and European art. It is located in the centre of Dublin with one entrance on Merrion Square, beside Leinster House, and another on ...
, 2005) * Weber, Gregor J.M.: ''Rembrandt im Kontrast. Die Blendung Simsons und Der Segen Jakobs''. (München: Hirmer; Kassel: Staatliche Museen Kassel, 2005) n German* Weber, Gregor J.M; Hartog Jager, Hans den; Nooteboom, Cees (eds.): ''Rembrandt-Velázquez: Nederlandse en Spaanse meesters / Rembrandt and Velázquez: Dutch and Spanish Masters''. (Rotterdam: Nai010, 2019) * Weislogel, Andrew C.; Banta, Andaleeb Badiee: ''Lines of Inquiry: Learning from Rembrandt's Etchings''. (Ithaca, New York: Herbert F. Johnson Museum of Art,
Cornell University Cornell University is a private statutory land-grant research university based in Ithaca, New York. It is a member of the Ivy League. Founded in 1865 by Ezra Cornell and Andrew Dickson White, Cornell was founded with the intention to tea ...
, 2017) * Weller, Dennis P.; Keyes, George S.; Rassieur, Tom; Seydl, Jon L.: ''Rembrandt in America: Collecting and Connoisseurship''. (New York, NY : Skira Rizzoli Publications, 2011) * Westheider, Ortrud; Helfenstein, Joseph; Brinkmann, Bodo; Philipp, Michael (eds.): ''Rembrandts Orient. Westöstliche Begegnung in der niederländischen Kunst des 17. Jahrhunderts''. (München: Verlag, 2020) n German* Westheider, Ortrud; Helfenstein, Joseph; Brinkmann, Bodo; Philipp, Michael (eds.): ''Rembrandt's Orient: West Meets East in Dutch Art of the 17th Century''. (Munich: Prestel, 2020) * Wheelock, Arthur K. Jr.; et al.: ''Rembrandt's Late Religious Portraits''. (Washington, DC: National Gallery of Art; Chicago: University of Chicago Press, 2005) * Wheelock, Arthur K. Jr.: ''
Jan Lievens Jan Lievens (24 October 1607 – 4 June 1674) was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter La ...
: A Dutch Master Rediscovered'' xhib. cat. (NewHaven, CT: Yale University Press, 2008) * Wheelock, Arthur K. Jr.; Luijten, Ger; Schatborn, Peter: ''Drawings for Paintings in the Age of Rembrandt''. (Washington: National Gallery of Art; Paris:
Fondation Custodia The Fondation Custodia is an art collection in the 7th arrondissement of Paris, focusing on European Old Master works, including works by Dutch, Flemish, Italian and French artists. It was founded in 1947 by the collector and art historian Frits ...
, 2016) * Williams, Julia Lloyd: ''Rembrandt. Artemisa y Mujer en el lecho''. (Madrid: Museo Nacional del Prado, 2002) n Spanish* Woollett, Anne T.: '' Rembrandt in Southern California''. (Los Angeles, CA: J. Paul Getty Museum, 2009) * Zuffi, Stefano: ''Lo specchio infranto. Rembrandt: il racconto degli ultimi anni''. (Milano: Longanesi, 2006) n Italian


Others

* Abbing, Michiel Roscam: ''Rembrant toont sijn konst. Bijdragen over Rembrandt-documenten uit de periode 1648–1756''. (Leiden: Primavera Pers, 1999)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Abbing, Michiel Roscam (ed.): ''Rembrandt 2006: Essays''. (
Leiden Leiden (; in English and archaic Dutch also Leyden) is a city and municipality in the province of South Holland, Netherlands. The municipality of Leiden has a population of 119,713, but the city forms one densely connected agglomeration wi ...
: Foleor Publishers, 2006) * Abbing, Michiel Roscam: '' Rembrandt's Elephant: The Story of Hansken''. (Amsterdam: Leporello Uitgevers, 2006) * Abbing, Michiel Roscam: ''Rembrandt - Vie et oeuvre d'un génie. 20 documents d'époque reproduits en fac-similés''. (Gennevilliers: Éditions Prisma, 2016)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Ackley, Clifford S.; Baer, Ronni; Rassieur, Thomas E.: ''Rembrandt's Journey: Painter,
Draftsman A drafter (also draughtsman / draughtswoman in British and Commonwealth English, draftsman / draftswoman or drafting technician in American and Canadian English) is an engineering technician who makes detailed technical drawings or plans for ...
,
Etcher Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
''. (Boston: Museum of Fine Arts, 2003) * Adams, Ann Jensen (ed.): '' Rembrandt's Bathsheba Reading King David's Letter''. (New York: Cambridge University Press, 1998) * Ainsworth, M.W.; et al.: ''Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer''. (New York:
The Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
, 1987) * Alarcón, Diego: ''Rembrandt: Retrato de un pintor de Leyden''. (Murcia: Editora Regional de Murcia, 2005) n Spanish* Alexander-Knotter, Mirjam; Hillegars, Jasper; van Voolen, Edward: ''De 'joodse' Rembrandt. De mythe ontrafeld''. (Zwolle: Waanders, 2007)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Albers, Eckbert: ''Erkenntnismomente und Erkenntnisprozesse bei Rembrandt'' tudien zur Kunstgeschichte, 174 (Hildesheim: Georg Olms Verlag, 2008) n German* Alpers, Svetlana: ''Rembrandt's Enterprise: The Studio and the Market''. (Chicago: University of Chicago Press, 1988) * Alpers, Svetlana: ''L'Atelier de Rembrandt. La liberté, la peinture et l'argent''. Traduit de l'anglais par Jean-François Sené. (Paris: Gallimard, 1991)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Amel, Pascal: ''Rembrandt, l'humanité''. (Paris: Éditions du Regard, 2016)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Amore, Anthony; Mashberg, Tom: ''Stealing Rembrandts: The Untold Stories of Notorious art heists''. (New York: Palgrave Macmillan, 2012) * Aricò, Nicola: ''Rembrandt e il Duca. Lettura estetica del teatro marittimo di Messina''. (Messina: GBM, 2007) n Italian* Aronson, Alex: ''
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
and Rembrandt: Metaphorical Representations in Poetry and the Visual Arts''. (Essen: Verlag Die Blaue Eule, 1987) * Arpino, Giovanni; Lecaldano, Paolo: ''L'opera pittorica completa di Rembrandt'' lassici dell'Arte, 33 (Milano: Rizzoli, 1969) n Italian * Atwood, Nan T.: ''Rembrandt van Rijn's Jewish Bride Depicting Female Power in the Dutch Republic Through the Notion of Nation Building''. (M.A. thesis,
Brigham Young University Brigham Young University (BYU, sometimes referred to colloquially as The Y) is a private research university in Provo, Utah. It was founded in 1875 by religious leader Brigham Young and is sponsored by the Church of Jesus Christ of Latter-d ...
, 2012) * Bab, Julius: ''Rembrandt und Spinoza. Ein Doppelbildnis im deutsch-jüdischen Raum''. (Berlin: Philo-Verlag, 1934) n German* Bailey, Anthony: '' Rembrandt's House: Exploring the World of the Great Master''. (Boston: Houghton Mifflin, 1978) * Bailey, Anthony: ''Responses to Rembrandt: Who Painted
the Polish Rider '' The Polish Rider '' is a seventeenth-century painting, usually dated to the 1650s, of a young man traveling on horseback through a murky landscape, now in The Frick Collection in New York. When the painting was sold by to Henry Frick in 1910, ...
?, a Controversy Considered''. (New York: Timken Publishers, 1994) * Bakker, Boudewijn; et al.: ''
Landscapes A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the p ...
of Rembrandt: His Favourite Walks''. (Amsterdam: Gemeentearchie, 1988) * Bakker, Boudewijn: ''Landschap en Wereldbeeld: Van
Van Eyck Van Eyck or Van Eijk () is a Dutch toponymic surname. ''Eijck'', ''Eyck'', ''Eyk'' and ''Eijk'' are all archaic spellings of modern Dutch ("oak") and the surname literally translates as "from/of oak". However, in most cases, the family name refers ...
tot Rembrandt''. (Bussum: Uitgeverij Thoth, 2004)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bakker, Boudewijn: ''Landscape and Religion: From Van Eyck to Rembrandt''. Translated from the Dutch by Diane Webb. (
Burlington, VT Burlington is the List of municipalities in Vermont, most populous city in the U.S. state of Vermont and the county seat, seat of Chittenden County, Vermont, Chittenden County. It is located south of the Canada–United States border and south ...
: Ashgate, 2012) * Balet, Leo: ''Rembrandt and Spinoza''. (New York: Philosophical Library, 1962) * Barker, Mary Christine: ''A Disquieting Presence: The Virgin Mary in Rembrandt's 'Protestant' Art''. (Ph.D. diss.,
University of Auckland , mottoeng = By natural ability and hard work , established = 1883; years ago , endowment = NZD $293 million (31 December 2021) , budget = NZD $1.281 billion (31 December 2021) , chancellor = Cecilia Tarrant , vice_chancellor = Dawn F ...
, 2010) * Bartsch, Adam von: ''Catalogue raisonné de toutes les estampes qui forment l'œuvre de Rembrandt et ceux de ses principaux imitateurs'' vols. (Vienne: Chez A. Blumauer)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bauch, Kurt: ''Die Kunst des Jungen Rembrandt''. (
Heidelberg Heidelberg (; Palatine German language, Palatine German: ''Heidlberg'') is a city in the States of Germany, German state of Baden-Württemberg, situated on the river Neckar in south-west Germany. As of the 2016 census, its population was 159,914 ...
: Winter, 1933) n German* Bauch, Kurt: ''Der frühe Rembrandt und seine Zeit. Studien zur geschichtlichen Bedeutung seines Frühstils''. (Berlin: Verlag Gebr. Mann, 1960) n German* Bauch, Kurt: ''Rembrandt Gemälde''. (Berlin: W. de Gruyter, 1966) n German* Baudiquey, Paul: ''Un Évangile selon Rembrandt''. (Paris: Éditions Mame, 1989)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Baudiquey, Paul: ''Rembrandt, le retour du Prodigue''. (Paris: Éditions Mame, 1995)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Baudiquey, Paul: ''Rembrandt, L'évangile intérieur''. (Paris: Éditions Mame, 2014)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bal, Mieke: ''Het Rembrandt effect: Visies op kijken''. (Utrecht: HES Uitgevers, 1987)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bal, Mieke: ''Verf en verderf. Lezen in Rembrandt''. (Amsterdam: Prometheus, 1990)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bal, Mieke: ''Reading Rembrandt: Beyond the Word-Image Opposition''. (Amsterdam: Amsterdam University Press, 1991) * Becker, Willy: ''Rembrandt als Dichter. Eine Untersuchung über das Poetische in den biblischen Darstellungen Rembrandts''. (Leipzig: Klinkhardt & Biermann, 1909) n German* Beliën, Herman; Knevel, Paul: ''Langs Rembrandts roem. De reputatie van een meester''. (Amsterdam: Salomé, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Benesch, Otto: ''Rembrandt: Werk und Forschung''. (Vienna, 1935) n German* Benesch, Otto: ''The Drawings of Rembrandt: First Complete Edition in Six Volumes''. (London: Phaidon, 1954–57) * Benesch, Otto: ''Rembrandt as a Draughtsman: An Essay with 115 Illustrations''. (London: Phaidon Press, 1960) * Benesch, Otto: ''The Drawings of Rembrandt. A Critical and Chronological Catalogue'' nd ed., 6 vols. (London: Phaidon, 1973) * Berger, Jr., Harry: ''Fictions of the Pose: Rembrandt Against the
Italian Renaissance The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the trans ...
''. (
Stanford, California Stanford is a census-designated place (CDP) in the northwest corner of Santa Clara County, California, United States. It is the home of Stanford University. The population was 21,150 at the 2020 census. Stanford is an unincorporated area of ...
: Stanford University Press, 2000) * Berger, Jr., Harry: ''Manhood, Marriage, and Mischief: Rembrandt's "Night Watch" and Other Dutch Group Portraits''. (New York: Fordham University Press, 2007) * Berger, Jr., Harry: ''The Perils of Uglytown: Studies in Structural Misanthropology from
Plato Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
to Rembrandt''. (New York:
Fordham University Press The Fordham University Press is a publishing house, a division of Fordham University, that publishes primarily in the humanities and the social sciences. Fordham University Press was established in 1907 and is headquartered at the university's Li ...
, 2015) * Berrong, Richard M.: ''Putting Monet and Rembrandt into Words:
Pierre Loti Pierre Loti (; pseudonym of Louis Marie-Julien Viaud ; 14 January 1850 – 10 June 1923) was a French naval officer and novelist, known for his exotic novels and short stories.This article is derived largely from the ''Encyclopædia Britannica El ...
's Recreation and Theorization of
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. Durin ...
's
Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
and Rembrandt's Landscapes in Literature''. (
Chapel Hill, NC Chapel Hill is a town in Orange, Durham and Chatham counties in the U.S. state of North Carolina. Its population was 61,960 in the 2020 census, making Chapel Hill the 17th-largest municipality in the state. Chapel Hill, Durham, and the sta ...
:
University of North Carolina Press The University of North Carolina Press (or UNC Press), founded in 1922, is a university press that is part of the University of North Carolina. It was the first university press founded in the Southern United States. It is a member of the As ...
, 2014) * Bertrand, Robert: ''"Les pèlerins d'Emmaüs" de Rembrandt selon l'esthétique théologique de Balthasar: grille d'analyse picturale artistique et théologique''. (Thèse de doctorat,
Université Laval Université Laval is a public research university in Quebec City, Quebec, Canada. The university was founded by royal charter issued by Queen Victoria in 1852, with roots in the founding of the Séminaire de Québec in 1663 by François de Montm ...
, 2008)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bevers, Holm; et al.: ''
Drawings by Rembrandt Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, ch ...
and His Pupils: Telling the Difference''. (Los Angeles, CA: The
J. Paul Getty Museum The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa. The Getty Center is located in the Brentwood neighborhood of Los Angeles and fea ...
, 2009) * Bevers, Holm; Kelch, Jan; Lindemann, Bernd Wolfgang; Seifert, Christian Tico (eds.): ''Rembrandt – Wissenschaft auf der Suche''. Beiträge des Internationalen Symposiums Berlin, 4.-5. November 2006 ahrbuch der Berliner Museen. Neue Folge. Vol. 51, Beiheft (Berlin: Gebr. Mann Verlag, 2009) n German* Białostocki, Jan; Michałkowa, Janina (eds.): ''Rembrandt w oczach współczesnych''. (Warszawa:
Państwowy Instytut Wydawniczy The State Publishing Institute PIW ( pl, Państwowy Instytut Wydawniczy, PIW) is a Polish publishing house founded in Warsaw by the Polish state after World War II, in 1946. ''PIW'' specializes in literature, history, philosophy, and the social sc ...
, 1957) n Polish* Bikker, Jonathan: ''
Willem Drost Willem Drost (baptized 19 April 1633 – buried 25 February 1659) was a Dutch Golden Age painter and printmaker of history paintings and portraits. Biography He is a mysterious figure, closely associated with Rembrandt, with very few pain ...
(1633–1659): A Rembrandt Pupil in Amsterdam and Venice''. (New Haven: Yale University Press, 2005) * Bikker, Jonathan: ''Marten en Oopjen. Twee monumentale portretten van Rembrandt''. (Amsterdam: Rijksmuseum, 2016)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Biörklund, George; Barnard, Osbert H.: '' Rembrandt's Etchings: True and False'' evised edition ( Stockholm: Biörklund, 1968) * Binstock, Benjamin: ''Becoming Rembrandt: National, Religious, and Sexual Identity in Rembrandt's History Paintings''. (Ph.D. diss.,
Columbia University Columbia University (also known as Columbia, and officially as Columbia University in the City of New York) is a private research university in New York City. Established in 1754 as King's College on the grounds of Trinity Church in Manhatt ...
, 1997) * Blanc, Charles: ''L'Œuvre de Rembrandt, reproduit en planches photographiques''. (Paris: Gide et J. Bandry, 1853)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Blanc, Charles: ''L'œuvre complet de Rembrandt: Catalogue raisonné de toutes les eaux-fortes du maître et de ses peintures... orné de bois gravés et de quarante eaux-fortes tirées à part et rapportées dans le texte''. (Paris: Gide, 1859–1861)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Blaazer, Ferry: ''Het naakte lichaam in de etsen van Rembrandt''. (Deventer: Scriptio, 2009)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Blanc, Jan: ''Dans l'atelier de Rembrandt: Le maître et ses élèves''. (Paris: Éditions de La Martinière, 2006)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bockemühl, Michael: ''Rembrandt: Zum Wandel des Bildes und seiner Anschauung im Spätwerk''. (Mittenwald: Mäander Verlag, 1981) n German* Bockemühl, Michael: ''Rembrandt, 1606–1669. Das Rätsel der Erscheinung''. (Cologne: Benedikt Taschen Verlag, 1991) n German* Bockemühl, Michael: ''Rembrandt, 1606–1669: The Mystery of the Revealed Form''. Translated from the German by Michael Claridge. (
Cologne Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 millio ...
:
Taschen Taschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen. History The company began as Taschen Comics, ...
, 2004) * Bode, Wilhelm von; de Groot, Cornelis Hofstede: ''The Complete Work of Rembrandt: History, Description and Heliographic Reproduction of All the Master's Pictures, with a Study of His Life and Art''. vols. (Paris: Charles Sedelmeyer, 1897–1906) * Bode, Wilhelm von: ''Rembrandt und seine Zeitgenossen: Charakterbilder der grossen Meister der holländischen und vlämischen Malerschule im siebzehnten Jahrhundert''. (Leipzig: E. A. Seemann Verlag, 1907) n German* Bodenbach, Hans Joachim: ''Rembrandt - Selbstporträts von fremder Hand''. (
Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label= Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
: Verlag der Kunst, 2003) n German* Böhm, Günter: ''Los judíos en la obra de Rembrandt''. (
Santiago de Chile Santiago (, ; ), also known as Santiago de Chile, is the capital and largest city of Chile as well as one of the largest cities in the Americas. It is the center of Chile's most densely populated region, the Santiago Metropolitan Region, whose ...
:
Universidad de Chile The University of Chile ( es, Universidad de Chile) is a public research university in Santiago, Chile. It was founded on November 19, 1842, and inaugurated on September 17, 1843.
, Facultad de Filosofía y Letras, Centro de Estudios de Cultura Judaica, 1974) n Spanish* Bohlmann, Carolin; Fink, Thomas; Weiss, Philipp (eds.): ''Lichtgefüge des 17. Jahrhunderts. Rembrandt und
Vermeer Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately succe ...
Spinoza Baruch (de) Spinoza (born Bento de Espinosa; later as an author and a correspondent ''Benedictus de Spinoza'', anglicized to ''Benedict de Spinoza''; 24 November 1632 – 21 February 1677) was a Dutch philosopher of Portuguese-Jewish origin, ...
und
Leibniz Gottfried Wilhelm (von) Leibniz . ( – 14 November 1716) was a German polymath active as a mathematician, philosopher, scientist and diplomat. He is one of the most prominent figures in both the history of philosophy and the history of ma ...
''. (München: Wilhelm Fink 2008) n German* Boka, Georges; Courteau, Bernard: '' Rembrandt's Nightwatch: The Mystery Revealed''. (
Quebec Quebec ( ; )According to the Canadian government, ''Québec'' (with the acute accent) is the official name in Canadian French and ''Quebec'' (without the accent) is the province's official name in Canadian English is one of the thirtee ...
, Canada: C.C.E.P., 1994) *
Bonafoux, Pascal Pascal Bonafoux (born 1949) is a French writer, novelist, art critic and art historian, a specialist in self-portraiture. He collaborates with various newspapers and magazines, he is the author of numerous essays dedicated to art and was a res ...
: ''Rembrandt: Self-Portrait''. (New York: Rizzoli, 1985) * Bonafoux, Pascal: ''Rembrandt, le clair, l'obscur'', collection " Découvertes Gallimard" (nº 76). (Paris: Gallimard, 1990)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bonafoux, Pascal: ''Rembrandt: Master of the
Portrait A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this r ...
'', "
Abrams Discoveries Abrams may refer to: * Abrams (surname), a list of notable people with the surname * '' Abrams v. United States'', 250 U.S. 616 (1919), U.S. Supreme Court decision regarding free speech during times of war * M1 Abrams, main battle tank * Abrams, ...
" series. (New York: Harry N. Abrams, 1992) * Bonafoux, Pascal: ''Rembrandt: Substance and Shadow'', ' New Horizons' series. (London: Thames and Hudson, 1992) * Bonafoux, Pascal: ''Rembrandt: Die Selbstbildnisse''. Aus dem Französischen von Matthias Wolf. (München: Schirmer/Mosel Verlag, 2019) n German* Boomgaard, Jeroen: ''De verloren zoon. Rembrandt en de Nederlandse kunstgeschiedschrijving''. (Amsterdam: Babylon-De Geus, 1995)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Boon, K.G.: ''Rembrandt: The Complete Etchings''. (New York: Harry N. Abrams, 1963) * Borenius, Tancred: ''Rembrandt: Selected Paintings''. (London: Phaidon Press, 1942) * Bosman, Machiel: ''Rembrandts val. Een geschiedenis van misvattingen en alternatieve feiten''. (Amsterdam: Athenaeum, 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bracken, William Worth: ''Rembrandt in the 1630s: Dialogues and Competitive Environment''. (Ph.D. thesis, Institute of Fine Arts,
New York University New York University (NYU) is a private research university in New York City. Chartered in 1831 by the New York State Legislature, NYU was founded by a group of New Yorkers led by then- Secretary of the Treasury Albert Gallatin. In 1832, th ...
, 2011) * Bredius, Abraham: ''The Paintings of Rembrandt''. (London: Phaidon, 1937) * Bredius, Abraham: ''Rembrandt: The Complete Edition of the Paintings'', 3rd ed. evised by Horst Gerson (London: Phaidon Press, 1969) * Bredt, E. W.: ''Rembrandt-Bibel: Vier Bände mit 270 Abbildungen''. (München: Hugo Schmidt Verlag, 1921) n German* Bredt, E. W.: ''Die Rembrandt-Bibel: Altes und Neues Testament: Mit 246 Abbildungen und 34 Gravüren''. (München: Hugo Schmidt Verlag, 1922) n German* Bredt, E. W.: ''Die Rembrandt-Bibel: Altes und Neues Testament'' rd ed., 2 vols. (München: Hugo Schmidt Verlag, 1926) n German* Bringmann, Michael (ed.): ''Von Rembrandt bis Menzel. Meisterwerke der Zeichenkunst; die Sammlung Brandes''. (
Konstanz Konstanz (, , locally: ; also written as Constance in English) is a university city with approximately 83,000 inhabitants located at the western end of Lake Constance in the south of Germany. The city houses the University of Konstanz and was th ...
: Städtische Wessenberg-Galerie;
Heidelberg Heidelberg (; Palatine German language, Palatine German: ''Heidlberg'') is a city in the States of Germany, German state of Baden-Württemberg, situated on the river Neckar in south-west Germany. As of the 2016 census, its population was 159,914 ...
: Ed. Braus im Wachter Verlag 2000) n German* Broos, B.P.J.: ''Rembrandt studies''. (Ph.D. diss.,
Universiteit Utrecht Utrecht University (UU; nl, Universiteit Utrecht, formerly ''Rijksuniversiteit Utrecht'') is a public research university in Utrecht, Netherlands. Established , it is one of the oldest universities in the Netherlands. In 2018, it had an enrollme ...
, 1977)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Broos, B.P.J.: ''Index to the Formal Sources of Rembrandt's Art''. (Maarssen, Netherlands: Gary Schwartz, 1977) * Broos, B.P.J.: ''Het Rembrandt boek''. (Zwolle: Waanders, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Broos, B.P.J.: ''
Saskia Saskia is a Germanic feminine given name. There are at least two different sources of the name. One is of North German and Northeast Netherlands origin, where it originally meant "a Saxon woman" ( metathesis of "Saxia"). Notable people with the n ...
, de vrouw van Rembrandt''. (Zwolle: Wbooks, 2012)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Broos, Ton; Dierick, A.P. (eds.): ''About and Around Rembrandt: Special Issue of the Canadian Journal of Netherlandic Studies in Commemoration of the 400th Birthday of Rembrandt Harmensz. van Rijn'' anadian Journal of Netherlandic Studies/Revue canadienne d'études néerlandaises, Volume XXVIII (
Windsor, Ontario Windsor is a city in southwestern Ontario, Canada, on the south bank of the Detroit River directly across from Detroit, Michigan, United States. Geographically located within but administratively independent of Essex County, it is the southe ...
: CAANS-ACAEN, 2007) * Brown, Christopher; Kelch, Jan; van Thiel, Pieter (eds.): ''Rembrandt: The Master and His Workshop''. (New Haven: Yale University Press, 1991) * Bruchmann, Alexandra: ''Zwischen Emulation und Dekonstruktion. Rezeption der diskursiven Künstlerfigur Rembrandt in der Kunst der zweiten Hälfte des 20. Jahrhunderts''. (Ph.D. thesis,
University of Cologne The University of Cologne (german: Universität zu Köln) is a university in Cologne, Germany. It was established in the year 1388 and is one of the most prestigious and research intensive universities in Germany. It was the sixth university to ...
, 2012) n German* Bruin, Kees: ''De echte Rembrandt. Verering van een genie in de twintigste eeuw''. (Amsterdam: Balans, 1995)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bruyn, J.; et al.: ''A Corpus of Rembrandt Paintings'' olume I, Stichting Foundation Rembrandt Research Project (The Hague/Dordrecht/Boston: Martinus Nijhoff, 1982) * Bruyn, J.; et al.: ''A Corpus of Rembrandt Paintings'' olume II, Stichting Foundation Rembrandt Research Project (Dordrecht/Boston: Martinus Nijhoff, 1982) * Brückner, Christel: ''Rembrandts Braunschweiger “Familienbild”: Seine thematische Figuren- und Farbkomposition und die Kunst Italiens''. (Hildesheim: Olms, 1997) n German* Buechli, Esther: ''Points de vue, points de fuite: la perspective dans l'atelier de Rembrandt''. (Ph.D. diss., Université de Lausanne, 2009)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Bugnion-Secretan, P.: ''Méditation avec Pascal et Rembrandt: de la douleur à la consolation''. Pensées choisies et présentées par P. Bugnion-Secretan. Avec 8 illustrations tirées de l'oeuvre de Rembrandt. (Neuchâtel: Ed. de La Baconnière, 1949)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
*
Burckhardt, Jacob Carl Jacob Christoph Burckhardt (25 May 1818 – 8 August 1897) was a Swiss historian of art and culture and an influential figure in the historiography of both fields. He is known as one of the major progenitors of cultural history. Sigfri ...
: ''Rembrandt und Van Dyck. Zwei Vorträge''. (Bern: Alfred Scherz, 1947) n German* Butor, Michel: ''Dialogue avec Rembrandt van Rijn sur Samson et Dalila''. (Paris: Absteme et Bobance Éditions, 2005)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Buvelot, Quentin; White, Christopher (eds.): ''Rembrandt by Himself''. (London: National Gallery Publications Limited, 1999) * Campbell, C.G.: ''Studies in the Formal Sources of Rembrandt's Figure Compositions''. (PhD dissertation,
University of London The University of London (UoL; abbreviated as Lond or more rarely Londin in post-nominals) is a federal public research university located in London, England, United Kingdom. The university was established by royal charter in 1836 as a degree ...
, 1971) * Carroll, Margaret D.: ''Rembrandt's Nightwatch and the Iconological Traditions of Militia Company Portraiture in Amsterdam''. (Ph.D. diss.,
Harvard University Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of high ...
, 1976) * Carstensen, Hans Thomas: ''Empirie als Bildsprache. Überlegungen zum jüdischen Einfluss auf Rembrandts Kunst'' issenschaftliche Beiträge aus europäischen Hochschulen (Ammersbek bei Hamburg: Verlag an der Lottbek, 1993) n German* Carter-Kneff, Bethany Ann: ''A Discussion: Rembrandt's Influence on the Evolution of the Printmaking Process through his Experimental Attitude towards the Medium''. (M.A. thesis,
East Tennessee State University East Tennessee State University (ETSU) is a public research university in Johnson City, Tennessee. Although it is part of the State University and Community College System of Tennessee, the university is governed by an institutional Board of Tr ...
, 2004) * Cavalli-Björkman, Görel (ed.): ''Rembrandt and His Pupils: Papers Given at a Symposium in Nationalmuseum Stockholm, 2–3 October 1992''. ( Stockholm: Nationalmuseum, 1993) * Chalard-Fillaudeau, Anne: ''Rembrandt dans l'histoire de l'art, la littérature et la philosophie européennes depuis 1669''. (Thèse soutenue à l'Ecole Pratique des Hautes Etudes, Paris, 2002)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Chalard-Fillaudeau, Anne: ''Rembrandt, l'artiste au fil des textes: Rembrandt dans la littérature et la philosophie européennes depuis 1669''. (Paris: L'Harmattan, 2004)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Chalard-Fillaudeau, Anne: ''Rembrandt ou le génie du dépassement. Essai sur l'artiste hollandais dans l'histoire de l'art allemande''. ( Saarbrücken: Editions Universitaires Européennes, 2010)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Chambaz, Bernard: ''Ecce homo: ou l'énigme Rembrandt''. (Paris: Desclée de Brouwer Éditions, 2006)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Chapman, H. Perry: ''The Image of the Artist: Roles and Guises in Rembrandt's Self-Portraits''. (Ph.D. diss., Princeton University, 1983) * Chapman, H. Perry: '' Rembrandt's Self-Portraits: A Study Seventeenth-Century Identity''. (Princeton, N.J.: Princeton University Press, 1990) * Charrier, Claire: ''Du sublime dans l'œuvre gravé de Rembrandt''. (Thèse de doctorat en Esthétique et science de l'art, Université Paris Ouest Nanterre La Défense, 2016)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Chong, Alan (ed.): ''Rembrandt Creates Rembrandt: Art and Ambition in
Leiden Leiden (; in English and archaic Dutch also Leyden) is a city and municipality in the province of South Holland, Netherlands. The municipality of Leiden has a population of 119,713, but the city forms one densely connected agglomeration wi ...
, 1629–1631''. Arthur_K._Wheelock,_Jr.,_Mariët_Westermann,_Christopher_White_and_Alan_Chong.html" ;"title="Arthur K. Wheelock Jr.">Arthur K. Wheelock, Jr., Mariët Westermann, Christopher White and Alan Chong">Arthur K. Wheelock Jr.">Arthur K. Wheelock, Jr., Mariët Westermann, Christopher White and Alan Chong (Boston:
Isabella Stewart Gardner Museum The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was found ...
; Zwolle: Wanders Publishers, 2000) * Chung, Jina: ''Rembrandt Redefined: Making the “Global Artist” in Seventeenth-Century Amsterdam''. (M.A. thesis,
University of Texas at Austin The University of Texas at Austin (UT Austin, UT, or Texas) is a public research university in Austin, Texas. It was founded in 1883 and is the oldest institution in the University of Texas System. With 40,916 undergraduate students, 11,07 ...
, 2011) * Cixous, Hélène: ''Poetas en pintura. Escritos sobre arte: de Rembrandt a
Nancy Spero Nancy Spero (August 24, 1926 – October 18, 2009) was an American visual artist. Born in Cleveland, Ohio, Spero lived for much of her life in New York City. She married and collaborated with artist Leon Golub. As both artist and activist, Nancy ...
''. (
Castellón de la Plana Castellón de la Plana (officially in ca-valencia, Castelló de la Plana), or simply Castellón ( ca-valencia, Castelló, link=no) is the capital city of the province of Castellón, in the Valencian Community, Spain. It is located in the east ...
: Ellago Ediciones, 2011) n Spanish* Clark, Kenneth: ''Rembrandt and the Italian Renaissance''. (London: John Murray, 1966) * Clark, Kenneth: ''An Introduction to Rembrandt''. (London: John Murray/Readers Union, 1978) * Claussin, Ignace Joseph de: ''Catalogue raisonné de toutes les estampes qui forment l'œuvre de Rembrandt, et des principales pièces de ses élèves; composé par les sieurs Gersaint, Helle, Glomy et P. Yver'' ouvelle édition corrigée et consi-dérablement augmentée (Paris, 1824)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Connor, Alexandra: ''Rembrandt's Monkey: And Other Tales from the Secret Lives of the Great Artists''. (New York: St. Martin's Press, 1991) * Crenshaw, Paul: ''Rembrandt's Bankruptcy''. (Ph.D. thesis, Institute of Fine Arts,
New York University New York University (NYU) is a private research university in New York City. Chartered in 1831 by the New York State Legislature, NYU was founded by a group of New Yorkers led by then- Secretary of the Treasury Albert Gallatin. In 1832, th ...
, 2000) * Crenshaw, Paul: ''Rembrandt's Bankruptcy: The Artist, his Patrons, and the
Art market The art market is the marketplace of buyers and sellers trading in commodities, services, and works of art. The art market operates in an economic model that considers more than supply and demand: it is a hybrid type of prediction market where ...
in Seventeenth-Century Netherlands''. (Cambridge and New York: Cambridge University Press, 2006) * Czichos, Horst: ''Was ist falsch am falschen Rembrandt? und Wie hart ist Damaszener Stahl? – Wie man mit Technik Kunst erforscht, prüft und erhält''. (Berlin: Nicolaische Verlagsbuchhandlun, 2002) n German* Czichos, Horst; Hahn, Oliver: ''Was ist falsch am falschen Rembrandt? Mit High-Tech den Rätseln der Kunstgeschichte auf der Spur''. (München: Carl Hanser Verlag, 2011) n German* Coquerel, Athanase: ''Rembrandt et l'individualisme dans l'art''. (Paris: Sandoz et Fischbacher, 1868)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* De Groot, Cornelis Hofstede: ''Die Urkunden über Rembrandt (1575–1721)''. (The Hague: Martinus Nijhoff, 1906) n German* Dandrieu, Laurent: ''Les peintres de l'invisible: Le Greco, Rembrandt, Vermeer et autres messagers de l'infini''. (Paris: Editions du Cerf, 2016)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* De Groot, Cornelis Hofstede: ''Die holländische Kritik der jetzigen Rembrandt-Forschung und neuest wiedergefundene Rembrandtbilder''. (Stuttgart: Deutsche Verlags-Anstalt, 1922) n German* Dagen, Philippe: ''L'influence de Rembrandt sur la peinture contemporaine en France de la fin du XIXe siècle à nos jours''. (Ph.D. diss., Université Paris-Sorbonne, 1982)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* De Vries, A. B.; Froentjes, W.; Tóth-Ubbens, Magdi: ''Rembrandt in the Mauritshuis: An Interdisciplinary Study''. Translated from the Dutch by James Brockway. (Alphen aan den Rijn: Sijthoff & Noordhoff, 1978) * De Wilt, Koos: ''Rembrandt Inc.: Marktstrategieën van een genie''. (Amsterdam: Nieuw Amsterdam, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* De Winkel, Marieke; Manuth, Volker: ''Rembrandt's Minerva in Her Study of 1635: The Splendor and Wisdom of a Goddess''. (New York: Otto Naumann, 2002) * De Winkel, Marieke: ''Fashion and Fancy: Dress and Meaning in Rembrandt's Paintings''. (Amsterdam: Amsterdam University Press, 2006) * De Winkel, Marieke; Manuth, Volker: ''Rembrandt: The Self-Portraits''. (London: Taschen, 2019) * De Winkel, Marieke; Manuth, Volker; van Leeuwen, Rudie: ''Rembrandt: The Complete Paintings''. (London: Taschen, 2019) * Debluë, François: ''Conversation avec Rembrandt''. (Paris: Éditions Seghers, 2006)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Debrunner, Hugo: ''Rembrandts frühes Schaffen''. (Zürich: Diss.-Druckerei A.-G. Gebr. Leemann &. Co., 1929) n German* Dekiert, Marcus: ''Rembrandt: Die Opferung Isaaks''. (Munich:
Alte Pinakothek The Alte Pinakothek (, ''Old Pinakothek'') is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pi ...
, 2004) n German* Dessons, Gérard: ''L'odeur de la peinture, essai sur une question posée par Rembrandt à la peinture représentative''. (Paris: L'Aphélie, 1987)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Dessons, Gérard: ''Rembrandt, l'odeur de la peinture; à partir d'une question posée à la peinture représentative''. (Paris: Éditions Laurence Teper, 2006)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Dessons, Gérard: ''L'odeur de la peinture. L'hypothese Rembrandt''. (Paris: Manucius, 2013)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Dhomps, Claude: ''Le Diamant de Rembrandt: ou l'incroyable puissance du symbole''. (Nice: Bénévent, 2004)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Dickey, Stephanie S.: ''Rembrandt Harmensz van Rijn: The Illustrated Bartsch'', Vol. 50 upplement (New York: Abaris Books, 1993) * Dickey, Stephanie S.: ''Prints, Portraits and Patronage in Rembrandt's Work around 1640''. (Ph.D. diss.,
New York University New York University (NYU) is a private research university in New York City. Chartered in 1831 by the New York State Legislature, NYU was founded by a group of New Yorkers led by then- Secretary of the Treasury Albert Gallatin. In 1832, th ...
, 1994) * Dickey, Stephanie S.: ''Rembrandt: Portraits in Print''. (Amsterdam/Philadelphia: John Benjamins, 2004) * Dickey, Stephanie S.: ''Rembrandt Face to Face''. (Indianapolis, IN: Indianapolis Museum of Art, 2006) * Dickey, Stephanie S.; Wilson, John: ''Rembrandt's Recession: Passion and Prints in the Dutch Golden Age''. (
San Diego San Diego ( , ; ) is a city on the Pacific Ocean coast of Southern California located immediately adjacent to the Mexico–United States border. With a 2020 population of 1,386,932, it is the eighth most populous city in the United State ...
:
Timken Museum of Art The Timken Museum of Art is a fine art museum, established in 1965 and located at 1500 El Prado in Balboa Park in San Diego, California, close to the San Diego Museum of Art. History The groundwork for the museum was laid in 1951 when Walter ...
, 2010) * Dickey, Stephanie S.: ''Rembrandt and His Circle: Insights and Discoveries''. (Amsterdam: Amsterdam University Press, 2017) * Dickey, Stephanie S.; Sander, Jochen (eds.): ''Rembrandt in Amsterdam: Creativity and Competition''. (New Haven, CT: Yale University Press, 2021) * Díaz-Plaja, Guillermo: ''Rembrandt y la sinagoga española''. (Barcelona: Plaza & Janés, 1982) n Spanish* Driessen, Christoph: ''Rembrandt und die Frauen''. ( Regensburg: Verlag Friedrich Pustet, 2011) n German* Driessen, Christoph: ''Rembrandts vrouwen''. (Amsterdam: Bert Bakker, 2012)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Drost, Willi: ''Adam Elsheimer als Zeichner. Goudts Nachahmungen und Elsheimers Weiterleben bei Rembrandt. Ein Beitrag zur Strukturforschung''. (Stuttgart: Kohlhammer, 1957) n German* Dumesnil, Alfred: ''La Foi nouvelle cherchée dans l'art de Rembrandt à
Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ...
''. (Paris: E. Thunot et Cie., 1850)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Durham, John: ''The Biblical Rembrandt: Human Painter in a Landscape of Faith''. (Macon, GA.: Mercer University Press, 2004) * Dutuit, Eugène: ''L'oeuvre complet de Rembrandt'' vols. (Paris: A. Lévy, 1883)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Dutuit, Eugène: ''Tableaux et dessins de Rembrandt: Catalogue historique et descriptif; supplément à l'Oeuvre complet de Rembrandt''. (Paris: A. Lévy, 1885)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Egorova, K.S.: ''Portret v tvorcestve Rembrandta''. (Moskva: Iskoesstvo, 1975) n Russian* Eisler, Max: ''Rembrandt als Landschaftler''. (Munich, 1918) n German* Eisler, Max: ''Der Alte Rembrandt''. (Vienna: Druck und Verlag der Österreichischen Staatsdruckerei, 1927) n German* Emmens, J.A.: ''Rembrandt en de regels van de kunst'' embrandt and the Rules of Art (Utrecht: Haentjens Dekker & Gumbert, 1968)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Erftemeijer, A.: ''De aap van Rembrandt. Kunstenaarsanekdotes van de klassieke oudheid tot heden''. ( Haarlem: Becht, 2000)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Erpel, Fritz: ''Die Selbstbildnisse Rembrandts''. (Berlin: Henschelverlag, 1967) n German* Fendrich, Herbert: ''Rembrandts Darstellungen des Emmausmahles'' ochumer Schriften zur Kunstgeschichte, 13 (Frankfurt am Main: Peter Lang, 1990) n German* Fernández, Carmen Cámara: ''Rembrandt, genio del claroscuro''. (Madrid: Editorial Libsa, S.A., 2008) n Spanish* Foucart, Jacques: ''Les Peintures de Rembrandt au
Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
''. (Paris: Éditions de la RMN, 1982)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Fraenger, Wilhelm: ''Der junge Rembrandt: Johann Georg van Vliet und Rembrandt''. (Heidelberg: C. Winter, 1920) n German* Frederick, Amy Reed: ''Rembrandt's Etched Sketches and Seventeenth-Century Print Culture''. (Ph.D. thesis, Case Western Reserve University, 2014) * Freedberg, David; Monkhouse, Wendy: ''Visions of the Self: Rembrandt and Now''. (New York: Rizzoli, 2020) * Fuchs, R.H.: ''Rembrandt en Amsterdam''. (Rotterdam: Lemniscaat, 1968)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Fuchs, R.H.; van de Waal, H.: ''Steps Towards Rembrandt: Collected Articles, 1937–1972''. (Amsterdam: North-Holland Publishing, 1974) * Fuchs, R.H.: ''Rembrandt spreekt. Een verslag''. (Amsterdam: De Bezige Bij, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Gantner, Joseph: ''Rembrandt und die Verwandlung Klassischer Formen''. (Bern/Munich: Francke Verlag, 1964) n German* Gatenbröcker, Silke: ''Familienglück – Rembrandt und sein Braunschweiger Meisterwerk''. (Petersberg: Imhof, 2006) n German* Genet, Jean: '' Le Secret de Rembrandt'' uvres complètes (Paris: Gallimard, 1968)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Genet, Jean: ''Ce quiest resté d'un Rembrandt déchiré en petits carrés bien réguliers, et foutu aux chiottes'' uvres complètes (Paris: Gallimard, 1968)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Genet, Jean: ''Rembrandt: Ein Fragment''. Aus dem Französischen übersetzt von Katharina E. Meyer und Marc Bastet. (Gifkendorf, Vastorf: Merlin Verlag, 1996) n German* Genet, Jean: ''Rembrandt''. (Paris: Gallimard, 2016)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Genevaz, Patrick: ''Sur trois gravures de Rembrandt''. (Paris: La Délirante, 2008)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Gersaint, Edme-François: ''Catalogue raisonné de toutes les pièces qui forment l'oeuvre de Rembrandt''. (Paris: Chez Hochereau, 1751)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Gerson, Horst (ed.): ''Seven Letters by Rembrandt''. Transcribed by Isabella van Eeghen, translated by Yda Ovink. (The Hague: L.J. C. Boucher, 1961) * Gerson, Horst: ''De Schilderijen van Rembrandt''. (Amsterdam: Meulenhoff, 1968)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Gerson, Horst: ''Rembrandt Paintings''. (Amsterdam: Meulenhoff International, 1968) * Gilboa, Anat: ''Images of the Feminine in Rembrandt's Work''. (Delft: Eburon Publishers, 2003) * Giltaij, Jeroen: ''Ruffo en Rembrandt. Over een Siciliaanse verzamelaar in de zeventiende eeuw die drie schilderijen bij Rembrandt bestelde''. (Zutphen: Walburg Pers, 1999)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Girnius, Rima Marija: ''Rembrandt's Spaces''. (Ph.D. diss.,
Bryn Mawr College Bryn Mawr College ( ; Welsh: ) is a women's liberal arts college in Bryn Mawr, Pennsylvania. Founded as a Quaker institution in 1885, Bryn Mawr is one of the Seven Sister colleges, a group of elite, historically women's colleges in the United ...
, 2007) * Gnann, Achim: ''Landschaftszeichnungen / Landscape Drawings''. (Petersberg: Michael Imhof Verlag, 2021) n German* Golahny, Amy: ''Rembrandt's Paintings and the Venetian Tradition''. (Ph.D. diss.,
Columbia University Columbia University (also known as Columbia, and officially as Columbia University in the City of New York) is a private research university in New York City. Established in 1754 as King's College on the grounds of Trinity Church in Manhatt ...
, 1984) * Golahny, Amy: ''Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History''. (Amsterdam: Amsterdam University Press, 2003) * Golahny, Amy: ''Rembrandt: Studies in his Varied Approaches to Italian Art''. (Leiden: Brill, 2020) * Goldschneider, Ludwig: ''Rembrandt: Gemälde und Graphik. Mit den drei frühesten Biographien von Sandrart, Baldinucci & Houbraken und einem Katalog und Anmerkungen''. (Kön: Phaidon, 1960) n German* Gollwitzer, Gerhard; Gollwitzer, Helmut: ''Rembrandt van Rijn. Hundertguldenblatt: Die grosse Krankenheilung''. (Stuttgart: Evangelisches Verlagswerk, 1969) n German* Gottwald, Franziska: ''Das Tronie. Muster—Studie—Meisterwerk: Die Genese einer Gattung der Malerei vom 15. Jahrhundert bis zu Rembrandt'' unstwissenschaftliche Studien, Band 164 (Berlin:
Deutscher Kunstverlag The Deutscher Kunstverlag (DKV) is an educational publishing house with offices in Berlin and Munich. The publisher specializes in books about art, cultural history, architecture, and historic preservation. History Deutscher Kunstverlag was fo ...
, 2011) n German* Graul, Richard: ''Fünfzig Zeichnungen von Rembrandt''. (Leipzig: E. A. Seemann, 1906) n German* Graul, Richard: ''Rembrandt Handzeichnungen''. (Leipzig: Insel, 1934) n German* Graul, Richard: ''Rembrandt: Gemälde, Handzeichnungen, Radierungen''. (Leipzig: Johannes Asmus Verlag, 1941) n German* Grimm, Claus: ''Rembrandt selbst. Eine Neubewertung seiner Porträtkunst''. (Stuttgart: Belser Verlag, 1991) n German* Grohé, Stefan: ''Rembrandts mythologische Historien''. (
Cologne Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 millio ...
/
Weimar Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouri ...
/
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
: Böhlau Verlag, 1996) n German* Guérin, Michel: ''La peinture effarée. Rembrandt et l'autoportrait''. (Chatou: Éditions de la Transparence, 2011)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Guérin, Michel: ''Origine de la peinture. Sur Rembrandt, Cézanne et l'immémorial''. (Paris:
Les Belles Lettres Les Belles Lettres is a French publisher specialising in the publication of ancient texts such as the '' Collection Budé''. The publishing house, originally named ''Société Les Belles Lettres pour le développement de la culture classique'', ...
, 2013)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Guillaud, Jacqueline; Guillaud, Maurice; Lambert, Gisèle: ''Rembrandt. La figuration humaine''. (Paris/New York: Guillaud / Clarkson N. Potter, 1986)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Guillaud, Jacqueline; Guillaud, Maurice: ''Rembrandt. The Human Form and Spirit''. ranslated from the French by Suzanne Boorsch et al. (New York: Clarkson N. Potter, 1986) * Gutbrod, Helga: '' Lievens und Rembrandt: Studien zum Verhältnis ihrer Kunst''. (
Frankfurt am Main Frankfurt, officially Frankfurt am Main (; Hessian: , "Frank ford on the Main"), is the most populous city in the German state of Hesse. Its 791,000 inhabitants as of 2022 make it the fifth-most populous city in Germany. Located on its na ...
: Peter Lang, 1996) n German* Gyllenhaal, Martha: ''Rembrandt's Artful Use of Statues and Casts: New Insights into His Studio Practices and Working Methods''. (Ph.D. diss.,
Temple University Temple University (Temple or TU) is a public state-related research university in Philadelphia, Pennsylvania. It was founded in 1884 by the Baptist minister Russell Conwell and his congregation Grace Baptist Church of Philadelphia then calle ...
, 2008) * Haden, Francis Seymour: ''The Etched Work of Rembrandt Critically Reconsidered''. (London: Metchim, 1877) * Hadjinicolaou, Yannis: ''Denkende Körper – Formende Hände: Handeling in Kunst und Kunsttheorie der Rembrandtisten''. (Ph.D. diss.,
Freie Universität Berlin The Free University of Berlin (, often abbreviated as FU Berlin or simply FU) is a public research university in Berlin, Germany. It is consistently ranked among Germany's best universities, with particular strengths in political science and t ...
, 2014) n German* Hadjinicolaou, Yannis: ''Denkende Körper – Formende Hände: Handeling in Kunst und Kunsttheorie der “Rembrandtisten”'' ctus et Imago, Berliner Schriften für Bildaktforschung und Verkörperungsphilosophie, XVIII (Berlin: Walter de Gruyter, 2016) n German* Hadjinicolaou, Yannis: ''Thinking Bodies – Shaping Hands: Handeling in Art and Theory of the Late Rembrandtists''. Translated from the German by Christina Oberstebrink and Jennifer Kilian. tudies in Netherlandish Art and Cultural History; Vol. 15 (Leiden/Boston: Brill, 2019) * Haeger, Barbara Joan: ''The Religious Significance of Rembrandt's Return of the Prodigal Son: An Examination of the Picture in the Context of the Visual and Iconographic Tradition''. (Ph.D. diss.,
University of Michigan , mottoeng = "Arts, Knowledge, Truth" , former_names = Catholepistemiad, or University of Michigania (1817–1821) , budget = $10.3 billion (2021) , endowment = $17 billion (2021)As o ...
, 1983) * Halewood, William H.: ''Six Subjects of Reformation Art: A Preface to Rembrandt''. (
Toronto Toronto ( ; or ) is the capital city of the Canadian province of Ontario. With a recorded population of 2,794,356 in 2021, it is the most populous city in Canada and the fourth most populous city in North America. The city is the anch ...
:
University of Toronto Press The University of Toronto Press is a Canadian university press founded in 1901. Although it was founded in 1901, the press did not actually publish any books until 1911. The press originally printed only examination books and the university cale ...
, 1982) * Hamann, Richard: ''Rembrandts Radierungen''. (Berlin: Verlag von Bruno Cassirer, 1906) n German* Hamerton, P.G.: ''The Etchings of Rembrandt''. (London: Seeley & Co., 1896) * Harvey, Christl Marcia: ''Form and Content in Rembrandt's Early “Raising of Lazarus” Theme''. (M.A. thesis,
University of British Columbia The University of British Columbia (UBC) is a public research university with campuses near Vancouver and in Kelowna, British Columbia. Established in 1908, it is British Columbia's oldest university. The university ranks among the top thre ...
, 1980) * Haussherr, Reiner: ''Rembrandts Jacobssegen. Überlegung zur Deutung des Gemäldes in der Kasseler Galerie''. (
Opladen Opladen, now a district of Leverkusen, used to be the capital of the Rhein-Wupper-Kreis (Rhine-Wupper-District) until 1975. Opladen station is located northeast from Cologne on the railway to Wuppertal. It is also on the Autobahn A3. Population ...
: Westdeutscher Verlag , 1976) n German* Haverkamp-Begemann, Egbert: ''Rembrandt's The Nightwatch''. (Princeton, NJ: Princeton University Press, 1982) * Hausler, Bettina: ''Das Phänomen Rembrandtismus in der europäischen Druckgraphik des 17. und 18. Jahrhunderts''. (Ph.D. diss.,
Ludwig-Maximilians-Universität München The Ludwig Maximilian University of Munich (simply University of Munich or LMU; german: Ludwig-Maximilians-Universität München) is a public research university in Munich, Germany. It is Germany's sixth-oldest university in continuous operatio ...
, 2002) n German* Häslein, Christiane: ''Am Anfang war das Wort. Das Ende der “stommen schilderkonst” am Beispiel Rembrandts''. (Weimar: VDG, Verlag und Datenbank für Geisteswissenschaften, 2004) n German* Hecht, Peter: ''
Van Gogh Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, inc ...
en Rembrandt''. (Amsterdam:
Van Gogh Museum The Van Gogh Museum () is a Dutch art museum dedicated to the works of Vincent van Gogh and his contemporaries in the Museum Square in Amsterdam South, close to the Stedelijk Museum, the Rijksmuseum, and the Concertgebouw. The museum opene ...
, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Heckscher, William S.: ''Rembrandt's Anatomy of Dr. Nicolaas Tulp: An Iconological Study''. (New York: New York University Press, 1959) * Hedinger, Bärbel; Diers, Michael; Müller, Jürgen (eds.): ''
Max Liebermann Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important ...
. Die Kunstsammlung. Von Rembrandt bis
Manet A wireless ad hoc network (WANET) or mobile ad hoc network (MANET) is a decentralized type of wireless network. The network is ad hoc because it does not rely on a pre-existing infrastructure, such as routers in wired networks or access points ...
''. (München: Hirmer, 2013) n German* Heel, S. A. C. Dudok Van: ''De jonge Rembrandt onder tijdgenoten. Godsdienst en schilderkunst in Leiden en Amsterdam''. ( Nijmegen: Nijmegen University Press, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Heenk, Liesbeth: ''Rembrandt and his Influence on Eighteenth-century German and Austrian Printmakers''. (Amsterdam: Museum het Rembrandthuis - Rembrandt Information Centre, 1998) * Heiland, Susanne; Lüdecke, Heinz (eds.): ''Rembrandt und die Nachwelt''. (Leipzig: E.A. Seemann, 1960) n German* Held, Julius S.: ''Rembrandt and the Book of Tobit''. (Northampton, MA: The Gehenna Press, 1964) * Held, Julius S.: '' Rembrandt's Aristotle and Other Rembrandt Studies''. (Princeton, N.J.: Princeton University Press, 1969) * Held, Julius S.: ''Rembrandt-Studien''. (Leipzig: E. A. Seemann Verlag, 1983) n German* Held, Julius S.: ''Rembrandt Studies'', revised and expanded edition. (Princeton, N.J.: Princeton University Press, 1991) * Hell, Hans: ''Die späten Handzeichnungen Rembrandts''. (Berlin: De Gruyter, 1930) n German* Hellerstedt, Kahren Jones: ''Hurdy-Gurdies from
Hieronymus Bosch Hieronymus Bosch (, ; born Jheronimus van Aken ;  – 9 August 1516) was a Dutch/ Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on o ...
to Rembrandt''. (Ph.D. diss.,
University of Pittsburgh The University of Pittsburgh (Pitt) is a public state-related research university in Pittsburgh, Pennsylvania. The university is composed of 17 undergraduate and graduate schools and colleges at its urban Pittsburgh campus, home to the univers ...
, 1981) * Hellmold, Martin: ''Rembrandts Einsamkeit. Diskursanalytische Studien zur Konzeption des Künstlersubjekts in der Moderne''. (Ph.D. diss.,
Ruhr-Universität Bochum The Ruhr University Bochum (, ) is a public research university located in the southern hills of the central Ruhr area, Bochum, Germany. It was founded in 1962 as the first new public university in Germany after World War II. Instruction began in ...
, 2001) n German* Hetzer, Theodor: '' Rubens und Rembrandt''. Edited by Gertrude Berthold. (Stuttgart: Urachhaus, 1984) n German* Hind, Arthur M.: ''A Catalogue of Rembrandt's Etchings'' nd ed. (London: Methuen & Co., 1923) * Hind, Arthur M.: ''Rembrandt: Being the Substance of the
Charles Eliot Norton Lectures The Charles Eliot Norton Professorship of Poetry at Harvard University was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figure ...
Delivered before Harvard University, 1930–1931''. (Cambridge, MA: Harvard University Press, 1932) * Hinterding, Erik: ''The Fortunes of Rembrandt's Copper Plates''. (Amsterdam: Museum Het Rembrandthuis, 1993) * Hinterding, Erik: ''Rembrandt als etser. Twee studies naar de praktijk van productie en verspreiding''. (Ph.D. diss.,
Universiteit Utrecht Utrecht University (UU; nl, Universiteit Utrecht, formerly ''Rijksuniversiteit Utrecht'') is a public research university in Utrecht, Netherlands. Established , it is one of the oldest universities in the Netherlands. In 2018, it had an enrollme ...
, 2001)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Hinterding, Erik: ''Rembrandt as an Etcher: The Practice of Production and Distribution''. (Ouderkerk aan den IJssel, Netherlands: Sound and Vision Publishers, 2006) * Hinterding, Erik; Schatborn, Peter: ''Rembrandt: The Complete Drawings and Etchings''. (London:
Taschen Taschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen. History The company began as Taschen Comics, ...
, 2019) * Hoekstra, H.: ''Rembrandt and the Bible: Stories from the Old and Mew Testament, Illustrated by Rembrandt in Paintings, Etchings and Drawings''. Translated from the Dutch by Tony Langham and Plym Peters. (Utrecht: Magna Books, 1990) * Hoekveld Meijer, Gerda: ''De god van Rembrandt: Rembrandt als commentator van de godsdienst van zijn tijd''. (Zoetermeer: Meinema, 2005)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Hoff, Ursula: ''Rembrandt und England''. (Hamburg: Kleinert, 1935) n German* Hogan, Joan Mary: ''The Iconography of Rembrandt's Depictions of the Holy Family (in a Domestic Setting)''. (M.A. thesis, Queen's University, 2008) * Housden, Roger: ''How Rembrandt Reveals Your Beautiful Imperfect Self''. (New York: Harmony Books, 2005) * Hulsker, Jan: ''Wie was Rembrandt?''. (Den Haag: Daamen, 1957)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Ilschner, Liselotte: ''Rembrandt als Erzieher und seine Bedeutung. Studie über die kulturelle Struktur der neunziger Jahre''. (Danzig, 1928) n German* Imbert, Hugues: ''Rembrandt et Richard Wagner: Le clair-obscur dans l'art''. (Paris: Fischbacher, 1897)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Jeutter, Ewald: ''Zur Problematik der Rembrandt-Rezeption im Werk des Genuesen
Giovanni Benedetto Castiglione Giovanni Benedetto Castiglione (baptized 23 March 16095 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monoty ...
( Genua 1609–1664
Mantua Mantua ( ; it, Mantova ; Lombard and la, Mantua) is a city and '' comune'' in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the Eur ...
). Eine Untersuchung zu seinem Stil und seinen Nachwirkungen im 17. und 18. Jahrhundert''. (
Weimar Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouri ...
: VDG, 2004) n German* Keith, Roberts: ''Rembrandt: Master Drawings''. (Oxford: Phaidon Press, 1976) * Kelch, Jan; von Simson, Otto (eds.): ''Neue Beiträge zur Rembrandt-Forschung''. (Berlin: Gebr. Mann, 1973) n German* Keller, Ina Maria: ''Studien zu den deutschen Rembrandtnachahmungen des 18. Jahrhunderts''. (Ph.D. diss.,
Ludwig-Maximilians-Universität München The Ludwig Maximilian University of Munich (simply University of Munich or LMU; german: Ludwig-Maximilians-Universität München) is a public research university in Munich, Germany. It is Germany's sixth-oldest university in continuous operatio ...
, 1971; Berlin, 1981) n German* Kemp, Wolfgang: ''Rembrandt, Die Heilige Familie oder die Kunst, einen Vorhang zu lüften''. (Frankfurt am Main: Fischer Taschenbuch Verlag, 1986) n German* Kettering, Alison McNeil: ''Rembrandt's Group Portraits''. (Zwolle: Waanders, 2006) * Knips, Ignaz: ''Grenzen und Idiome. Rembrandts Selbstportrait datiert zwischen 1663 und 1665''. (Cologne: Salon, 1998) n German* Knox, Giles: ''Sense Knowledge and the Challenge of Italian Renaissance Art: El Greco, Velázquez, Rembrandt''. (Amsterdam: Amsterdam University Press, 2019) * Knubben, Thomas: ''Von
Schongauer Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important ...
zu Rembrandt. Meisterwerke der Druckgraphik aus der Sammlung der Fürsten zu Waldburg-Wolfegg''. (
Ostfildern Ostfildern (; Swabian: ''Oschtfilder'') is a town in the district of Esslingen in Baden-Württemberg in southern Germany. It is located approximately 8 km southeast of Stuttgart. It was formed in 1975 out of a fusion of the previously separ ...
:
Hatje Cantz Verlag Hatje Cantz Verlag (English: Hatje Cantz Publishing) is a German book publisher specialising in photography, art, architecture and design. It was established in 1945 by Gerd Hatjen German* Kock, Erich: ''Dein Kleid ist Licht. Rembrandt malt den Glauben''. (Limburg: Lahn-Verlag, 1977) n German* Kofuku, Akira (ed.): ''Rembrandt and the Rembrandt School: The Bible, Mythology and Ancient History''. ext in Japanese with summaries in English (Tokyo : NHK Promotions, 2003) n Japanese* Kofuku, Akira (ed.): ''Rembrandt and Dutch History Painting in the 17th Century''. Conference Proceedings of 13–14 September 2003. (Tokyo: The National Museum of Western Art, 2004, 180pp) * Kölbl, Alois: ''Das Leben der Form. Georg Simmels kunstphilosophischer Versuch über Rembrandt''. (Vienna/Cologne/Weimar: Böhlau, 1998) n German* Kolloff, Eduard: ''Rembrandt's Leben und Werke'' istorisches Taschenbuch 5 (Leipzig: Friedrich von Raumer, 1854). Reprinted, Christian Tümpel (ed.): ''Rembrandt's Leben und Werke, nach neuen Actenstücken und Gesichtspunkten geschildert''. Deutsches Bibel-Archiv. Abhandlungen und Vorträge 4. (Hamburg: F. Wittig, 1971) n German* Kosack, Wolfgang: ''Ein zweiter Rembrandt: "Die Staalmeesters". Kunsthistorische Studie''. (Basel: Verlag Christoph Brunner, 2015) n German* Kreutzer, Maria: ''Rembrandt und die Bibel: Radierungen, Zeichnungen, Kommentare''. (Stuttgart: Reclam Verlag, 2003) n German* Kruse, J.; Neumann, Carl (ed.): ''Die Zeichnungen Rembrandts und seiner Schule im National-Museum zu Stockholm''. (
Den Haag The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital of ...
: Martinus Nijhoff, 1920) n German* Kurby, Gordon: ''Rembrandt's Comet''. (Star Swim L.L.C., 2018) * Ladwein, Michael: ''Mensch Rembrandt''. (Stuttgart: Verlag Urachhaus, 2019) n German* Landsberger, Franz: ''Rembrandt, the Jews, and the Bible''. Translated from the German by Felix N. Gerson. (Philadelphia: Jewish Publication Society, 1946) * Langbehn, Julius: ''Rembrandt als Erzieher'' 'Rembrandt as Teacher''/''Rembrandt as Educator'' (Leipzig: C.L. Hirschfeld, 1890) n German* Larsen, Erik: ''Rembrandt, peintre de paysages. Une vision nouvelle''. (Louvain-la-Neuve: Institut supérieur d'archéologie et d'histoire de l'art, 1983)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Laurie, Arthur Pillans: ''A Study of Rembrandt and the Paintings of His School by Means of Magnified Photographs''. (London: E. Walker, 1930) * Laurentius, Th.: ''Etchings by Rembrandt. Reflections of the Golden Age. An Investigation into the Paper used by Rembrandt''. (Amsterdam: Van Rossum & Co.; Zwolle: Waanders Publishers, 1996) * Laurie, Arthur Pillans: ''The Brushwork of Rembrandt and His School''. (London: Oxford University Press, 1932) * Lautner, Max: ''Wer ist Rembrandt? Grundlagen zu einem Neubau der holländischen Kunstgeschichte''. ( Breslau, 1891) n German* Lautner, Max: ''Rembrandt, ein historisches Problem''. (Berlin: H. Walther, 1910) n German* Lavin, Irving; Lavin, Marilyn Aronberg: ''Liturgia d'amore. Immagini del Cantico dei Cantici nell'arte di
Cimabue Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter ...
, Michelangelo e Rembrandt''. (Modena: Franco Cosimo Panini, 1999) n Italian* Lavin, Irving; Lavin, Marilyn Aronberg: ''The Liturgy of Love: Images from the Song of Songs in the Art of Cimabue, Michelangelo, and Rembrandt''. (The Franklin D. Murphy Lectures XIV,
University of Kansas The University of Kansas (KU) is a public research university with its main campus in Lawrence, Kansas, United States, and several satellite campuses, research and educational centers, medical centers, and classes across the state of Kansas. T ...
, 2001) * Lavin, Irving; Lavin, Marilyn Aronberg: ''Rembrandt. La sposa ebrea'' raduttore: S. Battelli M. Borsari (Modena: Franco Cosimo Panini, 2005) n Italian* Leber, Hermann Rudolf: ''Rembrandts Einfluß auf die deutsche Malerei des Barock und Rokoko''. (Dissertation, Cologne, 1924) n German* Lee, Choung-Hi: ''Rembrandts Landschaftsdarstellung. Ihre Entwicklung in den Radierungen und in ausgewählten Zeichnungen. Eine kompositionsanalytische Studie''. (Frankfurt am Main, 1992) n German* Leistra, J.; de Boer, M.: ''Bredius, Rembrandt en het Mauritshuis. Een eigenzinnige directeur verzamelt''. (Zwolle: Waanders, 1991)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Levinson-Lessing, Vladimir Francevič; et al. (eds.): ''Rembrandt Harmensz van Rijn: Paintings from Soviet Museums''. Translated by V. Pozner. (
Leningrad Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
: Aurora, 1970) * Lobis, Victoria Sancho; Warren, Maureen: ''
Van Dyck Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh ...
, Rembrandt, and the Portrait Print''. (
New Haven, CT New Haven is a city in the U.S. state of Connecticut. It is located on New Haven Harbor on the northern shore of Long Island Sound in New Haven County, Connecticut and is part of the New York City metropolitan area. With a population of 134,023 ...
: Yale University Press, 2016) * Lobis, Victoria Sancho; Owen, Antoinette; Casadio, Francesca; Ziemba, Emily Vokt: ''Rubens, Rembrandt, and Drawing in the Golden Age''. (New Haven, CT: Yale University Press, 2019) * Ludwig, Emil: ''Rembrandts Schicksal''. (Berlin: Ernst Rowohlt Verlag, 1923) n German* Ludwig, Emil: ''Three Titans: Michael Angelo, Rembrandt, Beethoven''. (London: G.P. Putnam's Sons, 1930; New York: Modern Age Books, Inc., 1938) * Ludwig, Emil: ''Trois Titans: Michel-Ange, Rembrandt,
Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ...
''. rad. française par G. Bernard (Paris: Payot, 1930)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Lugt, Frits: ''Rembrandt, ses élèves, ses imitateurs, ses copistes''. (Paris: Musées Nationaux, Palais du Louvre, 1933)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Mai, Ekkehard: ''Rembrandt: Selbstbildnis als Zeuxis. Der Kunstbrief''. (Berlin: Gebr. Mann Verlag, 2002) n German*Mannering, Douglas: ''The Life and Works of Rembrandt van Rijn''. (New York: Shooting Star Press, 1994) * McNamara, Simon: ''Rembrandt's Passion Series''. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2015) * McQueen, Alison: ''The Rise of the Cult of Rembrandt: Reinventing an
Old Master In art history, "Old Master" (or "old master")Old Masters De ...
in Nineteenth-Century France''. (Amsterdam: Amsterdam University Press, 2003) * Meijer, Bert W.: ''Rembrandt nel Seicento Toscano'' talia e i Paesi Bassi; No. 1 (
Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilan ...
: Centro Di, 1983) n Italian* Meijer, E. R.: ''Rembrandt''. (München: Wilhelm Goldmann Verlag, 1959) n German * Meijer, Willem L.: ''Kleinood en aanstoot. De Honderdguldenprent en andere bijbelse historiën van Rembrandt''. (Leiden: Groen, 1995)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Meldrum, David S.: ''Rembrandt's Painting, with an Essay on His Life and Work''. (New York: Methuen & Co., 1923) * Milner, Max: ''Rembrandt à Emmaüs''. (Paris: José Corti, 2006)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Mittendorf, Stefan-Maria: ''FarbeBekennen.
Tizian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian ( Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, ne ...
- Rembrandt - Marées. Versuch über die Farbe an Münchner Werken zur Bestimmung ihres Stellenwertes in der Kunst
Hans von Marées Hans von Marées (24 December 1837 – 5 June 1887) was a German painter. Initially specialising in portraiture he later turned to mythological subjects. He spent the last years of his life in Italy. Life Marées was born into a banking family ...
. (Frankfurt am Main: Peter Lang, 1997) n German* Molinié, Anne-Sophie: ''Rembrandt, d'ombre et de lumière''. (Garches, Hauts-de-Seine: Éditions À propos, 2006)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Molyneux, John: ''Rembrandt and Revolution''. (London: Redwords, 2001) * Molyneux, John: ''Rembrandt y revolución''. Traducción de Gemma Galdon Clavell. (Barcelona: Ediciones de Intervención Cultural / El Viejo Topo, 2006) n Spanish * Mouron, Isabelle: ''Gerrit Dou vs Rembrandt: les enjeux de la touche dans la peinture hollandaise du XVIIe siècle''. (Ph.D. diss., Université de Lausanne, 2010)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Müller, Jürgen: ''Der sokratische Künstler: Studien zu Rembrandts Nachtwache''. (Leiden: Brill, 2015) n German* Muller, Marinus: ''Zo leefde Rembrandt in de Gouden Eeuw''. (Baarn: Hollandia, 1968)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Münz, Ludwig: ''Die Kunst Rembrandts und
Goethe Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as tr ...
s Sehen''. (Leipzig: Verlag Heinrich Keller, 1934) n German* Münz, Ludwig: ''The Etchings of Rembrandt'' omplete edition, 2 vols. (London: Phaidon Press, 1952) * Nadler, Steven: '' Rembrandt's Jews''. (Chicago: The University of Chicago Press, 2003) * Nadler, Steven: ''Gli ebrei di Rembrandt''. Traduzione di Andrea Asioli. (Torino: Giulio Einaudi Editore, 2017) n Italian * Nakamura, Toshiharu (eds.): ''Rembrandt as Norm and Anti-Norm''. Papers Given at a Colloquium Held at the Graduate School of Letters, Kyoto University, 15 December 2002. (The Graduate School of Letters, Kyoto University, 2004) * Nash, J. M.: ''The Age of Rembrandt and Vermeer: Dutch Painting in the Seventeenth Century''. (Oxford: Phaidon Press, 1979) * Neipp, Bernadette; Marguerat, Daniel: ''Rembrandt et la mort de Jésus: La tendresse d'un regard''. (
Saint-Maurice, Switzerland Saint-Maurice is a city in the Swiss canton of Valais and the capital of the district of Saint-Maurice. On 1 January 2013, the former municipality of Mex merged into the municipality of Saint-Maurice.n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Neumann, Carl: ''Aus Rembrandts Werkstatt''. (Heidelberg: C. Winter, 1918) n German* Nigg, Walter: ''Rembrandt, Maler des Ewigen''. (Zürich: Diogenes Verlag, 2006) n German* Nixon, Michelle Marie: ''Approaching a Sociology of Aesthetics: Searching for Method in Georg Simmel's Rembrandt''. (M.Sc. thesis,
Brigham Young University Brigham Young University (BYU, sometimes referred to colloquially as The Y) is a private research university in Provo, Utah. It was founded in 1875 by religious leader Brigham Young and is sponsored by the Church of Jesus Christ of Latter-d ...
, 2012) * Nouwen, Henri: '' The Return of the Prodigal Son: A Story of Homecoming''. (New York: Doubleday Image Books, 1992) * Nowell-Usticke, G.W.: ''Rembrandt's Etchings: States and Values''. (Narberth, PA: Livingston Publishing Co., 1967) * Ozaki, Akihiro: ''Rembrandt's Collection: Fashioning the Self''. (Tokyo: Sangensha Publishing, 2004) n Japanese* Paroutaud, Xavier: ''Lumière de Rembrandt, Parole du Christ: Enquête sur l'expression religieuse de l'œuvre de Rembrandt''. (Doctorat en histoire de l'art, École pratique des hautes études, Paris, 2011)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Pavans, Jean: ''
Proust Valentin Louis Georges Eugène Marcel Proust (; ; 10 July 1871 – 18 November 1922) was a French novelist, critic, and essayist who wrote the monumental novel '' In Search of Lost Time'' (''À la recherche du temps perdu''; with the previous E ...
, Vermeer, Rembrandt''. (Paris: Éditions Arléa, 2018)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Perlove, Shelley; Baldwin, Robert: ''Impressions of Faith: Rembrandt's Biblical Etchings''. ( Dearborn:
University of Michigan-Dearborn A university () is an institution of higher (or tertiary) education and research which awards academic degrees in several academic disciplines. Universities typically offer both undergraduate and postgraduate programs. In the United States, ...
, Mardigian Library, 1989) * Perlove, Shelley; Silver, Larry: ''Rembrandt's Faith: Church and Temple in the Dutch Golden Age''. (University Park, PA: Pennsylvania State University Press, 2009) * Pinder, Wilhelm: ''Rembrandts Selbstbildnisse''. (Leipzig: Karl Robert Langewiesche Verlag, 1943) n German* Porkay, Martin: ''Das gegeisselte Rembrandt-Bild und andere kleine Studien über Irrtümer um Rembrandt''. (Stuttgart: Selbstverlag, 1951) n German* Porkay, Martin: ''Rembrandt, andere Leute und ich''. (Wetzlar: Pegasus Verlag, 1959) n German* Porkay, Martin: ''Der Drost-lose Rembrandt''. (München: Münchner Buchgewerbehaus, 1961) n German* Porkay, Martin: ''Die Abenteuer zweier unechter Rembrandts''. (München: Lama Verlag, 1963) n German* Portier-Theisz, Judith: ''Le premier autoportrait de Rembrandt (1628). Étude sur la formation du jeune Rembrandt''. (Bern: Peter Lang, 1999)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Preston, Frances Lawrence: ''Rembrandt's Paintings: The Development of an Oeuvre''. (Ph.D. diss.,
Columbia University Columbia University (also known as Columbia, and officially as Columbia University in the City of New York) is a private research university in New York City. Established in 1754 as King's College on the grounds of Trinity Church in Manhatt ...
, 1991) * Prigot, Aude: ''La réception de Rembrandt van Rhyn à travers les estampes en France au XVIIIe siècle''. (Thèse de doctorat en Histoire de l'art; Ecole Doctorale Espaces, Cultures, Sociétés ix-en-Provence 2011)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Prigot, Aude: ''La réception de Rembrandt à travers les estampes en France au XVIIIe siècle''. ( Rennes: Presses universitaires de Rennes, 2018)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Proust, Marcel: '' Chardin et Rembrandt''. (Paris: Le Bruit du Temps, 2009)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Proust, Marcel: ''Chardin and Rembrandt''. Translated from the French by Jennie Feldman. (London: David Zwirner Books, 2016) * Rachleff, Owen S.: ''Rembrandt's Life of Christ: Paintings, Drawings, and Etchings by Rembrandt, with Quotations from the Gospels''. (New York: Abradale Press, 1966) * Rad, Gerhard von: ''Das Opfer des Abraham. Mit Texten von
Luther Luther may refer to: People * Martin Luther (1483–1546), German monk credited with initiating the Protestant Reformation * Martin Luther King Jr. (1929-1968), American minister and leader in the American civil rights movement * Luther (give ...
, Kierkegaard, Kolakowski und Bildern von Rembrandt''. (München: Kaiser, 1971) n German* Rentsch, Eugen: ''Der Humor bei Rembrandt''. (Strassburg: Heitz & Mündel, 1909) n German* Ricci, Corrado: ''Rembrandt in Italia''. (Milano: Alfieri & Lacroix, 1918) n Italian* Riemersma, Jan: ''Een glimp van de hemel. Het geheim van Rembrandts geloof''. (
Utrecht Utrecht ( , , ) is the fourth-largest city and a municipality of the Netherlands, capital and most populous city of the province of Utrecht. It is located in the eastern corner of the Randstad conurbation, in the very centre of mainland Net ...
: Uitgeverij Kok, 2016)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Roberts, Jane: ''The World View of Rembrandt''. (New York: New Awareness Network Inc., 2006) * Rohde, Shelley: ''Rembrandt, van A tot Z''. (Bussum: THOTH, 2005)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Rosenberg, Adolf: ''Rembrandt: Des Meisters Gemälde in 565 Abbildungen''. (Stuttgart/Leipzig: Deutsche Verlags-Anstalt, 1906) n German* Rosenberg, Adolf: ''Rembrandt: Des Meisters Gemälde in 643 Abbildungen''. (Stuttgart/Leipzig: Deutsche Verlags-Anstalt, 1908) n German* Rosenberg, Charles M.: ''Rembrandt's Religious Prints: The Jack and Alfrieda Feddersen Collection of Rembrandt Etchings''. (Bloomington, IN: Indiana University Press and Snite Museum of Art, 2017) * Rosenberg, Jakob: ''Rembrandt'' vols. (Cambridge, MA: Harvard University Press, 1948) * Rosenberg, Jakob: ''Rembrandt: Life and Work'' evised edition (Ithaca, NY: Cornell University Press, 1980) * Rosenhauer-Song, HeaYean: ''Studien zur Komposition in ausgewählten Werken Rembrandts unter besonderer Berücksichtigung der Links-Rechts-Problematik''. (Ph.D. diss., Georg-August-Universität Göttingen, 1999) n German* Rotermund, Hans-Martin: ''Rembrandts Handzeichnungen und Radierungen zur Bibel''. (Lahr: Verlag Ernst Kaufmann; Stuttgart: Württembergische Bibelanstalt, 1963) n German* Rotermund, Hans-Martin: ''Rembrandt's Drawings and Etchings for the Bible''. Translated from the German by Shierry M. Weber. (Philadelphia: Pilgrim Press, 1969) * Royalton-Kisch, Martin: '' Drawings by Rembrandt and His Circle in the
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
''. (London: British Museum Press, 1992) * Royalton-Kisch, Martin; Hinterding, E.; Luijten, G.: ''Rembrandt the Printmaker''. (British Museum Press, 2000) * Rønberg, Lene Bøgh; Pedersen, Eve de la Fuente: ''Rembrandt? The Master and His Workshop''. (
København Copenhagen ( or .; da, København ) is the capital and most populous city of Denmark, with a proper population of around 815.000 in the last quarter of 2022; and some 1.370,000 in the urban area; and the wider Copenhagen metropolitan ar ...
: Statens Museum for Kunst, 2006) * Ruiz-Domènec, José Enrique: ''Cautivos de la fama: Rembrandt, Mozart, Freud''. (Barcelona: Ediciones Península, 2006) n Spanish* Rulkens, Charlotte: ''Rembrandt en het Mauritshuis''. (Zwolle: Waanders Uitgevers, 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Rulkens, Charlotte: ''Rembrandt and the Mauritshuis''. (Zwolle: Waanders Uitgevers, 2019) * Rutgers, Jaco; ''Rembrandt in Italië. Receptie en verzamelgeschiedenis'' embrandt in Italy. Reception and History of Collecting (PhD diss.,
Utrecht University Utrecht University (UU; nl, Universiteit Utrecht, formerly ''Rijksuniversiteit Utrecht'') is a public research university in Utrecht, Netherlands. Established , it is one of the oldest universities in the Netherlands. In 2018, it had an enrollme ...
, 2008)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Rutgers, Jaco; Rijnders, Mieke (eds.): ''Rembrandt in perspectief. De veranderende visie op de meester en zijn werk''. (Zwolle: Open Universiteit/Waanders Uitgevers, 2014)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Samis, Peter Seth: ''The Appropriation of Rembrandt by the Nineteenth-Century French Etchers''. (Master's thesis,
University of California, Berkeley The University of California, Berkeley (UC Berkeley, Berkeley, Cal, or California) is a public land-grant research university in Berkeley, California. Established in 1868 as the University of California, it is the state's first land-grant u ...
, 1988) * Scallen, Catherine B.: ''Rembrandt and
Saint Jerome Jerome (; la, Eusebius Sophronius Hieronymus; grc-gre, Εὐσέβιος Σωφρόνιος Ἱερώνυμος; – 30 September 420), also known as Jerome of Stridon, was a Christian priest, confessor, theologian, and historian; he is co ...
''. (Ph.D. diss.,
Princeton University Princeton University is a private research university in Princeton, New Jersey. Founded in 1746 in Elizabeth as the College of New Jersey, Princeton is the fourth-oldest institution of higher education in the United States and one of the ...
, 1990) * Scallen, Catherine B.: ''Rembrandt, Reputation, and the Practice of
Connoisseurship A connoisseur (French traditional, pre-1835, spelling of , from Middle-French , then meaning 'to be acquainted with' or 'to know somebody/something') is a person who has a great deal of knowledge about the fine arts; who is a keen appreciator o ...
''. (Amsterdam: Amsterdam University Press, 2004) * Schatborn, Peter: ''Drawings by Rembrandt, His Anonymous Pupils and Followers''. Translated from the Dutch by Wulfert and Patricia Wardle. (Amsterdam: Rijksmuseum; The Hague: Staatsuitgerverij, 1985) * Schatborn, Peter: ''Rembrandt and His Circle: Drawings in the
Frits Lugt Frederik Johannes "Frits" Lugt (Amsterdam 4 May 1884 – 15 July 1970 Paris), was a self-taught collector and connoisseur of Dutch drawings and prints and a selfless and tireless compiler of essential reference tools documenting Northern Europe ...
Collection'' vols. (Bussum: Thoth; Paris: Fondation Custodia, 2010) * Scheidig, Walther: ''Rembrandt als Zeichner''. (Leipzig: VEB E.A. Seemann Verlag, 1962) n German* Scheltema, Pieter: ''Rembrand: Redevoering over het leven en de verdiensten van Rembrand van Rijn, met eene menigte geschiedkundige bijlagen meerendeels uit echte bronnen geput''. (Amsterdam: P.N. van Kampen, 1853)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schitomirsky, Moses: ''Das Raumproblem bei Rembrandt''. (Bern: Buchdruckerei Ott & Bolliger, 1912) n German* Schmidt-Degener, F.: ''Rembrandt und der holländische Barock''. (Leipzig: B.G. Teubner, 1928) n German* Schneider, Cynthia P.; et al. (eds.): ''Rembrandt's
Landscapes A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the p ...
: Drawings and Prints''. (Washington, D.C.: National Gallery of Art, 1990) * Scholl, Verena: ''Rembrandts biblische Frauenporträts. Eine Begegnung von Theologie und Malerei''. (
Zürich , neighboring_municipalities = Adliswil, Dübendorf, Fällanden, Kilchberg, Maur, Oberengstringen, Opfikon, Regensdorf, Rümlang, Schlieren, Stallikon, Uitikon, Urdorf, Wallisellen, Zollikon , twintowns = Kunming, San Francisco Zürich ...
: Theologischer Verlag Zürich, 2006) n German* Schwartz, Gary (ed.): ''Rembrandt: All the Etchings Reproduced in True Size''. (Maarssen: Schwartz, 1977) * Schwartz, Gary: ''Rembrandt, His Life, His Paintings''. (New York: Viking Press, 1985) * Schwartz, Gary (ed.): ''The Complete Etchings of Rembrandt: Reproduced in Original Size''. (New York: Dover Publications, 1994) * Schwartz, Gary: ''
The Night Watch ''Militia Company of District II under the Command of Captain Frans Banninck Cocq'', also known as ''The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch'', but commonly referred to as ''The Night Watch'' ( nl, De Nachtwacht), i ...
''. (Zwolle: Waanders, 2002) * Silver, Larry: ''Rembrandt and the Divine'' tudies in Iconology, 11 ( Leuven: Peeters Publishers, 2018) * Schama, Simon: ''Rembrandt's Eyes''. (London: Allen Lane, 1999) * Schama, Simon: ''Rembrandts Augen''. Aus dem Englischen von Bettina Blumenberg. (Berlin: Siedler Verlag, 2000) n German* Schama, Simon: ''De ogen van Rembrandt''. (Amsterdam: Atlas Contact, 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schapelhouman, Marijn: ''Rembrandt en de kunst van het tekenen''. (Zwolle: Waanders, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schapelhouman, Marijn: ''Rembrandt and the Art of Drawing''. (Amsterdam: Rijksmuseum; Zwolle: Waanders Publishers, 2006) * Schinnerer, Adolf: ''Rembrandt Zeichnungen''. (München: R. Piper & Co. Verlag., 1944) n German* Schnackenburg, Bernhard: ''Jan Lievens: Freund und Rivale des jungen Rembrandt''. (Petersberg: Michael Imhof Verlag, 2016) n German* Schot, Wim; et al.: ''Rembrandts schildermaterialen: Over linnen, loodwit en lijnzaadolie'' embrandt's painting materials: On linen, lead white and linseed oil (Amsterdam: Museum Het Rembrandthuis, 2011)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schupbach, William: ''The Paradox of Rembrandt's Anatomy of Dr. Tulp'' edical History, Supplement No. 2 (London: Wellcome Institute for the History of Medicine, 1982) * Scott, Susan (ed.): ''Rembrandt, Rubens, and the Art of Their Time: Recent Perspectives''. (
University Park, PA University Park, also referred to as Penn State University Park, is the name given to the Pennsylvania State University's main campus located in both State College and College Township, Pennsylvania. The campus post office was designated "Unive ...
: Pennsylvania State University Press, 1997) * Seghers, Anna (Reiling Radványi, Netty): ''Jude und Judentum im Werke Rembrandts''. (Ph.D. diss., Universität Heidelberg, 1924; Leipzig: Reclam, 1981) n German* Seghers, Anna (Reiling Radványi, Netty): ''L'ebreo e l'ebraismo nell'opera di Rembrandt''. Traduzione di Paola Buscaglione Candela. A cura di Vincenzo Pinto. (Florence: Giuntina, 2008) n Italian* Seidlitz, Woldemar von: ''Kritische Verzeichnis der Radierungen Rembrandts''. (Leipzig: Verlag von E.A. Seemann, 1895) n German* Seidlitz, Woldemar von: ''Die Radierungen Rembrandts. Mit einem kritischen Verzeichnis und Abbildung sämtlicher Radierungen''. (Leipzig: E. A. Seemann, 1922) n German* Seifert, Christian Tico: ''Rembrandt & Britain''. (Edinburgh: Trustees of the National Galleries of Scotland, 2018) * Sell, Stacey Lynn: ''Rembrandt's Draftsmanship and the Traditions of Renaissance Art''. (Ph.D. diss.,
University of Virginia The University of Virginia (UVA) is a public research university in Charlottesville, Virginia. Founded in 1819 by Thomas Jefferson, the university is ranked among the top academic institutions in the United States, with highly selective ad ...
, 1993) * Senzoku, Nobuyuki; et al.: ''Renburanto, Kyoshō to sono shūhen'' embrandt and the Bible (Tokyo: Art Life, 1986) n Japanese* Servaes, Franz: ''Rembrandt im Rahmen seiner Zeit''. (Vienna/Leipzig: Karl König, 1926) n German* Sevcik, Anja K. (ed.): ''Inside Rembrandt, 1606–1669''. (Petersberg:
Michael Imhof Verlag Michael Imhof Verlag is a German publishing company in Petersberg, Hesse. They are known especially for publishing books with a local interest, on art, on history, politics, religion, nature, and culture Culture () is an umbrella term which ...
2019) * Simmel, Georg: ''Rembrandt: Ein kunstphilodophischer Versuch''. (Leipzig: K. Wolff Verlag, 1916) n German* Simmel, Georg: ''Rembrandt: Un saggio di filosofia dell'arte''. Traduzione di Gianfranco Gabetta. (Milan: Abscondita, 2001) n Italian* Simmel, Georg: ''Rembrandt: An Essay in the Philosophy of Art''. Translated and edited by Alan Scott and Helmut Staubmann. (New York: Routledge, 2005) * Singer, Hans W.: ''Rembrandt: Des Meisters Radierungen in 402 Abbildungen''. ( Stuttgart/
Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...
: Deutsche Verlags-Anstalt, 1906) n German* Slatkes, Leonard J.: ''Rembrandt and
Persia Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmeni ...
''. (New York: Abaris Books, 1983) * Slive, Seymour: ''Rembrandt and his Critics, 1630–1730''. (The Hague: Martinus Nijhoff, 1953) * Slive, Seymour: ''Rembrandt Drawings''. (Los Angeles, CA: J. Paul Getty Museum, 2009) * Slive, Seymour: ''The Drawings of Rembrandt: A New Study''. (London: Thames & Hudson, 2009) * Silve, Seymour: ''The Drawings of Rembrandt''. (London: Thames & Hudson, 2019) * Sluijter, Eric Jan: ''Rembrandt and the Female Nude''. (Amsterdam: Amsterdam University Press, 2006) * Sluijter, Eric Jan: ''Rembrandt's Rivals: History painting in Amsterdam, 1630–1650'' culi: Studies in the Arts of the Low Countries, vol. 14 (Amsterdam/Philadelphia: John Benjamins Publishing, 2015) * Small, Andrew: ''Essays in Self-Portraiture: A Comparison of Technique in the Self-Portraits of Montaigne and Rembrandt''. (New York: Peter Lang, 1996) * Smith, Baige Elise: ''Rembrandt's Anatomy Lessons''. (Ph.D. diss.,
University of Western Australia The University of Western Australia (UWA) is a public research university in the Australian state of Western Australia. The university's main campus is in Perth, the state capital, with a secondary campus in Albany and various other facilitie ...
, 2010) * Smith, Samantha L.: ''Painting Blindness and Obscuring Vision: Rembrandt and the Senses''. (Master's Thesis in Art History,
University of Bergen The University of Bergen ( no, Universitetet i Bergen, ) is a research-intensive state university located in Bergen, Norway. As of 2019, the university has over 4,000 employees and 18,000 students. It was established by an act of parliament in 194 ...
, 2014) * Soesman, Albert: ''Rembrandt – Spuren des Genius: Heilende Kräfte der Bildkomposition''. (Stuttgart: Urachhaus, 2006) n German* Spijkerboer, A.M.: ''Rembrandts engel. Bijbelverhalen van een schilder''. (Meppel: Skandalon-Bruna, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Squarzina, Silvia Danesi: ''Giovinezza di Rembrandt. La committenza mennonita''. (Rome: De Luca Editori d'Arte, 2013) n Italian* Stam, Deirdre C.: ''Rembrandt After Three Hundred Years: A Symposium''. (Chicago: Art Institute of Chicago, 1973) * Starcky, Emmanuel: ''Rembrandt: Les figures''. (Paris: Flammarion, 1999)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Steele, Gordon Edward: ''Rembrandt's Homer in the Mauritshuis''. (M.A. thesis,
University of British Columbia The University of British Columbia (UBC) is a public research university with campuses near Vancouver and in Kelowna, British Columbia. Established in 1908, it is British Columbia's oldest university. The university ranks among the top thre ...
, 1973) * Straten, Roelof Van ''Rembrandts Leidse tijd, 1606–1632''. (Leiden: Foleor Publishers, 2005)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Straten, Roelof Van: ''Young Rembrandt: The Leiden Years, 1606–1632''. Translated from the Dutch by R. Quartero, with contributions by Ingrid Moerman. (Leiden: Foleor Publishers, 2005) * Straten, Roelof Van; Moerman, Ingrid W.L.: ''Rembrandts Weg zur Kunst 1606–1632''. (Berlin: Dietrich Reimer Verlag, 2006) n German* Strauss, Walter; Meulen, Marjon van der (eds.): ''The Rembrandt Documents''. (New York: Abaris Books, 1979) * Streiff, Bruno: ''Le Peintre et le Philosophe ou Rembrandt et
Spinoza Baruch (de) Spinoza (born Bento de Espinosa; later as an author and a correspondent ''Benedictus de Spinoza'', anglicized to ''Benedict de Spinoza''; 24 November 1632 – 21 February 1677) was a Dutch philosopher of Portuguese-Jewish origin, ...
à Amsterdam''. (Paris: Éditions Complicités, 2002)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Strzygowski, Josef: ''Das Werden des Barock bei
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual a ...
und
Correggio Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sens ...
, nebst einem Anhang über Rembrandt''. (Strassburg: Heitz & Mündel, 1898) n German* Stückelberger, Johannes: ''Rembrandt und die Moderne. Der Dialog mit Rembrandt in der deutschen Kunst um 1900''. (
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Ha ...
: Wilhelm Fink Verlag, 1996) n German* Sumowski, Werner: ''Drawings of the Rembrandt School'' 0 vols. Edited and translated by Walter L. Strauss. (New York: Abaris Books, 1979–1992) * Sumowski, Werner: ''Gemälde der Rembrandt-Schüler in vier Bänden'' vols. (Landau in der Pfalz: Edition PVA, 1983) n German* Suthor, Nicola: ''Rembrandts Rauheit. Eine phänomenologische Untersuchung''. (
Paderborn Paderborn (; Westphalian: ''Patterbuorn'', also ''Paterboärn'') is a city in eastern North Rhine-Westphalia, Germany, capital of the Paderborn district. The name of the city derives from the river Pader and ''Born'', an old German term for t ...
: Wilhelm Fink Verlag, 2014) n German* Suthor, Nicola: ''Rembrandt's Roughness''. (Princeton: Princeton University Press, 2018) * 'T Hooft, W. A. Visser: ''Rembrandt and
the Gospel The gospel or good news is a theological concept in several religions. In the historical Roman imperial cult and today in Christianity, the gospel is a message about salvation by a divine figure, a savior, who has brought peace or other benefit ...
''. (London: SCM Press, 1957) * Taylor, Michael: ''Rembrandt's Nose: Of Flesh and Spirit in the Master's Portraits''. (New York:
Distributed Art Publishers D.A.P./Distributed Art Publishers, Inc. is an American company that distributes and publishes books on art, photography, design, and visual culture.n German* Thompson, Thomas S.: ''The Maturing of Rembrandt (1630–1662): Four Stages of Expressive Development in the Depiction of the Female Nude in Drawings and Etchings''. (M.A. thesis,
University of Cincinnati The University of Cincinnati (UC or Cincinnati) is a public research university in Cincinnati, Ohio. Founded in 1819 as Cincinnati College, it is the oldest institution of higher education in Cincinnati and has an annual enrollment of over 44,0 ...
, 2014) * Todorov, Tzvetan: ''L'art ou la vie! Le cas Rembrandt. Suivi d'Art et morale''. (Paris: Biro Éditeur, 2008)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Todorov, Tzvetan: ''¡El arte o la vida! El caso Rembrandt. Arte y moral''. Traducción de Ramón Dachs. (Barcelona: Vaso Roto, 2010) n Spanish* Todorov, Tzvetan: ''L'arte o la vita! Il caso Rembrandt''. Traduzione di Cinzia Poli. (Rome: Donzelli, 2011) n Italian* Tummers, Annaand; Jonckheere, Koenraad (eds.): ''
Art market The art market is the marketplace of buyers and sellers trading in commodities, services, and works of art. The art market operates in an economic model that considers more than supply and demand: it is a hybrid type of prediction market where ...
and
Connoisseurship A connoisseur (French traditional, pre-1835, spelling of , from Middle-French , then meaning 'to be acquainted with' or 'to know somebody/something') is a person who has a great deal of knowledge about the fine arts; who is a keen appreciator o ...
: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries''. (Amsterdam: Amsterdam University Press, 2008) * Tummers, Anna: ''The Eye of the Connoisseur: Authenticating Paintings by Rembrandt and His Contemporaries''. (Amsterdam: Amsterdam University Press, 2011) * Tümpel, Christian: ''Rembrandt mit Selbstzeugnissen und Bilddokumenten''. (Reinbeck bei Hamburg: Rowohlt, 1977) n German* Tümpel, Christian: ''Rembrandt: Mythos und Methode''. (Königstein im Taunus: Langewiesche, 1986) n German* Tümpel, Christian: ''Rembrandt: All the Paintings in Colour''. ( Antwerp: Fonds Mercator, 1993) * Tümpel, Christian; Tümpel, Astrid: ''Rembrandt: Images and Metaphors''. (London: Haus Books, 2006) * Tümpel, Christian; et al.: ''Rembrandt en de Bijbel''. (Zwolle: Waanders, 2006) * Valentiner, Wilhelm R.: ''Rembrandt und seine Umgebung''. (
Straßburg Strasbourg (, , ; german: Straßburg ; gsw, label=Bas Rhin Alsatian, Strossburi , gsw, label= Haut Rhin Alsatian, Strossburig ) is the prefecture and largest city of the Grand Est region of eastern France and the official seat of the Eu ...
: Heitz & Mündel, 1905) n German* Valentiner, Wilhelm R.: ''Rembrandt in Bild und Wort'', ed.
Wilhelm von Bode Wilhelm von Bode (10 December 1845 – 1 March 1929) was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, he was ennobled in 1913. He was the creator and first curator of the Kaiser Friedrich Museum, now c ...
. (Berlin: Rich Bong Kunstverlag, 1907) n German* Valentiner, Wilhelm R.: ''Rembrandt: Des Meisters Gemälde'' rd revised edition(Klassiker der Kunst in Gesamtausgaben 2). (Stuttgart/Leipzig: Deutsche-Verlags Anstalt, 1909) n German* Valentiner, Wilhelm R.: ''Rembrandt: Wiedergefundene Gemälde, 1910–1922'' evised ed.(Klassiker der Kunst in Gesamtausgaben 27). (Stuttgart: Deutsche-Verlags Anstalt, 1923) n German* Valentiner, Wilhelm R.: ''Rembrandt Paintings in America'' vols. (New York, 1931) * Valentiner, Wilhelm R.: ''Rembrandt: Des Meisters Handzeichnungen'' vols. (Stuttgart/Berlin/Leipzig: Deutsche Verlags-Anstalt, 1925–34) n German* Valentiner, Wilhelm R.: ''Rembrandt and
Spinoza Baruch (de) Spinoza (born Bento de Espinosa; later as an author and a correspondent ''Benedictus de Spinoza'', anglicized to ''Benedict de Spinoza''; 24 November 1632 – 21 February 1677) was a Dutch philosopher of Portuguese-Jewish origin, ...
: A Study of the Spiritual Conflicts in Seventeenth-Century Holland''. (London: Phaidon Press, 1957) * Valéry, Paul: ''Le retour de Hollande. Descartes et Rembrandt''. (
Maastricht Maastricht ( , , ; li, Mestreech ; french: Maestricht ; es, Mastrique ) is a city and a municipality in the southeastern Netherlands. It is the capital and largest city of the province of Limburg. Maastricht is located on both sides of the ...
: A.A.M. Stols, 1926)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Van Dyke, John Charles: ''Rembrandt and His School: A Critical Study of the Master and List of Rembrandt pupils, His Pupils with a New Assignment of Their Pictures''. (New York: Charles Scribner's Sons, 1923) *Wetering, Ernst van de; et al. (eds.): ''A Corpus of Rembrandt Paintings, Vol. I: 1625–1631; Vol. II: 1631–1634; Vol. III: 1635–1642''. (Dordrecht: Martinus Nijhoff, 1982, 1986, 1989) *Wetering, Ernst van de; Schackenburg, Bernhard (eds.): ''The Mystery of the Young Rembrandt''. (Wolfratshausen: Edition Minerva, 2001) * Wetering, Ernst van de: ''Rembrandt's Hidden Self-Portraits''. (Amsterdam: Museum Het Rembrandthuis, 2003) *Wetering, Ernst van de; et al. (eds.): ''A Corpus of Rembrandt Paintings, Vol. IV: The Self-Portraits'' [Stichting Foundation Rembrandt Research Project]. (Dordrecht: Springer, 2005) * Wetering, Ernst van de: ''Rembrandt: Quest of a Genius''. (Amsterdam: Rembrandt House Museum; Zwolle: Waanders Publishers, 2007) * Wetering, Ernst van de: ''Rembrandt in nieuw licht''. (Amsterdam: Local World, 2009)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Ernst van de Wetering, Wetering, Ernst van de; Retèl, Paulien: ''Rembrandt: The Painter at Work''. (Oakland: University of California Press, 2009) * Wetering, Ernst van de; et al. (eds.): ''A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings''. (Dordrecht: Springer, 2011) * Wetering, Ernst van de; et al. (eds.): ''A Corpus of Rembrandt Paintings, Vol. VI: Rembrandt's Paintings Revisited – A Complete Survey''. (Dordrecht: Springer, 2014) * Wetering, Ernst van de: ''Rembrandt: The Painter Thinking''. (Oakland: University of California Press, 2016) * Verdi, Richard: ''Rembrandt's Themes: Life into Art''. (
New Haven, CT New Haven is a city in the U.S. state of Connecticut. It is located on New Haven Harbor on the northern shore of Long Island Sound in New Haven County, Connecticut and is part of the New York City metropolitan area. With a population of 134,023 ...
:
Yale University Press Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale Universi ...
, 2014) * Verschoor, Gerdien: ''Het meisje en de geleerde. Kroniek van twee verloren gewaande Rembrandts''. (Amsterdam: Uitgeverij Atlas Contact, 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Vogel-Köhn, Doris: ''Rembrandts Kinderzeichnungen''. (Ph.D. diss., Universität Würzburg, 1974) n German* Vogelaar, Christiaan; et al.: ''Rembrandt & Lievens in Leiden: Een jong en edel schildersduo''. (Leiden: Stedelijk Museum De Lakenhal, 1991)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Vogelaar, Christiaan; et al.: ''Rembrandt's Mother. Myth and Reality''. (Leiden: Stedelijk Museum De Lakenhal, 2005) * Volkenandt, Claus: ''Rembrandt: Anatomie eines Bildes''. (Munich: Wilhelm Fink, 2004) n German* Volkenandt, Claus: ''Rembrandt: Die Porträts''. (Darmstadt: wbg Theiss in Wissenschaftliche Buchgesellschaft [WBG], 2019) n German* Wadum, Jørgen: ''Technical Art History: Painter's Supports and Studio Practices of Rembrandt, Gerrit Dou, Dou and Vermeer''. (Ph.D. diss., Universiteit van Amsterdam/University of Amsterdam, 2009) * Wallace, Robert: ''The World of Rembrandt''. (New York: Time-Life Books, 1968) * Watkins, Catherine Bailey: ''Rembrandt's 1654 Life of Christ Prints: Graphic Chiaroscuro, the Northern Print Tradition, and the Question of Series''. (Ph.D. diss., Case Western Reserve University, 2011) * Wauschkuhn, Annette: '' Georg Simmels Rembrandt-Bild. Ein lebensphilosophischer Beitrag zur Rembrandtrezeption im 20. Jahrhundert''. (Worms: Werner Verlag, 2002) n German* Weber, Gregor J.M.; Hartog Jager, Hans den; Nooteboom, Cees: ''Rembrandt-Velázquez: Nederlandse en Spaanse meesters''. (Amsterdam: Rijksmuseum Amsterdam, 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Wegner, Wolfgang: ''Rembrandt und sein Kreis. Zeichnungen und Druckgraphic''. (Munich: Staatliche Graphische Sammlung, 1966) n German* Wencelius, Léon: ''Jean Calvin, Calvin et Rembrandt, étude comparative de la philosophie de l'art de Rembrandt et de l'esthétique de Calvin''. (Paris: Société d'Edition [Les Belles Lettres], 1937)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Christopher White (art historian), White, Christopher; Alexander, David; D'Oench, Ellen: ''Rembrandt in Eighteenth-Century England''. (New Haven: Yale Center for British Art, 1983) * White, Christopher: ''Rembrandt as an Etcher: A Study of the Artist at Work'' vols. (London: Anton Zwemmer, A. Zwemmer, 1969; 2nd ed., New Haven, CT: Yale University Press, 1999) * White, Howard B.: ''Antiquity Forgot: Essays on Shakespeare, Francis Bacon, Bacon, and Rembrandt''. (The Hague: Martinus Nijhoff, 1978) * Wickhoff, Franz: ''Einige Zeichnungen Rembrandts mit biblischen Vorwürfen'' [Seminarstudien]. (Innsbruck: Verlag der Wagner'schen Universitäts-Buchhandlung, 1906) n German* Wijnman, H.F.: ''Uit de kring van Rembrandt en Vondel. Verzamelde studies over hun leven en omgeving''. (Amsterdam: Noord-Hollandsche Uitgevers Maatschappij, 1959)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Wilkie, Ken; Eddy Posthuma de Boer, Posthuma de Boer, Eddy: ''Op pad met Rembrandt. In en rondom Amsterdam''. (Amsterdam: Bas Lubberhuizen, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Williams, Hilary: ''Rembrandt on Paper''. (Los Angeles, CA:
J. Paul Getty Museum The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa. The Getty Center is located in the Brentwood neighborhood of Los Angeles and fea ...
, 2009) * Williams, Julia Lloyd: ''Rembrandt's Women''. (Munich: Prestel Verlag, 2001) * Willis, Kelly Jo: ''Hendrickje Stoffels: Rembrandt van Rijn's Incarnation of Medea''. (M.A. thesis,
University of Cincinnati The University of Cincinnati (UC or Cincinnati) is a public research university in Cincinnati, Ohio. Founded in 1819 as Cincinnati College, it is the oldest institution of higher education in Cincinnati and has an annual enrollment of over 44,0 ...
, 2000) * Winzinger, Franz: ''Rembrandt Landschaftszeichnungen''. (Baden-Baden: Woldemar Klein Verlag, 1953) n German* Rachel Wischnitzer, Wischnitzer, Rachel: ''From Dura to Rembrandt: Studies in the History of Art''. (Jerusalem: Center for Jewish Art, 1990) * Wohlfromm, Gisela: ''Rembrandts Auseinandersetzung Mit Der Kunst Adam Elsheimers''. (
Frankfurt am Main Frankfurt, officially Frankfurt am Main (; Hessian: , "Frank ford on the Main"), is the most populous city in the German state of Hesse. Its 791,000 inhabitants as of 2022 make it the fifth-most populous city in Germany. Located on its na ...
: Peter Lang (publisher), Peter Lang, 1997) n German* Wright, Christopher: ''Self-portraits by Rembrandt, Rembrandt: Self-Portraits''. (London: Gordon Fraser, 1982) * Wubben, Arno: ''Zoektocht in Hartstocht. Bezoeken aan Rembrandtschilderijen wereldwijd''. (Amsterdam: Uitgeverij Boekscout, 2017)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Zeldin, Natalie Ann: ''Performing Touch in the Frick Self-Portrait (1658): An Examination of the Ruwe Manier in Late Rembrandt''. (M.A. thesis,
University of Texas at Austin The University of Texas at Austin (UT Austin, UT, or Texas) is a public research university in Austin, Texas. It was founded in 1883 and is the oldest institution in the University of Texas System. With 40,916 undergraduate students, 11,07 ...
, 2013) * Zell, Michael: ''Protestant Imagery and Jewish Apologetics: Rembrandt's Encounterwith Rabbi Menasseh ben Israel''. (Ph.D. diss.,
Harvard University Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of high ...
, 1994) * Zell, Michael: ''Reframing Rembrandt: Jews and the Christian Image in Seventeenth-Century Amsterdam''. (Berkeley: University of California Press, 2002) * Zell, Michael; Chong, Alan (eds.): ''Rethinking Rembrandt''. (Zwolle: Waanders Publishers, 2002) * Zink, Jörg: ''Was die Nacht hell macht. Weihnachten in Bildern von Rembrandt''. (Eschbach im Markgräflerland: Verlag am Eschbach, 1982) n German* Zink, Jörg: ''Was die Nacht hell macht. Rembrandt malt die Weihnachtsgeschichte''. (Eschbach im Markgräflerland: Verlag am Eschbach, 1999) n German* Zink, Jörg: ''Was die Nacht hell macht. Rembrandt als Maler der christlichen Botschaft''. (Gütersloh: Gütersloher Verlagshaus, 2015) n German* Zink, Jörg: ''In het licht: Rembrandt, schilder van de Bijbel''. [Vertaling: Bertie van Zoest & Ger Meesters]. (Utrecht: Uitgeverij Kok, 2015)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...


Journal articles, scholarly papers, essays, and book chapters

* Abastado P.; Chemla, D. (2007), 'Rembrandt's doctors,'. ''Medical Humanities'' 33(1): 35–37 * Adams, Henry (1984), 'If Not Rembrandt, Then His Cousin?,'. ''The Art Bulletin'' 66(3): 427–441 * Afek, A.; Friedman, T.; Kugel, C.; Barshack, I.; Lurie, DJ. (2009), 'Dr. Tulp's Anatomy Lesson by Rembrandt: the Third Day Hypothesis,'. ''Israel Medical Association Journal'' 11(7): 389–92 * Ahmad, Iftikhar (2008), 'Art in Social Studies: Exploring the World and Ourselves with Rembrandt,'. ''The Journal of Aesthetic Education'' 42(2): 19–37 * Alexander-Knotter, Mirjam (1999), 'An Ingenious Device: Rembrandt's Use of Hebrew Inscriptions,'. ''Studia Rosenthaliana'' 33(2): 131–159 * Alting, M.P.; Waterbolk, T.W. (1982), 'New light on the anatomical errors in Rembrandt's Anatomy Lesson of Dr. Nicolaas Tulp,'. ''J Hand Surg Am.'' 7(6): 632–4 * Baer, Ronni (2012), 'Of Cats and Dogs: Domestic Pets in Rembrandt and Gerrit Dou, Dou,'. In: ''Een Kroniek voor Jeroen Giltaij: Kroniek van het Rembrandthuis''. (Amsterdam: Rembrandthuis, 2012), pp. 63–9 * Bal, Mieke (1990), 'Dis‐semination: "Rembrandt" and the navel of the text,'. ''LIT: Literature Interpretation Theory'' 2(2): 145–166. * Bal, Mieke; Vardoulakis, Dimitris (2011), 'An Inter-action: Rembrandt and Spinoza,'. In: ''Spinoza Now''. Edited by Dimitris Vardoulakis. (Minneapolis: University of Minnesota Press, 2011), pp. 277–303 * Baldinucci, Filippo: 'Life of Rembrandt,' from ''Cominciamento e Progresso dell'arte d'intagliare in rame colle vita de' piu eccellenti maestri della stessa professione''. 1686, in ed. Charles Ford. ''Lives of Rembrandt''. (London: Pallas Athene, 2007), pp. 35–48. n Italian* Baldwin, Robert (1984), 'Rembrandt's Visual Sources from Italy and Antiquity,'. ''Source: Notes in the History of Art'' 4(1): 22–29 * Baldwin, Robert (1985), '"On earth we are beggars, as Christ himself was": The Protestant Background to Rembrandt's Imagery of Poverty, Begging, and Sickness,'. ''Konsthistorisk Tidskrift'' (LIV) 3: 122–135 * Baldwin, Robert (1989), 'Rembrandt's New Testament Prints: Artistic Genius, Social Anxiety, and the Calvinist Marketed Image,'. In: Shelley Perlove (ed.), ''Impressions of Faith: Rembrandt's Biblical Etchings''. (Dearborn: University of Michigan, 1989), pp. 24–34 * Banfi, A. (1931), 'Il Rembrandt di Simmel,'. In Id., ''Vita dell'arte'', Opere, vol. V, E. Mattioli et G. Scaramuzza (dir.), Reggio nell'Emilia, Istituto Antonio Banfi, p. 329–337. n Italian* Bankl, H.C.; Bankl, H. (2000), 'Dr. Nicolaas Tulp: A Critical View of Rembrandt's Anatomy Lesson,'. ''Wien Klin Wochenschr.'' 112(8): 368–71. n German* Barker, Mary Christine (2010), 'Transcending Tradition: Rembrandt's Death of the Virgin 1639: A Re-Vision,'. ''Dutch Crossing: Journal of Low Countries Studies'' 34(2): 138–61. * Bauch, Kurt (1967), 'Ikonographischer Stil: Zur Frage der Inhalte in Rembrandt's Kunst,'. In: ''Studien zur Kunstgeschichte''. (Berlin: De Grayter, 1967), pp. 123–151. n German* Beirne, Brian Logan (2008), 'Painted into a Corner: Rembrandt's Bankruptcy Today,'. ''Journal of Transnational Law & Policy'' 18(1): 89–107 * Benesch, Otto (1956), 'Worldly and Religious Portraits in Rembrandt's Late Art,'. ''The Art Quarterly'' 19: 335–355 * Benesch, Otto (1970), 'Rembrandt's Artistic Heritage: From Goya to Cézanne,'. (Collected Writings, vol. 1, New York, 1970, pp. 57–82) * Benesch, Otto (1973), 'Rembrandts Bild bei Picasso,'; in Benesch's Collected Writings, vol. 4 (London, 1973) n German* Benjamin, Andrew (2017), 'Reading, Seeing and the Logic of Abandonment: Rembrandt's Self-Portrait as the Apostle Paul,'. In: Antonio Cimino, George Henry van Kooten & Gert Jan van der Heiden (eds.), ''Saint Paul and Philosophy: The Consonance of Ancient and Modern Thought''. (De Gruyter, 2017), pp. 21–46 * Bergström, Ingvar (1966), 'Rembrandt's Double Portrait of Himself and Saskia at the Dresden Gallery: A Tradition Transformed,'. ''Nederlands Kunsthistorisch Jaarboek'' 17: 143–69 * Białostocki, Jan (1957), 'Bellori's Caravaggio and Sandrart's Rembrandt,'. ''Burlington Magazine'' 99(653): 274–275 * Białostocki, Jan (1957), 'Ikonographische Forschungen zu Rembrandts Werk,'. ''Münchner Jahrbuch der Bildenden Kunst'' 8: 195–210. n German* Białostocki, Jan (1966), 'Rembrand's "Terminus": To Wolfgang Stechow,'. ''Wallraf-Richartz-Jahrbuch'' 28: 49–60 * Białostocki, Jan (1968), 'Rembrandt's 'Eques Polonus','. ''Oud Holland: Journal for Art of the Low Countries'' 84(2/3): 163–176. * Białostocki, Jan (1972), 'Rembrandt and Posterity,'. Nederlands Kunsthistorisch Jaarboek 23 (1972): 131–157. * Białostocki, Jan (1973), 'Der Sünder als tragischer Held bei Rembrandt. Bemerkungen zu neueren ikonographischen Studien über Rembrandt,'; in: von Simson, Otto Georg; Kelch, Jan (hrsg.): ''Neue Beiträge zur Rembrandt-Forschung''. (Berlin: Mann, 1973), pp. 137–154. n German* Białostocki, Jan (1984), 'A New Look at Rembrandt Iconography,'. ''Artibus et Historiae'' 5(10): 9–19 * Bille, Clara (1956), 'Rembrandt's Claudius Civilis at Amsterdam in 1734,'. ''Konsthistorisk Tidskrift'' 25(1–4): 25–30. * Binstock, Benjamin (1999), 'Rembrandt's Paint,'. ''RES: Anthropology and Aesthetics'' 36: 138–165 * Binstock, Benjamin (2001), 'I've Got You under My Skin: Rembrandt, Alois Riegl, Riegl and the Will of Art History,'. In: Richard Woodfield (ed.), ''Framing Formalism: Riegl's Work''. (Amsterdam: G&B International, 2001), pp. 219–63 * Binstock, Benjamin (2001), 'The Ruins of Rembrandt,'. ''Dutch Crossing: Journal of Low Countries Studies'' 25(2): 323–341. * Binstock, Benjamin (2003), 'Seeing Representations; or, The Hidden Master in Rembrandt's Syndics,'. ''Representations'' 83(1): 1–37. * Binstock, Benjamin (2006), 'The Birth of Rembrandt,'. In: M. Roscam Abbing (ed.), ''Rembrandt 2006: Essays''. (Amsterdam: Foleor, 2006), pp. 267–78 * Black, Peter (2018), 'Rembrandt: paragon of the etching revival,'. In: Seifert, C. T. (ed.) ''Rembrandt: Britain's Discovery of the Master''. (Edinburgh: National Galleries Scotland, 2018), pp. 107–113 * Blanc, Jan (2009), 'Rembrandt and the Historical Construction of His Conspiracy of Claudius Civilis,'. In: L. Cruz & W. Frijhoff (eds.), ''Myth in History, History in Myth''. (Leiden, 2009), pp. 237–53 * Bok, Marten Jan (2004), 'Rembrandt's Fame and Rembrandt's Failure: The Market for History Paintings in the Dutch Republic,'. In: A. Kofuku (ed.), ''Rembrandt and Dutch History Painting in the 17th Century''. (Tokyo, 2004), pp. 159–180 * Bok, Marten Jan; van der Molen, Tom (2009), 'Productivity Levels of Rembrandt and His Main Competitors in the Amsterdam Art Market,'. ''Jahrbuch der Berliner Museen'' 51. Bd., Beiheft. Rembrandt — Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006: 61–68 * Borowitz, Helen O. (1983), 'The Rembrandt and Monet of Marcel Proust,'. ''The Bulletin of the Cleveland Museum of Art'' 70(2): 73–95 * Bourne, R.G. (2000), 'Did Rembrandt's Bathsheba really have breast cancer?,'. ''Aust N Z J Surg.'' 70(3): 231–2 * Bracken, W. Worth (2011), 'So as to give birth to your own inventions, too': Rembrandt transforming Annibale,'. In: ''Aemulatio. Imitation, emulation and invention in Netherlandish art from 1500 to 1800. Essays in honor of Eric Jan Sluijter''. (Zwolle, 2011), pp. 138–152 * Bracken, W. Worth (2018), 'Rembrandt's "Lamentation over the Dead Christ" at the British Museum: A Reconsideration,'. ''Master Darwings'' 56: 149–168 * Braider, Christopher (1998), 'The Fountain of Narcissus: The Invention of Subjectivity and the Pauline Ontology of Art in Caravaggio and Rembrandt,'. ''Comparative Literature'' 50(4): 286–315 * Braithwaite, P.A.; Shugg, D. (1983), 'Rembrandt's Bathsheba: the dark shadow of the left breast,'. ''Ann R Coll Surg Engl.'' 65(5): 337–8 * Behpoor, Bavand (2010), 'How Moghul Was Rembrandt? A Critique on a Global Laboratory of Infinite Multiplicities,'. ''Third Text'' 24(4): 501–504. * Susan Broomhall, Broomhall, Susan; Spinks, Jenny (2009), 'Finding Rembrandt? Place, History, Experience and the Individual,'. ''Dutch Crossing: Journal of Low Countries Studies'' 33(1): 6–22. * Broos, B.P.J. (1971), 'The 'O' of Rembrandt,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 4(3): 150–84 * Broos, B.P.J. (1974), 'Rembrandt's Portrait of a Pole and His Horse,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 7(4): 192–218 * Broos, B.P.J. (1976), 'Rembrandt and Pieter Lastman, Lastman's "Coriolanus": The History Piece in 17th-Century Theory and Practice,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 8(4): 199–228 * Broos, B.P.J. (1999), 'Rembrandt and His Picturesque Universe: The Artist's Collection as a Source of Inspiration,'. In: ''Rembrandt's Treasures'', ed. Bob van den Boogert xh. cat. (Amsterdam: Rembrandt House Museum; Zwolle: Waanders Publishers, 1999), pp. 91–13 * Broos, B.P.J. (2009), 'Rembrandt &
Saskia Saskia is a Germanic feminine given name. There are at least two different sources of the name. One is of North German and Northeast Netherlands origin, where it originally meant "a Saxon woman" ( metathesis of "Saxia"). Notable people with the n ...
: Recent Research,'. ''Jahrbuch der Berliner Museen'' 51. Bd., Beiheft. Rembrandt — Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006 (2009): 9–15. * Broos, B.P.J. (2013), 'The Young Samuel van Hoogstraten Corrected by Rembrandt,'. In: ''The Universal Artof Samuel van Hoogstraten (1627–1678): Painter, Writer and Courtier'', edited by Thijs Weststeijn. (Amsterdam: Amsterdam University Press, 2013), pp. 77–95 * Norma Broude, Broude, Norma (1976), 'The Influence of Rembrandt Reproductions on Georges Seurat, Seurat's Drawing Style: A Methodological Note,'. ''Gazette des Beaux-Arts'' 1293: 155–60 * Brown, Christopher (2009), 'Rembrandt and Realism For :sv:Görel Cavalli-Björkman, Görel Cavalli-Björkman,'. ''Konsthistorisk Tidskrift'' 78(1): 1–15. * Bruyn, J. (1970), 'Rembrandt and the Italian Baroque,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 4: 28–48 * Bruyn, J. (1990), 'An Unknown Assistant in Rembrandt's Workshop in the Early 1660s,'. ''The Burlington Magazine'' 132(1051): 714–718 * Budick, Sanford (1988), 'Rembrandt's Jeremiah,'. ''Journal of the Warburg and Courtauld Institutes'' 51: 260–264 * Budick, Sanford (1991), 'Rembrandt's and Freud's "Gerusalemme Liberata",'. ''Social Research'' 58(1): 189–207 * Budick, Sanford (1997), ' Descartes's Cogito, Kant's Sublime, and Rembrandt's Philosophers: Cultural Transmission as Occasion for Freedom,'. ''Modern Language Quarterly'' 58(1): 27–61. * Bulckens, Koen (2012), 'A Clash of Titans: The Rubens and Rembrandt Corpuses Compared,'. ''The Rubenianum Quarterly'' 3: 3–4 * Bulckens, Koen (2014), 'Cataloguing Rubens and Rembrandt: A Closer Look at the Corpus Rubenianum and the Rembrandt Research Project,'. ''Rubensbulletin'' (Koninklijk Museum voor Schone Kunsten Antwerpen) 5: 93–128 * Buvelot, Quentin (2017), 'Rembrandt in the Mauritshuis: Work in Progress,'. ''JHNA: Journal of Historians of Netherlandish Art'' 9(1). * Cafritz, Robert C. (1988), 'Reverberations of Venetian Graphics in Rembrandt's Pastoral Landscapes,'. In: Robert C. Cafritz, ''Places of Delight: The Pastoral Landscape''. (Washington, DC: Phillips Collection and National Gallery of Art, 1988), pp. 130–47 * Cailleux, Jean (1972), 'Esquisse d'une Etude sur le goût pour Rembrandt en France au XVIIIe siecle,'. ''Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art'' 23: 159–166.
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Campbell, Louise (2014), 'Drawing Attention: John Postle Heseltine, the
Etching Revival The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as ...
and Dutch Art of the Age of Rembrandt,'. ''Journal of the History of Collections'' 26(1): 103–15 * Carriveau, Gary W.; Shelley, Marjorie (1982), 'A Study of Rembrandt Drawings Using X-Ray Fluorescence,'. ''Nuclear Instruments and Methods in Physics Research'' 193(1–2): 297–301. * Carroll, Margaret D. (1981), 'Rembrandt as Meditational Printmaker,'. ''The Art Bulletin'' 63(4): 585–610 * Carroll, Margaret D. (1984), 'Rembrandt's "Aristotle": Exemplary Beholder,'. ''Artibus et Historiae'' 5(10): 35–56 * Carroll, Margaret D. (2017), 'The Blade and the Brush: Rembrandt's Slaughtered Ox and The Anatomy Lesson of Dr. Deijman, Anatomy of Doctor Deyman'. Oxford Art Journal 40(3): 347–369. * Cersoy, Sophie; Sanyova, Jana; Richardin, Pascale; Laprévote, Olivier; Walter, Philippe; Brunelle, Alain (2011), 'Unexpected Materials in a Rembrandt Painting Characterized by High Spatial Resolution Cluster-TOF-SIMS Imaging,'. ''Analytical Chemistry'' 83(3): 753–760. * Chapman, H. Perry (2005), 'The Imagined Studios of Rembrandt and Vermeer,'. In: ''Inventions of the Studio, Renaissance to Romanticism'', edited by Michael Cole and Mary Pardo. (Chapel Hill, NC: University of North Carolina Press, 2005), pp. 108–46 * Chapman, H. Perry (2010), 'Reclaiming the Inner Rembrandt: Passion and Rembrandt's Earliest Self-Portraits,'. In: ''The Passions in the Art of the Early Modern Netherlands'', edited by Herman Roodenburg and Stephanie Dickey. Nederlands Kunsthistorisch Jaarboek 60 (2010): 188–215 * Chapman, H. Perry (2014), 'Rembrandt's Laughter and the Love of Art,'. In: ''Midwestern Arcadia: Essays in honor of Alison Kettering''. Northfield, 2014 * Chapman, H. Perry (2014), 'Rembrandt and Caravaggio: Emulation without Imitation,'. In: ''Caravaggio: Reflections and Refractions'', edited by Lorenzo Pericolo and David M. Stone. (Aldershot and Burlington, VT: Ashgate, 2014), pp. 273–300 * Chapman, H. Perry (2017), ' Rubens, Rembrandt, and the Spousal Model/Muse,'. In: Melion, Walter; Woodall, Joanna; Zell, Michael: ''Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500–1700''. (Leiden: Brill, 2017) ), pp. 439–482 * Chauí, Marilena (1996), 'Imanência e Luz: Espinosa, Vermeer e Rembrandt,'. ''Discurso'' 26: 113–130. [in Portuguese] * Church, Brooke Peters (1930), 'Rembrandt: The First of the Moderns,'. ''The American Journal of Nursing'' 30(4): 429–435 * Clarke, Jean-Marie (1990), 'Philosopher in Meditation, Le Philosophe en méditation du Louvre: Un tableau signé 'RHL van Rijn' et daté '1632,'. ''Revue du Louvre'' 40(3)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Cohen, Alan (2000), 'How Deep was the Relationship between Rembrandt and the Jews?,'. In: 'Dutch Jews, Dutch Jewry: Its History and Secular Culture (1500–2000), edited by Jonathan Israel and Reinier Salverda. (Leiden: Brill, 2002), pp. 173–190 * Cohen, Janie L. (1983), 'Picasso's Exploration of Rembrandt's Art, 1967–72,'. ''Arts Magazine'' 58(2): 119–126 * Conn, Mark S. (2008), 'Rembrandt's Art: A Paradigm for Critical Thinking and Aesthetics,'. ''The Journal of Aesthetic Education'' 42(2): 68–82 * Coppier, André-Charles (1916), 'Rembrandt et Spinoza,'. ''Revue des deux mondes'' 31(1916): 160–91.
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Courtright, Nicola (1996), 'Origins and Meanings of Rembrandt's Late Drawing Style,'. ''The Art Bulletin'' 78(3): 485–510 * Craig, Kenneth M. (1983), 'Rembrandt and The Slaughtered Ox,'. ''Journal of the Warburg and Courtauld Institutes'' 46: 235–239 * Crenshaw, Paul (2001), 'Rembrandt's Disputes with His Patrons,'. ''Dutch Crossing: A Journal of Low Countries Studies'' 25(2): 162–99. * Crenshaw, Paul (2013), 'The Catalyst for Rembrandt's Satire on Art criticism,'. ''JHNA: Journal of Historians of Netherlandish Art'' 5(2). * Crenshaw, Paul (2017), 'Rembrandt and Hals Visit the Arundel Collection,'. ''JHNA: Journal of Historians of Netherlandish Art'' 9(1). * Czernichowska, Joanna; Dmowska, Regina; Nowicka, Anna (2011), 'Two paintings by Rembrandt: "The Girl in a Picture Frame, Girl in a picture frame" and "Scholar at his writing table" from the collection of the Royal Castle in Warsaw – history, examination and conservation,'. ''Opuscula Musealia. Czasopismo muzeologiczne'' 19: 9–23 * De Jongh, Eddy (1968), 'The Spur of Wit: Rembrandt's Response to an Italian Challenge,'. ''Delta: A Review of Arts, Life and Thought in the Netherlands'' 12(2): 49–67 * De Launay, Marc (2013), 'L’ « Aristote » de Rembrandt: une intervention de la peinture en philosophie,'. ''Methodos'' 13: 2–12. .
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* De Winkel, Marieke (2005), "Rembrandt's Clothes: Dress and Meaning in His Self-Portraits,". In: Stichting Foundation Rembrandt Research Project, ''A Corpus of Rembrandt Paintings'', 6 vols., ed. Josua Bruyn et al. (Dordrecht, Boston, and London, 1982–2014), 4: 45–87 * De Witt, David (2009), 'Rembrandt and the Climate of Religious Conflict in the 1620s,'. ''Jahrbuch der Berliner Museen'' 51. Bd., Beiheft. Rembrandt — Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006: 17–24 * Desborde, Rene; Marshall, Kimball P. (2015), 'Rembrandt versus
Van Gogh Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, inc ...
: A Qualitative Contrast Study Applying a Visual Arts Valuation Model,'. ''Proceedings of the Atlantic Marketing Association Annual Meeting'', Savanah, GA., 24–26 September * Di Matteo, Berardo; Tarabella, Vittorio; Filardo, Giuseppe; Tomba, Patrizia; Viganò, Anna; Marcacci, Maurilio (2016), 'Nicolaes Tulp: The Overshadowed Subject in The Anatomy Lesson of Dr. Nicolaes Tulp,'. ''Clin Orthop Relat Res.'' 474(3): 625–629. * DiPaola, S.; Riebe, C.; Enns, J. (2010), 'Rembrandt's Textural Agency: A Shared Perspective in Visual Art and Science,'. ''Leonardo'' 43(2): 145–151 * Dickey, Stephanie S. (1986), 'Judicious Negligence: Rembrandt Transforms an Emblematic Convention,'. ''Art Bulletin'' 68: 253–262 * Dickey, Stephanie S. (1996), 'Mennonite Martyrdom in Amsterdam and the Art of Rembrandt and His Contemporaries,'. ''Proceedings of the American Association of Netherlandic Studies'' 9: 81–103 * Dickey, Stephanie S. (2007), 'Rethinking Rembrandt's Renaissance,'. '' Canadian Journal of Netherlandic Studies'' 21: 1–22 * Dickey, Stephanie S. (2011), '
Saskia Saskia is a Germanic feminine given name. There are at least two different sources of the name. One is of North German and Northeast Netherlands origin, where it originally meant "a Saxon woman" ( metathesis of "Saxia"). Notable people with the n ...
as Glycera: Rembrandt's Emulation of an Antique Prototype,'. In: Anton Boschloo, et al. (eds.), ''Aemulatio: Emulation, Imitation, and Invention in Netherlandish Art''. (Amsterdam: Waanders, 2011), pp. 233–247 * Dickey, Stephanie S. (2012), 'Strategies of Self-Portraiture from Hans von Aachen to Rembrandt,'. In: Lubmomír Konecny & Stepán Vácha (eds.), ''Hans von Aachen in Context: Proceedings of the International Conference, Prague, 22–25 September 2010''. (Prague: Artefactum, 2012), pp. 72–81 * Dickey, Stephanie S. (2013), 'Begging for Attention: The Artful Context of Rembrandt's Etching Beggar Seated on a Bank,'. ''JHNA: Journal of Historians of Netherlandish Art'' 5(2). * Dickey, Stephanie S. (2015), 'Contentione perfectus: Rembrandt and Annibale Carracci,'. In: Una Roman D'Elia (ed.), ''Rethinking Renaissance Drawings: Essays in Honour of David McTavish''. (Montreal: McGill/Queens Press, 2015), pp. 262–277 * Dickey, Stephanie S. (2016), 'Rembrandt and his Circle,'. 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(1988), 'Julius Langbehn's "Rembrandt als Erzieher": Politics and Cultural Esthetics,'. ''Mosaic: An Interdisciplinary Critical Journal'' 21(1): 25–35. * Dierick, Augustinus P. (1990), 'Constructing and Deconstructing the Maker: Theun de Vries and J. Bernlef on Rembrandt and Vermeer/Van Meegeren,'. ''Dutch Crossing'' 14(42): 69–84. * Döring, T. (2016), 'A new drawing by Rembrandt: study of a seated dog,'. ''Master Drawings'' 54: 369–378 * Downes, William Howe 1923), 'The Great Rembrandt Question,'. ''The American Magazine of Art'' 14(12): 661–666 * Drury, John (2008), 'Michelangelo and Rembrandt: the crucifixion,'. ''Word & Image'' 24(4): 349–366. * Ekserdjian, David; Royalton-Kisch, Martin (2000), 'The Entombment of Christ: A Lost Andrea Mantegna, Mantegna Owned by Rembrandt?,'. ''Apollo'' 151(457): 52–56 * Eeles, Adrian (1998), 'Rembrandt's "Ecce Homo": A Census of Impressions,'. ''Print Quarterly'' 15(3): 290–296 * Espinel, C.H. (1997), 'A medical evaluation of Rembrandt. His self-portrait: ageing, disease, and the language of the skin,'. ''The Lancet'' 350(9094): 1835–7. * Espinel, C.H. (1999), 'Depression, physical illness, and the faces of Rembrandt,'. ''The Lancet'' 354(9174): 262–3. * Fernández, F. J. de Paz (2018), 'Rembrandt's Anatomy lessons,'. ''Neurosciences and History'' 6(1): 1–9 * Filipczak, Zirka Z. (2007), 'Rembrandt and the Body Language of Mughal painting, Mughal Miniatures,'. ''Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek'' 58(1): 162–187. * Finke, Ulrich (1964), 'Venezianische Rembrandtstecher um 1800,'. ''Oud Holland'' 79(1964): 111–121 * Fowler, Caroline (2018), 'Rembrandt's faceless faces,'. ''The Seventeenth Century'' 33(2): 133–159. * Franken, Michiel (2006), 'Learning by Imitation: Copying Paintings in Rembrandt's Workshop,'. In: Ernst van de Wetering et al., ''Rembrandt: Quest of a Genius''. (Zwolle: Waanders, 2006), pp. 153–177 * Friedman, Tal; Lurie, Doron; Westreich, Melvyn (2007), 'Rembrandt's Sentinel Vein,'. ''Aesthetic Surgery Journal'' 27(1): 105–107. * Friedman, Tal; Lurie, Doron; Westreich, Melvyn; Golik, A. (2007), 'Rembrandt – Aging and Sickness: A Combined Look by Plastic Surgeons, an Art Researcher and an Internal Medicine Specialist,'. ''Israel Medical Association Journal'' 9(2): 67–71 * Friedman, Tal; Lurie, Doron; Shalom, A. (2012), 'Authentication of Rembrandt's self-portraits through the use of facial aging analysis,'. ''Isr Med Assoc J.'' 14(10): 591–4 * Fröhlich, Fanchon (1971), 'The Locations of Light in Art: from Rembandt to Op Art and Light Environment,'. ''British Journal of Aesthetics'' 11(1): 48–62 * Roger Fry, Fry, Roger (1924), 'Rembrandt Problems,'. ''The Burlington Magazine for Connoisseurs'' 44(253): 188–192. * Garrido, Coca (1998), 'Rembrandt grabador experimental y la sociedad de su tiempo,'. ''Arte, Individuo y Sociedad'' 10: 125–46. n Spanish* Gaskell, Ivan (2007), 'Rembrandt's Genius, Wittgenstein's Warning,'. ''RES: Anthropology and Aesthetics'' 52: 97–106. * Gebhardt, Carl (1924), 'Rembrandt und Spinoza,'. ''Chronicon Spinozanum'' 4: 160–183. n German* Gervais, David (1993), 'Rembrandt's Simplicity,'. ''The Cambridge Quarterly'' 22(1): 25–42. * Gershman, Zhenya (2011), 'Rembrandt: The "I" Witness,'. ''Arion: A Journal of Humanities and the Classics'', Boston University 19(2): 65–91 * Zhenya Gershman, Gershman, Zhenya (2014), 'Rembrandt: Turn of the Key,'. ''Arion: A Journal of Humanities and the Classics'', Boston University 21(3): 79–108 * Gibian, George (1983), 'Doctor Zhivago, Russia, and Leonid Pasternak's Rembrandt,'; in John Garrard (ed.), ''The Russian Novel from Pushkin to Pasternak''. (New Haven: Yale University Press, 1983), pp. 203–224 * Giltaij, Jeroen (2017), 'A Note on Rembrandt's Aristotle, Alexander, and Homer,'. ''JHNA: Journal of Historians of Netherlandish Art'' 9(1). * Johann Wolfgang von Goethe, Goethe, Johann Wolfgang von (1831), 'Rembrandt der Denker' [Rembrandt the Thinker], in the posthumous collection of Goethe's works (1831) n German* Golahny, Amy (1983), 'Rembrandt's Early 'Bathsheba': The Raphael Connection,'. ''The Art Bulletin'' 65(4): 671–675. * Golahny, Amy (1999), 'Rembrandt's Practical Approach to Italian Art: Three Variations,'. ''The Low Countries'' 7: 123–31 * Golahny, Amy (2000), 'Rembrandt's "Artemisia": Arts Patron,'. ''Oud Holland'' 14(2/4): 139–152. * Golahny, Amy (2001), 'Reception: Reflections on Rembrandt,'. ''Dutch Crossing: Journal of Low Countries Studies'' 25(2): 159–161. * Golahny, Amy (2001), 'The List of things named after Rembrandt van Rijn, Use and Misuse of Rembrandt: An Overview of Popular Reception,'. 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(2019), 'Rembrandt's Aging Face in Plastic Surgical Perspective,'. ''Annals of Plastic Surgery'' 83(2): 123–131. * Harris, J. C. (2013), 'Rembrandt van Rijn: Self-Portrait (Rembrandt, Altman), Self-portrait 1660,'. ''JAMA Psychiatry'' 70(2): 136–137. * Harris, P. (1995), 'Rembrandt and medicine,'. ''J R Coll Surg Edinb.'' 40(2): 81–3 * Hassine, Juliette (2006), 'Correspondance des arts: Rembrandt-Fyodor Dostoyevsky, Dostoïevski dans l'Europe du vingtième siècle (In memoriam Jo Yoshida)'. (Department Bulletin Paper, Kyoto University, 2006/06/20). .
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Haver, William (2005), 'The Art of Dirty Old Men: Rembrandt, Alberto Giacometti, Giacometti, Jean Genet, Genet,'. ''Parallax'' 11(2): 25–35. * Haverkamp-Begemann, Egbert (1963), 'Rembrandt's So-Called Portrait of Anna Wymer as Minerva,'. In: ''Studies in Western Art: Acts of the Twentieth International Congress of the History of Art'', New York, 1961, 3: 59–63 * Haverkamp-Begemann, Egbert (1967), 'Purpose and Style: Oil Sketches of Rubens, Jan Brueghel, Rembrandt,'. In: ''Akten des 21. Internationalen Kongresses für Kunstgeschichte in Bonn 1964: Stil und Überlieferung in der Kunst des Abendlandes'', 3: 104–13 * Haverkamp-Begemann, Egbert (1971), 'The Present State of Rembrandt Studies,'. ''The Art Bulletin'' 53(1): 88–104 * Haverkamp-Begemann, Egbert (1971), 'The Sketch, Its Function in the Hands of Three Masters: Rubens, Rembrandt, Jan Brueghel,'. ''Art News Annual'' 37: 57–74 * Haverkamp-Begemann, Egbert (1972), 'Rembrandt as Teacher,'. In: ''Actes du XXIIe Congres International d'histoire de l'art''. Budapest 1969: Evolution generale et développements régionaux en histoire de l'art, edited by György Rósza, pp. 105–13 * Haverkamp-Begemann, Egbert (1973), 'Rembrandt's Night Watch and the Triumph of Mordecai,'. In: ''Album Amicorum J. G. van Gelder'', edited by Joos Bruyn, et al., (The Hague: Martinus Nijhoff, 1973), pp. 5–8 * Haverkamp-Begemann, Egbert (1989), 'Rembrandt as a Draughtsman: The Changing Image 1956–1988,'. Master Drawings 27(2): 105–10 * Haverkamp-Begemann, Egbert (2005), 'Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston,'. In: ''The Learned Eye: Regarding Art, Theory, and the Artist's Reputation. Essays for Ernst van de Wetering'', edited by Marieke van den Doel, et al. (Amsterdam: Amsterdam University Press, 2005), pp. 39–46 * Hecht, Peter (1998), 'Rembrandt and
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual a ...
Back to Back: The Contribution of Théophile Thoré-Bürger, Thoré,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 26(3): 162–78 * Hedquist, Valerie (1994), 'Rembrandt and the Franciscans of Amsterdam,'. ''Dutch Crossing'' 4 (Summer 1994): 20–49 * Held, Julius S. (1944), 'Rembrandt's "Polish" Rider,'. ''The Art Bulletin'' 26(4): 246–265 * Held, Julius S. (1984), 'A Rembrandt "Theme",'. ''Artibus et Historiae'' 5(10): 21–34 * Hellerstedt, K.J. (1981), 'A Traditional Motif in Rembrandt's Etchings: The Hurdy-Gurdy Player,'. ''Oud Holland: Journal for Art of the Low Countries'' 95(1): 16–30 * Herrin, Amanda K. (2011), 'Reading Light: Vision as a Hermeneutic Mechanism in Rembrandt's Etching Joseph Telling his Dreams (1638),'. ''Dutch Crossing'' 35(3): 249–274. * Hinterding, Erik (1993), 'The History of Rembrandt's Copperplates: with a Catalogue of Those that Survive,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 22(4): 253–315 * Hirschfelder, Dagmar (2009), ' Tronie und bürgerliches Kostümporträt im Werk Rembrandts und seiner Nachfolger,'. In: Holm, Bevers (ed.): ''Rembrandt - Wissenschaft auf der Suche'' [Jahrbuch der Berliner Museen ; N.F. 51, Beih.]. (Berlin, 2009), pp. 49–59 * Hirst, Michael (1968), 'Rembrandt and Italy,'. ''The Burlington Magazine'' 110(781): 221–223 * Hollander, Martha (2003), 'Losses of Face: Rembrandt, Masaccio, and the Drama of Shame,'. ''Social Research'' 79(4): 1327–50 * Holmes, C. J. (1906), 'The Development of Rembrandt as an Etcher. Article II-Rembrandt, 1630–1636,'. ''The Burlington Magazine for Connoisseurs'' 9(40): 245–253 * Holmes, C. J. (1906), 'The Development of Rembrandt as an Etcher. Article III (1636–1650),'. ''The Burlington Magazine for Connoisseurs'' 9(41): 313–323 * Holmes, C. J. (1907), 'Rembrandt and Jan Pynas,'. ''The Burlington Magazine for Connoisseurs'' 12(56): 102–105 * Robert Hughes (critic), Hughes, Robert (2006), 'The God of Realism,'. ''The New York Review of Books'' 53(6) * Constantijn Huygens, Huygens, Constantijn (1628/1629), 'Autobiography of Constantijn Huygens' (The Hague: Koninklijke Bibliotheek). Published in ''Oud Holland: Journal for Art of the Low Countries'' (1891), translated by Benjamin Binstock. * Ijpma, Frank F.A.; van Gulik, T. M. (2018), 'Anatomy lesson of the brain and cerebral membranes The Anatomy Lesson of Dr. Deijman, captured on canvas by Rembrandt in 1656,'. ''British Journal of Surgery'' 105(5): 1–7. * IJpma, Frank F.A.; van de Graaf, Robert C.; Nicolai, J.-P. A.; Meek, M. F. (2006), 'The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt (1632): A Comparison of the Painting With a Dissected Left Forearm of a Dutch Male Cadaver,'. ''The Journal of Hand Surgery'' 31(6): 882–91. * Jozef Israëls, Israëls, Jozef (1906), 'Rembrandt,'. ''The Collector and Art Critic'' 4(12): 336–340 * Jackowe, D.J.; Moore, M.K.; Bruner, A.E.; Friedieu, J.R. (2007), 'New Insight into the Enigmatic White Cord in Rembrandt's The Anatomy Lesson of Dr. Nicolaes Tulp (1632),'. ''Journal of Hand Surgery'' 32(9): 1471–76. * Jaffé, Michael (1994), '"Abraham's Sacrifice": A Rembrandt of the 1660s,'. ''Artibus et Historiae'' 15(30): 193–210 * Janssens, K.; et al. (2016), 'Saul and David (painting), Rembrandt's ‘Saul and David’ (c. 1652): Use of multiple types of smalt evidenced by means of non-destructive imaging,'. ''Microchemical Journal'' 126: 515–523. * Jáuregui, Raúl (1997), 'Rembrandt Portraits: Economic Negligence in Art Attribution,'. ''UCLA Law Review'' 44 (1997): 1947–2030 * Joachimides, Alexis (2011), 'Rembrandt als Vorbild englischer Künstler im 18. Jahrhundert. Eine kontroverse Entscheidung,'. ''Zeitschrift für Kunstgeschichte'' 74(2): 217–236. . n German * Joby, Christopher (2004), 'How Does the Work of Rembrandt van Rijn Represent a Calvinist Aesthetic?,'. ''Theology'' 107(835): 22–29 * Johnson, C. Richard Jr. (2020), 'Decision Trees for Watermark Identification in Rembrandt's Etchings,'. ''JHNA: Journal of Historians of Netherlandish Art'' 12(2). * Jonker, Matthijs (2008), 'Meaning in Art History: A Philosophical Analysis of the Iconological Debate and the Rembrandt Research Project,'. ''De Zeventiende Eeuw'' 24(2): 146–161 * Jonker, Menno (2017), 'Rembrandt's Philosopher: Aristotle in the Eye of the Beholder,'. ''JHNA: Journal of Historians of Netherlandish Art'' 9(1). * Judson, J.R. (1964), 'Pictorial sources for Rembrandt's Denial of St. Peter,'. ''Oud Holland: Journal for Art of the Low Countries'' 79(3): 141–151. * Kahr, Madlyn (1965), 'A Rembrandt Problem: Haman or Uriah?,'. ''Journal of the Warburg and Courtauld Institutes'' 28: 258–273 * Kahr, Madlyn (1968), 'Rembrandt's Meaning,'. ''Oud Holland: Journal for Art of the Low Countries'' 83(1): 63–68. * Kalmar, Ivan (2012), 'Rembrandt's Orient: where Earth met Heaven,'. Chapter 6, in: Ivan Kalmar, ''Early Orientalism: Imagined Islam and the Notion of Sublime Power'' [Routledge Islamic Studies Series, 18]. (New York: Routledge, 2012) * Kauffmann, Hans (1920), 'Rembrandt und die Humanisten vom Muiderkring,'. ''Jahrbuch der Preuszischen Kunstsammlungen'' 41: 46–81. n German* Kearsley, John H. (2011), 'Rembrandt, Michelangelo, and Stories of Healing,'. ''Journal of Pain and Symptom Management'' 42(5): 783–787. * Kettering, Alison McNeil (1977), 'Rembrandt's 'Flute Player': A Unique Treatment of Pastoral,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 9(1): 19–44 * Kettering, Alison McNeil (2011), 'Rembrandt and the Male Nude,'. In A. Boschloo, et al. (eds.): ''Aemulatio, Imitation, Emulation and Invention in Netherlandish Art from 1500 to 1800. Essays in honor of Eric Jan Sluijter''. (Zwolle: Waanders, 2011), pp. 248–262 * Kieft, Ghislain; van der Steen, Quirine (2010), 'Chapter 11: The Making of Rembrandt and Van Gogh,'; in Emmeline Besamusca, Jaap Verheul (eds.), ''Discovering the Dutch: On Culture and Society of the Netherlands''. (Amsterdam: Amsterdam University Press, 2010), pp. 149–161 * Klein, Peter (2005), 'The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses,'. In: ''The Learned Eye: Regarding art, theory and the artist's reputation'', edited by Natasja van Eck, Marieke van den Doel, Gerbrand Korevaar, Anna Tummers and Thijs Weststenijn. (Amsterdam: Amsterdam University Press, 2005), pp. 28–37 * Joseph Leo Koerner, Koerner, Joseph Leo (1986), 'Rembrandt and the Epiphany of the Face,'. ''RES: Anthropology and Aesthetics'' 12: 5–32 * Koering, Jérémie (2017), 'Rembrandt mis à mort par la peinture même,'. ''Revue de l'art'' 197: 9–15.
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Koos, Marianne (2017), 'Verkörperung - Entkörperung bei Rembrandt,'. ''Zeitschrift für Kunstgeschichte'' 80(3): 349–391. n German* Kopelman, Loretta M.; De Ville, Kenneth A. (2003), 'Rembrandt's Anatomy Lesson as a Metaphor for Education,'. ''Current Surgery'' 60(2): 150–1. * Koslow, Susan (2017), 'Aristotle with a Bust of Homer, Aristotle's Apron,'. ''JHNA: Journal of Historians of Netherlandish Art'' 9(1). * Koziel, Andrzej (2008), 'Rembrandt van Rijn i Michael Willmann, czyli historia upadku pewnego mitu,' [Rembrandt van Rijn and Michael Willmann, or a Story of dispelling a certain Myth]. ''Rocznik Historii Sztuki'' 33: 153–176. n Polish* Kruger, Lawrence (2005), 'The Scientific Impact of Dr. N. Tulp, Portrayed in Rembrandt's "Anatomy Lesson",'. ''Journal of the History of the Neurosciences'' 14(2): 85–92. * Krupiński, Janusz (2006), 'Obraz a malowidło. Rembrandt contra Ingarden,'. ''Estetyka i Krytyka'' 2(11): 15–44. n Polish* Krzyżagórska-Pisarek, Katarzyna (2016), 'Corpus Rubenianum versus Rembrandt Research Project: Two approaches to a catalogue raisonné,'. ''Rocznik Historii Sztuki'' 41: 23–50. * Kuretsky, Susan Donahue (1977), 'Rembrandt at the Threshold,'. In: ''Rembrandt, Rubens and the Art of Their Time: Recent Perspectives'', edited by Roland E. Fleischer and Susan C. Scott. (University Park, PA: Pennsylvania State University Press, 1977), pp. 61–105 * Kuretsky, Susan Donahue (1994), 'Worldly Creation in Rembrandt's "Landscape with Three Trees",'. ''Artibus et Historiae'' 15(30): 157–91. * Kuretsky, Susan Donahue (2011), 'Rembrandt's Cat,'. In: A. Boschloo, et al. (eds.): ''Aemulatio, Imitation, Emulation and Invention in Netherlandish Art from 1500 to 1800. Essays in honor of Eric Jan Sluijter''. (Zwolle: Waanders, 2011), pp. 263–76 * Mark Kurlansky, Kurlansky, Mark (2016), 'Chapter 11: Rembrandt's Discovery'; in: Mark Kurlansky, ''Paper: Paging Through History''. (New York: W.W. Norton & Company, 2016) * Lackey, Douglas P. (2006), 'Rembrandt and the Mythology of the Self-portrait,'. ''Philosophical Forum'' 37(4): 439–455. * Lakke J.P. (1998), 'Autopsy Practices for Brain Dissections and Rembrandt's Anatomy Lesson of Dr. Deyman,'. ''Journal of the History of the Neurosciences'' 7(2): 101–7. * Landsberger, Franz (1954), 'Rembrandt and Josephus,'. ''The Art Bulletin'' 36(1): 62–63. * Lawrence, Cynthia (1985), '"Worthy of Milord's house"? Rembrandt, Huygens and Dutch classicism,'. ''Konsthistorisk Tidskrift'' 54(1): 16–26. * Lavin, Irving; Lavin, Marilyn Aronberg (2001), 'The Jewish Bride, Rembrandt's 'Jewish Bride': Sister and Spouse,'. In: ''The Liturgy of Love: Images from the Song of Songs in the Art of Cimabue, Michelangelo, and Rembrandt'', by Irving Lavin and Marilyn Aronberg Lavin. (The Franklin D. Murphy Lectures XIV,
University of Kansas The University of Kansas (KU) is a public research university with its main campus in Lawrence, Kansas, United States, and several satellite campuses, research and educational centers, medical centers, and classes across the state of Kansas. T ...
, 2001), pp. 84–104 * Leja, Jan (1996), 'Rembrandt's "A Woman Bathing in a Stream, Woman Bathing in a Stream",'. ''Simiolus: Netherlands Quarterly for the History of Art'' 24(4): 320–327 * Leperchey, F. (2000), 'Apropos of the "Lesson in anatomy",'. ''Morphologie'' 84(266): 5–12.
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Leroy, Paul (1954), 'Rembrandt: Educator of Humanity,'. ''The American Scholar'' 23(3): 310–320 * Levesque, Catherine (2015), 'Rembrandt's Etched Angels: Traces of the Divine,'. ''Dutch Crossing'' 39(2): 118–127. * Liedtke, Walter (1989), 'Reconstructing Rembrandt: Portraits from the Early Years in Amsterdam (1631–34),'. ''Apollo'' 129: 323–331 * Liedtke, Walter (1992), 'Rembrandt and the Rembrandt Style,'. ''Apollo'' 135: 140–45 * Liedtke, Walter (2004), 'Rembrandt's 'Workshop' revisited,'. ''Oud Holland: Journal for Art of the Low Countries'' 117(1/2): 48–73 * Litsardopoulou, Nafsika (2016), 'On the Expression of Emotions in Rembrandt's Art,'. ''Philosophia'' 46(3): 665–688 * Livingstone, M. S.; Conway, B. R. (2004), 'Was Rembrandt stereoblind?,'. ''New England Journal of Medicine'' 351(12): 1264–1265. * Nigel Konstam, Konstam, Nigel (1977), 'Rembrandt's Use of Models and Mirrors,'. ''The Burlington Magazine'' 119(887): 94–98 * Macmillan, Duncan (2001), 'Rembrandt's intimate and tender eye,'. ''The Lancet'' 358(9283): 769–70 . * Magnien, Aline (2016), 'Auguste Rodin, Rodin à la lumière de Rembrandt ou "De quoi Rembrandt est-il le nom?",'. ''Revue de l'art'' 191: 51–60.
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Maleuvre, Didier (2016), 'Rembrandt, or the portrait as encounter,'. In: ''Imaging Identity: Media, Memory and Portraiture in the Digital Age'', edited by Melinda Hinkson. (Australia: ANU Press, 2016), pp. 15–35 * Mandell, J.B. (2005), 'Bathsheba's breast: Women, cancer & history,'. ''J Clin Invest'' 115(6): 1397. * Manuth, Volker (1993), 'Denomination and Iconography: The Choice of Subject Matter in the Biblical Painting of the Rembrandt Circle,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 22(4): 235–252 * Marcus, Esther-Lee; Clarfield, A. Mark (2002), 'Rembrandt's Late Self-Portraits: Psychological and Medical Aspects,'. ''The International Journal of Aging and Human Development'' 55(1): 25–49. * Marrades, Julián (2014), 'Rembrandt: la pintura y la visión,'. ''Pasajes'' 45: 83–90. n Spanish* Marsh, Clive (1997), 'Rembrandt Reads the Gospels: Form, Context and Theological Responsibility in New Testament Interpretation,'. ''Scottish Journal of Theology'' 50(4): 399–413. * Martin, Gregory (1967), 'A Rembrandt Self Portrait from His Last Year,'. ''The Burlington Magazine'' 109(771): 354–355 * Martin, John Rupert (1986), 'Portraits of Doctors by Rembrandt and Rubens,'. ''Proceedings of the American Philosophical Society'' 130(1): 7–20 * Masquelet, A. C. (2005), 'The Anatomy Lesson of Dr. Tulp,'. ''Journal of Hand Surgery'' 30(4): 379–81. * McHenry, Deni McIntosh (1989), 'Rembrandt's "Faust in His Study" Reconsidered: A Record of Jewish Patronage and Mysticism in Mid-Seventeenth-Century Amsterdam,'. ''Yale University Art Gallery Bulletin'' (Spring 1989): 9–19 * McQueen, Alison (2000), 'Reinventing the Biography, Creating the Myth: Rembrandt in Nineteenth-Century France,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 28(3): 163–180. * McQueen, Alison (2001), 'An Old Master Revivified: Rembrandt among 19th Century French Artists,'. ''Dutch Crossing'' 25(2): 221–242. * Michalski, Sergiusz (2002), 'Rembrandt and the Church Interiors of the Delft School,'. ''Artibus et Historiae'' 23(46): 183–93 * Mitchell, Dolores (1994), 'Rembrandt's "The Anatomy Lesson of Dr. Tulp": A Sinner among the Righteous,'. ''Artibus et Historiae'' 15(30): 145–156 * Mondero, NE.; Crotty, RJ.; West, RW. (2013), 'Was Rembrandt strabismic?,'. ''Optom Vis Sci.'' 90(9): 970–9. * Morris, Michael (2013), 'Realism and Representation: The Case of Rembrandt's Hat,'. ''European Journal of Philosophy'' 23(4): 909–932 * Müller, Jürgen (2013), 'Liebermann und Rembrandt - eine Skizze,'. In: Hedinger, Bärbel; Diers, Michael; Müller, Jürgen (eds.): ''Max Liebermann - Die Kunstsammlung. Von Rembrandt bis Manet''. (München, 2013), pp. 65–72. n German* Münz, Ludwig (1948), 'A Newly Discovered Late Rembrandt,'. ''The Burlington Magazine'' 90(540): 64–67 * Muth, Christopher C. (2017), 'Rembrandt's Senses: Lessons in 'Perceiving' the Patient,'. ''JAMA'' 317(8): 790–792. * Nevitt, Jr., H. Rodney (1997), 'Rembrandt's Hidden Lovers,'. ''Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art'' 48: 162–191 * Niekerk, Carl (2007), 'Gustav Mahler, Mahler, Rembrandt, and the Dark Side of German Culture,'. In: ''Legacies of Modernism: Art and Politics in Northern Europe, 1890–1950''. Edited by P. McBride, R. McCormick, M. Zagar. (New York: Palgrave, 2007), pp. 29–40 * Niekerk, Carl (2010), 'Rembrandt and the Margins of German Culture,'. In: ''Reading Mahler: German Culture and Jewish Identity in Fin-de-Siècle Vienna'', by Carl Niekerk. (Rochester, NY: Camden House, 2010), pp. 135–153 * Nieuwstraten, J. (1967), 'Haman, Rembrandt and Michelangelo,'. ''Oud Holland: Journal for Art of the Low Countries'' 82(1/2): 61–63. * Nordenfalk, Carl (1956), 'The new x‐rays of Rembrandt's Claudius Civilis,'. ''Konsthistorisk Tidskrift'' 25(1–4): 30–38 * Nutting, Catherine M. (2012), 'Embracing the Divine: Devotional Zeal and Mystical "Humanation" in Rembrandt's Annunciation Sketch,'. ''Illumine'' 11(1): 51–81 * O'Neill, Francis; Palazzo Corner, Sofia (2016), 'Rembrandt's self-portraits,'. ''Journal of Optics'' 18(8): 080401. * Orenstein, Nadine (2013), 'Rembrandt Looks to
Schongauer Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important ...
,'. ''JHNA: Journal of Historians of Netherlandish Art'' 5(2). * Erwin Panofsky, Panofsky, Erwin (1920), 'Rembrandt und das Judentum', ed. Lise Lotte Moller. ''Jahrbuch der Hamburger Kunstsammlungen'' 18[1973]: 75–108. n German* Parker, Andrew J. (2014), 'Revealing Rembrandt,'. ''Frontiers in Neuroscience'' 8(76). * Pereira, F. (2006), 'How Rembrandt reveals your beautiful, imperfect self. Life lessons from the master,'. ''Journal of the American Academy of Dermatology'' 55(4): 738–9. * Pericolo, Lorenzo (2010), 'Nude in Motion: Danaë (Rembrandt painting), Rembrandt's Danae, and the Indeterminacy of the Subject,'; in Alexander Nagel & Lorenzo Pericolo (eds.), ''Subject in Aporia in Early Modern Art''. (Aldershote: Ashgate, 2010), pp. 195–216 * Pericolo, Lorenzo (2014), 'The Golden Chain: Self-Portrait as Zeuxis Laughing, Rembrandt's Cologne Self-Portrait or the Tragicomic Excellence of Painting,'; in Antonio Bechelloni & Enzo Neppi (eds.), ''De Turin à Paris: Laura Malvano historienne de l'art et critique militante. Hommage à sa vie et son oeuvre''. ''Cahiers d'Études Italiennes'' 18: 131–47 * Perlove, Shelley (1989), 'Visual Exegesis: The Calvinist Context for Rembrandt's Etchings of the Life of Abraham,'. In: Shelley Perlove and Robert Baldwin: ''Impressions of Faith: Rembrandt's Biblical Etchings''. (Dearborn: University of Michigan-Dearborn, Mardigian Library, 1989), pp. 11–23 * Perlove, Shelley (2001), 'Perceptions of Otherness: Critical Responses to the Jews of Rembrandt's Art and Milieu (1836–1945),'. ''Dutch Crossing'' 25(2): 243–290. * Perlove, Shelley; Silver, Larry (2007), 'Rembrandt and the Dutch Catholics,'. '' Canadian Journal of Netherlandic Studies / Revue canadienne d'études néerlandaises'' 28: 53–75 * Piro, Joseph M. (2001), 'The Rembrandt Teaching Project: Promoting Multiple Literacies in Teaching and Learning,'. ''Art Education'' 54(3): 12–17. * Piro, Joseph M. (2007), 'Teaching Rembrandt,'. ''Humanities'' 28(6): 14–20 * Piro, Joseph M. (2008), 'Rembrandt and Collections of His Art in America: An NEH Curriculum Project,'. ''Journal of Aesthetic Education'' 42(2): 1–18. * Gustave Planche, Planche, Gustave (1853), 'Rembrandt, sa vie et ses oeuvres,'. Revue des deux mondes (1853)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Podro, Michael (1987), The Woman Taken in Adultery (Rembrandt), Rembrandt's Woman Taken in Adultery,'. ''Journal of the Warburg and Courtauld Institutes'' 50: 245–252. * Griselda Pollock, Pollock, Griselda (1974), 'Vincent van Gogh, Rembrandt and the
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
,'. ''The Burlington Magazine'' 116(860): 670–672 * Posèq, Avigdor W. G. (2009), 'A Proposal for Rembrandt's Two Versions of Slaughtered Ox,'. ''Artibus et Historiae'' 30(60): 271–6 * Preston, Frances L. (2001), 'Edme-François Gersaint, Gersaint on Rembrandt: 'a son seul genie','. ''Dutch Crossing: A Journal of Low Countries Studies'' 25(2): 200–220. * Proimos, Constantinos V. (2011), 'Forgiveness and Forgiving in Rembrandt's Return of the Prodigal Son (c. 1668),'. ''Art, Emotion and Value'' [5th Mediterranean Congress of Aesthetics] (2011): 291–300 * Proust, Marcel (1895), ' Chardin et Rembrandt' [unfinished essay]
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Prymak, Thomas M. (2011), 'the Polish Rider, Rembrandt's 'Polish Rider' in its East European Context,'. ''The Polish Review'' 56(3): 159–86 * Quodbach, Esmée (2005), '"Rembrandt's 'Gilder' Is Here": How America Got Its First Rembrandt and France Lost Many of Its Old Masters,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 31(1/2): 90–107 * Rassieur, Tom (2001), 'When Things Get Rough for Rembrandt,'. ''Georgia Museum of Art Bulletin'' 21: 41–76 * Rich, Daniel Catton (1935), 'Rembrandt Remains,'. ''Parnassus'' 7(5): 3–5. * Paul Ricoeur, Ricoeur, Paul (1992),' Sur un autoportrait de Rembrandt,'. ''Perspektiven der Philosophie'' 18: 135–139.
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Riegl, Alois (1902), 'Das Holländische Gruppenporträt,'. ''Jahrbuch des allerhöchstens Kaiserhauses'' XXII: 71–278. n German* Riphagen, Marianne (2011), 'Darren Siwes: Dialogue with Rembrandt,'. ''Artlink'' 31(2): 78–81 * Robinson, Franklin W. (1967), 'Rembrandt's Influence in Eighteenth Century Venice,'. ''Nederlands Kunsthistorisch Jaarboek / Netherlands Yearbook for History of Art'' 18(1): 167–196. * Robinson, Franklin W. (1980), 'Puns and Plays in Rembrandt's Etchings,'. ''The Print Collector's Newsletter'' 11(5): 165–168 * Robinson, William W. (1998), 'Five Black Chalk Figure Studies by Rembrandt,'. ''Master Drawings'' 38(1): 36–46 * Rosenberg, Jakob (1956), 'Rembrandt the Draughtsman with Consideration of the Problem of Authenticity,'. ''Daedalus'' 86(2): 122–136 * Rosler R.; Young, P. (2011), 'La lección de anatomía del doctor Nicolaes Tulp: el comienzo de una utopía médica,' [The anatomy Lesson of Dr. Nicolaes Tulp: The beginning of a medical utopia]. ''Rev Med Chil.'' 139(4): 535–41. n Spanish* Rösler A.; Hofmann, M.; Mackenzie, M.; Harris, A.; Mapstone, M. (2001), 'Über „Successful Aging" hinaus: Rembrandt in seinen Selbstbildnissen,' [Beyond successful aging: Rembrandt in his self-portraits]. ''Psychiatr Prax.'' 28(2): 88–90. n German* Rosales-Rodríguez, Agnieszka (2008), 'Nieuchwytny obraz Rembrandta. Georga Simmla filozoficzna próba interpretacji oeuvre holenderskiego mistrza,'. ''Rocznik Historii Sztuki'' 33: 247–258. . n Polish* Rosales-Rodríguez, Agnieszka (2008), 'Rembrandtowska "sztuka wyklęta". Mit zbuntowanego geniusza w XIX-wiecznej krytyce artystycznej i malarska polemika z akademizmem,' [Rembrandt's 'Cursed Art'. The Myth of Rebellious Genius in the 19th Century Artistic Criticism and Painting Polemics with Academism]. ''Rocznik Historii Sztuki'' 33: 231–245. . n Polish* Rosales-Rodríguez, Agnieszka (2014), 'Wspólna twarz – Różewicz, Rembrandt i starość,' [The common face: Różewicz, Rembrandt and old age]. ''Przestrzenie Teorii'' 21: 167–180. . n Polish* Rotermund, Hans-Martin (1952), 'The Motif of Radiance in Rembrandt's Biblical Drawings,'. ''Journal of the Warburg and Courtauld Institutes'' 15(3/4): 101–121 * Rotermund, Hans-Martin (1952), 'Rembrandt und Die Religiösen Laienbewegungen in Den Niederlanden Seiner Zeit,'. ''Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art'' 4(1): 104–230. n German* Rothenberg, Albert (1999), 'Rembrandt's self portraits: the creative process'. Paper presented at the annual meeting of the American Psychological Association, Boston, MA, 20–24 August 1999 * Albert Rothenberg, Rothenberg, Albert (1999), 'Depression, physical illness, and the faces of Rembrandt,'. ''The Lancet'' 354(9187): 1392. * Rothenberg, Albert (2008), 'Rembrandt's Creation of the Pictorial Metaphor of Self,'. ''Metaphor & Symbol'' 23(2): 108–29. * Rosso, Corrado (1986), 'Diderot et Rembrandt: Une occasion perdue,'; in ''Diderot: Les Beaux-Arts et la musique''. (Aix-en-Provence: Université de Provence, 1986), pp. 25–42 * Royalton-Kisch, Martin (1989), 'Rembrandt's Sketches for His Paintings,'. ''Master Drawings'' 27(2): 128–145 * Royalton-Kisch, Martin (1991), 'Rembrandt's Drawing of "The Entombment of Christ" over "The Raising of Lazarus",'. ''Master Drawings'' 29(3): 263–283 * Royalton-Kisch, Martin (1993), 'Rembrandt, Zomer, Zanetti and Smith,'. ''Print Quarterly'' 10(2): 111–122 * Royalton-Kisch, Martin (2000), 'From Rembrandt to Constantijn à Renesse, Van Renesse: Some Re-Attributed Drawings,'. ''The Burlington Magazine'' 142(1164): 157–164 * Royalton-Kisch, Martin; Schatborn, Peter (2011), 'The Core Group of Rembrandt Drawings, II: The List,'. ''Master Drawings'' 49(3): 323–346 * Rubinstein, Gregory (2011), 'Brief Encounter: The Early Drawings of Jan Lievens and Their Relationship with Those of Rembrandt,'. ''Master Drawings'' 43(3): 352–370 * Rubiś, Wojciech; Tendera, Paulina (2014), 'Artistic Thinking – Thinking of the Essence (the Self-portraits of Rembrandt van Rijn),'. ''Estetyka i Krytyka'' 34(3): 101–118 * Russell, Margarita (1977), ' The Iconography of Rembrandt's "The Rape of Ganymede (Rembrandt), Rape of Ganymede",'. ''Simiolus: Netherlands Quarterly for the History of Art'' 9(1): 5–18 * Rutgers, Jaco (2004), 'A Source for Rembrandt's "Beheading of St John the Baptist",'. ''Print Quarterly'' 21(2): 154–156 * Sabar, Shalom (2008), 'Between Calvinists and Jews: Hebrew Script in Rembrandt's Art,'. In: ''Beyond the Yellow Badge: Anti-Judaism and Antisemitism in Medieval and Early Modern Visual Culture''. Edited by Mitchell B. Merback. (Leiden: Brill, 2008), pp. 371–404 * Salcman, Michael (1995), 'The Anatomy Lesson of Dr. Deyman, Rembrandt van Rijn,'. ''Neurosurgery'' 36(4): 865–866. * Samis, Peter S (1990), 'Aemulatio Rembrandti: The Nineteenth-Century Printmaker Flameng and His Prises/Crises de Conscience,'. ''Gazette des Beaux-Arts'' 6: 243–260 * Scallen, Catherine B. (1997), 'Rembrandt's Nocturne Prints,'. ''Art On Paper'' 1(3): 13–17 * Scallen, Catherine B. (1998), 'Rembrandt and the Northern Renaissance,'. In: Laurinda S. Dixon, ed., ''In Detail: New Studies of Northern Renaissance Art in Honor of Walter S. Gibson'', Turnhout, 1998, pp. 135–150 * Scallen, Catherine B. (1999), 'Rembrandt's Reformation of a Catholic Subject: the Repentant and the Penitent Saint Jerome,'. ''Sixteenth Century Journal'' 30(1): 71–88 * Scallen, Catherine B. (2001), 'Guarding the Borders of Rembrandt Connoisseurship,'. ''Dutch Crossing: Journal of Low Countries Studies'' 25(2): 291–304. * Scallen, Catherine B. (2002), 'Rembrandt in the Nineties,'. In: Alan Chong and Michael Zell, eds., ''Rethinking Rembrandt'', Boston and Zwolle, 2002 * Scallen, Catherine B. (2006), 'Connoisseurships of Rembrandt,'. In: Michiel Roscam Abbing, ed., ''Around Rembrandt. Collected Essays on the Occasion of Rembrandt's 400th Anniversary'', Foleor Press, 2006, pp. 63–73 * Scallen, Catherine B. (2009), 'The Global Rembrandt,'. In: ''Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd International Congress in the History of Art'', edited by Jaynie Anderson. (Carlton: Miegunyah Press, 2009), pp. 263–267 * Scallen, Catherine B. (2017), 'Do mistakes always matter? Jakob Rosenberg's Rembrandt Life and Work','. ''Journal of Art Historiography'' 16 (June 2017) * Schama, Simon (1985), 'Rembrandt and Women,'. ''Bulletin of the American Academy of Arts and Sciences'' 38(7): 21–47. * Schatborn, P. (1989), 'Notes on Early Rembrandt Drawings,'. ''Master Drawings'' 27(2): 118–127 * Schatborn, P.; et al. (2011), 'The Core Group of Rembrandt Drawings,'. ''Master Drawings'' 49: 293–351 * Scheller, R.W. (1961), 'Rembrandt's Reputatie van Houbraken tot Scheltema,'. ''Nederlands Kunsthistorisch Jaarboek'' 12: 81–119.
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Scheller, R.W. (1968), 'Rembrandt en de Encyclopedische Verzameling,'. ''Oud-Holland'' 84: 81–147.
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schildkraut, J.J. (2004), 'Saint Jerome in a Dark Chamber: Rembrandt's Metaphoric Portrayal of the Depressed Mind,'. ''American Journal of Psychiatry'' 161(1): 26–27. * Schirillo, James A. (2000), 'Hemispheric asymmetries and gender influence Rembrandt's portrait orientations,'. ''Neuropsychologia'' 38(12): 1593–606 * Schirillo, James A.; Susi, T.; Burdette, J.; Laurienti, P. (2002), 'Viewing portraits by Rembrandt: fMRI reveals cerebellar and prefrontal cortical involvement,'. ''Journal of Vision'' 2(7): 593. * Schirillo, James A.; Fox, Melissa A. (2006), 'Rembrandt's Portraits: Approach or Avoid?,'. ''Leonardo'' 29(3): 253–256 * Schirillo, James A. (2007), 'Gender's effect on the hemispheric laterality of Rembrandt's portraits,'. ''Spatial Vision'' 21: 19–26. * Schirillo, James A.; J. Powell, W.R. (2008), 'Fearing Rembrandt's male portraits (Hess Revisited),'. ''Journal of Vision'' 8(6): 711. * Schirillo, James A.; Powell, W.R. (2011), 'Hemispheric laterality measured in Rembrandt's portraits using pupil diameter and aesthetic verbal judgements,'. ''Cognition & Emotion'' 25(5): 868–885. * Schirillo, James A. (2013), 'Pupil dilations reflect why Rembrandt biased female portraits leftward and males rightward,'. ''Frontiers in Human Neuroscience'' 7: 938. * Schmidt-Degener, F. (1919), 'Rembrandt en Joost van den Vondel, Vondel,'. ''De Gids'' 83: 264–66.
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Schwartz, Frederic (1989), '"The Motions of the Countenance": Rembrandt's Early Portraits and the Tronie,'. ''RES: Anthropology and Aesthetics'' 17/18: 89–116 * Schwartz, Gary (1978), 'Rembrandt: ‘Connoisseurship’ et érudition,'. ''Revue de l'art'' 42: 100–6 * Schwartz, Gary (1985), 'Rembrandt's David and Mephiboseth: a Forgotten Subject from Vondel,'. In: ''Tribute to Lotte Brand Philip: Art Historian and Detective''. (New York: Abaris Books, 1985), pp. 166–74 * Schwartz, Gary (1985), 'Rembrandt's Patrons Among the Clans of Holland,'. ''Dutch Crossing'' 9(27): 3–16. * Schwartz, Gary (2001), 'The Clones make the Master: Rembrandt in 1650,'. In: ''Horizonte: Beiträge zu Kunst und Kunstwissenschaft , Horizons: essais sur l'art et sur son histoire , orizzonti: saggi sull'arte e sulla storia dell'arte , Horizons: essays on art and art research''. (Zürich: Schweizerisches Institut für Kunstwissenschaft, 2001), pp. 53–64 * Schwartz, Gary (2009), 'Rembrandt's Hebrews,'. ''Jahrbuch der Berliner Museen'' 51: 33–38. [Beiheft. Rembrandt — Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006]. * Schwartz, Gary (2013), 'Rembrandt's Dürer'. (The text of a talk delivered by Gary Schwartz on 9 March 2013 at the opening of a sales exhibition of work on paper by both artists at Christopher-Clark Fine Art, 377 Geary Street, San Francisco) * Schwartz, Gary (2014), 'A Corpus of Rembrandt Paintings as a Test Case for Connoisseurship,'. In: ''Connoisseurship: I'oeil, la raison et I'instrument'', ed. Patrick Michel. (Paris: École du Louvre, 2014), pp. 229–37 * Schwartz, Gary (2014), 'The Meanings of Rembrandt,'. In: ''Rembrandt and the Dutch Golden Age'' xh. cat. (Budapest: Szépmüvészeti Múzeum, 2014), pp. 36–57 * Sciolla, Gianni Carlo (2006), 'La Visitazione di Rembrandt già a Torino. Una rilettura critica,'. ''Artibus et Historiae'' 27(54): 191–199. n Italian* Seidenstein, Joanna Sheers (2016), 'Grace, Genius, and the Longinian Sublime in Aristotle with a Bust of Homer, Rembrandt's Aristotle with a Bust of Homer,'. ''JHNA: Journal of Historians of Netherlandish Art'' 8(2). * Shapiro, Barbara Stern (1986), 'Camille Pissarro, Rembrandt and the Use of Tone,'. In: ''Studies on Camille Pissarro'', edited by Christopher Lloyd. (New York: Routledge & Kegal Paul, 1986), pp. 123–35 * Slatkes, Leonard J. (1980), 'Hansken, Rembrandt's Elephant,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 11(1): 7–13 * Slive, Seymour (1953), 'Rembrandt and His Contemporary Critics,'. ''Journal of the History of Ideas'' 14(2): 203–220 * Slive, Seymour (1964), 'Rembrandt's 'Self-Portrait in a Studio','. ''The Burlington Magazine'' 106(740): 482–487 * Slive, Seymour (1965), 'An Unpublished Head of Christ by Rembrandt,'. ''The Art Bulletin'' 47(4): 407–417. * Sluijter, E.J. (1999), 'Emulating Sensual Beauty: Representations of Danaë from Jan Gossaert, Gossaert Danaë (Rembrandt painting), to Rembrandt,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 27(1/2): 4–45 * Sluijter, E.J. (2009), 'Rembrandt and the Rules of Art Revisited,'. ''Jahrbuch der Berliner Museum'' 51: 121–129 * Sluijter, E.J. (2010), 'Rembrandt's Portrayal of the Passions and Vondel's ‘Staetveranderinge’,'. ''Nederlands Kunsthistorisch Jaarboek'' 60: 285–304 * Sluijter, E.J. (2014), 'How Rembrandt surpassed the Ancients, Italians and Rubens as the Master of ‘the Passions of the Soul','. ''BMGN – Low Countries Historical Review'' 129(2): 63–89. * Sluijter, E.J. (2017), 'Bartholomeus Breenbergh, Breenbergh and Rembrandt in Dialogue,'. ''JHNA: Journal of Historians of Netherlandish Art'' 9(1). * Smith, David R. (1982), 'Rembrandt's Early Double Portraits and the Dutch Conversation Piece,'. ''The Art Billetin'' 64(2): 259–288 * Smith, David R. (1995), 'Inversion, Revolution, and the Carnivalesque in Rembrandt's "Civilis",'. ''RES: Anthropology and Aesthetics'' 27: 89–110 * Smith, E.R.; du Rand, J.A. (2004), '"Preacher" Dexter Reading and Presentation. Rembrandt's, the Philosopher, in a Contemporary Age,'. ''Acta Patristica et Byzantina'' 15(1): 233–253. * Smith, Ralph A. (2008), 'Rembrandt, Educational Standards, and Policy,'. ''Arts Education Policy Review'' 109(5): 3–8. * Smith, Ralph A. (2008), 'Rembrandt and Learning,'. ''The Journal of Aesthetic Education'' 4(2): 101–114 * Stechow, Wolfgang (1944), 'Rembrandt – Democritus,'. ''Art Quarterly'' 7: 233–238 * Wolfgang Stechow, Stechow, Wolfgang (1968), 'Some Observations on Rembrandt and Pieter Lastman, Lastman,'. ''Oud Holland: Journal for Art of the Low Countries'' 84(2/3): 148–162 * Steiner, Gary (2010), 'The Cultural Significance of Rembrandt's "Anatomy Lesson of Dr. Nicolaas Tulp",'. ''History of European Ideas'' 36(3): 273–279. * Stone-Ferrier, Linda (1985), 'Views of Haarlem: A Reconsideration of Jacob van Ruisdael, Ruisdael and Rembrandt,'. ''The Art Bulletin'' 67(3): 417–436. * Stratton, Susan (1986), 'Rembrandt's Beggars: Satire and Sympathy,'. ''The Print Collector's Newsletter'' 17(3): 78–82 * Stumpel, Jeroen (2000), 'A Twelfth Attempt: The Subject of Rembrandt's "History Piece" in Leiden,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 28(1/2): 44–50 * Sullivan, Scott A. (1980), 'Rembrandt's Self-Portrait with a Dead Bittern,'. ''The Art Bulletin'' 62(2): 236–243 * Talbierska, Jolanta (2008), 'Twórczość graficzna Rembrandta van Rijn. Nowe perspektywy badawcze dzieła graficznego,' [Graphic art of Rembrandt van Rijn. New research perspectives of the graphic work]. ''Rocznik Historii Sztuki'' 33: 65–127. n Polish* Talley, Mansfield Kirby Jr. (1989), 'Connoisseurship and the Methodology of the Rembrandt Research Project.'. ''International Journal of Museum Management and Curatorship'' 8(2): 175–214. * Ten Kate, J.J.; Jennekens, F.G.I.; Vos-Niël, J.M.E. (2009), 'Rembrandt's 'Beggar with a Wooden Leg' and Other Comparable Prints,'. ''The Journal of Bone and Joint Surgery'' 91(2): 278–282. * Tolstoy, Helen (2017), 'Rembrandt,'. Chapter 9, in: Helen Tolstoy, ''Akim Volynsky: A Hidden Russian-Jewish Prophet'', translated and copyedited by Simon Cook. (Boston: Brill, 2017), pp. 160–178 * Tribout-Joseph, Sarah (2012), 'The Art Market in Proust: A Comparative Study of the Treatment of Rembrandt and the Salon Painter Gleyre in Proust,'. In: ''Proust and the Visual'', edited by Nathalie Aubert, 1st ed., University of Wales Press, 2012, pp. 149–166 * Tümpel, Christian (1968), 'Ikonographische Beiträge zu Rembrandt. Zur Deutung und Interpretation seiner Historien,'. ''Jahrbuch der Hamburger Kunstsammlungen'' 13: 95–126. n German* Tümpel, Christian (1969), 'Studien zur Ikonographie der Historien Rembrandts. Deutung und Interpretation der Bildinhalte,'. ''Nederlands Kunsthistorisch Jaarboek'' 20: 107–198. n German* Tümpel, Christian (1971), 'Ikonographische Beiträge zu Rembrandt. Zur Deutung und Interpretation einzelner Werke,'. ''Jahrbuch der Hamburger Kunstsammlungen'' 16: 20–38. n German* Tuman, Donna M. (2008), 'The Changing Face of Rembrandt: Pedagogy, Politics, and Cultural Values in American Art Education,'. ''The Journal of Aesthetic Education'' 42(2): 57–67 * Valentiner, Wilhelm R. (1931), 'Rembrandt Drawings in the Havemeyer Collection,'. ''Metropolitan Museum Studies'' 3(2): 135–146 * Valentiner, Wilhelm R. (1948), 'Rembrandt's Conception of Historical Portraiture,'. ''Art Quarterly'' 11(1948): 117–135 * Van Breda, Jacobus (1997), 'Rembrandt Etchings on Oriental Papers: Papers in the Collection of the National Gallery of Victoria,'. ''Art Bulletin of Victoria'' 38 (1997): 25–38 * Van de Waal, H. (1956), 'The iconological background of Rembrandt's Civilis,'. ''Konsthistorisk Tidskrift'' 25(1–4): 11–25. * Van de Wetering, Ernst; Broekhoff, Paul (1996), 'New Directions in the Rembrandt Research Project, Part I: The 1642 Self-Portrait in the Royal Collection,'. ''The Burlington Magazine'' 138(1116): 174–180 * Van de Wetering, Ernst (1997), 'The Miracle of Our Age: Rembrandt through the Eyes of His Contemporaries,'. In: Albert Blankert, et al. (eds.): ''Rembrandt: A Genius and His Impact'' [Exhibition Catalogue National Gallery of Victoria]. (Zwolle: Waanders, 1997), pp. 58–68 * Van de Wetering, Ernst (1999), 'The Multiple Functions of Rembrandt's Self Portraits,'. In: ''Rembrandt by Himself'', edited by Christopher White and Quentin Buvelot. (London: National Gallery Publications, 1999), pp. 8–37 * Van de Wetering, Ernst (2001), 'Delimiting Rembrandt's Autograph Oeuvre – an Insoluble Problem,'. In: ''The Mystery of the Young Rembrandt'', edited by Ernst van de Wetering and Bernhard Schnackenburg. [Exh. cat. Kassel, Staatliche Museen Kassel, Gemäldegalerie Alte Meister, Schloss Wilhelmshöhe; Amsterdam: Museum Het Rembrandthuis]. (Wolfratshausen, 2001), pp. 58–81 * Van de Wetering, Ernst (2001), 'Rembrandt's Beginnings: An Essay,'. In: Ernst van de Wetering, Bernhard Schnackenburg, et al., ''The Mystery of the Young Rembrandt''. (Amsterdam: Museum Het Rembrandthuis, 2001), pp. 22–57 * Van de Wetering, Ernst (2001), 'Thirty Years of the Rembrandt Research Project: The Tension Between Science and Connoisseurship in Authenticating Art,'. ''IFAR Journal'' 4(2): 14–26 * Van de Wetering, Ernst (2005), 'Rembrandt's Self-Portraits: Problems of Authenticity and Function,'. In: Ernst van de Wetering et al., ''A Corpus of Rembrandt Paintings IV: The Self-Portraits''. (Dordrecht: Springer, 2005), pp. 89–317 * Van de Wetering, Ernst (2006), 'Rembrandt's Oil Studies: New Light on an Old Problem,'. In: ''Rembrandt: Quest of a Genius''. (Amsterdam: Rembrandthuis; Zwolle: Waanders, 2006), pp. 179–209 * Van de Wetering, Ernst (2006), 'Rembrandt as a Searching Artist,'. In: Ernst van de Wetering, et al., ''Rembrandt: Quest of a Genius''. (Amsterdam: Museum Het Rembrandthuis, 2006), pp. 79–124 * Van de Wetering, Ernst (2008), 'Connoisseurship and Rembrandt's Paintings: New Directions in the Rembrandt Research Project, Part II,'. ''The Burlington Magazine'' 150(1259): 83–90 * Van de Wetering, Ernst (2008), 'The Various Functions of Rembrandt's Self-Portraits,'. In: B. Leca et al., ''Rembrandt: Three Faces of the Master'' xhib. cat. (Cincinnati: Cincinnati Art Museum, 2008), pp. 51–71 * Van de Wetering, Ernst (2011), 'More than one hand in paintings by Rembrandt,'. In: Ernst Van De Wetering, et al. (eds.): ''A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings''. (Dordrecht: Springer, 2011), pp. 311–321 * Van de Wetering, Ernst (2011), 'Towards a Reconstruction of Rembrandt's Art Theory,'. 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(2013), 'Willem de Poorter: Rembrandt/Not Rembrandt Pupil,'. ''JHNA: Journal of Historians of Netherlandish Art'' 5(2). * Wasserman, Burton (1970), 'Rembrandt: A Legacy of Eloquence,'. ''Art Education'' 23(3): 19–23. * Weber, Gregor J. M. (2017), 'Rembrandt in Kassel: The Relativity of Eighteenth-Century Connoisseurship,'. ''Kyoto Studies in Art History'' 2: 73-82. * Weisz, George M.; Albury, William R. (2013), 'Rembrandt's Jewish Physician—Dr Ephraim Bueno (1599–1665): A Brief Medical History,'. ''Rambam Maimonides Medical Journal'' 4(2): e0010. * Weisz, George M.; Albury, William R. (2015), 'Diseases of Old Age in Two Paintings by Rembrandt,'. ''Rambam Maimonides Medical Journal'' 6(4): e0042. * Wertheim, David J. (2010), 'The Symbolic Meaning of a Presumed Relationship: Rembrandt and Spinoza in German Literature, 1890–1934,'. 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Jahrhunderts in Quellen'', edited by Claudia Fritzsche, Karin Leonhard and Gregor Weber. (Petersberg: Michael Imhof Verlag, 2013), pp. 305–30 * Weststeijn, Thijs (2016), 'The Sublime and the "Beholder's Share": Franciscus Junius (the younger), Junius, Rubens, Rembrandt,'. ''JHNA: Journal of Historians of Netherlandish Art'' 8(2). * White, Howard (1974), 'Rembrandt and the Human Condition,'. ''Interpretation: A Journal of Political Philosophy'' 4(1): 17–37 * White, Raymond; Kirby, Jo (1994), 'Rembrandt and his Circle: Seventeenth-Century Dutch Paint Media Re-examined,'. ''National Gallery Technical Bulletin'' 15: 64–78 * Wischnitzer, Rachel (1957), 'Rembrandt, Jacques Callot, Callot, and Tobias Stimmer,'. ''The Art Bulletin'' 39(3): 224–230 * Wiser, Itay; Parnass, Adam J.; Rachmiel, Ronny; Westreich, Melvyn; Friedman, Tali (2016), 'Rembrandt's Ocular Pathologies,'. ''Ophthalmic Plastic and Reconstructive Surgery'' 32(4): 305–309 * Wright, J. Lenore (2007), 'Reading Rembrandt: The Influence of Cartesianism, Cartesian Mind–body dualism, Dualism on Dutch Golden Age painting, Dutch Art,'. ''History of European Ideas'' 33(3): 275–291. * Yanisky-Ravid, Shlomit (2017), 'Generating Rembrandt: Artificial Intelligence, Copyright, and Accountability in the 3A Era—The Human-Like Authors are Already Here—A New Model,'. ''Michigan State Law Review'' 659[2017] * Zell, Michael (2000), 'Encountering Difference: Rembrandt's Presentation in the Dark Manner,'. ''Art History'' 23(4): 496–521 * Zell, Michael (2003), 'A Leisurely and Virtuous Pursuit: Amateur Artists, Rembrandt, and Landscape Representationin Seventeenth-Century Holland,'. ''Nederlands Kunsthistorisch Jaarboek'' 54: 337–373 * Zell, Michael (2008), 'Eduard Kolloff and the Historiographic Romance of Rembrandt and the Jews,'. ''Simiolus: Netherlands Quarterly for the History of Art'' 28: 181–97 * Zell, Michael (2011), 'Rembrandt's Gifts: A Case Study of Actor–network theory, Actor-Network-Theory,'. ''JHNA: Journal of Historians of Netherlandish Art'' 3(2). * Zielonka, Anthony (2008), Eugène Fromentin and Rembrandt's Painterly Language of Light,'. ''Romance Quarterly'' 55(3): 231–240. * Ziemba, Antoni (2008), 'Nowa wizja osobowosci i tworczosci Rembrandta: dwie wystawy roku rembrandtowskiego (i jeden obraz polski),' [A New Vision of Rembrandt's Personality and Creativity: Two Exhibitions of the Rembrandt Year (and One Polish Picture)]. ''Rocznik Historii Sztuki'' 33: 29–44. n Polish* Zimmerman, E. (1991), 'Rembrandt to Rembrandt: A case study of a memorable painting teacher of artistically talented 13 to 16 year‐old students,'. ''Roeper Review'' 13(2): 76–81. * Zlotnick, A. (1998), 'Rembrandt's self-portrait,'. ''The Lancet'' 351(9106): 915. * Żygulski, Zdzisław (2000), 'Further Battles for the "Lisowczyk" (The Polish Rider, Polish Rider) by Rembrandt,'. ''Artibus et Historiae'' 21(41): 197–205.


Literary works (e.g. poetry and fiction)

* Balm, Alfred: ''The Fake Rembrandt''. (2017) * Berg, Janet Lee: ''Rembrandt's Shadow''. (New York, NY: Post Hill Press, 2016) * Aloysius Bertrand, Bertrand, Aloysius: ''Gaspard de la Nuit (poetry collection), Gaspard de la Nuit - Fantaisies à la manière de Rembrandt et de Jacques Callot, Callot'' [Gaspard of the Night - Fantasies in the Manner of Rembrandt and Callot] (1842)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Christopher, Paul: ''Rembrandt's Ghost'' [A Finn Ryan Novel, 3]. (Berkley, 2007) * Connor, Alexandra: ''The Rembrandt Secret''. (London: Quercus Publishing, 2011) * Connor, Alexandra: ''The Other Rembrandt''. (New York: SilverOak, 2011) * Cullen, Lynn: ''I Am Rembrandt's Daughter''. (New York: Bloomsbury, 2007) * De Vries, Theun: ''Rembrandt''. (Amsterdam, 1931) * Devereux, Kim: ''Rembrandt's Mirror''. (London: Atlantic Books, 2015) * Johnston, Michael: ''Rembrandt Sings: A Tale of Forgery, Deceit, Sex And, Quite Possibly, Murder''. (United Kingdom: Akanos, 2012) * Kastner, Jörg: ''Het blauw van Rembrandt''. (Uithoorn: Karakter Uitgevers B.V., 2019)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Katz, Monroe: ''Sparring with Rembrandt''. (Silverado Books, 2010) * Koot, Raymond (a.k.a. Typex): ''Rembrandt''. (London: SelfMadeHero, 2013) * Mikhail Lermontov, Lermontov, Mikhail: ''To the Picture of Rembrandt'' (poem, 1830) n Russian* Matton, Sylvie: ''Moi, la Putain de Rembrandt''. (Paris: Plon, 1998)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Matton, Sylvie: ''Ik, Hendrickje Stoffels: Het leven van de minnares van Rembrandt''. [Vertaling: Nini Wielink]. (Amsterdam: Arena, 1999)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Matton, Sylvie: ''Rembrandt's Whore''. Translated from the French by Tamsin Black. (New York: Canongate, 2003) * McEntyre, Marilyn Chandler: ''Drawn to the Light: Poems on Rembrandt's Religious Paintings''. (Grand Rapids, Michigan: Wm.B. Eerdmans Publishing, 2004) * Sarah Emily Miano, Miano, Sarah Emily: ''Van Rijn''. (London: Picador, 2006) * Miano, Sarah Emily: ''Van Rijn. Biografische roman''. [Vertaling: Sjaak de Jong & Marijke Versluys]. (Amsterdam: De Bezige Bij, 2006)
n Dutch N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* Moore, Steven M.: ''Rembrandt's Angel''. (Penmore Press, 2017) * Padel, Ruth: ''Rembrandt Would Have Loved You'' [Chatto Poetry]. (London: Chatto & Windus, 1998) * Gladys Schmitt, Schmitt, Gladys: ''Rembrandt''. (New York: Random House, 1961) * Siegal, Nina: ''The Anatomy Lesson''. (New York: Doubleday, 2014) * Daniel Silva (novelist), Silva, Daniel: ''The Rembrandt Affair''. (New York, NY: Berkley Books, 2011) * Ternar, Yeshim: ''Rembrandt's Model''. (Montreal: Véhicule Press, 1998) * Warner, Francis: ''Rembrandt's Mirror'' [Oxford Theatre Texts, 14]. (Colin Smythe Limited, 2000) * David Weiss (novelist), Weiss, David: ''I, Rembrandt''. (New York: St. Martin's Press, 1979) * Edith Wharton, Wharton, Edith: ''The Rembrandt'', in ''Crucial Instances'' (short story collection, 1901) * Carl Zuckmayer, Zuckmayer, Carl: ''Rembrandt. Ein Film''. (Frankfurt am Main: Fischer Taschenbuch Verlag, 1980) n German


Films

* ''The Stolen Rembrandt'' (1914 film directed by Leo D. Maloney and J.P. McGowan) * ''Die Tragödie eines Großen'' [The Tragedy of a Great Man] (1920 film directed by Arthur Günsburg) * ''The Missing Rembrandt'' (1932 film directed by Leslie S. Hiscott) * ''Rembrandt (1936 film), Rembrandt'' (1936 film directed by Alexander Korda) * ''Rembrandt (1940 film), Rembrandt'' (1940 film) * ''Rembrandt (1942 film), Rembrandt'' (1942 film directed by Hans Steinhoff) * ''Rembrandt in de schuilkelder'' [Rembrandt in the Bunker] (1941 film directed by Gerard Rutten) * ''Rembrandt, schilder van de mens'' [Rembrandt, Painter of Man] (1957 film directed by Bert Haanstra) * ''Rembrandt fecit 1669'' (1977 film directed by Jos Stelling) * ''Rembrandt (1999 film), Rembrandt'' (1999 film directed by Charles Matton) * '':it:Rembrandt: Fathers & Sons, Rembrandt: Fathers & Sons'' (1999 film directed by David Devine) * ''Stealing Rembrandt'' (2003 film directed by Jannik Johansen and Anders Thomas Jensen) * ''Nightwatching'' (2007 film directed by Peter Greenaway) * '':nl:Rembrandt en ik, Rembrandt en ik'' (2011 film directed by Marleen Gorris)


Documentaries

* ''Rembrandt: A Self-Portrait'' (1954 documentary film by Morrie Roizman) * ''Rembrandt: The Public Eye and the Private Gaze'' (Simon Schama, BBC, 1992) * ''Simon Schama's Power of Art: Rembrandt'' (2006 BBC documentary film series by Simon Schama) * ''Rembrandt's J'Accuse'' (2008 documentary film by Peter Greenaway) * ''Schama on Rembrandt: Masterpieces of the Late Years'' (2014 documentary film by Simon Schama) * ''Rembrandt: From the National Gallery, London and Rijksmuseum, Amsterdam'' (2014 documentary film by Kat Mansoor)


Lectures and conferences

* ''Rembrandt – Wissenschaft auf der Suche'' [Rembrandt – The Quest of Scholarship]. Beiträge des Internationalen Symposiums Berlin: 4. und 5. November 2006 * ''Learning and Teaching with Rembrandt: Cross-Disciplinary Approaches to the Master Etcher'' [Symposium]. ( Herbert F. Johnson Museum of Art,
Cornell University Cornell University is a private statutory land-grant research university based in Ithaca, New York. It is a member of the Ivy League. Founded in 1865 by Ezra Cornell and Andrew Dickson White, Cornell was founded with the intention to tea ...
, 28 October 2017) * ''Rembrandt et nous'', André Malraux (Stockholm: National Museum of Stockholm, 1956)
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* ''Le visage dans l'œuvre gravé de Rembrandt'', Claude-Jean Darmon, Académie des beaux-arts, conférence prononcée le 17 avril 2013
n French N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
* ''Walter William Spencer Cook, Walter W. S. Cook Annual Lecture:
Hercules Segers Hercules Pieterszoon Seghers or Segers ( 1589 – 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equall ...
and Rembrandt, the Eccentric and the Traditionalist'', Nadine Orenstein (New York University Institute of Fine Arts, 26 April 2017)


Visual arts

* Rembrandtplein * Tadeusz Kantor, Kantor, Tadeusz: ''Lekcja anatomii wedle Rembrandta'' [The Anatomy Lesson according to Rembrandt]. (Galerii Foksal, Warszawa, 1969)


See also

* :Cultural depictions of Rembrandt, Cultural depictions of Rembrandt * List of drawings by Rembrandt * List of etchings by Rembrandt * List of paintings by Rembrandt * Self-portraits by Rembrandt, List of self-portraits by Rembrandt * List of Rembrandt pupils * List of Rembrandt connoisseurs and scholars * List of things named after Rembrandt van Rijn


References

{{DEFAULTSORT:Works about Rembrandt Works about Rembrandt, * Rembrandt studies, * Bibliographies of people, Rembrandt Visual arts bibliographies Works about artists, Rembrandt Arts-related lists, Rembrandt